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Ali, W. (1989) Contemporary art from the Islamic world. London: Scorpion Pub., on behalf of the Royal Society of Fine Arts, Amman.
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Amirsadeghi, H., Mikdadi, S. and Shabout, N.M. (eds) (2009) New vision: Arab contemporary art in the 21st century. London: Thames & Hudson in association with TransGlobe.
Anderson, M.L. (2007) ‘Prescriptions for art museums in the decade ahead’, Curator: The Museum Journal, 50(1), pp. 9–17. Available at: https://doi.org/10.1111/j.2151-6952.2007.tb00245.x.
Applin, J. and Kusama, Y. (2012) Yayoi Kusama: Infinity mirror room--Phalli’s feld. London: Afterall Books.
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Arthur Danto (1964) ‘The Artworld’, The Journal of Philosophy, 61(19), pp. 571–584. Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/2022937?seq=1#page_scan_tab_contents.
ARTICLE 19 (2006) Unveiled: Art and Censorship in Iran. London: ARTICLE 19. Available at: http://www.article19.org/data/files/pdfs/publications/iran-art-censorship.pdf.
ArtReview (no date) What to expect: Sharjah Biennial 13. Available at: https://artreview.com/previews/preview_2016_sharjah_biennial_13/.
Barabási, A.-L. (2009) Linked: how everything is connected to everything else and what it means for business, science, and everyday life. New York: Plume.
Becker, C. (2001) ‘The Brooklyn controversy: a view from the bridge’, in L. Rothfield (ed.) Unsettling ‘Sensation’: arts-policy lessons from the Brooklyn Museum of Art controversy. New Brunswick, N.J.: Rutgers University Press.
Beerkens, L. (ed.) (2012) The artist interview : for conservation and presentation of contemporary art, guidelines and practice. Heyningen: Jap Sam Books.
Belfiore, E. and Bennett, O. (2008) The social impact of the arts : an intellectual history. New York: Palgrave Macmillan.
Belting, H. (2007) ‘Contemporary art and the museum in the global age’, in P. Weibel and A. Buddensieg (eds) Contemporary art and the museum : a global perspective. Ostfildern: Hatje Cantz, pp. 16–38.
Belting, Hans (2013) ‘From world art to global art: view on a new panorama’, in H. Belting, A. Buddensieg, and P. Weibel (eds) The global contemporary and the rise of new art worlds. Karlsruhe: ZKM/Center for Art and Media, pp. 178–185.
Belting, H (2013) ‘Mapping: the Biennials and New Art Regions’, in The global contemporary and the rise of new art world. London: MIT Press, ZKM/Center for Art and Media., pp. 100–127.
Belting, H. and Buddensieg, A. (2013) ‘From art world to art worlds’, in H. Belting, A. Buddensieg, and P. Weibel (eds) The global contemporary and the rise of new art worlds. Karlsruhe: ZKM/Center for Art and Media.
Belting, H., Buddensieg, A. and Weibel, P. (eds) (2013) The global contemporary and the rise of new art worlds. Karlsruhe: ZKM/Center for Art and Media.
Binter, J.T.S. (2011) ‘Globalization, representation, and postcolonial critique’, in Hans Belting [et al.] (ed.) Global studies : mapping contemporary art and culture. Ostfildern: Hatje Cantz, pp. 158–170.
Bolton, R. (ed.) (1992a) Culture Wars: documents from the recent controversies in the arts. New York: New Press.
Bolton, R. (1992b) ‘Introduction [Culture Wars: documents from the recent controversies in the arts]’, in R. Bolton (ed.) Culture Wars: documents from the recent controversies in the arts. New York: New Press.
Bourdieu, P. (1993) The field of cultural production: essays on art and literature. Cambridge: Polity Press in association with Blackwell.
Bradley, J. (2003) ‘International exhibitions’, in M. Townsend (ed.) Beyond the box : diverging curatorial practices. Banff, Alta: Banff Centre Press.
Buck, L. (2013) ‘Artist interview, Walid Raad: a mediator between worlds’, The Art Newspaper [Preprint], (242). Available at: http://www.theartnewspaper.com/articles/Artist-interview-Walid-Raad-a-mediator-between-worlds/28352.
Buffington, M.L. and Bedoyan, M. (2014) ‘Museum and art education as a response to place in Doha, Qatar’, Journal of Cultural Research in Art Education, 31. Available at: http://www.jcrae.org/journal/index.php/jcrae/article/view/33.
Burton, J. (2005) Vitamin D: new perspectives in drawing. London: Phaidon.
Campany, D. (2003) Art and photography. London: Phaidon.
Cartiere, C. (2008) ‘Coming in from the cold: a public art history’, in C. Cartiere and S. Willis (eds) The practice of public art. New York: Routledge, pp. 7–17. Available at: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203926673.
Cartiere, C. and Willis, S. (2008) The practice of public art. New York: Routledge. Available at: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203926673.
Chiu, M. and Genocchio, B. (eds) (2011) Contemporary art in Asia: a critical reader. Cambridge, Mass: MIT Press.
Clarke, A. and Mitchell, G. (eds) (2007) Videogames and art. Bristol: Intellect.
Clifford, J. (1989) ‘The others: Beyond the “salvage” paradigm’, Third Text, 3(6), pp. 73–78. Available at: https://doi.org/10.1080/09528828908576217.
Cook, S. (2003) ‘Toward a theory of the practice of curating new media art’, in M. Townsend (ed.) Beyond the box : diverging curatorial practices. Banff, Alta.: Banff Centre Press.
Cook, S. (2008) ‘Immateriality and its discontents: an overview of main models and issues for curating new media’, in C. Paul (ed.) New media in the white cube and beyond: curatorial models for digital art. Berkeley: University of California Press, pp. 26–49.
Cowen, T. (1998) In praise of commercial culture. Cambridge, Mass: Harvard University Press.
Cuno, J. (ed.) (2004) Whose muse? : art museums and the public trust. Princeton, N.J.: Princeton University Press.
Danto, A.C. (1998) ‘The end of art: a philosophical defense’, History and Theory, 37(4), pp. 127–143. Available at: https://doi.org/10.1111/0018-2656.721998072.
Danto, A.C. (2001) The Madonna of the future: essays in a pluralistic art world. Berkeley, Calif: University of California Press.
Danto, A.C. and National Gallery of Art (U.S.) (1997) After the end of art: contemporary art and the pale of history. Princeton, N.J: Princeton University Press.
Debray, R. (1996) Media manifestos: on the technological transmission of cultural forms. London: Verso.
Diamond, S. (2003) ‘Silicon to Carbon’, in M. Townsend (ed.) Beyond the box : diverging curatorial practices. Banff, Alta.: Banff Centre Press.
Doguet, J.-P. (2007) L’art comme communication: pour une re-définition de l’art. Paris: A. Colin.
Duncan, C. (1995) Civilizing rituals: inside public art museums. London: Routledge. Available at: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203978719.
Duncan, C. (2009) ‘The art museum as a ritual’, in The art of art history: a critical anthology. New ed. Oxford: Oxford University Press, pp. 424–434. Available at: http://www.ucl.eblib.com/patron/FullRecord.aspx?p=453635.
Eigner, S., Caussé, I. and Masters, C. (2010) Art of the Middle East: modern and contemporary art of the Arab world and Iran. London: Merrell.
Elkins, J., Valiavicharska, Z. and Kim, A. (eds) (2010) Art and globalization. Pennsylvania: Pennsylvania State University Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1050480&site=ehost-live&scope=site.
Elkins, J., Valiavicharska, Z. and Kim, A. (eds) (no date) Art and globalization. Pennsylvania: Pennsylvania State University Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1050480&site=ehost-live&scope=site.
Evans, M. (2015) Artwash: big oil and the arts. London: PlutoPress. Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/j.ctt183p6f4.
Filipovic, E., Hal, M. van and Øvstebø, S. (eds) (2010) The biennial reader. Bergen: Bergen Kunsthall.
Fillitz, T. (2011) ‘Worldmaking: The cosmopolitanization of Dak’Art, the Biennial of Dakar’, in Hans Belting [et al.] (ed.) Global studies : mapping contemporary art and culture. Ostfildern: Hatje Cantz, pp. 382–416.
Fisher, J. (2009) ‘The other story and the past imperfect’, Tate Papers [Preprint], (12). Available at: http://www.tate.org.uk/research/publications/tate-papers/other-story-and-past-imperfect.
Gardner, A. and Green, C. (2014) ‘Mega-exhibitions, new publics, and Asian art biennials’, in L. Hjorth, N. King, and M. Kataoka (eds) Art in the Asia-Pacific: intimate publics. New York: Routledge, Taylor & Francis Group. Available at: http://dx.doi.org/10.4324/9781315858104.
Gere, C. (2008) ‘New media art and the gallery in the digital age’, in C. Paul (ed.) New media in the white cube and beyond: curatorial models for digital art. Berkeley: University of California Press, pp. 13–25.
Gladston, P. (2014) Contemporary Chinese art: a critical history. London: Reaktion Books.
Global art and the museum (GAM) (no date). Available at: http://www.globalartmuseum.de/site/home/.
Grichting, A. et al. (2015) ‘Public art and public space in an emerging knowledge economy: the case of Doha’, World Academy of Science, Engineering and Technology, International Journal of Social, Behavioral, Educational, Economic, Business and Industrial Engineering, 9(2), pp. 582–588. Available at: http://waset.org/Publication/public-art-and-public-space-in-an-emerging-knowledge-economy-the-case-of-doha/10000658.
Grosenick, U. (ed.) (2005) Art now: the new directory to 136 international contemporary artists. Köln: Taschen.
Gulf art guide (no date). Available at: https://cubexic.com/gulfartguide/.
Hal Foster ... [et al.] (2011) Art since 1900: modernism, antimodernism, postmodernism. 2nd, ed edn. London: Thames & Hudson.
Hans Belting ... [et al.] (ed.) (2011) Global studies: mapping contemporary art and culture. Ostfildern: Hatje Cantz.
Harold, J. (2005) ‘Infected by evil’, Philosophical Explorations, 8(2), pp. 173–187. Available at: https://doi.org/10.1080/13869790500095962.
Harris, J. (ed.) (2011a) Globalization and contemporary art. Chichester: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=700607.
Harris, J. (2011b) ‘Introduction. Globalization and contemporary art: a convergence of peoples and ideas’, in Globalization and contemporary art. Chichester: Wiley-Blackwell, pp. 1–15. Available at: https://ebookcentral.proquest.com/lib/ucl/reader.action?docID=700607&ppg=21.
Harrison, C. and Wood, P. (eds) (2003) Art in theory 1900-2000: an anthology of changing ideas. New ed. Malden, Mass: Blackwell.
Hein, H.S. (2006a) Public art: thinking museums differently. Lanham: AltaMira Press. Available at: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780759114173.
Hein, H.S. (2006b) Public art: thinking museums differently. Lanham: AltaMira Press. Available at: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780759114173.
Hess, B. (no date) Abstract expressionism. Cologne: Taschen.
Honnef, K. (2004) Pop art. Köln: Taschen.
Honnef, K. (2005) Andy Warhol, 1928-1987: commerce into art. Köln: Taschen.
Hopkins, D. (2000) After modern art 1945-2000. Oxford: Oxford University Press.
Hossein Amirsadeghi ed. (no date) Art & patronage: the Middle East.
Inside Installations glossary (no date). Available at: http://glossary.inside-installations.org/category.php?category_id=52&ct=1.
Inside Installations Project (no date). Available at: http://www.inside-installations.org/home/index.php.
International Network for the Conservation of Contemporary Art (INCCA) (no date). Available at: http://incca.org/.
James William Pattison (1913) ‘Public censorship of art’, Fine Arts Journal, 28(4), pp. 243–246. Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/25587172?origin=crossref&seq=1#page_scan_tab_contents.
‘Journal of global studies and contemporary art’ (no date). Available at: http://artglobalizationinterculturality.com/publications/academic-journal/.
Karafotias, T. (2017) ‘Modern art in the Gulf region: the case of Mathaf: Arab Museum of Modern Art’, International Journal of the Inclusive Museum, 10(1), pp. 9–39. Available at: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=asu&AN=118579425&site=ehost-live&scope=site.
Kevin F. McCarthy ... [et al.] (2005) A portrait of the visual arts: meeting the challenges of a new era. Santa Monica, CA: RAND Corp.
Khatri, S.S. (2013) ‘Art depicting chickens on fire at Mathaf ruffles feathers in Qatar’, Doha News [Preprint]. Available at: http://dohanews.co/art-depicting-chickens-on-fire-at-mathaf-ruffles-feathers-in-qatar/.
Kholeif, O. (2015) ‘Tracing routes: debating modernism, mapping the contemporary’, in Omar Kholeif and C. Stobbs (eds) Imperfect chronology: Arab art from the modern to the contemporary: works from the Barjeel Art Foundation. London: Whitechapel Gallery, pp. 17–24.
Kholeif, O. and Stobbs, C. (eds) (2015) Imperfect chronology: Arab art from the modern to the contemporary : works from the Barjeel Art Foundation. London: Whitechapel Gallery.
Klonk, C. (2009) Spaces of experience: art gallery interiors from 1800 to 2000. New Haven, CT: Yale University Press.
Kluijver, R. (2013) Contemporary art in the Gulf: context and perspectives. Available at: http://gulfartguide.eu/wp-content/uploads/2013/11/Contemporary-Art-in-the-Gulf-for-print.pdf.
Koepfinger, E. (2012) ‘Kuwaiti artist Shurooq Amin speaks on shutdown of “It’s a Man’s World” show’, Sampsonia Way [Preprint]. Available at: http://www.sampsoniaway.org/blog/2012/04/02/kuwaiti-artist-shurooq-amin-speaks-on-shutdown-of-%e2%80%9cit%e2%80%99s-a-man%e2%80%99s-world%e2%80%9d-exhibition/.
Krysa, J. (2006) ‘Curating immateriality: the work of the curator in the age of network systems’, in J. Krysa (ed.) Curating immateriality: the work of the curator in the age of network systems. New York: Autonomedia, pp. 7–25.
Laïdi-Hanieh et al. (2009) Suha Shoman. Darat Al Funun – The Khalid Shoman Foundation. Available at: http://www.daratalfunun.org/main/resourc/exhibit/shoman/Suha_Shoman.pdf.
Lee, P.M. (2012) Forgetting the art world. Cambridge, Mass: MIT Press.
Levy, E.K. (2011) ‘Bioart and nanoart in a museum context: terms of engagement’, in J. Marstine (ed.) Routledge companion to museum ethics: redefining ethics for the twenty-first-century museum. London: Routledge, pp. 445–463. Available at: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203815465/startPage/439.
Libeskind, D. (2001) Daniel Libeskind: the space of encounter. London: Thames & Hudson.
Lindemann, A. (no date) Collecting contemporary art. Köln: Taschen.
Lossau, J. and Stevens, Q. (eds) (2015) The uses of art in public space. New York: Routledge.
Magnano Lampugnani, V. and Sachs, A. (1999) Museums for a new millennium: concepts projects buildings. Munich: Prestel.
Marzona, D. (2004) Minimal art. Taschen: Köln.
Masters, H.G. (no date) Sharjah Biennial 13 to expand far beyond the UAE. Available at: http://artasiapacific.com/News/SharjahBiennial13ToExpandFarBeyondTheUAE.
Mathur, Saloni (no date) ‘Museums and globalization’, Anthropological Quarterly, (3), pp. 697–708. Available at: http://search.proquest.com.libproxy.ucl.ac.uk/docview/216477884?OpenUrlRefId=info:xri/sid:primo&accountid=14511.
McAndrew, C. (2013) ‘The art market: Hans Belting in conversation with Clare McAndrew’, in H. Belting, A. Buddensieg, and P. Weibel (eds) The global contemporary and the rise of new art worlds. Karlsruhe: ZKM/Center for Art and Media, pp. 261–265.
Medina, C. (2003) ‘Another hysterical attempt to theorize about defeat’, in M. Townsend (ed.) Beyond the box : diverging curatorial practices. Banff, Alta.: Banff Centre Press, pp. 69–85.
Mesquita, I. (2003) ‘Biennials Biennials Biennials Biennials Biennials Biennials Biennials’, in M. Townsend (ed.) Beyond the box : diverging curatorial practices. Banff, Alta.: Banff Centre Press, pp. 63–67.
Mikdadi, S. (2009) ‘New trends in Arab art: NGOs and the public sphere’, in H. Amirsadeghi, S. Mikdadi, and N.M. Shabout (eds) New vision: Arab contemporary art in the 21st century. London: Thames & Hudson in association with TransGlobe, pp. 22–29.
Miles, M. (1997) Art, space and the city: public art and urban futures. London: Routledge. Available at: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203973110.
Mitchell Hearns Bishop (2001) ‘Evolving exemplary pluralism: Steve McQueen’s “Deadpan” and Eija-Liisa Ahtila’s “Anne, Aki and God”-two case studies for conserving technology-based installation art’, Journal of the American Institute for Conservation, 40(3), pp. 179–191. Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/3179878?origin=crossref&seq=1#page_scan_tab_contents.
Morris, C. (1999) The essential Cindy Sherman. New York: Harry N. Abrams.
Muller, N. (2009) ‘Contemporary art in the Middle East’, in P. Sloman (ed.) Contemporary art in the Middle East. London: Black Dog, pp. 12–25.
Muñoz-Alonso, L. (2015) ‘MACBA Director Bartomeu Marí sacks curators and resigns following sodomy sculpture scandal’, artnet News [Preprint]. Available at: https://news.artnet.com/art-world/macba-director-bartomeu-mari-resigns-280692.
Nashashibi, S. (1999) ‘Elements of empowerment: support systems in women’s art practice’, in S.H. Keelan and F. Lloyd (eds) Contemporary Arab women’s art: dialogues of the present. London: WAL, pp. 70–100.
Newhouse, V. (2005) Art and the power of placement. New York: Monacelli Press.
Oberhardt, S. (2001) Frames within frames: the art museum as cultural artifact. New York: P. Lang.
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O’Doherty, B. (1999) Inside the white cube: the ideology of the gallery space. Expanded ed. Berkeley, Calif: University of California Press.
Paola Antonelli: why I brought Pac-Man to MoMA (2013). TED.com. Available at: https://www.ted.com/talks/paola_antonelli_why_i_brought_pacman_to_moma?language=en.
Paul, C. (2006) ‘Flexible contexts, democratic filtering and computer-aided curating: models for on-line curatorial practice’, in J. Krysa (ed.) Curating immateriality: the work of the curator in the age of network systems. New York: Autonomedia, pp. 81–101.
Paul D. Miller aka DJ Spooky That Subliminal Kid (2004) Rhythm science. Cambridge, Mass.: MIT Press.
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Philipsen, L. (2010) Globalizing contemporary art: the art world’s new internationalism. Santa Barbara: Aarhus University Press. Available at: http://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1050746.
Porter, V. (2012) ‘Collecting and exhibiting Arab art at the British Museum’, in H. Amirsadeghi, S. Mikdadi, and N.M. Shabout (eds) New vision: Arab contemporary art in the 21st century. London: Thames & Hudson in association with TransGlobe, pp. 30–35.
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Preziosi, D. (2009) ‘Epilogue: the art of art history’, in The art of art history: a critical anthology. New ed. Oxford: Oxford University Press, pp. 488–503. Available at: http://www.ucl.eblib.com/patron/FullRecord.aspx?p=453635.
Price, S. (1989) ‘Others art ‐our art’, Third Text, 3(6), pp. 65–72. Available at: https://doi.org/10.1080/09528828908576216.
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Price, S. (2007) Paris primitive: Jacques Chirac’s Museum on the Quai Branly. Chicago: University of Chicago Press.
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Psarra, S. (2009) Architecture and narrative: the formation of space and cultural meaning. London: Routledge. Available at: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203639672.
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Qatar Museums (no date) Dia Al-Azzawi: a retrospective (from 1963 until tomorrow). Available at: http://www.qm.org.qa/en/dia-al-azzawi-retrospective-i-am-cry-who-will-give-voice-me-1963-until-tomorrow-title-poem-fadhil.
Rothfield, L. (ed.) (2001) Unsettling ‘Sensation’: arts-policy lessons from the Brooklyn Museum of Art controversy. New Brunswick, N.J.: Rutgers University Press.
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Saatchi Gallery (2009a) Unveiled: new art from the Middle East. London: Booth-Clibborn.
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Serota, N. (1996) Experience or interpretation: the dilemma of museums of modern art. London: Thames & Hudson.
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Shabout, N.M. (2007b) Modern Arab art: formation of Arab aesthetics. Gainesville: University Press of Florida.
Shabout, N.M. (2009) ‘Contemporaneity and the Arab world’, in H. Amirsadeghi, S. Mikdadi, and N.M. Shabout (eds) New vision: Arab contemporary art in the 21st century. London: Thames & Hudson in association with TransGlobe, pp. 14–21.
Shabout, N.M. and Mikdadi, S. (2009) ‘Introduction [New vision: Arab contemporary art in the 21st century]’, in H. Amirsadeghi, S. Mikdadi, and N.M. Shabout (eds) New vision: Arab contemporary art in the 21st century. London: Thames & Hudson in association with TransGlobe, pp. 8–13.
Shannon, B. (2013) ‘The “Dubai effect”: the Gulf, the art world and globalization’, in V. Bharne (ed.) The emerging Asian city: concomitant urbanities and urbanisms. London: Routledge, pp. 254–266. Available at: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203094655/startPage/254.
Sharjah Art Foundation (2010) ‘Sharjah Biennial’, in H. Amirsadeghi (ed.) Art & patronage: the Middle East. London: TransGlobe, pp. 146–147.
Sharjah Art Foundation announces structure and dates of Sharjah Biennial 13, Tamawuj (no date). Available at: http://sharjahart.org/press/sharjah-art-foundation-announces-structure-and-dates-of-sharjah-biennial-13.
Sharjah Biennial 13, Tamawuj (no date). Available at: http://sharjahart.org/biennial-13.
Sharjah Biennial 13: Tamawuj - Announcements - e-flux (no date). Available at: http://www.e-flux.com/announcements/76901/sharjah-biennial-13tamawuj/.
Sheikha Al Mayassa: globalizing the local, localizing the global (2010). TED.com. Available at: http://www.ted.com/talks/sheikha_al_mayassa_globalizing_the_local_localizing_the_global.
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Smith, T. (2009a) ‘Introduction: contemporary art inside out’, in What is contemporary art? Chicago: University of Chicago Press, pp. 1–11.
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