[1]
Colombini, Maria Perla and Modugno, Francesca, Organic mass spectrometry in art and archaeology. Chichester: Wiley, 2009.
[2]
Chalmers, John M., Edwards, Howell G. M., and Royal Society of Chemistry (Great Britain), Raman spectroscopy in archaeology and art history, vol. RSC analytical spectroscopy monographs. Cambridge: Royal Society of Chemistry, 2005.
[3]
Glinsman, Lisha, The application of X-ray fluorescence spectrometry to the study of museum objects. [S.l: s.n.], 2004.
[4]
Henderson, Julian, The science and archaeology of materials: an investigation of inorganic materials. London: Routledge, 2000.
[5]
Grieken, R. van and Janssens, Koen H. A., Non-destructive microanalysis of cultural heritage materials, vol. Comprehensive analytical chemistry. Amsterdam, London: Elsevier, 2004.
[6]
Jones, A. V., Access to chemistry. Cambridge: Royal Society of Chemistry, 1999.
[7]
M. Jones and E. May, Conservation science: heritage materials. Cambridge: RSC Publishing, 2006.
[8]
Batt, Catherine, Young, Suzanne, Pollard, A. M., and Stern, Ben, Analytical chemistry in archaeology. Cambridge: Cambridge University Press, 2007.
[9]
Pollard, A. M., Heron, Carl, and Royal Society of Chemistry (Great Britain), Archaeological chemistry, 2nd ed. Cambridge: Royal Society of Chemistry, 2008.
[10]
Price, T. Douglas and Burton, James H., An introduction to archaeological chemistry. London: Springer, 2011.
[11]
Watt, Ian M., The principles and practice of electron microscopy, 2nd ed. Cambridge: Cambridge University Press, 1997.
[12]
Bousfield, Brian, Surface preparation and microscopy of materials. Chichester: Wiley, 1992.
[13]
N. Eastaugh, The pigment compendium: Optical microscopy of historical pigments. Amsterdam: Elsevier Butterworth-Heinemann, 2004 [Online]. Available: http://www.tandfebooks.com.libproxy.ucl.ac.uk/doi/view/10.4324/9780080454573
[14]
Gribble, C. D. and Hall, A. J., Optical mineralogy: principles and practice. New York: Chapman & Hall, 1993.
[15]
McCrone, Walter C., Delly, John Gustav, and McCrone, Lucy B., Polarized light microscopy. Michigan: Ann Arbor Science, 1978.
[16]
Robinson, P. C., Bradbury, Savile, and Royal Microscopical Society (Great Britain), Qualitative polarized-light microscopy, vol. Microscopy handbooks. New York: Royal Microscopical Society, 1992.
[17]
United Kingdom Institute for Conservation of Historic and Artistic Works, Analysis of pigments and plasters: its relevance to current wall painting and stone conservation practice : post prints of a day conference of the Wall Paintings Section of the United Kingdom Institute for Conservation of Historic and Artistic Works held 22 February 1997. London: United Kingdom Institute for Conservation of Historic and Artistic Works, 1998.
[18]
R. Gill, Chemical fundamentals of geology, 2nd ed. London: Chapman & Hall, 1996 [Online]. Available: http://reader.eblib.com/(S(zuwe20sfan4kuw1bxrdvdwfu))/Reader.aspx?p=1879373&o=504&u=nUs9BbgxiTiELedlfJKQsj%2fXQ%2fc%3d&t=1443268164&h=C369E95BF75F42ED6E124C40E1F9505169866D7C&s=38424073&ut=1535&pg=1&r=img&c=-1&pat=n&cms=-1&sd=2
[19]
Gribble, C. D. and Hall, A. J., Optical mineralogy: principles and practice. New York: Chapman & Hall, 1993.
[20]
A. Henry, Stone conservation: principles and practice. Shaftesbury: Donhead, 2006.
[21]
L. Bregnhøi and Nationalmuseet (Denmark), Paint research in building conservation. London: Archetype, 2006.
[22]
J. Dawson, M. M. Wright, C. Rozeik, Fitzwilliam Museum, and Icon Archaeology Group, Decorated surfaces on ancient Egyptian objects: Technology, deterioration and conservation : Proceedings of a conference held in Cambridge, UK on 7-8 September 2007. London: Archetype in association with the Fitzwilliam Museum and Icon Archaeology Group, 2010.
[23]
F. Delamare, Colour: making and using dyes and pigments, vol. New horizons. London: Thames & Hudson, 2000.
[24]
N. Eastaugh, The pigment compendium: Optical microscopy of historical pigments. Amsterdam: Elsevier Butterworth-Heinemann, 2004 [Online]. Available: http://www.tandfebooks.com.libproxy.ucl.ac.uk/doi/view/10.4324/9780080454573
[25]
R. L. Feller, A. Roy, E. W. FitzHugh, and B. H. Berrie, Artists’ pigments: A handbook of their history and characteristics. Washington: National Gallery of Art, 2007.
[26]
S. A. Abd El Salam, Egyptian and Graeco-Roman wall plasters and mortars: A comparative scientific study, vol. BAR international series. Oxford: Hedges, 2004.
[27]
E. C. Eckel, Cements, limes and plasters: Their materials, manufacture and properties. Shaftesbury: Donhead, 2005.
[28]
Pender, Robyn, Gowing, Robert, Secular Wall Paintings Symposia, Institute of Conservation, and English Heritage, All manner of murals: the history, techniques and conservation of secular wall paintings ; proceedings of the Secular Wall Paintings Symposia organised by the Icon Stone and Wall Paintings Group and supported by English Heritage, London 2004-5. London: Archetype, 2007.
[29]
Bray, Charles and Society of Glass Technology, Ceramics and glass: a basic technology. Sheffield: Society of Glass Technology, 2000.
[30]
Brill, Robert H., Rising, Brandt A., and Corning Museum of Glass, Chemical analyses of early glasses. Corning, N.Y.: Corning Museum of Glass, 1999.
[31]
M. Heck and P. Hoffmann, ‘Analysis of early medieval glass beads - The raw materials to produce green,orange and brown colours’, Mikrochimica acta, vol. 139, pp. 71–76, 2002.
[32]
R. G. Newton and S. Davison, Conservation of glass, Rev. ed., vol. Butterworths series in conservation and museology. London: Butterworth-Heinemann, 1996.
[33]
C. Bray and Society of Glass Technology, Ceramics and glass: A basic technology. Sheffield: Society of Glass Technology, 2000.
[34]
Freestone, Ian, Bimson, M., and British Museum, Early vitreous materials, vol. Occasional paper. London: British Museum, 1987.
[35]
M. Heck and P. Hoffmann, ‘Analysis of early medieval glass beads - The raw materials to produce green,orange and brown colours’, Mikrochimica acta, vol. 139, pp. 71–76, 2002.
[36]
S. P. Koob and Corning Museum of Glass, Conservation and care of glass objects. London: Archetype in association with the Corning Museum of Glass, 2006.
[37]
R. G. Newton and S. Davison, Conservation of glass, Rev. ed., vol. Butterworths series in conservation and museology. London: Butterworth-Heinemann, 1996.
[38]
H. Chandler, Metallurgy for the non-metallurgist. Materials Park, Ohio: ASM International, 1998.
[39]
Lang, Janet and Craddock, P. T., Mining and metal production through the ages. London: British Museum, 2003.
[40]
A. K. Biswas and W. G. Davenport, Extractive metallurgy of copper, 4th ed. Oxford: Pergamon, 2002.
[41]
H. Hodges, Artifacts: an introduction to early materials and technology. Duckworth, 1989.
[42]
M. Jones and E. May, Conservation science: heritage materials. Cambridge: RSC Publishing, 2006.
[43]
Scott, David A., Metallography and microstructure of ancient and historic metals. [Marina del Rey, CA]: Getty Conservation Institute, 1991.
[44]
J. Lang and P. T. Craddock, Mining and metal production through the ages. London: British Museum, 2003.
[45]
B. S. Ottaway and Q. Wang, Casting experiments and microstructure of archaeologically relevant bronzes, vol. BAR international series. Oxford: Archaeopress, 2004.
[46]
D. A. Scott and Getty Conservation Institute, Copper and bronze in art: Corrosion, colorants, conservation. Los Angeles: Getty Conservation Institute, 2002.
[47]
Scott, David A., Metallography and microstructure of ancient and historic metals. [Marina del Rey, CA]: Getty Conservation Institute, 1991.
[48]
L. Selwyn and Canadian Conservation Institute, Metals and corrosion: A handbook for the conservation professional. Ottawa: Canadian Conservation Institute, 2004.
[49]
V. F. Buchwald and Kongelige Danske videnskabernes selskab, Iron and steel in ancient times, vol. Historisk-filosofiske skrifter. Copenhagen: Det Kongelige Danske Videnskabernes Selskab, 2005.
[50]
J. Lang and P. T. Craddock, Mining and metal production through the ages. London: British Museum, 2003.
[51]
R. Hayman, Ironmaking: The history and archaeology of the iron industry. Stroud: Tempus, 2005.
[52]
R. C. Janaway, B. G. Scott, United Kingdom Institute for Conservation of Historic and Artistic Works, and Council for British Archaeology, Evidence preserved in corrosion products: New fields in artifact studies, vol. Occasional papers. London: United Kingdom Institute for Conservation, 1989.
[53]
D. A. Jones, Principles and prevention of corrosion, 2nd ed. Upper Saddle River, NJ: Prentice Hall, 1996.
[54]
Scott, David A., Metallography and microstructure of ancient and historic metals. [Marina del Rey, CA]: Getty Conservation Institute, 1991.
[55]
D. A. Scott and G. Eggert, Iron and steel in art: Corrosion, colorants, conservation. London: Archetype, 2009.
[56]
L. Selwyn and Canadian Conservation Institute, Metals and corrosion: A handbook for the conservation professional. Ottawa: Canadian Conservation Institute, 2004.
[57]
P. T. Craddock and S. La Niece, Metal plating and patination: Cultural, technical and historical developments. Boston: Butterworth-Heinemann, 1993.
[58]
T. Drayman-Weisser and American Institute for Conservation of Historic and Artistic Works, Gilded metals: History, technology and conservation. London: Archetype Publications in association with The American Institute for Conservation of Historic and Artistic Works, 2000.
[59]
L. Selwyn and Canadian Conservation Institute, Metals and corrosion: A handbook for the conservation professional. Ottawa: Canadian Conservation Institute, 2004.
[60]
J. G. Hather, The identification of northern European woods: A guide for archaeologists and conservators. London: Archetype, 2000.
[61]
R. B. Hoadley, Identifying wood: Accurate results with simple tools. Newtown, CT: Taunton Press, 1990.
[62]
Mills, John S. and White, Raymond, The organic chemistry of museum objects, 2nd pbk ed., vol. Butterworth-Heinemann series in conservation and museology. Oxford: Butterworth-Heinemann, 1999.
[63]
V. Dorge, F. C. Howlett, and American Institute for Conservation of Historic and Artistic Works, Painted wood: History and conservation. Los Angeles: Getty Conservation Institute, 1998.
[64]
R. A. Eaton and Hale, M. D. C., Wood: Decay, pests, and protection, 1st ed. London: Chapman & Hall, 1993.
[65]
J. G. Hather, The identification of northern European woods: A guide for archaeologists and conservators. London: Archetype, 2000.
[66]
R. B. Hoadley, Identifying wood: Accurate results with simple tools. Newtown, CT: Taunton Press, 1990.
[67]
Mills, John S. and White, Raymond, The organic chemistry of museum objects, 2nd pbk ed., vol. Butterworth-Heinemann series in conservation and museology. Oxford: Butterworth-Heinemann, 1999.
[68]
Rivers, Shayne and Umney, Nick, Conservation of furniture, vol. Butterworth-Heinemann series in conservation and museology. Oxford: Butterworth-Heinemann, 2003.
[69]
R. Sands, Prehistoric woodworking: The analysis and interpretation of Bronze and Iron Age toolmarks, vol. Wood in archaeology. London: UCL Institute of Archaeology, 1997.
[70]
H. M. Appleyard and Wira, Guide to the identification of animal fibres, 2nd ed. Leeds: Wira, 1978.
[71]
D. Catling and J. E. Grayson, Identification of vegetable fibres. London: Chapman & Hall, 1982.
[72]
Greaves, P. H., Saville, B. P., and Royal Microscopical Society (Great Britain), Microscopy of textile fibres, vol. Microscopy handbooks. Oxford: BIOS Scientific in association with the Royal Microscopical Society, 1995.
[73]
Mills, John S. and White, Raymond, The organic chemistry of museum objects, 2nd pbk ed., vol. Butterworth-Heinemann series in conservation and museology. Oxford: Butterworth-Heinemann, 1999.
[74]
R. C. Janaway, P. Wyeth, and AHRC Research Centre for Textile Conservation and Textile Studies, Scientific analysis of ancient and historic textiles: Informing preservation, display and interpretation: Postprints. London: Archetype, 2005.
[75]
F. Boersma, A. W. Brokerhof, S. van den Berg, and J. Tegelaers, Unravelling textiles: A handbook for the preservation of textile collections. London: Archetype, 2007.
[76]
Strand, Eva B. Andersson and North European Symposium for Archaeological Textiles, North European Symposium for Archaeological Textiles X, vol. Ancient textiles series. Oxford: Oxbow Books, 2009.
[77]
S. A. O’Connor and M. M. Brooks, X-radiography of textiles, dress and related objects, vol. Butterworth-Heinemann series in conservation and museology. Oxford: Elsevier/Butterworth-Heinemann, 2007 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780080550206
[78]
M. Schoeser, World textiles: A concise history, vol. World of art. London: Thames & Hudson, 2003.
[79]
A. Seiler-Baldinger, Textiles: A classification of techniques. Washington, D.C: Smithsonian Institution Press, 1994.
[80]
S. M. Watkins, Clothing: The portable environment. Ames, Iowa: Iowa State University Press, 1984.
[81]
B. Haines and Leather Conservation Centre, Parchment: The physical and chemical characteristics of parchment and the materials used in its conservation. Northampton: Leather Conservation Centre, 1999.
[82]
M. Kite and R. Thomson, Conservation of leather and related materials, vol. Butterworth-Heinemann series in conservation and museology. Oxford: Butterworth-Heinemann, 2006 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080454665
[83]
M. Richards, Deerskins into buckskins: How to tan with brains, soap or eggs, 2nd ed., rev.Updated. Cave Junction, Or: Backcountry Pub, 2004.
[84]
C. N. Calnan, B. Haines, and Leather Conservation Centre, Leather: Its composition and changes with time. Northhampton, England: Leather Conservation Centre, 1991.
[85]
M. Kite and R. Thomson, Conservation of leather and related materials, vol. Butterworth-Heinemann series in conservation and museology. Oxford: Butterworth-Heinemann, 2006 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080454665
[86]
R. Larsen, Microanalysis of parchment. London: Archetype, 2002.
[87]
M. M. Wright and Conservators of Ethnographic Artefacts, The conservation of fur, feather and skin: Seminar organised by the Conservators of Ethnographic Artefacts at the Museum of London on 11 December 2000, vol. Conservators of Ethnographic Artefacts. London: Archetype, 2002.
[88]
C. H. Holztapffel, Working horn, ivory & tortoishell. Portland OR: Caber Press, 2000.
[89]
A. MacGregor, Bone, antler, ivory & horn: The technology of skeletal materials since the Roman period. London: Barnes & Noble Books, 1985.
[90]
Mills, John S. and White, Raymond, The organic chemistry of museum objects, 2nd pbk ed., vol. Butterworth-Heinemann series in conservation and museology. Oxford: Butterworth-Heinemann, 1999.
[91]
K. Starling, D. Watkinson, and United Kingdom Institute for Conservation of Historic and Artistic Works, Archaeological bone, antler and ivory, vol. Occasional papers / United Kingdom Institute for Conservation of Historic and Artistic Works. London: United Kingdom Institute for Conservation, 1987.
[92]
Arnold, Dean E., Ceramic theory and cultural process, vol. New studies in archaeology. Cambridge: Cambridge University Press, 1985.
[93]
Barclay, Katherine, Scientific analysis of archaeological ceramics: a handbook of resources. Oxford: Oxbow, 2001.
[94]
Bray, Charles and Society of Glass Technology, Ceramics and glass: a basic technology. Sheffield: Society of Glass Technology, 2000.
[95]
Gaimster, David R. M. and Freestone, Ian, Pottery in the making: world ceramic traditions. London: British Museum Press, 1997.
[96]
Hamer, Frank and Hamer, Janet, The potter’s dictionary of materials and techniques, 3rd ed. London: A & C Black, 1991.
[97]
Kingery, W. D. and Vandiver, Pamela B., Ceramic masterpieces: art, structure, and technology. London: Free Press, 1986.
[98]
Orton, Clive, Tyers, Paul, and Vince, A. G., Pottery in archaeology, vol. Cambridge manuals in archaeology. Cambridge: Cambridge University Press, 1993.
[99]
Potts, P. J., A handbook of silicate rock analysis, New ed. London: Blackie Academic & Professional, 1992.
[100]
Rice, Prudence M., Pottery analysis: a sourcebook. Chicago: University of Chicago Press, 1987.
[101]
Prudence M. Rice, ‘Recent Ceramic Analysis: 1. Function, Style, and Origins’, Journal of Archaeological Research, vol. Vol. 4, no. No. 2, pp. 133–163.
[102]
Prudence M. Rice, ‘Recent Ceramic Analysis: 2. Composition, Production, and Theory’, Journal of Archaeological Research, vol. Vol. 4, no. No. 3, pp. 165–202.
[103]
Rye, Owen S., Pottery technology: principles and reconstruction, vol. Manuals on archeology. Washington, D.C.: Taraxacum, 1981.
