[1]
Agent of Deterioration: Incorrect Relative Humidity: http://www.cci-icc.gc.ca/caringfor-prendresoindes/articles/10agents/chap10-eng.aspx.
[2]
Agent of Deterioration: Light, Ultraviolet and Infrared: http://www.cci-icc.gc.ca/caringfor-prendresoindes/articles/10agents/chap08-eng.aspx.
[3]
Ambrose, T. and Paine, C. 1993. Unit 23: Museum Showcases. Museum basics. ICOM in conjunction with Routledge. 82–84.
[4]
Anon Working Knowledge: Emergency Planning. Museum practice. Spring 2005, 43–59.
[5]
Art and Archaeology Technical Abstracts: .
[6]
Ashley-Smith et al, J. 1994. Let’s be honest - realistic environmental parameters. Preventive conservation: practice, theory and research : preprints of the contributions to the Ottawa Congress, 12-16 September 1994. International Institute for Conservation of Historic and Artistic Works. 28–31.
[7]
Ashley-Smith, J. 1999. Light entertainment. Risk assessment for object conservation. Butterworth-Heinemann. 226–245.
[8]
Ashley-Smith, J. 2000. Museum lighting – who is it for? Museum practice. 14, (2000), 46–48.
[9]
Ashley-Smith, J. et al. 2002. The continuing development of a practical lighting policy for works of art on paper and other object types at the Victoria and Albert Museum. 13th Triennial Meeting, Rio de Janiero, 22-27 September 2002: preprints. James & James. 3–8.
[10]
Blades, Nigel and Museums Association 2000. Guidelines on pollution control in museum buildings. Museums Association.
[11]
Bratasz, L. et al. 2005. Allowable thresholds in dynamic changes of microclimate for wooden cultural objects: monitoring in situ and modelling. ICOM Committee for Conservation: 14th triennial meeting, The Hague, 12-16 September 2005 ; preprints. James & James, Earthscan. 582–589.
[12]
Brimblecombe, Peter 2003. The effects of air pollution on the built environment. Imperial College Press.
[13]
Brimblecombe, Peter Wool and reduced sulphur gases in museum air. Studies in Conservation. 37, 1, 53–60.
[14]
Brommelle, N.S. 1964. The Russell and Abney Report on the Action of Light on Water Colours. Studies in Conservation. 9, 4 (Nov. 1964). DOI:https://doi.org/10.2307/1505213.
[15]
Brown, J.P. 1993. What can psychrometric data tell us? Electronic environmental monitoring in museums. Archetype. 37–59.
[16]
Bullock, L. and Saunders, D. 1999. Measurement of cumulative exposure using Blue Wool standards. 12th triennial meeting, Lyon, 29- August-3 September 1999. James & James (Science Publishers) Ltd. 21–26.
[17]
Camuffo, Dario 1998. Microclimate for cultural heritage. Elsevier.
[18]
Canadian Conservation Institute | Institut canadien de conservation: .
[19]
Cassar, M. 1994. The environmental performance of showcases. Preventive conservation: practice, theory and research : preprints of the contributions to the Ottawa Congress, 12-16 September 1994. (1994), 171–173.
[20]
Cassar, May 1994. Environmental management: guidelines for museums and galleries. Routledge.
[21]
Cassar, May et al. 2000. Relative humidity and temperature pattern book: a guide to understanding and using data on the museum environment. Museums & Galleries Commission.
[22]
Conservation Bibliography (BCIN) Réseau d’information sur la conservation: .
[23]
Conservation OnLine: .
[24]
Conservation physics: .
[25]
Conservation : the GCI newsletter, Newsletter 19.1 Spring 2004: .
[26]
Corr, Susan 2000. Caring for collections: a manual of preventive conservation. Heritage Council:, Institute for the Conservation of Artistic and Historic Works in Ireland.
[27]
Daniel, V. Papers from the 5th International Conference on Biodeterioration of Cultural Property, Sydney, 2001. AICCM bulletin. 28.
[28]
Determining the Acceptable Ranges of Relative Humidity and Temperature in Museums and Galleries, Part 1, Structural Response to Relative Humidity: 2007. http://si-pddr.si.edu/dspace/handle/10088/7056.
[29]
Determining the Acceptable Ranges of Relative Humidity and Temperature in Museums and Galleries, Part 2, Structural Response to Temperature: 2007. http://si-pddr.si.edu/dspace/handle/10088/7055.
[30]
Development of humidity recommendations in museums and moisture control in buildings: 1997. .
[31]
Dorge, Valerie and Jones, Sharon L. 1999. Building an emergency plan: a guide for museums and other cultural institutions. Getty Conservation Institute.
[32]
East Midlands Museums Service 1991. Museum & records office emergency manual. East Midlands Museums Service.
[33]
Emergency Response and Salvage Wheel: .
[34]
Erhardt, D. and Mecklenburg, M. 1994. Relative humidity re-examined. Preventive conservation: practice, theory and research : preprints of the contributions to the Ottawa Congress, 12-16 September 1994. International Institute for Conservation of Historic and Artistic Works. 32–38.
[35]
Florian, Mary-Lou E. 2002. Fungal facts: solving fungal problems in heritage collections. Archetype.
[36]
Florian, Mary-Lou E. 1997. Heritage eaters: insects & fungi in heritage collections. James & James.
[37]
Ganiaris, H. and Sully, D. 1998. Showcase construction: Materials and methods used at the museum of London. The Conservator. 22, 1 (Jan. 1998), 57–67. DOI:https://doi.org/10.1080/01410096.1998.9995128.
[38]
Getty Conservation Institute: .
[39]
GREEN, LR ; THICKETT, D TESTING MATERIALS FOR USE IN THE STORAGE AND DISPLAY OF ANTIQUITIES - A REVISED METHODOLOGY. Studies in Conservation. 40, 3, 145–152.
[40]
Grzywacz, Cecily M. 2006. Monitoring for gaseous pollutants in museum environments. Getty Publications.
[41]
Grzywacz, C.M. and Tennent, N.H. 1994. Pollution monitoring in storage and display cabinets: carbonyl pollutant levels in relation to artifact deterioration. Preventive conservation: practice, theory and research : preprints of the contributions to the Ottawa Congress, 12-16 September 1994. International Institute for Conservation of Historic and Artistic Works. 164–170.
[42]
Guichen, Gaël de and International Centre for the Study of the Preservation and the Restoration of Cultural Property 1984. Climate in museums: measurement = Climat dans le musée : mesure. ICCROM.
[43]
Hatchfield, Pamela 2002. Pollutants in the museum environment: practical strategies for problem solving in design, exhibition and storage. Archetype.
[44]
Hatchfield, P.B. and Carpenter, J.M. 1986. The problem of formaldehyde in museum collections. International Journal of Museum Management and Curatorship. 5, 2 (1986), 183–188. DOI:https://doi.org/0260-4779(86)90048-8.
[45]
How to keep for a while what you want to keep for ever: 2005. .
[46]
Hunter, J. 1994. Museum Disaster Preparedness Planning. Care of collections. Routledge. 272–288.
[47]
Jones, B.G. 1994. Experiencing Loss. Care of collections. Routledge. 240–245.
[48]
Kingsley, Helen and 2001, A Pest Odyssey (Conference) 2001. Integrated pest management for collections: proceedings of 2001: a Pest Odyssey. James & James.
[49]
Lavédrine, Bertrand et al. 2003. A guide to the preventive conservation of photograph collections. Getty Conservation Institute.
[50]
Lee, L. R. et al. 1996. Selection of materials for the storage or display of museum objects. Department of Conservation [British Museum].
[51]
LightCheck : Technical Specifications: .
[52]
Lloyd, H. et al. 2011. Low-technology dust monitoring for historic collections. Journal of the Institute of Conservation. 34, 1 (Mar. 2011), 104–114. DOI:https://doi.org/10.1080/19455224.2011.566131.
[53]
Lloyd, H. et al. 2002. The effects of visitor activity on dust in historic collections. The Conservator. 26, 1 (Jan. 2002), 72–84. DOI:https://doi.org/10.1080/01410096.2002.9995179.
[54]
Long, Jane S. et al. 2006. Field guide to emergency response. Heritage Preservation.
[55]
Mecklenburg, M. et al. 1998. Structural response of painted wood surfaces to changes in ambient relative humidity. Painted wood: history and conservation. Getty Conservation Institute. 464–483.
[56]
Michalski, S. 2007. The ideal climate, risk management, the ASHRAE chapter, proofed fluctuations and toward a full risk analysis model. Experts’ Roundtable on Sustainable Climate Management Strategies. Alternative Climate Controls for Historic Buildings. (2007), 1–19.
[57]
Museum Handbook, Part 1: Museum Collections: .
[58]
National Park Service Handling, packing and shipping. Museum Handbook, Part 1: Museum Collections (web edition).
[59]
Padfied, T. 2007. The potential and limits for passive air conditioning of museums, stores and archives. Museum microclimates: conference on preventive conservation held in Copenhagen 19-23 November 2007. T. Padfield and K. Borschersen, eds. National Museum of Denmark. 191–198.
[60]
Padfield, T. 2007. Why keep climate records and how to keep them. Museum microclimates: conference on preventive conservation held in Copenhagen 19-23 November 2007. T. Padfield and K. Borchersen, eds. Museum of Denmark. 157–163.
[61]
Pinniger, David 2001. Pest management in museums, archives and historic houses. Archetype.
[62]
Pinniger, David and Collections Trust 2008. Pest management: a practical guide. Collections Trust.
[63]
Pretzel, B. Predicting risks to artefacts from indoor climates.
[64]
Pye, E. 2001. Issues in practice: conservation procedures. Caring for the past: issues in conservation for archaeology and museums. James & James. 121–132.
[65]
Raychaudhuri, Michele R. Formaldehyde Oxidation and Lead Corrosion. Studies in Conservation. 45, 4, 226–232.
[66]
Research - Environment - Shedding light on cultural heritage: .
[67]
Richard, Mervin et al. 1991. Art in transit: handbook for packing and transporting paintings. National Gallery of Art.
[68]
Robinet, Laurianne ; Thickett, David A New Methodology for Accelerated Corrosion Testing. Studies in Conservation. 48, 4, 263–268.
[69]
Römich, H. et al. LightCheck®: A New Tool in Preventive Conservation. V & A conservation journal. 47, 17–18.
[70]
Rose, Carolyn L. et al. 1992. Storage of natural history collections: ideas and practical solutions. Society for the Preservation of Natural History Collections.
[71]
Rose, Carolyn L. et al. 1992. Storage of natural history collections: ideas and practical solutions. Society for the Preservation of Natural History Collections.
[72]
Roy, Ashok et al. 1994. Preventive conservation: practice, theory and research : preprints of the contributions to the Ottawa Congress, 12-16 September 1994. International Institute for Conservation of Historic and Artistic Works.
[73]
Schaeffer, Terry T. 2001. Effects of light on materials in collections: data on photoflash and related sources. Getty Conservation Institute.
[74]
Selwitz, Charles et al. 1998. Inert gases in the control of museum insect pests. Getty Conservation Institute.
[75]
Staniforth, S. 1992. Control and measurement of the environment. Manual of curatorship: a guide to museum practice. Butterworth-Heinemann. 234–245.
[76]
Staniforth, S. 1994. Light and environmental measurement in National Trust houses. Care of collections. Routledge. 117–122.
[77]
Stanley, B. et al. 2003. Displaying the wernher collection: A pragmatic approach to display cases. The Conservator. 27, 1 (Jan. 2003), 34–46. DOI:https://doi.org/10.1080/01410096.2003.9995188.
[78]
Stirlic, M. and et al. 2010. Test for compatibility with organic heritage materials - a proposed procedure. e-Preservation Science. 7, (2010), 78–86.
[79]
Stolow, Nathan 1987. Conservation and exhibitions: packing, transport, storage and environmental considerations. Butterworths.
[80]
Stolow, Nathan 1987. Conservation and exhibitions: packing, transport, storage and environmental considerations. Butterworths.
[81]
Susan Bradley 2005. Preventive Conservation Research and Practice at the British Museum. Journal of the American Institute for Conservation. Vol. 44, No. 3 (2005), 159–173.
[82]
Tetreault, J. 2003. Guidelines for pollutant concentrations in museums. CCI Newsletter. 31, (2003).
[83]
Tetreault, Jean and Canadian Conservation Institute 2003. Airborne pollutants in museums, galleries, and archives: risk assessment, control strategies, and preservation management. Canadian Conservation Institute.
[84]
The Emergency Response and Salvage Wheel: Newsletter 12.2 Summer 1997: .
[85]
The Fitzwilliam Museum : Conserving Ancient Egypt: http://www.fitzmuseum.cam.ac.uk/dept/ant/egypt/conservation/.
[86]
The Heritage Health Index: .
[87]
The IMPACT pollution model: .
[88]
Thomson, G. 1986. Light Part I. The museum environment. Butterworths in association with the International Institute for Conservation of Historic and Artistic Works. 2–64.
[89]
Thomson, Garry and International Institute for Conservation of Historic and Artistic Works 1994. The museum environment. Butterworth-Heinemann.
[90]
Thomson, Garry and International Institute for Conservation of Historic and Artistic Works 1986. The museum environment. Butterworths in association with the International Institute for Conservation of Historic and Artistic Works.
[91]
Waller, R. 1999. Internal pollutants, risk assessment and conservation priorities. 12th triennial meeting, Lyon, 29- August-3 September 1999. James & James (Science Publishers) Ltd. 113–118.
[92]
Waller, R. 1995. Risk management applied to preventive conservation. Storage of natural history collections: a preventive conservation approach. Society for the Preservation of Natural History Collections. 21–28.
[93]
Waller, R. Robert Cultural property risk analysis model: development and application to preventive conservation at the Canadian Museum of Nature. Acta Universitatis Gothoburgensis.
[94]
Watkinson, D. and Lewis, M. 2004. ss Great Britain iron hull: modelling corrosion to define storage relative humidity. Metal 04: = Actes de la Conférence internationale sur la conservation des métaux. National Museum of Australia. 88–103.
[95]
Watkinson, David et al. 1998. First aid for finds. RESCUE - The British Archaeological Trust; Archaeology Section of the UKIC; The Museum of London.
[96]
Watkinson, David et al. 1998. First aid for finds. RESCUE - The British Archaeological Trust; Archaeology Section of the UKIC; The Museum of London.
[97]
6: Handling, packing and shipping. National Park Service - Museum Management Program.