Bibliography for HPSC0089: Curating Science and Technology BETA

Alberti, Samuel J. M. M., and Elizabeth Hallam. 2013. ‘Bodies in Museum’. In Medical Museums: Past, Present, Future, 1–15. London: Royal College of Surgeons of England. https://contentstore.cla.co.uk/secure/link?id=ebc46373-2e10-e911-80cd-005056af4099.

Alder, Ken. 2007. ‘Introduction’. Isis 98 (1): 80–83. https://doi.org/10.1086/512832.

Arnold, Ken. 2016. Cabinets for the Curious: Looking Back at Early English Museums. London: Routledge. https://www.taylorfrancis.com/books/9781315260952.

BENNETT, JIM. 2003. ‘Knowing and Doing in the Sixteenth Century: What Were Instruments For?’ The British Journal for the History of Science 36 (2): 129–50. https://doi.org/10.1017/S000708740300503X.

Bennett, Jim. 2005. ‘Museums and the History of Science’. Isis 96 (4): 602–8. https://doi.org/10.1086/498596.

———. 2011. ‘Early Modern Mathematical Instruments’. Isis 102 (4): 697–705. https://doi.org/10.1086/663607.

Bennett, T. 1995. ‘The Political Rationality of the Museum’. In The Birth of the Museum: History, Theory, Politics, 89–105. London: Routledge. https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1487028.

Boon, T. 2010. ‘Parallax Error? A Participant’s Account of the Science Museum, c.1980-c.2000’. In Science for the Nation: Perspectives on the History of the Science Museum, 111–36. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=afd2991e-0714-e911-80cd-005056af4099.

———. n.d. ‘Music for Spaces: Music for Space - An Argument for Sound as a Component of Museum Experience by Tim Boon’. Journal of Sonic Studies. https://www.researchcatalogue.net/view/108934/108935.

Boon, Tim, Annie Jamieson, John Kannenberg, Aleks Kolkowski, and James Mansell. 2017. ‘“Organising Sound”: How a Research Network Might Help Structure an Exhibition’. Science Museum Group Journal 8 (8). https://doi.org/10.15180/170814.

Boris, Jardine. 2018. ‘Made Real: Artifice and Accuracy in Nineteenth-Century Scientific Illustration’. Science Museum Group Journal 2 (2). https://doi.org/10.15180/140208.

Boyle, Alison, and Dr Harry Cliff. 2017. ‘Curating the Collider: Using Place to Engage Museum Visitors with Particle Physics’. Science Museum Group Journal 2 (2). https://doi.org/10.15180/140207.

Bud, R. 2010a. ‘Infected by the Bacillus of Science: The Explosion of South Kensington’. In Science for the Nation: Perspectives on the History of the Science Museum, 11–40. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=238dd844-f713-e911-80cd-005056af4099.

———. 2010b. ‘Infected by the Bacillus of Science: The Explosion of South Kensington’. In Science for the Nation: Perspectives on the History of the Science Museum, 11–40. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=238dd844-f713-e911-80cd-005056af4099.

———. 2013. ‘Medicine at the Science Museum’. In Medical Museums: Past, Present, Future, 60–73. London: Royal College of Surgeons of England.

C. Robins. 2013. ‘Introduction’. In Curious Lessons in the Museum: The Pedagogic Potential of Artists’ Interventions, 1–13. Farnham, England: Ashgate. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781409436188.

Cornish, Caroline. 2017. ‘Botany Behind Glass: The Vegetable Kingdom on Display at Kew’s Museum of Economic Botany’. In Science Museums in Transition: Cultures of Display in Nineteenth-Century Britain and America, edited by Carin Berkowitz and Bernard Lightman, 188–213. Pittsburgh, Pennsylvania: University of Pittsburgh Press. https://doi.org/10.2307/j.ctt1r6b0c8.13.

Daston, Lorraine, and Katherine Park. 1998. ‘Wonders of Art, Wonders of Nature’. In Wonders and the Order of Nature, 1150-1750, 255–301. New York: Zone Books. http://ucl.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3537121740004761&institutionId=4761&customerId=4760.

David, Pantalony. 2011. ‘Biography of an Artifact: The Theratron Junior and Canada’s Atomic Age’. Scientia Canadensis: Canadian Journal of the History of Science, Technology and Medicine 34 (1). https://doi.org/10.7202/1006928ar.

Deborah Jean Warner. 1990. ‘What Is a Scientific Instrument, When Did It Become One, and Why?’ The British Journal for the History of Science 23 (01): 83–93. https://doi.org/10.1017/S0007087400044460.

DeVorkin, David. 2006. ‘Space Artifacts: Are They Historical Evidence?’ In Critical Issues in the History of Spaceflight, 573–600. Washington, DC: National Aeronautics and Space Administration, Office of External Relations, History Division. https://history.nasa.gov/printFriendly/series95.html.

Galison, P. 1997. ‘Material Culture, Theoretical Culture and Delocalization’. In Science in the Twentieth Century, 669–82. Amsterdam: Harwood Academic. https://contentstore.cla.co.uk/secure/link?id=4119905a-0b18-e911-80cd-005056af4099.

Gauvin, Dr Jean-Francois. 2016. ‘Functionless: Science Museums and the Display of ?Pure Objects?’ Science Museum Group Journal 5 (5). https://doi.org/10.15180/160506.

Geoghegan, HilaryHess, Alison. n.d. ‘Object-Love at the Science Museum: Cultural Geographies of Museum Storerooms’. Cultural Geographies 22 (3): 445–65. http://search.proquest.com/docview/1698487874?OpenUrlRefId=info:xri/sid:primo&accountid=14511.

Gieryn, Thomas F. 1998. ‘Balancing Acts: Science, Enola Gay and History Wars at the Smithsonian’. In The Politics of Display: Museums, Science, Culture, 197–228. London: Routledge. https://www.dawsonera.com/readonline/9780203838600/startPage/184/1.

Gouyon, Dr Jean-Baptiste. 2016. ‘Something Simple and Striking, If Not Amusing - the Freedom 7 Special Exhibition at the Science Museum, 1965’. Science Museum Group Journal 1 (1). https://doi.org/10.15180/140105.

GRANT, FLORENCE. 2015. ‘Mechanical Experiments as Moral Exercise in the Education of George III’. The British Journal for the History of Science 48 (02): 195–212. https://doi.org/10.1017/S0007087414000582.

Gunn, S. 2011. ‘The Buchanan Report, Environment and the Problem of Traffic in 1960s Britain’. Twentieth Century British History 22 (4): 521–42. https://doi.org/10.1093/tcbh/hwq063.

Hamlin, Christopher. 1992. ‘Edwin Chadwick and the Engineers, 1842-1854: Systems and Antisystems in the Pipe-and-Brick Sewers War’. Technology and Culture 33 (4). https://doi.org/10.2307/3106586.

Hankins, Thomas L., and Robert J. Silverman. 1995. Instruments and the Imagination. Princeton, N.J: Princeton University Press.

Harkness, Deborah E. 2002. ‘”Strange” Ideas and "English” Knowledge: Natural Science Exchange in Elizabethan London’. In Merchants & Marvels: Commerce, Science and Art in Early Modern Europe. New York: Routledge.

Hess, Alison. 2017. ‘Authenticity, Alterations and Museum Objects: A Close Encounter with 2LO, the BBC’s First Radio Transmitter’. Journal of Material Culture 22 (3): 281–98. https://doi.org/10.1177/1359183517702685.

Hill, J. 2007. ‘The Story of the Amulet: Locating the Enchantment of Collections’. Journal of Material Culture 12 (1): 65–87. https://doi.org/10.1177/1359183507074562.

Hughes, T.P. 1987. ‘The Evolution of Large Technological Systems’. In The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology. Cambridge, Mass: MIT Press. http://www.jstor.org/stable/10.2307/j.ctt5vjrsq.

Jackson, Myles W. 2006. Harmonious Triads: Physicists, Musicians, and Instrument Makers in Ninteenth-Century Germany. Cambridge, Mass: MIT Press. https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=3338640.

———. 2011. From Scientific Instruments to Musical Instruments: The Tuning Fork, the Metronome, and the Siren. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780195388947.013.0056.

Jordanova, L. 2012. ‘Description and Evidence’. In The Look of the Past: Visual and Material Evidence in Historical Practice, 15–37. Cambridge: Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=e129b4ed-2b10-e911-80cd-005056af4099.

Kolkowski, A., and A. Rabinovici. 2013. ‘Bellowphones and Blowed Strings: The Auxeto-Instruments of Horace Short and Charles Algernon Parsons’. In Material Culture and Electronic Sound, edited by Frode Weium and Tim Boon, Artefacts:1–42. Washington, D.C.: Smithsonian Institution Scholarly Press. https://contentstore.cla.co.uk/secure/link?id=c47acf73-3310-e911-80cd-005056af4099.

Larson, F. 2009. ‘Chapter 1 and Chapter 2’. In An Infinity of Things: How Sir Henry Wellcome Collected the World, 1–26. Oxford: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=e5b6afd6-9812-e911-80cd-005056af4099.

Liffen, J. 2010. ‘Behind the Scenes: Housing the Collections’. In Science for the Nation: Perspectives on the History of the Science Museum, 273–93. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=1ef87d6c-0414-e911-80cd-005056af4099.

Mann, P. 1989. ‘Working Exhibits and the Destruction of Evidence in the Science Museum’. Museum Management and Curatorship 8 (4): 369–87. https://doi.org/10.1016/0260-4779(89)90004-6.

Millard, Douglas. 2010. ‘A Review of UK Space Activity and Historiography, 1957–2007’. Acta Astronautica 66 (7–8): 1291–95. https://doi.org/10.1016/j.actaastro.2009.10.007.

Morris, Peter John Turnbull. 2010. Science for the Nation: Perspectives on the History of the Science Museum. Basingstoke: Palgrave Macmillan.

Pickstone, John V. 1994. ‘Museological Science? The Place of the Analytical/Comparative in Nineteenth-Century Science, Technology and Medicine’. History of Science; Cambridge 32 (2): 111–38. https://search.proquest.com/docview/1298070264/citation?accountid=14511.

Prown, J. D. 1996. ‘Material/Culture: Can the Farmer and the Cowman Still Be Friends?’ In Learning from Things: Method and Theory of Material Culture Studies, 19–27. Washington, D.C.: Smithsonian Institution Press. https://contentstore.cla.co.uk/secure/link?id=da5fc339-3e13-e911-80cd-005056af4099.

Redler, Hannah. 2016. ‘Where Are We Now? Art, Science and Interdisciplinary Practice (Edited Transcript) | Silent Signal’. https://www.silentsignal.org/where-are-we-now-art-science-and-interdisciplinary-practice-edited-transcript/.

Robert W. Smith and Joseph N. Tatarewicz. 1994. ‘Counting on Invention: Devices and Black Boxes in Very Big Science’. Osiris 9: 101–23. http://www.jstor.org/stable/302001.

Rooney, D. 2019. ‘Scientists, Sensors, and Surveillance’. In Spaces of Congestion and Traffic: Politics and Technologies in Twentieth-Century London, 143–70. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=70dd9086-9412-e911-80cd-005056af4099.

Samuel J. M. M. Alberti. 2005. ‘Objects and the Museum’. Isis 96 (4): 559–71. https://doi.org/10.1086/498593.

‘Science Museum Group Journal - Home’. n.d. http://journal.sciencemuseum.org.uk/.

Sophie Forgan. 2005. ‘Building the Museum’. Isis 96 (4): 572–85. https://doi.org/10.1086/498594.

Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press. http://dx.doi.org/10.1215/9780822384250.

T. Boon. 2010. ‘Parallax Error? A Participant’s Account of the Science Museum, c.1980-c.2000’. In Science for the Nation: Perspectives on the History of the Science Museum, 111–35. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=afd2991e-0714-e911-80cd-005056af4099.

‘The Building and Operation of Industrial Museums’. 1928.

Thompson, M. 1979. Rubbish Theory: The Creation and Destruction of Value. Oxford: Oxford University Press. https://www.jstor.org/stable/j.ctt1rfsn94.

Twilley, Nicola. 2016. ‘How the First Gravitational Waves Were Found | The New Yorker’. New York: F-R Pub. Corp. 11 February 2016.

Van Helden, A., and T. L. Hankins. 1994. ‘Introduction’. In Instruments. Vol. v. 9. Chicago, Ill: University of Chicago Press.

Winner, L. 1986. ‘Do Artifacts Have Politics?’ In The Whale and the Reactor: A Search for Limits in an Age of High Technology, 19–39. Chicago: University of Chicago Press. https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=557593.