1.
Caldararo NL. An Outline History of Conservation in Archaeology and Anthropology as Presented through Its Publications. Journal of the American Institute for Conservation. 1987;26(2):85-104. http://www.jstor.org/stable/3179458
2.
Miriam Clavir. The Social and Historic Construction of Professional Values in Conservation. Studies in Conservation. Vol. 43(No. 1):1-8.
3.
Oddy WA. Introduction in The art of the conservator. In: The Art of the Conservator. Published for the Trustees of the British Museum by British Museum Press; 1992:7-27.
4.
Philippot P. Historic preservation: philosophy, criteria, guidelines. In: Historical and Philosophical Issues in the Conservation of Cultural Heritage. Vol Readings in conservation. Getty Conservation Institute; 1996:268-274.
5.
Harold J. Plenderleith. A History of Conservation. Studies in Conservation. Vol. 43(No. 3):129-143.
6.
Caple, Chris. Conservation Skills: Judgement, Method and Decision Making. Routledge; 2000. https://doi.org/10.4324/9780203086261
7.
G. de G. Forbes Prize Lecture. Studies in Conservation. 2007;52(1):69-73. http://www.jstor.org/stable/20619480
8.
Oddy WA, Smith S, British Museum. Past practice, future prospects. In: Vol Occasional paper / British Museum. British Museum; 2001.
9.
Jones S, Holden J. It’s a Material World. Demos; 2008. http://www.demos.co.uk/files/Material%20World%20-%20web.pdf
10.
Muñoz Viñas S. Contemporary Theory of Conservation. Butterworth Heinemann; 2005.
11.
Sease C. A short history of archaeological conservation. Studies in Conservation. 1996;41(sup1):157-161. doi:10.1179/sic.1996.41.Supplement-1.157
12.
Avrami E. Heritage, values and sustainability. In: Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:177-183. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080941714
13.
Avrami EC, Mason R, De la Torre M, Getty Conservation Institute. Values and Heritage Conservation: Research Report. Getty Conservation Institute; 2000. https://www.getty.edu/conservation/publications_resources/pdf_publications/values_heritage_research_report.html
14.
Jokilehto J. Conservation principles in the international context. In: Conservation Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:73-83. https://www.dawsonera.com/abstract/9780080941714
15.
Muñoz Viñas S. Minimal intervention revisited. In: Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:47-59. https://www.dawsonera.com/abstract/9780080941714
16.
Sloggett R. What is ‘conservation’? An examination of the continued relevance of ICOMCC’s The Conservator-Restorer: A Definition of the Profession. In: Bridgland J, ed. ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014. International Council of Museums; 2014. http://icom-cc-publications-online.org/PublicationDetail.aspx?cid=42d89b9f-a303-453e-942c-d46ec0def8f4
17.
Caple C. Conservation skills: judgement, method and decision making. In: Routledge; 2000. doi:10.4324/9781134659449
18.
Clavir M. Conservation and Cultural Significance. In: Richmond A, Bracker AL, eds. Conservation Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann; 2009:139-149. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080941714
19.
Steven W. Dykstra. The Artist’s Intentions and the Intentional Fallacy in Fine Arts Conservation. Journal of the American Institute for Conservation. 1996;Vol. 35(No. 3):197-218.
20.
Lindsay W. Time perspectives: What ‘the future’ means to museum professionals in collections‐care. The Conservator. 2005;29(1):51-61. doi:10.1080/01410096.2005.9995212
21.
Oddy WA, Carroll S, British Museum. Reversibility - Does It Exist? Vol Occasional paper / British Museum. British Museum; 1999.
22.
Pye E. The history of conservation. In: Caring for the Past: Issues in Conservation for Archaeology and Museums. James & James; 2001:37-56.
23.
Stanley-Price, Nicholas, Talley, Mansfield Kirby, Melucco Vaccaro, Alessandra, Getty Conservation Institute. Historical and Philosophical Issues in the Conservation of Cultural Heritage. Vol Readings in conservation. Getty Conservation Institute; 1996.
24.
Stanley-Price N. The Reconstruction of Ruins: Principles and Practice. In: Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:32-46. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080941714
25.
Parga Dans E, Alonso González P. The Altamira controversy: Assessing the economic impact of a world heritage site for planning and tourism management. Journal of Cultural Heritage. Published online October 2017. doi:10.1016/j.culher.2017.09.007
26.
Clavir, Miriam. Preserving What Is Valued: Museums, Conservation, and First Nations. Vol UBC Museum of Anthropology Research publication. UBC Press; 2002.
27.
Renata Franco Peters. Saving the Present in Brazil: Perspectives from Collaborations with Indigenous Museums.
28.
Dignard C, Preserving Aboriginal Heritage, Technical and Traditional Approaches, Canadian Conservation Institute. Preserving Aboriginal Heritage: Technical and Traditional Approaches : Proceedings of a Conference Symposium 2007, Preserving Aboriginal Heritage, Technical and Traditional Approaches, Ottawa, Canada, September 24-28, 2007. Canadian Conservation Institute; 2008.
29.
Renata Peters and Salomon, F., González, R. C. & González, R. C. Traditional Use and Scholarly Investigation: A Collaborative Project to Conserve the Khipu of San Cristobal de Rapaz. In: In Dignard, C. et al. (Eds.) Preserving Aboriginal Heritage: Technical and Traditional Approaches. Symposium 2007, 95-100. Ottawa, Canada: The Canadian Conservation Institute. ; 2008. http://publications.gc.ca/collections/collection_2015/pc-ch/CH57-4-1-2008.pdf
30.
Anyon R, et al. Heritage management by American Indian tribes in the Southwestern United States. In: Cultural Resource Management in Contemporary Society: Perspectives on Managing and Presenting the Past. Vol One world archaeology. Routledge; 2000:120-141.
31.
Anyon R. Protecting the past, protecting the present: cultural resources and American Indians. In: Protecting the Past. CRC Press; 1991:215-222.
32.
Smart News | Smithsonian. Over 9,000 Years Later, Kennewick Man Will Be Given a Native American Burial. https://www.smithsonianmag.com/smart-news/over-9000-years-later-kennewick-man-will-be-given-native-american-burial-180958947/
33.
Brydon-Miller M, Greenwood D, Maguire P. Why Action Research? Action Research. 2003;1(1):9-28. doi:10.1177/14767503030011002
34.
Bunjilaka Aboriginal Cultural Centre: Bunjilaka. http://museumvictoria.com.au/bunjilaka/
35.
ICOM-CC Publications Online. http://icom-cc-publications-online.org/PublicationDetail.aspx?cid=d143e718-2ddc-475e-8383-9e0286b13335
36.
Chitty G, ed. Heritage, Conservation and Community: Engagement, Participation and Capacity Building. Vol Heritage, culture and identity. Routledge, Taylor & Francis Group; 2017. https://www.taylorfrancis.com/books/e/9781317122357
37.
Enote, J., Chavez Lamar, C., Smith, L. & Vallo, B. Community + Museum. Guidelines for Collaboration. I. http://coah-repat.com/system/files/atoms/file/Community-museum-guidelines%20for%20collaboration.pdf
38.
Mihesuah DA. Repatriation Reader: Who Owns American Indian Remains? University of Nebraska Press; 2000.
39.
Forde C. The Dead and Their Possessions. Routledge; 2003. doi:10.4324/9780203165775
40.
Hitchens, Christopher, Browning, Robert, Binns, Graham. The Elgin Marbles: Should They Be Returned to Greece? Verso; 1998.
41.
Hornbeck SE, Moffett DL. Altered surfaces, taking the long view: Applications of ethnographic conservation practices to the conservation of contemporary art. Studies in Conservation. 2016;61(sup2):84-90. doi:10.1080/00393630.2016.1190906
42.
Thomas, David Hurst. Skull Wars: Kennewick Man, Archaeology, and the Battle for Native American Identity. Basic Books; 2000.
43.
Kopytoff I. Cultural biography of things: commoditization as process. In: The Social Life of Things: Commodities in Cultural Perspective. Cambridge University Press; 1986. https://www-fulcrum-org.libproxy.ucl.ac.uk/concern/monographs/vq27zp00f
44.
Lane RL, J. WM. This is so contemporary? Mediums of exchange and conservation. Studies in Conservation. 2016;61(sup2):104-108. doi:10.1080/00393630.2016.1204528
45.
McHugh K, Gunnison A. Finding common ground and inherent differences: Artist and community engagement in cultural material and contemporary art conservation. Studies in Conservation. 2016;61(sup2):126-129. doi:10.1080/00393630.2016.1181349
46.
Māori Collection - Museum of New Zealand Te Papa Tongarewa, Wellington, NZ. http://tepapa.govt.nz/ResearchAtTePapa/CollectionCareAndAccess/HistoryOfCollections/Pages/Maoricollection.aspx
47.
Native American Graves Protection and Repatriation Act (NAGRA).
48.
Onciul B. Engaging Heritage: Engaging Communities. Boydell Press; 2017. http://www.jstor.org/stable/10.7722/j.ctt1kgqvrc
49.
Peters RF. The parallel paths of conservation of contemporary art and indigenous collections. http://www.tandfonline.com/doi/full/10.1080/00393630.2016.1200839
50.
Peters RF. The Brave New World of Conservation. In Diversity in Heritage Conservation: Tradition, Innovation and Participation - Preprints of the ICOM-CC 15th Triennial Conference. Allied Publishers Pvt Ltd: New Delhi, Vol 1, 185-190. Published online 2008. https://www.academia.edu/2180522/Peters_R._2008._The_Brave_New_World_of_Conservation._In_Diversity_in_Heritage_Conservation_Tradition_Innovation_and_Participation_-_Preprints_of_the_ICOM-CC_15th_Triennial_Conference._Allied_Publishers_Pvt_Ltd_New_Delhi_Vol_1_185-190
51.
Society for American Archaeology. Repatriation. https://www.saa.org/government-affairs/repatriation
52.
Frank S, Renata Franco P. Governance and Conservation of the Rapaz Khipu Patrimony. In: Intangible Heritage Embodied. Springer Velag; 2009:101-125. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781441900722
53.
Sillar B. Who’s indigenous? Whose archaeology? In: Conservation, Identity and Ownership in Indigenous Archaeology. Vol Public archaeology. James & James; 2005:71-94.
54.
Smithsonian National Museum of the American Indian. https://americanindian.si.edu/
55.
United Nations Development Group. United Nations Development Group Guidelines on Indigenous Peoples’ Issues. http://www.ohchr.org/EN/Issues/IPeoples/Pages/UNDGGuidelines.aspx
56.
UNESCO convention concerning the protection of the world cultural and natural heritage.
57.
Brooks MM. Talking to ourselves. Why do conservators find it so hard to convince others of the significance of conservation? In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:1135-1140. https://www.icom-cc-publications-online.org/1997/Talking-to-ourselves--why-do-conservators-find-it-so-hard-to-convince-others-of-the-significance-of-conservation
58.
Drago A. ‘I feel included’: the exhibition at the British Museum. Journal of the Institute of Conservation. 2011;34(1):28-38. doi:10.1080/19455224.2011.566473
59.
McCoy R. Collaborating in the Public’s Domain. CeROArt. 2009;3.
60.
Williams E, Playing to the Galleries and Engaging New Audiences, the Public Face of Conservation (Conference). The Public Face of Conservation. Archetype Publications in association with Colonial Williamsburg; 2013. https://www.flipsnack.com/9ECE8CF569B/the-public-face-of-conservation.html
61.
Aitchison K. Conservation Labour Market Intelligence 2012-2013. Published online 2013. https://www.icon.org.uk/resource/conservation-labour-market-intelligence-2012-2013.html
62.
Whale move: conservation commences | Natural History Museum. http://www.nhm.ac.uk/discover/whale-move-conservation-commences.html
63.
‘I feel included’: An evaluation of Conservation in focus in Room 3 at the British Museum. https://www.britishmuseum.org/pdf/Room%203%20Conservation%20in%20Focus%2003-10-2010.pdf
64.
Peters R, Romanek D. Approaches to access: factors and variables. Studies in Conservation. 2008;53(sup1):1-6. doi:10.1179/sic.2008.53.Supplement-1.1
65.
AIC (American Institute for Conservation of Historic and Artistic Works) - Code of Ethics.
66.
ICOMOS. The Athens Charter for the Restoration of Historic Monuments - 1931. Published online 2011.
67.
The Australia ICOMOS charter for the conservation of places of cultural significance (the Burra charter).
68.
ECCO. Competences for access to the conservation-restoration profession.
69.
International Council on Monuments and Sites. The Declaration of San Antonio (1996). http://www.icomos.org/en/pub/179-articles-en-francais/ressources/charters-and-standards/188-the-declaration-of-san-antonio
70.
ICOM-CC Resolution Terminology English - ICOM-CC.
71.
IfA Codes, Standards and Guidelines | The Institute for Archaeologists.
72.
Native American Graves Protection and Repatriation Act (NAGRA).
73.
International Charter for the Conservation and Restoration of Monuments and Sites (The Venice Charter).
74.
The Vermillion Accord on Human Remains.
75.
UNESCO. Convention on the means of prohibiting and preventing the illicit import, export and transfer of ownership of cultural property. Published online 1970.
76.
UNESCO. Convention concerning the protection of the world cultural and natural heritage. Published online 1972.
77.
UNESCO. The Nara Document on Authenticity. Published online 1994. https://www.icomos.org/en/charters-and-texts/179-articles-en-francais/ressources/charters-and-standards/386-the-nara-document-on-authenticity-1994
78.
UNIDROIT. International Institute for the Unification of Private Law. Published online 1993.
79.
Dolff-Bonekamper G. The Berlin Wall: an archaeological site in progress. In: Matériel Culture: The Archaeology of Twentieth-Century Conflict. Vol One world archaeology. Routledge; 2002:236-248.
80.
Chatzidakis M. Street art conservation in Athens: Critical conservation in a time of crisis. Studies in Conservation. 2016;61(sup2):17-23. doi:10.1080/00393630.2016.1201757
81.
2018 EH. Heritage Crime Prevention: A Guide for Owners, Tenants and Managers of Heritage Assets.
82.
González‐Ruibal A. Time to Destroy: An Archaeology of Supermodernity. Current Anthropology. 2008;49(2):247-279. doi:10.1086/526099
83.
Ormsby B, R. Barker, M. Keefe, C. Tucker, F. Donate, P. Smithen. The removal of graffiti ink from Mark Rothko’s Untitled (Black on Maroon), 1958. A collaborative approach. Bridgland J, ed. ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014. Published online 1958. http://icom-cc-publications-online.org/publicationDetail.aspx?cid=29b488c5-a131-4b7f-8b3d-d3d394303bc4
84.
Rebecca R. Benefiel. Dialogues of Ancient Graffiti in the House of Maius Castricius in Pompeii. American Journal of Archaeology. Vol. 114(No. 1):59-101.
85.
Dickens J, Rava A, Colombini MP, Picollo M, Shank W. Keith Haring in Pisa and Melbourne: Controversy and conservation. Studies in Conservation. 2016;61(sup2):29-37. doi:10.1080/00393630.2016.1193691
86.
Feversham P, Schmidt L. The Berlin Wall: border, fragment, world heritage? In: A Fearsome Heritage: Diverse Legacies of the Cold War. Vol One world archaeology series. Left Coast Press; 2007:193-209. https://contentstore.cla.co.uk/secure/link?id=e03a025d-989a-ef11-88d0-cfb690c94b6c
87.
Graves-Brown P, Schofield J. The filth and the fury: 6 Denmark Street (London) and the Sex Pistols. Antiquity. 2011;85(330):1385-1401. doi:10.1017/S0003598X00062128
88.
East Side Gallery Berlin. http://www.eastsidegallery-berlin.de/data/eng/index-eng.htm
89.
2010 P R. Conversations on conservation of cultural heritage: Graffiti around UCL campus.
90.
Schauer C. Berlin’s Invisible Wall: Little Is Left Today of the Cold War’s Most Famous Monument. Spiegel Online. Published online 16 July 2009.
91.
East Side Gallery | visitBerlin.de. https://www.visitberlin.de/en/east-side-gallery
92.
Getty Conservation Institute. Conservation of Modern and Contemporary Art. Getty Conservation Institute Newsletter. 2009;24(2).
93.
McHugh K, Gunnison A. Finding common ground and inherent differences: Artist and community engagement in cultural material and contemporary art conservation. Studies in Conservation. 2016;61(sup2):126-129. doi:10.1080/00393630.2016.1181349
94.
Peters RF. The parallel paths of conservation of contemporary art and indigenous collections. Studies in Conservation. 2016;61(sup2):183-187. doi:10.1080/00393630.2016.1200839
95.
Ryan G. Considerations in the acquisition of contemporary art: Refabrication as a preservation strategy. Studies in Conservation. 2016;61(sup2):198-202. doi:10.1080/00393630.2016.1204517
96.
Van de Vall R. Painful decisions: philosophical considerations on a decision-making model. In: Modern Art: Who Cares? : An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. Archetype; 2005:196-200. https://contentstore.cla.co.uk/secure/link?id=85175558-ce35-e911-80cd-005056af4099
97.
Wild E, Pagliarino A, Storer R. Conservation from conception: Commissioning an installation by Cai Guo-Qiang. Studies in Conservation. 2016;61(sup2):255-259. doi:10.1080/00393630.2016.1183098
98.
Clavir, M. Preserving What Is Valued: Museums, Conservation and First Nations. UBC Press; 2002.
99.
Dignard, C., Mason, J., Nanonwick, K., Stone, T. Symposium 2007: Preserving Aboriginal Heritage - Technical and Traditional Approaches. Canadian Conservation Institute; 2008. http://publications.gc.ca/collections/collection_2015/pc-ch/CH57-4-1-2008.pdf
100.
Hornbeck SE, Moffett DL. Altered surfaces, taking the long view: Applications of ethnographic conservation practices to the conservation of contemporary art. Studies in Conservation. 2016;61(sup2):84-90. doi:10.1080/00393630.2016.1190906
101.
Kaminitz M, West RW. Conservation, Access and Use in a Museum of Living Cultures. In: Richmond A, Bracker AL, eds. Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:197-209. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080941714
102.
Lerner B. The Custodians: How the Whitney is transforming the art of museum conservation. Published online 2016. http://www.newyorker.com/magazine/2016/01/11/the-custodians-onward-and-upward-with-the-arts-ben-lerner
103.
Lodder C. Naum Gabo and the Quandaries of the Replica. Tate papers. 2007;8(Autumn).
104.
Pugliese MB, Ferriani C, Orsini I, Ratti MP, Bernardesch I. Bridging the gap – linking conservation strategies in the preservation of our ethno-anthropological heritage and contemporary art. Bridgland J, ed. ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014. Published online 2014. http://icom-cc-publications-online.org/PublicationDetail.aspx?cid=230ff871-b3f9-4bfe-a104-fa21296385b4
105.
SBMK. The Decision-Making Model for the Conservation and Restoration of Modern and Contemporary Art. Netherlands Institute for Cultural Heritage F for the C of MA, ed. Published online 1997. https://sbmk.nl/source/documents/decision-making-model.pdf
106.
Sillé, Dionne, Hummelen, IJsbrand M. C. Modern Art: Who Cares? An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. Archetype; 2005.
107.
Stable, C. Maximum conservation: renewal of a Maori Waka by George Nuku and National Museums Scotland. Journal of Conservation and Museum Studies. 2012;(10 (1)). http://www.jcms-journal.com/article/view/jcms.1011202
108.
Stallabrass J. Inherent Vice: the replica and its implications in modern sculpture. Tate Papers. 2007;8(Autumn).
109.
Verbeeck M. ‘There is nothing more practical than a good theory’: Conceptual tools for conservation practice. Studies in Conservation. 2016;61(sup2):233-240. doi:10.1080/00393630.2016.1188647
110.
Banard A. Race in Iraq and Syria to Record and Shield Art Falling to ISIS. Published 2015. https://www.nytimes.com/2015/03/09/world/middleeast/race-in-iraq-and-syria-to-record-and-shield-art-falling-to-isis.html
111.
Brodie, Neil, Doole, Jennifer, Watson, Peter, International Council of Museums, Museums Association. Stealing History: The Illicit Trade in Cultural Material. McDonald Institute for Archaeological Research; 2000.
112.
ICOM-CC Publications Online.
113.
J. S. J, B.M. Lione, D.H. Norris, et al. Collaboration, sustainability, and reconciliation: Teaching cultural heritage preservation and management in Iraq. Bridgeland J, ed. ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014. Published online 2014. http://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=815039f2-f1f1-4e35-b192-3f368b1c1f74
114.
K. W. Tubb. Shifting Approaches to Unprovenanced Antiquities among Conservators. In: Realising Cultural Heritage Law: Festschrift for Patrick Joseph O’Keefe : [A Collection of Essays]. Institute of Art and Law; 2013.
115.
Matthew Bogdanos. The Casualities of War: The Truth about the Iraq Museum. American Journal of Archaeology. Vol. 109(No. 3):477-526.
116.
Bouchenaki M. The interdependency of the tangible and intangible cultural heritage. In: ICOMOS General Assembly and International Symposium: Place, Memory, Meaning Preserving Intangible Values in Monuments and Sites. ; 27AD. http://openarchive.icomos.org/468/
117.
Emberling, Geoff, Gibson, McGuire, Hanson, Katharine, University of Chicago. Catastrophe!: The Looting and Destruction of Iraq’s Past. The Oriental Institute Museum of the University of Chicago; 2008.
118.
Felch, Jason, Frammolino, Ralph. Chasing Aphrodite: The Hunt for Looted Antiquities at the World’s Richest Museum. Houghton Mifflin Harcourt; 2011.
119.
International Observatory on Illicit Traffic in Cultural Goods. http://obs-traffic.museum/
120.
Jaeschke H. The Conservation Treatment of Looted Antiquities and the Responsibilities of Conservators. In: Ashok Roy, Perry Smith, eds. Preprints of the Contributions to the Copenhagen Congress, 26-30 August 1996: Archaeological Conservation and Its Consequences. International Institute for Conservation of Historic and Artistic Works; 1996:82-85.
121.
Kila J, Balcells M. Cultural Property Crime: An Overview and Analysis on Contemporary Perspectives and Trends. Vol v. 3. Brill; 2015. doi:http://dx.doi.org/10.1163/9789004280540
122.
Mackenzie, S. R. M., Institute of Art and Law (Great Britain). Going, Going, Gone: Regulating the Market in Illicit Antiquities. The Institute of Art and Law; 2005.
123.
Schuster, Angela M. H., Polk, Milbry. The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Ancient Mesopotamia. Abrams; 2005.
124.
SAFE (Saving Antiquities for Everyone). http://www.savingantiquities.org/
125.
Stone, Peter G., Farchakh Bajjaly, Joanne. The Destruction of Cultural Heritage in Iraq. Vol Heritage matters series. Boydell Press; 2008.
126.
Watson, Peter, Todeschini, Cecilia. The Medici Conspiracy: The Illicit Journey of Looted Antiquities, from Italy’s Tomb Raiders to the World’s Greatest Museums. BBS PublicAffairs; 2006.
127.
Publications – Drakon Heritage and Conservation. http://drakonheritage.co.uk/publications/
128.
CONSERVATIONREGISTER.COM. http://www.conservationregister.com/PIcon-WorkingWithAConservator.asp
129.
The Institute of Conservation’s Code of Conduct. https://icon.org.uk/system/files/documents/icon_code_of_conduct.pdf
130.
Home - Plowden & Smith. http://www.plowden-smith.com/
131.
Ashbridge R. Planning the packing for a touring exhibition. V & A Conservation Journal. 2006;53(Summer).
132.
Great Britain. Department for Culture, Media and Sport. Guidance for the Care of Human Remains in Museums. Department for Culture, Media and Sport; 2005.
133.
Jackson K. New views at the Pitt Rivers Museum. ICON news: magazine of the Institute of Conservation. 2009;22(May):17-20.
134.
McGowan GS, LaRoche CJ. The Ethical Dilemma Facing Conservation: Care and Treatment of Human Skeletal Remains and Mortuary Objects. Journal of the American Institute for Conservation. 1996;35(2):109-121. doi:10.1179/019713696806124548
135.
MacKay A. A string of beads unbroken: continuity and collaboration in an exhibition of Iroqois beadwork. In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:171-177. https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=bc7b8716-9bd9-429a-b968-4f74e3d33008
136.
Bendix C, Calnan C, Hickey S. An unfolding exhibition—conservation and registrar perspectives. The Paper Conservator. 2003;27(1):87-95. doi:10.1080/03094227.2003.9638634
137.
Bowron EL. A new approach to the storage of human skeletal remains. The Conservator. 2003;27(1):95-106. doi:10.1080/01410096.2003.9995193
138.
Brown H, Lambeth R. Mount making for the Medieval and Renaissance exhibition tour. V & A conservation journal. 2008;56(Spring).
139.
Sheila Watson ; Suzanne Maclnd Simon Knell. Museum Revolutions: How Museums Change and Are Changed. https://www.dawsonera.com/abstract/9780203932643
140.
Carter J, Orange J. Contentious terrain: defining a human rights museology. Museum Management and Curatorship. 2012;27(2):111-127. doi:10.1080/09647775.2012.674318
141.
Cassman V, Odegaard N, Powell JF. Human Remains: Guide for Museums and Academic Institutions. AltaMira Press; 2007. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780759112285
142.
Dawson J. Conserving Ancient Egypt in Cambridge. ICON news: magazine of the Institute of Conservation. 2006;7:30-34.
143.
Giesen MJ. Curating Human Remains: Caring for the Dead in the United Kingdom. Vol Heritage matters. Boydell Press; 2013. https://www.jstor.org/stable/10.7722/j.ctt284tgt
144.
McCormick S, Whitford R. The Story of Time’: Managing a major loans-in exhibition at the National Maritime Museum. The Paper Conservator. 2003;27(1):79-86. doi:10.1080/03094227.2003.9638633
145.
Nightingale C. Designing an Exhibition to Minimise Risks to Costume on Open Display. The Conservator. 2005;29(1):35-49. doi:10.1080/01410096.2005.9995211
146.
Toby J. Raphael. Preventive Conservation and the Exhibition Process: Development of Exhibit Guidelines and Standards for Conservation. Journal of the American Institute for Conservation. Vol. 44(No. 3):245-257.
147.
Reuss M, Scott G, MacKinnon F. Conservation of exhibitions: making a maintenance programme work. In: ICOM Committee for Conservation: 14th Triennial Meeting, The Hague, 12-16 September 2005 ; Preprints. James & James, Earthscan; 2005:693-699. https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=dc6877e7-22fa-4966-b490-1f4371f4fcea
148.
ICOM Committee for Conservation. Meeting. 14th Triennial Meeting, The Hague, 12-16 September 2005 : Preprints. (Sourbès-Verger I, ed.). James & James/Earthscan; 2005.
149.
Sixsmith, Mike. Touring Exhibitions: The Touring Exhibition Group’s Manual of Good Practice. Butterworth-Heinemann; 1995.
150.
Swain, Hedley. An Introduction to Museum Archaeology. Cambridge University Press; 2007.
151.
Thickett, D, Lee, L. R., British Museum. Selection of Materials for the Storage or Display of Museum Objects. Vol Occasional paper / British Museum. Department of Conservation [British Museum]; 1996.
152.
L. S. T. Respect for the dead, respect for the living. In: Cassman V, Odegaard N, Powell JF, eds. Human Remains: Guide for Museums and Academic Institutions. AltaMira Press; 2007:245-259. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780759112285
153.
Thompson C. Developing the Islamic Middle East gallery and touring exhibition. V & A conservation journal. 2006;53(Summer).
154.
Tsang MJ. A practical collaborative approach for long term displays. In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:791-797.
155.
Clandon Park | National Trust. https://www.nationaltrust.org.uk/clandon-park
156.
Clavir M. Ch.13: Conservation and Cultural Significance. In: Conservation Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann; 2009:139-149. https://www.dawsonera.com/readonline/9780080941714
157.
Gallop A. The House with the Golden Eyes: Unlocking the Secret History of ‘Hinemihi’ - the Måaori Meeting House from Te Wairoa (New Zealand) and Clandon Park (Surrey, England). Running Horse Books; 1998.
158.
Gravesen C. Between Humans and Other Things: Conservation as Material Fabric in Contemporary Art. Journal of Conservation and Museum Studies. 2012;10(1). doi:10.5334/jcms.1011201
159.
Henare A, Holbraad M, Wastell S. Introduction: Thinking Through Things. https://www.dawsonera.com/readonline/9780203088791/startPage/1
160.
Jones S, Holden J. Material World - Material World - web.pdf. http://www.demos.co.uk/files/Material%20World%20-%20web.pdf
161.
Hooper-Greenhill E. Perspectives on Hinemihi: A Maori meeting house. In: Colonialism and the Object: Empire, Material Culture and the Museum. Vol Museum meanings. Routledge; 1998. https://www.dawsonera.com/abstract/9780203350683
162.
Barringer TJ, Flynn T. Colonialism and the Object: Empire, Material Culture and the Museum. Vol Museum meanings. Routledge; 1998. https://www.dawsonera.com/abstract/9780203350683
163.
Hooper-Greenhill E. Speaking for Herself? Hinemihi and Her Discourses. In: Museums and the Interpretation of Visual Culture. Vol Museum meanings. Routledge; 2000.
164.
Mason R. Assessing Values in Conservation Planning: Methodological Issues and Choices. In: Assessing the Values of Cultural Heritage: Research Report. http://www.getty.edu/conservation/publications_resources/pdf_publications/values_cultural_heritage.html
165.
McCarthy C. Exhibiting Māori: A History of Colonial Cultures of Display. Berg; 2007.
166.
McNiven IJ, Russell L. Appropriated Pasts: Indigenous Peoples and the Colonial Culture of Archaeology. Vol Archaeology in society series. AltaMira Press; 2005.
167.
Smith L. Uses of Heritage. Routledge; 2006. https://www.taylorfrancis.com/books/9781134368037
168.
Smith C, Winkelbauer H. CONSERVATION OF A MĀORI EEL TRAP: PRACTICAL AND ETHICAL ISSUES. Studies in Conservation. 2006;51(sup2):128-132. doi:10.1179/sic.2006.51.Supplement-2.128
169.
Sully D. Decolonising Conservation: Caring for Maori Meeting Houses Outside New Zealand. Vol Publications of the Institute of Archaeology, University College London. Left Coast Press; 2007.
170.
Sully D, Cardoso IP. Painting Hinemihi by numbers: Peoples-based conservation and the paint analysis of Hinemihi’s carvings. Studies in Conservation. 2014;59(3):180-193. doi:10.1179/2047058413Y.0000000102
171.
Sully D, Raymond R, Hoete A. Locating Hinemihi’s People. Journal of Material Culture. 2014;19(2):209-229. doi:10.1177/1359183513514316
172.
Tuhiwai Smith L. Decolonizing Methodologies: Research and Indigenous Peoples. Zed; 1999.
173.
Wharton G. Indigenous claims and heritage conservation: an opportunity for critical dialogue. Public Archaeology. 2005;4(2-3):199-204. doi:10.1179/pua.2005.4.2-3.199
174.
Wharton G. The Painted King: Art, Activism, and Authenticity in Hawaiʻi. University of Hawaiʻi Press; 2012. https://www.jstor.org/stable/j.ctt6wqf1v
175.
Whiting D. Conserving Marae Buildings. Vol ICCROM conservation studies. International Centre for the Study of the Preservation and Restoration of Cultural Property; 2005.
176.
Cerf VG. Avoiding ‘Bit Rot’: Long-Term Preservation of Digital Information [Point of View]. Proceedings of the IEEE. 2011;99(6):915-916. doi:10.1109/JPROC.2011.2124190
177.
Herve Graumann: Digital Art Conservation. http://www.digitalartconservation.org/index.php/en/exhibitions/zkm-exhibition/nnherve-graumann.html
178.
Noordegraaf, JuliaSaba, Cosetta G.Le Maitre, BarbaraHediger, Vinzenz. Preserving and Exhibiting Media Art: Challenges and Perspectives. Amsterdam University Press; 2013. http://www.oapen.org/search?identifier=530353
179.
digital art conservation. http://www.digitalartconservation.org/
180.
Conservation of time-based media | Tate. http://www.tate.org.uk/about/our-work/conservation/time-based-media
181.
Rachel Poliquin. The Matter and Meaning of Museum Taxidermy. Museums & Society. 2008;6(2). https://journals.le.ac.uk/ojs1/index.php/mas/article/view/118
182.
Everest S. "Under the Skin”: The Biography of a Manchester Mandrill. In: The Afterlives of Animals: A Museum Menagerie. University of Virginia Press; 2011. https://www.jstor.org/stable/j.ctt6wrjs7
183.
Asma ST. Stuffed Animals & Pickled Heads: The Culture and Evolution of Natural History Museums. Oxford University Press; 2001. https://contentstore.cla.co.uk/secure/link?id=2e9509c3-164b-ee11-8457-0050f2f0d45d
184.
ICOM. Heritage Bulimia or De-Accessioning as a Conservation Cur. NATURAL HISTORY COLLECTIONS WORKING GROUP NEWSLETTER. (15). http://www.google.co.uk/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0CCMQFjAA&url=http%3A%2F%2Fwww.icom-cc.org%2F54%2Fdocument%2Fnatural-history-collections-wg-newsletter-no-15-march-2006%2F%3Faction%3DSite_Downloads_Downloadfile%26id%3D273&ei=rKl8VOrmCYjXaoqxgMgI&usg=AFQjCNGWS9zieGTTden2bAqCuBhpjgVRJg&sig2=7JcvGDGmrDdz6c5lWgZeIw&bvm=bv.80642063,d.d2s
185.
Mental Floss. 11 Historically Important Works of Taxidermy. http://mentalfloss.com/article/53029/11-historically-important-works-taxidermy
186.
Natalie Jones. Conserving our taxidermy -. http://www.horniman.ac.uk/collections/conserving-our-taxidermy
187.
Poliquin R. Balto the Dog. In: The Afterlives of Animals: A Museum Menagerie. University of Virginia Press; 2011. https://www.jstor.org/stable/j.ctt6wrjs7
188.
September 11 and the Mourning After: Reflections on Collecting and Interpreting the History of Tragedy.
189.
Linenthal E. The Boundaries of Memory: The United States Holocaust Memorial Museum.; 1994.
190.
Susanne Buckley-Zistel. Remembering to forget: chosen amnesia as a strategy for local coexistence in post-genocidal Rwanda. Africa: The Journal of the International African Institute. 2006;76(2):131-150. https://muse.jhu.edu/article/197805
191.
Radley A. Artefacts, Memory and a Sense of Past. In: Vol Inquiries in social construction. SAGE; 1990.
192.
Torres F, Chanin C. Memory Remains: 9/11 Artifacts at Hangar 17. National Geographic; 2011.
193.
American Institute for Conservation of Historic and Artistic Works. Ethics & Critical Thinking in Conservation. (Hatchfield P, ed.). American Institute for Conservation of Historic and Artistic Works; 2013.
194.
Caple C. Conservation Skills: Judgement, Method and Decision Making. Routledge; 2000. doi:10.4324/9781134659449
195.
Denis Byrne, Helen Brayshaw, Tracy Ireland. Social Significance: A Discussion Paper. Published online 2003. http://www.environment.nsw.gov.au/resources/cultureheritage/socialsignificance.pdf
196.
KATE CLARK. Values-Based Heritage Management and the Heritage Lottery Fund in the UK. APT Bulletin. 2014;45(2):65-71. https://www.jstor.org/stable/23799529
197.
Harrison R. Heritage: Critical Approaches. Routledge; 2013. https://www.taylorfrancis.com/books/9780203108857
198.
De la Torre M, Getty Conservation Institute. Assessing the Values of Cultural Heritage: Research Report. Getty Conservation Institute; 2002.
199.
Stephenson J. The Cultural Values Model: An integrated approach to values in landscapes. Landscape and Urban Planning. 2008;84(2):127-139. doi:10.1016/j.landurbplan.2007.07.003
200.
Contexts for Change: Paving the Way to the 1999 Burra Charter. Historic Environment. 2004;18(1). http://australia.icomos.org/publications/historic-environment/he-vol-18-no-1-2004-burra-25-2/
201.
Flessas T. The Repatriation Debate and the Discourse of the Commons. Social & Legal Studies. 2008;17(3):387-405. doi:10.1177/0964663908093970
202.
Lost in Translation: Germany’s Fascination With the American Old West - NYTimes.com. http://www.nytimes.com/2014/08/18/world/europe/germanys-fascination-with-american-old-west-native-american-scalps-human-remains.html?_r=0
203.
Curtis NGW. Repatriation from Scottish Museums: Learning from NAGPRA. Museum Anthropology. 2010;33(2):234-248. doi:10.1111/j.1548-1379.2010.01101.x
204.
Sam Maddra. The Wounded Knee Ghost Dance Shirt. Journal of Museum Ethnography. 1996;(8):41-58. https://www.jstor.org/stable/40743400
205.
Ghost Dance - The Glasgow Ghost Shirt. http://www.ghostdance.us/images/images-glasgowghostshirt.html
206.
N. P. The Value of Preserving the Past: A Personal Journey. In: Minnesota Historical Society Press; 2004.
207.
Peers L. Strands Which Refuse to be Braided: Hair Samples from Beatrice Blackwood’s Ojibwe Collection at the Pitt Rivers Museum. Journal of Material Culture. 2003;8(1):75-96. doi:10.1177/1359183503008001763
208.
Turkey turns to human rights law to reclaim British Museum sculptures | Culture | The Guardian. https://www.theguardian.com/culture/2012/dec/08/turkey-british-museum-sculptures-rights
209.
British Museum - Parthenon Sculptures. https://www.britishmuseum.org/about_us/news_and_press/statements/parthenon_sculptures.aspx
210.
The restitution of the Parthenon Marbles. http://odysseus.culture.gr/a/1/12/ea120.html
211.
Beresford JM. Museum of Light: The New Acropolis Museum and the Campaign to Repatriate the Elgin Marbles. Architecture_MPS. Published online 1 March 2015. doi:10.14324/111.444.amps.2015v7i1.001
212.
Nilsson Stutz L. Claims to the Past. A Critical View of the Arguments Driving Repatriation of Cultural Heritage and Their Role in Contemporary Identity Politics. Journal of Intervention and Statebuilding. 2013;7(2):170-195. doi:10.1080/17502977.2012.714243
213.
BBC NEWS | England | London | Tunnel becomes Banksy art exhibit. http://news.bbc.co.uk/1/hi/england/london/7377622.stm
214.
The Story Behind Banksy | Page 2 | Arts & Culture | Smithsonian. http://www.smithsonianmag.com/arts-culture/the-story-behind-banksy-4310304/?no-ist=&page=2
215.
BBC NEWS | England | London | Tunnel becomes Banksy art exhibit. http://news.bbc.co.uk/1/hi/england/london/7377622.stm
216.
Catz J, Hiddleston-Galloni A. Talk about Street Art. Vol Talk about series. Flammarion; 2014.
217.
Merrill S. Keeping it real? Subcultural graffiti, street art, heritage and authenticity. International Journal of Heritage Studies. 2015;21(4):369-389. doi:10.1080/13527258.2014.934902
218.
Ross JI. Routledge Handbook of Graffiti and Street Art. Routledge; 2016. doi:10.4324/9781315761664
219.
Krohn Z, Lagerweij J. Concrete Messages: Street Art on the Israeli-Palestinian Separation Barrier. Dokument Press; 2010.
220.
de Silva M, Henderson J. Sustainability in conservation practice. Journal of the Institute of Conservation. 2011;34(1):5-15. doi:10.1080/19455224.2011.566013
221.
How are US Conservators Going Green? Results of Polling AIC Members. Studies in Conservation pp 159-163 (5 pages). 2010;55(3):159-163. https://www.jstor.org/stable/42751711
222.
Sustainable Practices 2011 Survey Results - Wiki. http://www.conservation-wiki.com/wiki/Sustainable_Practices_2011_Survey_Results
223.
Sustainability and Heritage in a World of Change. http://www.getty.edu/conservation/publications_resources/public_programs/sustain.html
224.
Studio and Lab Practices - Wiki. http://www.conservation-wiki.com/wiki/Studio_and_Lab_Practices#2.2_Reuse_and_Exchange
225.
Sustainability and the Built Environment: Forging a Role for Heritage Conservation Newsletter 26.1 Spring 2011. http://www.getty.edu/conservation/publications_resources/newsletters/26_1/feature.html
226.
TIMOTHY DAVID MAYHEW, MARGO ELLIS and SUPAPAN SERAPHIN. Natural black chalk in traditional old master drawings. Journal of the American Institute for Conservation. 2010;49(2):83-95. http://www.jstor.org/stable/41320440