1.
Godfray HCJ, Clark BR, Kitching IJ, Mayo SJ, Scoble MJ. The Web and the Structure of Taxonomy. Systematic Biology. 2007;56(6):943-955. doi:10.1080/10635150701777521
2.
Ernest Small. Systematics of Biological Systematics (Or, Taxonomy of Taxonomy). 1989;38(3):335-356. http://www.jstor.org/discover/10.2307/1222265?uid=3738032&uid=2&uid=4&sid=21104173841511
3.
Chapman WR. Arranging ethnology: A. H. L. F. Pitt Rivers and the typological tradition. In: Objects and Others: Essays on Museums and Material Culture. University of Wisconsin Press; 1985:15-48. https://contentstore.cla.co.uk//secure/link?id=fa257d93-4f36-e711-80c9-005056af4099
4.
Boyne R. Classification. Theory, Culture & Society. 2006;23(2-3):21-30. doi:10.1177/0263276406062529
5.
Borges JL. The Analytical Language of John Wilkins. Published online 1999. http://www.alamut.com/subj/artiface/language/johnWilkins.html
6.
Freedberg D. The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History. University of Chicago Press; 2002. http://hdl.handle.net/2027/heb.06178
7.
Hinsley CM. ‘The World as Marketplace: Commodification of the Exotic at the World’s Columbian Exposition’. In: Exhibiting Cultures: The Poetics and Politics of Museum Display. Smithsonian Institution Press; 1991.
8.
The Natural History of Unicorns: Amazon.Co.Uk: Chris Lavers: Books. Granta Books (7 Jan 2010) http://www.amazon.co.uk/Natural-History-Unicorns-Chris-Lavers/dp/1847081177
9.
Mauriès P. Cabinets of Curiosities. Thames & Hudson; 2011.
10.
Welsch RL, O’Hanlon M. Hunting the Gatherers: Ethnographic Collectors, Agents and Agency in Melanesia, 1870s-1930s. Vol Methodology and history in anthropology. Berghahn; 2000.
11.
Gosden C, Knowles C. Collecting Colonialism: Material Culture and Colonial Change. Berg; 2001.
12.
JACKNIS IRA. The Storage Box of Tradition. Smithsonian
13.
Pomian K, Wiles-Portier E. Collectors and Curiosities: Paris and Venice, 1500-1800. Polity Press; 1990.
14.
Bennett T. The Exhibitionary Complex. Published online 1988. http://www.amielandmelburn.org.uk/collections/newformations/04_73.pdf
15.
Duncan C, Wallach A. THE UNIVERSAL SURVEY MUSEUM. Art History. 1980;3(4):448-469. doi:10.1111/j.1467-8365.1980.tb00089.x
16.
Greenblatt S. Resonance and Wonder. In: Exhibiting Cultures: The Poetics and Politics of Museum Display. Smithsonian Institution Press; 1991:42-55.
17.
Foucault M. The Order of Things: An Archaeology of the Human Sciences. Vol World of man. Routledge; 1989.
18.
Anderson BRO. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. Verso; 1991.
19.
Grincheva N. The Online Museum: A ‘Placeless’ Space of the ‘Civic Laboratory’. Museum Anthropology Review. 2014;8(1). doi:10.14434/mar.v8i1.3187
20.
Parry R. Recoding the Museum: Digital Heritage and the Technologies of Change.; 2007. http://www.routledge.com/books/details/9780415353885/
21.
SCHULZ E. NOTES ON THE HISTORY OF COLLECTING AND OF MUSEUMS: In the Light of Selected Literature of the Sixteenth to the Eighteenth Century. Journal of the History of Collections. 1990;2(2):205-218. doi:10.1093/jhc/2.2.205
22.
Pearce SM. On Collecting: An Investigation into Collecting in the European Tradition. Vol Collecting cultures. Routledge; 1995.
23.
Giebelhausen M. Teaching Collection (Archaeology / ARCLG064): Museum History : A Brief Introduction.; 2006.
24.
Hooper-Greenhill E. Museums and the Shaping of Knowledge. Vol Heritage. Routledge; 1992. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203415825
25.
Pearce SM. Objects of Knowledge. Vol New research in museum studies. Athlone Press; 1990.
26.
Price S. Primitive Art in Civilized Places. 2nd ed., with a new afterword. University of Chicago Press; 2001.
27.
Jolene Rickard. Absorbing or Obscuring the Absence of a Critical Space in the Americas for Indigeneity: The Smithsonian’s National Museum of the American Indian. http://isites.harvard.edu/fs/docs/icb.topic698311.files/Jolene%20Rickard%20NMAI.pdf
28.
The Nation. Published online 1907.
29.
Carbonell BM. Museum Studies: An Anthology of Contexts.; 2004.
30.
Griffiths A. Wondrous Difference: Cinema, Anthropology, & Turn-of-the-Century Visual Culture. Vol Film and culture. Columbia University Press; 2002.
31.
Message K. New Museums and the Making of Culture. Berg; 2006.
32.
Phillips RB. Museum Pieces: Toward the Indigenization of Canadian Museums. Vol McGill-Queen’s/Beaverbrook Canadian Foundation studies in art history. McGill-Queen’s University Press; 2011.
33.
Lonetree A. Decolonizing Museums: Representing Native America in National and Tribal Museums. Vol First peoples : new directions in indigenous studies. University of North Carolina Press; 2012.
34.
Clifford J. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Harvard University Press; 1988.
35.
Kirshenblatt-Gimblett B. Objects of ethnography. In: Exhibiting Cultures: The Poetics and Politics of Museum Display. Smithsonian Institution Press; 1991:386-443. https://contentstore.cla.co.uk//secure/link?id=bea94685-7d36-e711-80c9-005056af4099
36.
David Jenkins. Object Lessons and Ethnographic Displays: Museum Exhibitions and the Making of American Anthropology. 1994;36(2):242-270. http://www.jstor.org/discover/10.2307/179259?uid=3738032&uid=2&uid=4&sid=21104196817511
37.
Gosden C. Material knowledge: generating knowledge at the Pitt Rivers Museum. In: Knowing Things: Exploring the Collections at the Pitt Rivers Museum 1884-1945. Oxford University Press; 2007:121-146. https://contentstore.cla.co.uk//secure/link?id=326d5466-4d36-e711-80c9-005056af4099
38.
Isaac G. Technology Becomes the Object: The Use of Electronic Media at the National Museum of the American Indian. Journal of Material Culture. 2008;13(3):287-310. doi:10.1177/1359183508095497
39.
Ames MM. Cannibal Tours and Glass Boxes: The Anthropology of Museums. [2nd ed.]. UBC Press; 1992.
40.
Edwards E. Raw Histories: Photographs, Anthropology and Museums. Vol Materializing culture. Berg; 2001.
41.
Stocking GW. Objects and Others: Essays on Museums and Material Culture. University of Wisconsin Press; 1985.
42.
Mitchell T. The World as Exhibition. Comparative Studies in Society and History. 1989;31(02). doi:10.1017/S0010417500015802
43.
Franz Boas. Some Principles of Museum Administration. Science. 1907;25(650):921-933. http://www.jstor.org/stable/1634125
44.
Haraway DJ. Primate Visions: Gender, Race and Nature in the World of Modern Science. New ed. Verso; 1992.
45.
Coming to Shore. University of Nebraska Press
46.
Edwards E, Gosden C, Phillips RB. Sensible Objects: Colonialism, Museums and Material Culture. Vol Wenner-Gren international symposium series. English ed. Berg; 2006.
47.
Carbonell BM. Museum Studies: An Anthology of Contexts.; 2004.
48.
Price S. Paris Primitive: Jacques Chirac’s Museum on the Quai Branly. University of Chicago Press; 2007.
49.
Price S. RETURN TO THE QUAI BRANLY. Museum Anthropology. 2010;33(1):11-21. doi:10.1111/j.1548-1379.2010.01071.x
50.
Naumann P. Making a Museum: ‘it is making theater, not writing theory’ An Interview with Stéphane Martin, Présidentdirecteur général, Musée du quai Branly. Museum Anthropology. 2006;29(2):118-127. doi:10.1525/mua.2006.29.2.118
51.
Clifford J. Quai Branly in Process. October. 2007;120:3-23. doi:10.1162/octo.2007.120.1.3
52.
Shelton AA. The Public Sphere as Wilderness: Le Musée du quai Branly. Museum Anthropology. 2009;32(1):1-16. doi:10.1111/j.1548-1379.2009.01017.x
53.
Henare AJM. Museums, Anthropology and Imperial Exchange. Cambridge University Press; 2005.
54.
Message K. New Museums and the Making of Culture. Berg; 2006.
55.
Clifford J. Museums as contact zones. In: Routes: Travel and Translation in the Late Twentieth Century. Harvard University Press; 1999:188-219.
56.
Boast R. NEOCOLONIAL COLLABORATION: Museum as Contact Zone Revisited. Museum Anthropology. 2011;34(1):56-70. doi:10.1111/j.1548-1379.2010.01107.x
57.
Herle A. Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge. In: Museums and Source Communities: A Routledge Reader. Routledge; 2003:194-207. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203987834
58.
Parry R. Transfer protocols: Museum codes and ethics in the new digital environment. In: Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First-Century Museum. Routledge; 2011:316-331. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203815465
59.
The Online Museum: A ‘Placeless’ Space of the ‘Civic Laboratory’ | Grincheva | Museum Anthropology Review. https://scholarworks.iu.edu/journals/index.php/mar/article/view/3187/19336
60.
Phillips RB. Toward a dialogic paradigm : new models of collaborative curatorial practice. In: Museum Pieces: Toward the Indigenization of Canadian Museums. Vol McGill-Queen’s/Beaverbrook Canadian Foundation studies in art history. McGill-Queen’s University Press; 2011:185-204.
61.
Mithlo NM. ‘Red Man’s Burden’: The Politics of Inclusion in Museum Settings. The American Indian Quarterly. 2004;28(3):743-763. doi:10.1353/aiq.2004.0105
62.
Peers LL, Brown AK. Museums and Source Communities: A Routledge Reader. Routledge; 2003. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203987834
63.
Saunders B. Kwakwaka’Wakw Museology. Cultural Dynamics. 1995;7(1):37-68. doi:10.1177/092137409500700103
64.
Frey BS, Kirshenblatt-Gimblett B. The Dematerialization of Culture and the De-accessioning of Museum Collections. Museum International. 2002;54(4):58-63. doi:10.1111/1468-0033.00402
65.
Glass A, Keramidas K. On the relational exhibition in analog and digital media. In: Objects of Exchange : Social and Material Transformation on the Late Nineteenth-Century Northwest Coast : Selections from the American Museum of Natural History. Bard Graduate Center: Decorative Arts, Design History, Material Culture; 2011:217-225.
66.
Glass A, Keramidas K. On the relational exhibition in analog and digital media. In: Objects of Exchange : Social and Material Transformation on the Late Nineteenth-Century Northwest Coast : Selections from the American Museum of Natural History. Bard Graduate Center: Decorative Arts, Design History, Material Culture; 2011:217-225.
67.
Parry R. The End of the Beginning: Normativity in the Postdigital Museum. Advances in Research - Museum. 2013;1(1):24-39. doi:10.3167/armw.2013.010103
68.
Witcomb A. On the Side of the Object: an Alternative Approach to Debates About Ideas, Objects and Museums. Museum Management and Curatorship. 1997;16(4):383-399. doi:10.1080/09647779700501604
69.
Kirschenblatt-Gimblett B. Materiality and digitization in the Museum of the History of Polish Jews | Material World. Published 2009. http://www.materialworldblog.com/2009/07/materiality-and-digitization-in-the-museum-of-the-history-of-polish-jews/
70.
material, materiality. http://csmt.uchicago.edu/glossary2004/material.htm
71.
Digital materiality? How artifacts without matter, matter | Leonardi | First Monday. http://firstmonday.org/ojs/index.php/fm/article/view/3036/2567
72.
(40) Material Culture Studies: a reactionary view. | Dan Hicks - Academia.edu. https://www.academia.edu/1616110/Material_Culture_Studies_a_reactionary_view
73.
Ingold T. Materials against materiality. Archaeological Dialogues. 2007;14(01). doi:10.1017/S1380203807002127
74.
Pearce S. Objects as meaning; or narrating the past. In: Objects of Knowledge. Vol New research in museum studies; 2. Athlone Press; 1990:125-140.
75.
Lubar SD, Kingery WD. History from Things: Essays on Material Culture. Smithsonian Institution Press; 1993.
76.
Keene S. Fragments of the World: Uses of Museum Collections. Butterworth Heinemann Ltd; 2005. https://www.dawsonera.com/abstract/9780080456416
77.
Gitelman L, ed. ‘Raw Data’ Is an Oxymoron. Vol Infrastructures series. The MIT Press; 2013. http://ieeexplore.ieee.org/servlet/opac?bknumber=6451327
78.
Cameron F, Kenderdine S. Theorizing Digital Cultural Heritage: A Critical Discourse. Vol Media in transition. MIT Press; 2007. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780262269742
79.
Kalay YE, Kvan T, Affleck J. New Heritage: New Media and Cultural Heritage. Routledge; 2008. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203937884
80.
Software Takes Command International Texts in Critical Media Aesthetics: Amazon.Co.Uk: Lev Manovich: Books. Bloomsbury Academic; Int edition (29 Aug 2013) http://www.amazon.co.uk/Software-Command-International-Critical-Aesthetics/dp/1623567459
81.
Parry R. Museums in a Digital Age. Vol Leicester readers in museum studies. Routledge; 2010. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203716083
82.
Hein HS. Introduction: From object to experience. In: The Museum in Transition: A Philosophical Perspective. Smithsonian Institution Press; 2000:1-16.
83.
Hooper-Greenhill E. Speaking for herself? Hinemihi and other discourses. In: Museums and the Interpretation of Visual Culture. Vol Museum meanings; 4. Routledge; 2000:49-75. https://contentstore.cla.co.uk//secure/link?id=12ab2be9-5136-e711-80c9-005056af4099
84.
Geismar H. Museum+Digital=? In: Digital Anthropology. Berg; 2012.
85.
Brown D. Te Ahu Hiko : digital cultural heritage and indigenous objects, people and environments. In: Theorizing Digital Cultural Heritage: A Critical Discourse. Vol Media in transition. MIT Press; 2007:77-93. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780262269742
86.
Sterne J. The mp3 as cultural artifact. New Media & Society. 2006;8(5):825-842. doi:10.1177/1461444806067737
87.
Salmond A. Digital Subjects, Cultural Objects: Special Issue introduction. Journal of Material Culture. 2012;17(3):211-228. doi:10.1177/1359183512453531
88.
CHRISTEN K. A a Irititja: Protecting the Past, Accessing the Future?Indigenous Memories in a Digital Age: Museum Anthropology. 2006;29(1):56-60. doi:10.1525/mua.2006.29.1.56
89.
Manovich L. The Language of New Media. MIT Press; 2001.
90.
Blanchette JF. A material history of bits. Journal of the American Society for Information Science and Technology. 2011;62(6):1042-1057. doi:10.1002/asi.21542
91.
Sterne J. The mp3 as cultural artifact. New Media & Society. 2006;8(5):825-842. doi:10.1177/1461444806067737
92.
Sterne J. The mp3 as cultural artifact. New Media & Society. 2006;8(5):825-842. doi:10.1177/1461444806067737
93.
McEnroe N. Unfit for society? The case of the galton Collection at University College London. In: Extreme Collecting: Challenging Practices for 21st Century Museums. Berghahn Books; 2012:75-92. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857453648
94.
Srinivasan R, Boast R, Becvar KM, Furner J. Blobgects: Digital museum catalogs and diverse user communities. Journal of the American Society for Information Science and Technology. 2009;60(4):666-678. doi:10.1002/asi.21027
95.
Srinivasan R, Huang J. Fluid ontologies for digital museums. International Journal on Digital Libraries. 2005;5(3):193-204. doi:10.1007/s00799-004-0105-9
96.
GEISMAR H, MOHNS W. Social relationships and digital relationships: rethinking the database at the Vanuatu Cultural Centre. Journal of the Royal Anthropological Institute. 2011;17:S133-S155. doi:10.1111/j.1467-9655.2011.01693.x
97.
Cameron F, Kenderdine S. Theorizing Digital Cultural Heritage: A Critical Discourse. Vol Media in transition. MIT Press; 2007. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780262269742
98.
Christen K. Gone Digital: Aboriginal Remix and the Cultural Commons. International Journal of Cultural Property. 2005;12(03). doi:10.1017/S0940739105050186
99.
Kelty C. Two Bits: The Cultural Significance of Free Software.; 2008. http://twobits.net/pub/Kelty-TwoBits.pdf
100.
Special Issue, Digital Return: After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge. http://scholarworks.iu.edu/journals/index.php/mar
101.
Jacobs J. Repatriation and the Reconstruction of Identity. Museum Anthropology. 2009;32(2):83-98. doi:10.1111/j.1548-1379.2009.01038.x
102.
Christen K. Opening Archives: Respectful Repatriation. The American Archivist. 2011;74(1):185-210. doi:10.17723/aarc.74.1.4233nv6nv6428521
103.
Brown D. Museums as cultural guardians. http://books.publishing.monash.edu/apps/bookworm/view/South+Pacific+Museums%3A+Experiments+in+Culture/139/xhtml/contents.html
104.
The Repatriation of the G’psolax pole: a study of its context, process and outcome. http://journals.cambridge.org/action/displayFulltext?type=1&fid=8456382&jid=JCP&volumeId=18&issueId=03&aid=8456380
105.
The Cambridge History of World Music (The Cambridge History of Music). Cambridge University Press
106.
Kallinikos J, Aaltonen A, Marton A. A theory of digital objects. Published 2010. http://firstmonday.org/ojs/index.php/fm/article/view/3033/2564
107.
Peers LL, Brown AK. Museums and Source Communities: A Routledge Reader. Routledge; 2003. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203987834
108.
Clifford J. Routes: Travel and Translation in the Late Twentieth Century. Harvard University Press; 1999.
109.
Kramer J. Figurative Repatriation. Journal of Material Culture. 2004;9(2):161-182. doi:10.1177/1359183504044370
110.
Adrienne L. Kaeppler. Two Polynesian Repatriation Enigmas at the Smithsonian Institution. 2005;(17):152-162. http://www.jstor.org/discover/10.2307/40793776?uid=3738032&uid=2&uid=4&sid=21104198120641
111.
Moore E. PROPATRIATION: Possibilities for Art after NAGPRA. Museum Anthropology. 2010;33(2):125-136. doi:10.1111/j.1548-1379.2010.01091.x
112.
Healy C, Witcomb A. South Pacific Museums: Experiments in Culture. Monash University ePress; 2006.
113.
Whose pictures are these? Indigenous community access and control of digital archives. http://www.girona.cat/web/ica2014/ponents/textos/id240.pdf
