A. J. Prats (no date) ‘The Individual, the World, and the Life of Myth in Fellini Satyricon’, South Atlantic Bulletin, 44(2), pp. 45–58. Available at: http://www.jstor.org/stable/3198932.
Albu, E. (2008) ‘Gladiator at the Millennium’, Arethusa, 41(1), pp. 185–204. Available at: https://doi.org/10.1353/are.2008.0001.
Ambrosio, Arturo et al. (no date) ‘Compilatie DVD (1908-1911)’. Amsterdam: EYE Film Institute Netherlands.
Amelia Arenas (no date) ‘Popcorn and Circus: “Gladiator” and the Spectacle of Virtue’, Arion: A Journal of Humanities and the Classics, 9(1), pp. 1–12. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/20163824.
Andrew Horton and Joan Magretta (1981) Modern European filmmakers and the art of adaptation. New York: F. Ungar Pub. Co.
Ashton, Sally-Ann (2008) Cleopatra and Egypt. Malden, Mass: Blackwell. Available at: https://onlinelibrary-wiley-com.libproxy.ucl.ac.uk/doi/book/10.1002/9781444301502.
Auguet, Roland (1994) Cruelty and civilization: the Roman games. London: Routledge.
Bankston, D. (2000) ‘Death or glory’, American Cinematographer, 81(5), pp. 34–45. Available at: https://search-ebscohost-com.libproxy.ucl.ac.uk/login.aspx?direct=true&AuthType=ip,shib&db=asu&AN=505862629&site=ehost-live&scope=site&custid=s8454451.
Bann, Stephen (1990) The inventions of history: essays on the representation of the past. Manchester: Manchester University Press. Available at: https://hdl.handle.net/2027/heb04774.0001.001.
Barrow, R. J. and Alma-Tadema, Lawrence (2001) Lawrence Alma-Tadema. London: Phaidon Press.
Barton, Carlin A. (1993) The sorrows of the ancient Romans: the gladiator and the monster. Princeton, N.J: Princeton University Press.
Baxter, John (1993) Fellini. London: Fourth Estate.
Beard, Mary (2008) The fires of Vesuvius: Pompeii lost and found. Cambridge, Mass: Belknap Press of Harvard University Press.
Becker, Jared (1994) Nationalism and culture: Gabriele D’Annunzio and Italy after the Risorgimento. New York: P. Lang.
Belsey, Catherine (1983) ‘Shakespeare and Film: A Question of Perspective’, Literature/Film Quarterly, 11(3), pp. 152–158. Available at: http://search.proquest.com/docview/226985591/14305CAB39E6F461079/5?accountid=14511.
Belton, John (1992) Widescreen cinema. Cambridge, Mass: Harvard University Press.
Ben-Ari, N. (2003) ‘The Double Conversion of Ben-Hur’. Available at: http://www.tau.ac.il/~nitsaba/Publications/papers/NBA-DoubleConversionBen-Hur2002.pdf.
Ben-Ari, Nitsa (1AD) ‘The double conversion of Ben-Hur: A case of manipulative translation’, Target - International Journal of Translation Studies, 14(2), pp. 263–301. Available at: http://www.swetswise.com/swoc-web/linkingDetails.html?openURL=false&issn=0924-1884&eissn=0924-1884&volume=14&issue=2&page=263.
‘Ben-Hur (1959)’ (1959). Available at: http://www.imdb.com/title/tt0052618/.
Bergman, Andrew (1992) We’re in the money: Depression America and its films. Chicago: I.R. Dee.
Berti, Irene and García Morcillo, Marta (2008) Hellas on screen: cinematic receptions of ancient history, literature and myth. Stuttgart: Franz Steiner Verlag.
Bertolini, Francesco et al. (no date) ‘L’odissea (1911)’. Amsterdam: EYE Film Institute Netherlands.
BFI National Archive (2009a) ‘Dall amore al martino (1910)’. Berkhamsted: BFI National Archive.
BFI National Archive (2009b) ‘Patrizia e schiavia (1909)’. Berkhamsted: BFI National Archive.
Birchard, Robert S. (2004) Cecil B. DeMille’s Hollywood. Lexington, Ky: University Press of Kentucky.
Blits, Jan H. (1993) The end of the ancient republic: Shakespeare’s Julius Caesar. Lanham, Md: Rowan & Littlefield.
Bolton, Lucy et al. (2010) Italy on screen: national identity and Italian imaginary. Oxford: Peter Lang.
Bondanella, P.E. (1992) The cinema of Federico Fellini. Princeton, N.J: Princeton University Press. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctv17ppcg1.
Bondanella, Peter E. (1987a) The eternal city: Roman images in the modern world. Chapel Hill: University of North Carolina Press.
Bondanella, Peter E. (1987b) The eternal city: Roman images in the modern world. Chapel Hill: University of North Carolina Press.
Bordwell, D. (1985) ‘The classical Hollywood style 1917-1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul, pp. 1–84.
Bordwell, David (1997) On the history of film style. Cambridge, Mass: Harvard University Press.
Bordwell, David (2006) The way Hollywood tells it: story and style in modern movies. Berkeley: University of California Press.
Bordwell, David and Thompson, Kristin (no date) Film art: an introduction. 10th ed., international ed. New York: McGraw-Hill.
Borgnetto, Luigi et al. (2009) ‘The fall of Troy (1910)’. Berkhamsted: BFI National Archive.
Bowers, Charles R. et al. (2009) ‘A Roman scandal (1924)’. Berkhamsted: BFI National Archive.
Braudy, Leo and Cohen, Marshall (2004) Film theory and criticism: introductory readings. 6th ed. New York: Oxford University Press.
Brian J. Robb (2001) Ridley Scott [Paperback]. Pocket Essentials.
Brunetta, Gian Piero (2009) The history of Italian cinema: a guide to Italian film from its origins to the twenty-first century. Princeton: Princeton University Press.
Burgoyne, Robert (2008a) The Hollywood historical film. Malden, MA: Blackwell Pub.
Burgoyne, Robert (2008b) The Hollywood historical film. Malden, MA: Blackwell.
Burgoyne, Robert (2008c) The Hollywood historical film. Malden, MA: Blackwell.
Burke, F. (2020) Fellini’s films and commercials: from postwar to postmodern. Revised edition. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=6144379.
Burton, M. (2008) ‘Performances of Jewish Identity: Spartacus’, Shofar: An Interdisciplinary Journal of Jewish Studies, 27(1), pp. 1–15. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/42944682.
Capellani, Albert and BFI National Archive (2009) ‘Armour desclave (1907)’. Berkhamsted: BFI National Archive.
Ceplair, Larry and Englund, Steven (2003) The inquisition in Hollywood: politics in the film community, 1930-60. 1st Illinois paperback. Urbana: University of Illinois Press.
Champlin, Edward (2003) Nero. Cambridge, Mass: Belknap press of Harvard University Press.
Chandler, C. (1997) I, Fellini. London: Bloomsbury.
Charlesworth, M. (2011) Derek Jarman. London: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1582276.
Chávez, E. (2011) ‘“Ramon is not one of these”: Race and Sexuality in the Construction of Silent Film Actor Ramón Novarro’s Star Image’, Journal of the History of Sexuality, 20(3), pp. 520–544. Available at: https://doi.org/10.1353/sex.2011.0047.
Cherchi Usai, Paolo, Cherchi Usai, Paolo, and British Film Institute (2000a) Silent cinema: an introduction. [Rev. and expanded ed.]. London: BFI Pub.
Cherchi Usai, Paolo, Cherchi Usai, Paolo, and British Film Institute (2000b) Silent cinema: an introduction. [Rev. and expanded ed.]. London: BFI Pub.
Chopra-Gant, Mike (2008) Cinema and history: the telling of stories. London: Wallflower.
Christensen, Allan Conrad and Bulwer Lytton 2000 (2004) The subverting vision of Bulwer Lytton: bicentenary reflections. Newark, DE: University of Delaware Press.
Cohan, Steven and Hark, Ina Rae (1993a) Screening the male: exploring masculinities in Hollywood cinema. London ; New York: Routledge.
Cohan, Steven and Hark, Ina Rae (1993b) Screening the male: exploring masculinities in Hollywood cinema. London ; New York: Routledge.
Connors, Catherine (1998) Petronius the poet: verse and literary tradition in the Satyricon. Cambridge: Cambridge University Press.
Cook, Pam (2007) The cinema book. 3rd ed. London: BFI.
Cooley, Alison (2003) Pompeii. London: Duckworth.
Cooper, E. (1986) The sexual perspective: homosexuality and art in the last 100 years in the West. London: Routledge & Kegan Paul.
Corda, Maria et al. (2009) ‘The private life of Helen of Troy (1927)’. Berkhamsted: BFI National Archive.
Cosgrove, Peter (1999) Impartial stranger: history and intertextuality in Gibbon’s Decline and fall of the Roman Empire. Newark: University of Delaware Press.
Costello, Maurice et al. (2009) ‘Elektra (1909)’. Berkhamsted: BFI National Archive.
Cyrino, Monica Silveira (2005) Big screen Rome. Malden, MA: Blackwell. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989.
Cyrino, M.S. (2005a) Big screen Rome. Malden, MA: Blackwell. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989.
Cyrino, M.S. (2005b) Big screen Rome. Malden, MA: Blackwell. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989.
Cyrino, M.S. (2005c) Big screen Rome. Malden, MA: Blackwell. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989.
Dalby, S. (2008) ‘Warrior geopolitics: Gladiator, Black Hawk Down and The Kingdom Of Heaven’, Political Geography, 27(4), pp. 439–455. Available at: https://doi.org/10.1016/j.polgeo.2008.03.004.
Dalle Vacche, Angela (1992) The body in the mirror: shapes of history in Italian cinema. Princeton, N.J: Princeton University Press.
David S. Reynolds (1981) Faith in fiction. Cambridge, Mass: Harvard University Press.
Davis, Natalie Zemon (2000) Slaves on screen: film and historical vision. Cambridge, Mass: Harvard University Press.
Del Colle, Ubaldo Maria et al. (2009) ‘Die Odyssee (1911)’. Berkamsted: BFI National Archive.
Derek Jarman (1991) Dancing ledge. London: Quartet.
Dick, Bernard F. (2010) Anatomy of film. 6th ed. Boston: Bedford/St. Martin’s.
Dick, B.F. (1981) ‘Adaptation as archaeology: Fellini Satyricon’, in Modern European filmmakers and the art of adaptation. New York: Frederick Ungar Publishing.
Dickstein, Morris (2009) Dancing in the dark: a cultural history of the Great Depression. New York: W. W. Norton.
Dillon, S. (2004) Derek Jarman and lyric film : the mirror and the sea. Austin: University of Texas Press.
Dix, Andrew (2008) Beginning film studies. Manchester: Manchester University Press.
Doherty, T.P. (1999) Pre-code Hollywood: sex, immorality, and insurrection in American cinema, 1930-1934. New York: Columbia University Press.
Dunkle, Roger (2008) Gladiators: violence and spectacle in Ancient Rome. Harlow: Longman.
Durgnat, R. (1974) Sexual alienation in the cinema. London: Studio Vista.
Dyer, R. (1982) ‘Don’t Look Now’, Screen, 23(3–4), pp. 61–73. Available at: https://doi.org/10.1093/screen/23.3-4.61.
Dyer, Richard (2004) Heavenly bodies: film stars and society. 2nd ed. London: Routledge. Available at: https://doi.org/10.4324/9780203605516.
Dyer, Richard, McDonald, Paul, and British Film Institute (1998a) Stars. New ed. London: British Film Institute. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=2527560&site=ehost-live&scope=site&custid=s8454451.
Dyer, Richard, McDonald, Paul, and British Film Institute (1998b) Stars. New ed. London: British Film Institute. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=2527560&site=ehost-live&scope=site&custid=s8454451.
Eckert, C. (1978) ‘The Carole Lombard in Macy’s window’, Quarterly Review of Film Studies, 3(1), pp. 1–21. Available at: https://doi.org/10.1080/10509207809391376.
Eldridge, David (2006) Hollywood’s history films. London: I. B. Tauris.
Elley, Derek (1984) The epic film: myth and history. London: Routledge & Kegan Paul.
Ellis, J.R. (2009) Derek Jarman’s angelic conversations. Minneapolis: University of Minnesota Press. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/10.5749/j.ctttvbhj.
Elsaesser, Thomas and Buckland, Warren (2001) Studying contemporary American movies: a guide to film analysis. London: Arnold.
Elsner, J. and Masters, J. (1994) Reflections of Nero: culture, history & representation. London: Duckworth.
Elsner, Jaś and Masters, Jamie (1994) Reflections of Nero: culture, history & representation. London: Duckworth.
Engelhardt, Tom (1995) The end of victory culture: cold war America and the disillusioning of a generation. University of Massachusetts Press. Available at: https://www.jstor.org/stable/j.ctt1cx3t0j.
Erich Segal (no date) ‘Arbitrary Satyricon: Petronius & Fellini’, Diacritics, 1(1), pp. 54–57. Available at: http://www.jstor.org/stable/464561.
Etienne, Robert (1992) Pompeii: the day a city died. London: Thames and Hudson.
Fast, Howard (1996) Spartacus. New ed. Armonk, N.Y.: North Castle Books.
Fava, Claudio G., Curto, Shula, and Viganò, Aldo (1990) The films of Federico Fellini. Secaucus, N.J.: Citadel Press.
Federico, F. and Matthews, J. (1970) Fellini’s Satyricon. Edited by D. Zanelli and E. Walter. New York: Ballantine Books.
Federico Fellini and Costantini, C. (1995) Fellini on Fellini. London: Faber & Faber.
Fellini, F. (1969) Fellini Satyricon. Edited by D. Zanelli. Bologna: Cappelli.
Fellini, F. and Pettigrew, D. (2003) I’m a born liar: a Fellini lexicon. New York: Harry N. Abrams.
Ferro, Marc and Greene, Naomi (1988) Cinema and history. Detroit, Mich: Wayne State University Press.
Feuillade, Louis and BFI National Archive (2009) ‘König Midas (1910)’. Berkhamsted: BFI National Archive.
Fitzgerald, W. (2001) ‘Oppositions, anxieties, and ambiguities in the toga movie’’, in Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
Franzero, C.M. (1962) Cleopatra. Panther; 1402 edition (1962). Available at: http://www.amazon.co.uk/Cleopatra-Carlo-Maria-Franzero/dp/B001PCDFKE.
Furstenau, Marc (2010) The film theory reader: debates and arguments. Abingdon: Routledge.
Futrell, A. (2001) ‘Seeing Red: Spartacus as Domestic Economist’, in Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
Gaines, J. and Herzog, C. (1991) ‘Puffed sleeves before teatime’, in Stardom: industry of desire. London: Routledge.
Gambardella, Giuseppe et al. (2009) ‘La morte di Socrate (1909)’. Berkhamsted: BFI National Archive.
Gardner Coates, Victoria C. and Seydl, Jon L. (2007) Antiquity recovered: the legacy of Pompeii and Herculaneum. Los Angeles: J. Paul Getty Museum.
Gentile, Emilio (2009) La Grande Italia: the myth of the nation in the twentieth century. Madison, Wis: University of Wisconsin Press.
Gibbon, E. and Womersley, D. (1994) The history of the decline and fall of the Roman Empire. London: Allen Lane, Penguin Press.
Gladiator [Hardcover] (no date). Newmarket Press.
Gladiator [Paperback] (2000). London, England: Boxtree.
Goldhill, Simon (2011) Victorian culture and classical antiquity: art, opera, fiction, and the proclamation of modernity. Princeton, NJ: Princeton University Press. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt7rvwp.
Goldman, Herbert G. (1997) Banjo eyes: Eddie Cantor and the birth of modern stardom. New York: Oxford University Press.
Goldsworthy, Adrian Keith (2003) The fall of Carthage: the Punic Wars, 265-146 BC. London: Cassell.
Grant, Barry Keith (2007) Film genre: from iconography to ideology. London: Wallflower.
Grant, Michael (1973a) The Jews in the Roman world. London: Weidenfeld and Nicolson.
Grant, Michael (1973b) The Jews in the Roman world. London: Weidenfeld and Nicolson.
Grant, Michael (1976) The fall of the Roman Empire: a reappraisal. Radnor, Pa: Annenberg School Press.
Grant, Michael (2004a) Cleopatra. Edison, N.J.: Castle Books.
Grant, Michael (2004b) Cleopatra. Edison, N.J.: Castle Books.
Grieveson, Lee and Krämer, Peter (2004) The silent cinema reader. London: Routledge.
Griffin, Miriam T. (1987a) Nero: the end of a dynasty. pbk. ed. London: Batsford.
Griffin, Miriam T. (1987b) Nero: the end of a dynasty. pbk. ed. London: Batsford.
Grindon, Leger (1994) Shadows on the past: studies in the historical fiction film. Philadelphia: Temple University Press. Available at: https://www.jstor.org/stable/j.ctt14bs6kx.
Guynn, William Howard (2006) Writing history in film. New York: Routledge.
Hales, Shelley and Paul, Joanna (2011a) Pompeii in the public imagination from its rediscovery to today. Oxford: Oxford University Press. Available at: https://doi.org/10.1093/acprof:osobl/9780199569366.001.0001.
Hales, Shelley and Paul, Joanna (2011b) Pompeii in the public imagination from its rediscovery to today. Oxford: Oxford University Press. Available at: https://doi.org/10.1093/acprof:osobl/9780199569366.001.0001.
Hamer, Mary (2008) Signs of Cleopatra: reading an icon historically. Updated 2nd ed. Exeter: University of Exeter Press. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt5vjm38.
Hardwick, Lorna and Classical Association (Great Britain) (2003) Reception studies. Oxford: Oxford University Press.
Hardwick, Lorna and Stray, Christopher (2008) A companion to classical receptions. Malden, Mass: Blackwell. Available at: https://doi.org/10.1002/9780470696507.
Hark, I.R. (2007) American cinema of the 1930s: themes and variations. New Brunswick, N.J.: Rutgers University Press. Available at: https://www.jstor.org/stable/j.ctt5hj0s2.
Hendershot, Cynthia (2003) Anti-communism and popular culture in mid-century America. Jefferson, N.C.: McFarland.
Henderson, S.S. (2003) Alex North, Film Composer: A Biography, with Musical Analyses of a Streetcar Named Desire, Spartacus, the Misfits, Under the Volcano, and Prizzi’s Honor. London: McFarland.
Hezser, C. (2009) ‘Ben-Hur and ancient Jewish slavery’, in A Wandering Galilean: Essays in Honour of Seán Freyne. Leiden: Brill, pp. 121–139. Available at: https://brill-com.libproxy.ucl.ac.uk/edcollbook/title/16366.
Higashi, S. (1994) Cecil B. DeMille and American culture: the silent era. Berkeley: University of California Press. Available at: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08035.0001.001.
Higham, Charles (1976) Cecil B. DeMille. New York: Dell.
Hilburn, Percy et al. (1995) ‘Ben-Hur: a tale of Christ (1925)’. [S.l.]: MGM/UA Home Entertainment.
Hill, John and McLoone, Martin (no date) Big picture, small screen: the relations between film and television. Luton, Bedfordshire, England: University of Luton Press.
Hoffman, C. (2000) ‘The Evolution of a Gladiator: History, Representation, and Revision in Spartacus’, The Journal of American Culture, 23(1), pp. 63–70. Available at: https://doi.org/10.1111/j.1537-4726.2000.2301_63.x.
Holland, R. (2002) Nero: the man behind the myth. Stroud: Sutton.
Holland, Richard (2002) Nero: the man behind the myth. Stroud: Sutton.
Hopkins, Keith (1999) A world full of Gods: pagans, Jews and Christians in the Roman Empire. London: Weidenfeld & Nicolson.
Hopkins, Keith and Beard, Mary (2005) The Colosseum. London: Profile.
Hovet, T. (2001) ‘The case of Kalem’s (1907) and the transformation of cinema’, Quarterly Review of Film and Video, 18(3), pp. 283–294. Available at: https://doi.org/10.1080/10509200109361530.
Hughes, E.L. (1971) On the Set of Fellini Satyricon: a behind-the-scenes diary. New York: Morrow.
Hughes-Hallett, Lucy (1990a) Cleopatra: histories, dreams and distortions. London: Bloomsbury.
Hughes-Hallett, Lucy (1990b) Cleopatra: histories, dreams and distortions. London: Bloomsbury.
Hunt, L. (1993) ‘’What are big boys made of?: Spartacus, El Cid and the male epic’, in P. Kirkham and J. Thumim (eds) You Tarzan: Masculinity, Movies and Men. London: Lawrence & Wishart, pp. 65–83.
Jack J. Jorgens (1977) Shakespeare on film. Bloomington: Indiana University Press.
James, S. (2001) ‘The Roman galley slave: and the birth of a factoid’, Public Archaeology, 2(1), pp. 35–49. Available at: https://doi.org/10.1179/pua.2001.2.1.35.
James, Simon (no date) ‘The Roman Galley Slave: Ben Hur and the Birth of a Factoid’, Public Archaeology, 2(1), pp. 35–49. Available at: http://www.maneyonline.com/doi/abs/10.1179/pua.2001.2.1.35.
Jarman, D. and Christie, M. (1993) At your own risk: a saint’s testament. London: Vintage Press.
John David Rhodes (no date) ‘“Our Beautiful and Glorious Art Lives”: The Rhetoric of Nationalism in Early Italian Film Periodicals’, Film History, 12(3), pp. 308–321. Available at: http://www.jstor.org/stable/3815360.
Jon Lewis (no date) The End Of Cinema As We Know It [Hardcover]. NYU Press.
Jones, Prudence J. (2006a) Cleopatra: a sourcebook. Norman: University of Oklahoma Press.
Jones, Prudence J. (2006b) Cleopatra: the last pharaoh. Cairo: American University in Cairo Press.
Josephus, F., Williamson, G.A. and Smallwood, E.M. (1981) ‘Books 1-10, 23’, in The Jewish War. Rev. Harmondsworth: Penguin Press.
Judith Harris (2007) Pompeii Awakened: A Story of Rediscovery [Hardcover]. London: I. B. Tauris. Available at: https://doi.org/10.5040/9780755624195.
Kaye, R.A. (1996) ‘Richard A. Losing his religion: Saint Sebastian as Contemporary Gay Martyr’, in Outlooks: Lesbian and Gay Sexualities and Visual Cultures.
Kezich, T. (2007) Federico Fellini: his life and work. London: I. B. Tauris.
Köhne, Eckhart, Ewigleben, Cornelia, and Jackson, Ralph (2000) Gladiators and Caesars: the power of spectacle in ancient Rome. London: British Museum Press.
Kolker, Robert Phillip (2002) Film, form and culture. 2nd ed. Boston: McGraw Hill.
Ladjali, C. (2005) ‘“Varius multiplex multiformis”: Impressions of Federico Fellini’s Satyricon’, Diogenes, 52(4), pp. 174–182. Available at: https://doi.org/10.1177/0392192105059489.
Landy, Marcia (1996) Cinematic uses of the past. Minneapolis, Minn: University of Minnesota Press.
Lazer, Estelle (2009) Resurrecting Pompeii. London: Routledge.
Lenihan, J.H. (1992) ‘English Classic For Cold War America’, Journal of Popular Film and Television, 20(3), pp. 42–51. Available at: https://doi.org/10.1080/01956051.1992.9944227.
Ling, Roger (2005) Pompeii: history, life & afterlife. Stroud: Tempus.
Lippard, C. (1995) By angels driven: films of Derek Jarman. Trowbridge, Wiltshire: Flicks.
Lowe, Dunstan and Shahabudin, Kim (2009a) Classics for all: reworking antiquity in mass culture. Newcastle upon Tyne: Cambridge Scholars.
Lowe, Dunstan and Shahabudin, Kim (2009b) Classics for all: reworking antiquity in mass culture. Newcastle upon Tyne: Cambridge Scholars.
Malamud, M. (2008a) ‘Screening Rome during the Great Depression’, in Ancient Rome and modern America. Chichester: Wiley-Blackwell. Available at: https://doi.org/10.1002/9781444305074.
Malamud, M. (2008b) ‘Screening Rome during the Great Depression’, in Ancient Rome and Modern America - Margaret Malamud. Available at: https://doi.org/10.1002/9781444305074.
Malamud, Margaret. (2008a) ‘Swords-and-Scandals: Hollywood’s Rome During the Great Depression’, Arethusa, 41(1), pp. 157–183. Available at: https://doi.org/10.1353/are.2008.0004.
Malamud, Margaret. (2008b) ‘Swords-and-Scandals: Hollywood’s Rome During the Great Depression’, Arethusa, 41(1), pp. 157–183. Available at: https://doi.org/10.1353/are.2008.0004.
Malamud, Margaret. (2008c) ‘Swords-and-Scandals: Hollywood’s Rome During the Great Depression’, Arethusa, 41(1), pp. 157–183. Available at: https://doi.org/10.1353/are.2008.0004.
Malamud, Margaret (2009a) Ancient Rome and modern America. Chichester: Wiley-Blackwell. Available at: https://doi.org/10.1002/9781444305074.
Malamud, Margaret (2009b) Ancient Rome and modern America. Chichester: Wiley-Blackwell.
Margulies, S. and Van Sant, T. (eds) (1960) Spartacus: The Illustrated Story of the Motion Picture Production. Bryna Productions.
Martin M. Winkler (no date a) ‘Cinema and the Fall of Rome’, Transactions of the American Philological Association (1974-), 125, pp. 1974–154. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/284349.
Martin M. Winkler (no date b) ‘The Roman Empire in American Cinema after 1945’, The Classical Journal, 93(2), pp. 1997–196. Available at: http://www.jstor.org/stable/3298137.
Martindale, Charles (1993) Redeeming the text: Latin poetry and the hermeneutics of reception. Cambridge: Cambridge University Press.
Martindale, Charles and Thomas, Richard F. (2006) Classics and the uses of reception. Malden, Mass: Blackwell.
May, Lary (2000) The big tomorrow: Hollywood and the politics of the American way. Chicago: University of Chicago Press.
Mayer, David and Preston, Katherine K. (2002a) Playing out the empire: Ben-Hur and other toga plays and films, 1883-1908 : a critical anthology. Oxford: Clarendon Press.
Mayer, David and Preston, Katherine K. (2002b) Playing out the empire: Ben-Hur and other toga plays and films, 1883-1908 : a critical anthology. Oxford: Clarendon Press.
Mayer, David and Preston, Katherine K. (2002c) Playing out the empire: Ben-Hur and other toga plays and films, 1883-1908 : a critical anthology. Oxford: Clarendon Press.
McAlister, Melani (2005) Epic encounters: culture, media, and U.S. interests in the Middle East since 1945. Updated ed. Berkeley, Calif: University of California Press. Available at: https://www.jstor.org/stable/10.1525/j.ctt1pn6j4.
McGuire, Donald T., Joshel, Sandra R., and Malamud, Margaret (2001a) Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
McGuire, Donald T., Joshel, Sandra R., and Malamud, Margaret (2001b) Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
McGuire, Donald T., Joshel, Sandra R., and Malamud, Margaret (2001c) Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
McGuire, Donald T., Joshel, Sandra R., and Malamud, Margaret (2001d) Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
McGuire, Donald T., Joshel, Sandra R., and Malamud, Margaret (2001e) Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
Mele, Luigi et al. (2009) ‘Giulio Cesare (1909)’. Berkhamsted: BFI National Archive.
Michael Rogin (no date) ‘Making America Home: Racial Masquerade and Ethnic Assimilation in the Transition to Talking Pictures’, The Journal of American History, 79(3), pp. 1050–1077. Available at: http://www.jstor.org/stable/10.2307/2080798?Search=yes&resultItemClick=true&searchText=Making&searchText=America&searchText=Home&searchUri=%252Faction%252FdoBasicSearch%253FQuery%253DMaking%252BAmerica%252BHome%2526amp%253Bfilter%253Djid%25253A10.2307%25252Fj100204%2526amp%253BSearch%253DSearch%2526amp%253Bwc%253Don%2526amp%253Bfc%253Doff%2526amp%253BglobalSearch%253D%2526amp%253BsbbBox%253D%2526amp%253BsbjBox%253D%2526amp%253BsbpBox%253D.
Michel Ciment and Martin Scorsese (2003) Kubrick [Paperback]. Faber & Faber.
Michelakis, P. and Wyke, M. (2013) The ancient world in silent cinema. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CBO9781139060073.
Michelakis, Pantelis and Wyke, Maria (2013) The ancient world in silent cinema. Cambridge: Cambridge University Press.
Miles, Margaret Melanie (2011a) Cleopatra: a sphinx revisited. Berkeley: University of California Press. Available at: https://www.jstor.org/stable/10.1525/j.ctt1pnvmm.
Miles, Margaret Melanie (2011b) Cleopatra: a sphinx revisited. Berkeley: University of California Press. Available at: https://www.jstor.org/stable/10.1525/j.ctt1pnvmm.
Miles, Richard (2010) Carthage must be destroyed: the rise and fall of an ancient Mediterranean civilization. London: Allen Lane.
Mitchell, Leslie (2003) Bulwer Lytton: the rise and fall of a Victorian man of letters. London: Hambledon and London.
Monaco, James (2009) How to read a film: movies, media, and beyond : art, technology, language, history, theory. 4th ed., completely rev. and expanded. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=497588.
Monica Silveira Cyrino (2006) ‘Ben-Hur (1959)’, in Big screen Rome. Malden, MA: Blackwell Pub. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989.
Mozzato, Umberto et al. (1990) ‘Cabiria (1914)’. New York: Eighteen Frames Inc.
Mozzato, Umberto et al. (2000) ‘Cabiria (1914)’. New York: Kino on Video.
Mulvey, L. (1975) ‘Visual Pleasure and Narrative Cinema’, Screen, 16(3), pp. 6–18. Available at: https://doi.org/10.1093/screen/16.3.6.
Murphy, G. (no date a) ‘Ugly Americans in Togas: Imperial Anxiety in the Cold War Hollywood Epic’, Journal of Film and Video, 56(3), pp. 3–19. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/20688460.
Murphy, G. (no date b) ‘Ugly Americans in Togas: Imperial Anxiety in the Cold War Hollywood Epic’, Journal of Film and Video, 56(3), pp. 3–19. Available at: https://www.jstor.org/stable/20688460?seq=1#metadata_info_tab_contents.
Murphy, G. (no date c) ‘Ugly Americans in Togas: Imperial Anxiety in the Cold War Hollywood Epic’, Journal of Film and Video, 56(3), pp. 3–19. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/20688460.
Neale, S. (1983) ‘Masculinity as Spectacle’, Screen, 24(6), pp. 2–17. Available at: https://doi.org/10.1093/screen/24.6.2.
Neale, Stephen (2000) Genre and Hollywood. London: Routledge.
Negri-Pouget, Fernanda et al. (2000) ‘The last days of Pompeii (1913)’. New York: Kino on Video.
Nelmes, Jill (2003) An introduction to film studies. 3rd ed. London: Routledge.
Nisbet, Gideon (2006) Ancient Greece in film and popular culture. Bristol: Bristol Phoenix.
Novelli, Amleto et al. (1992) ‘Quo vadis (1913)’. S.l: Movie Classics.
Novelli, Amleto et al. (no date) ‘Cajus Julius Caesar (1914)’. Amsterdam: EYE Film Institute Netherlands.
O’Pray, M. and British Film Institute (1996) Derek Jarman: dreams of England. London: British Film Institute.
Panayotakis, Costas (1995) Theatrum Arbitri: theatrical elements in the Satyrica of Petronius. Leiden: E.J. Brill. Available at: https://brill.com/display/title/2210.
Paolo Cherchi Usai and Martin Sopocy (no date) ‘“Cabiria”, an Incomplete Masterpiece: The Quest for the Original 1914 Version’, Film History, 2(2), pp. 155–165. Available at: http://www.jstor.org/stable/3815032.
Paul, J. (2008) ‘Working with film theories and methodologies’, in A companion to classical receptions. Malden, Mass: Blackwell, pp. 303–314. Available at: https://ucl.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma9931594612204761&context=L&vid=44UCL_INST:UCL_VU2&lang=en&search_scope=UCLLibraryCatalogue&adaptor=Local%20Search%20Engine&isFrbr=true&tab=UCLLibraryCatalogue&query=any,contains,A%20companion%20to%20classical%20receptions&sortby=date_d&facet=frbrgroupid,include,9048698605667757290&offset=0.
Paul, J. (2010) ‘Cinematic receptions of antiquity: the current state of play’, Classical Receptions, 2.1 (2010) 136-55, pp. 136–155. Available at: https://doi.org/10.1093/crj/clq005.
Pearce, T.M. (1948) ‘“Ben-Hur” Wallace: The Life of General Lew Wallace Irving McKee’, Pacific Historical Review, 17(2), pp. 220–222. Available at: https://doi.org/10.2307/3635538.
Pelling, C. (2006) ‘Judging Julius Caesar’, in Julius Caesar in western culture. Malden, MA: Blackwell. Available at: https://doi.org/10.1002/9780470775042.
Pelling, C.B.R. (2002) Plutarch and history: eighteen studies. London: Classical Press of Wales.
Penley, Constance and British Film Institute (1988) Feminism and film theory. London: Methuen in association with the British Film Institute.
Plutarch (1771) The history of Julius Cæsar: Newly translated from the original Greek of Plutarch [electronic resource]. [London?]: Printed in the year. Available at: http://galenet.galegroup.com/servlet/ECCO?c=1&stp=Author&ste=11&af=BN&ae=T227317&tiPG=1&dd=0&dc=flc&docNum=CW103669267&vrsn=1.0&srchtp=a&d4=0.33&n=10&SU=0LRH&locID=ucl_ttda.
Plutarch and Pelling, C. B. R. (1988a) Life of Antony. Cambridge: Cambridge University Press.
Plutarch and Pelling, C. B. R. (1988b) Life of Antony. Cambridge: Cambridge University Press.
Plutarch and Scott-Kilvert, Ian (1965) Makers of Rome: nine lives by Plutarch. London: Penguin.
Prag, J. and Repath, I. (2009) Petronius: a handbook. Chichester: Wiley-Blackwell. Available at: https://onlinelibrary-wiley-com.libproxy.ucl.ac.uk/doi/book/10.1002/9781444306064.
Rice, E. E. (2001a) Cleopatra. Stroud: Sutton.
Rice, E. E. (2001b) Cleopatra. Stroud: Sutton.
Richards, J. (2008) Hollywood’s ancient worlds. London: Continuum.
Richardson, Niall (2009) The queer cinema of Derek Jarman: critical and cultural readings. London :w: I.B. Tauris. Available at: https://www-bloomsburycollections-com.libproxy.ucl.ac.uk/monograph?docid=b-9780755696475.
Ridley Scott (2005) Ridley Scott: Interviews. Jackson: University Press of Mississippi.
Rieser, Martin and Zapp, Andrea (2002) New screen media: cinema/art/narrative. London: British Film Institute.
Rimell, Victoria (2002) Petronius and the anatomy of fiction. Cambridge: Cambridge University Press. Available at: https://www-cambridge-org.libproxy.ucl.ac.uk/core/books/petronius-and-the-anatomy-of-fiction/5148C43F14ADE0A930246D7161A53492.
Roberts, Graham and Wallis, Heather (2001) Introducing film. London: Arnold.
Roch, Madeleine et al. (2009) ‘Cleopatra (1910)’. Berkhamsted: BFI National Archive.
Roller, Duane W. (2010a) Cleopatra: a biography. Oxford: Oxford University Press.
Roller, Duane W. (2010b) Cleopatra: a biography. Oxford: Oxford University Press.
Rosenstone, Robert A. (1995) Visions of the past: the challenge of film to our idea of history. Cambridge, Mass: Harvard University Press.
Rosenstone, Robert A. (2006) History on film / film on history. Harlow: Pearson Longman.
Rothwell, Kenneth S. (2004) A history of Shakespeare on screen: a century of film and television. 2nd ed. Cambridge: Cambridge University Press.
Rowland Wymer (2006) Derek Jarman (British Film Makers). Manchester University Press.
Royster, Francesca (2003a) Becoming Cleopatra: The Shifting Image of an Icon. New York: Palgrave Macmillan.
Royster, Francesca (2003b) Becoming Cleopatra: The Shifting Image of an Icon. New York: Palgrave Macmillan.
Rubin, Martin (1993) Showstoppers: Busby Berkeley and the tradition of spectacle. New York: Columbia University Press.
Rushton, R. (no date) ‘Narrative and Spectacle in Gladiator’, Cineaction, 56, pp. 34–43. Available at: http://shakespeare.galegroup.com/shax/retrieve.do?sgHitCountType=None&qrySerId=Locale%28en%2C%2C%29%3AFQE%3D%28ti%2CNone%2C36%29Narrative and spectacle in Gladiator%24&sort=DateDescend&inPS=true&userGroupName=ucl_ttda&prodId=SHAX&tabID=T013&searchId=R2&resultListType=RESULT_LIST&searchType=AdvancedSearchForm¤tPosition=1&contentSet=IAC-Documents&&docId=CW&docLevel=FASCIMILE&workId=&relevancePageBatch=&contentSet=IAC-Documents&callistoContentSet=.
Russell, James (2007a) The historical epic and contemporary Hollywood: from Dances with wolves to Gladiator. New York: Continuum.
Russell, James (2007b) The historical epic and contemporary Hollywood: from Dances with wolves to Gladiator. New York: Continuum.
Salt, Barry (1992) Film style and technology: history and analysis. 2nd ed. London: Starword.
Schäfer, Peter (2003a) The history of the Jews in the Greco-Roman world. 2nd ed. London: Routledge. Available at: https://doi.org/10.4324/9780203321980.
Schäfer, Peter (2003b) The history of the Jews in the Greco-Roman world. 2nd ed. London: Routledge. Available at: https://doi.org/10.4324/9780203321980.
Schatz, Thomas (1996) The genius of the system: Hollywood filmmaking in the studio era. 1st Metro pbk. ed. New York, N.Y: Henry Holt and Company.
Schiavone, Aldo (2000) The end of the past: ancient Rome and the modern West. Cambridge, Mass: Harvard University Press.
Scodel, Ruth and Bettenworth, Anja (2008) Whither Quo vadis? Malden, MA: Blackwell. Available at: https://onlinelibrary.wiley.com/doi/book/10.1002/9781444306125.
Screening the Past (no date). Available at: http://tlweb.latrobe.edu.au/humanities/screeningthepast/.
Settis, Salvatore (2006) The future of the ‘classical’. Cambridge: Polity.
Shaughnessy, Robert (1998) Shakespeare on film. Basingstoke: Macmillan.
Shaw, B. (1901) Three plays for Puritans: The devil’s disciple, Cæsar and Cleopatra, & Captain Brassbound’s conversion. London: G. Richards.
Shaw, Brent D. (2001) Spartacus and the slave wars: a brief history with documents. Boston: Bedford.
Shaw, T. (2002) ‘Martyrs, Miracles, and Martians: Religion and Cold War Cinematic Propaganda in the 1950s’, Journal of Cold War Studies, 4(2), pp. 3–22. Available at: http://muse.jhu.edu/journals/journal_of_cold_war_studies/v004/4.2shaw.html.
Shaw, Tony and Youngblood, Denise J. (2010) Cinematic Cold War: the American and Soviet struggle for hearts and minds. Lawrence: University Press of Kansas. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt1c6v8wf.
Shea, William et al. (2009) ‘Julius Caesar (1908)’. Berkhamsted: BFI National Archive.
Shotter, D. C. A. (1997) Nero. London: Routledge.
Shotter, D.C.A. (1997) Nero. London: Routledge.
Simon Louvish (2007) Cecil B. DeMille and the golden calf. London: Faber and Faber.
Sir Lawrence Alma-Tadema [Hardcover] (1989). Pavilion Books.
Skinner, James M. (1993) The cross and the cinema: the Legion of Decency and the National Catholic Office for Motion Pictures, 1933-1970. Westport, Conn: Praeger.
Slater, N.W. (1990) Reading Petronius. Baltimore, Md: Johns Hopkins University Press.
Smallwood, E. Mary (1981) The Jews under Roman rule: from Pompey to Diocletian. Leiden: Brill.
Snyder, S. (1994) The Transparent I: Self/Subject in European Cinema. New York: Peter Lang.
Solomon, J. (2001) The ancient world in the cinema. Rev. and expanded ed. New Haven: Yale University Press.
Sordi, Marta and Bedini, Annabel (1994a) The Christians and the Roman Empire. Oklahoma paperbacks ed. Norman: University of Oklahoma Press.
Sordi, Marta and Bedini, Annabel (1994b) The Christians and the Roman Empire. Oklahoma paperbacks ed. Norman: University of Oklahoma Press.
Sorlin, Pierre (1980) The film in history: restaging the past. Oxford: Blackwell.
Sorlin, Pierre (1996) Italian national cinema 1896-1996. New York: Routledge.
Southern, Pat (1999a) Cleopatra. Stroud: Tempus.
Southern, Pat (1999b) Cleopatra. Stroud: Tempus.
Stacey, Jackie (1994a) Star gazing: Hollywood cinema and female spectatorship. London: Routledge.
Stacey, Jackie (1994b) Star gazing: Hollywood cinema and female spectatorship. London: Routledge.
Stacey, Jackie (1994c) Star gazing: Hollywood cinema and female spectatorship. London: Routledge.
Stam, Robert (2000) Film theory: an introduction. Malden, Mass: Blackwell.
Strauss, Barry S. (2009) The Spartacus war. New York: Simon & Schuster.
Suetonius and Warmington, B. H. (1977) Nero. Bristol: Bristol Classical Press.
Sullivan, J.P. (2001) ‘The social ambience of Petronius’ Satyricon and Fellini Satyricon’, in Classics and Cinema. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/search.do?dscnt=0&vl(50210315UI1)=lsr03&vl(50210261UI0)=title&vl(drEndMonth5)=00&scp.scps=scope%253A%2528UCL%2529%252Cprimo_central_multiple_fe&tab=local&dstmp=1390475198036&srt=rank&vl(drStartMonth5)=00&mode=Advanced&vl(1UIStartWith1)=contains&tb=t&indx=9&vl(drStartYear5)=Year&vl(freeText0)=Classics%2520and%2520Cinema%2520&vl(50210435UI2)=any&fn=search&vid=UCL_VU1&vl(freeText2)=&vl(drStartDay5)=00&title1=1&frbg=&ct=search&vl(18346185UI4)=all_items&vl(1UIStartWith2)=contains&dum=true&vl(2235576UI3)=all_items&vl(drEndDay5)=00&vl(1UIStartWith0)=contains&Submit=Search&vl(drEndYear5)=Year&vl(freeText1)=+.
Tarlarini, Mary Cleo et al. (2009) ‘Lo schiavo di Cartagine (1910)’. Berkhamsted: BFI National Archive.
Tettoni Fior, Eugenia et al. (2009) ‘The last days of Pompeii (1913)’. Berkamsted: BFI National Archive.
‘The American Historical Review’ (no date), 93(5). Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/i332151.
The Cleopatra Papers: A Private Correspondence (1963) [Paperback] (no date). Kessinger Publishing (10 Sep 2010). Available at: http://www.amazon.co.uk/Cleopatra-Papers-Private-Correspondence/dp/1169829953.
‘The Idol Body: Stars, Statuary and the Classical Epic’ (2009) Film & History: An Interdisciplinary Journal of Film and Television Studies, 39(2), pp. 39–48. Available at: https://doi.org/10.1353/flm.0.0120.
‘The Performance of Queer Masculinity in Derek Jarman’s Sebastiane.: EBSCOhost’ (no date). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=31316564&site=ehost-live.
Theisen, L.S. (1984) ‘“My God, Did I set all of this in Motion?” General Lew Wallace and Ben-Hur’, The Journal of Popular Culture, 18(2), pp. 33–41. Available at: https://doi.org/10.1111/j.0022-3840.1984.1802_33.x.
Theodorakopoulos, E. (2010) ‘Spartacus and the politics of story-telling’, in Ancient Rome at the cinema: story and spectacle in Hollywood and Rome. Exeter: Bristol Phoenix Press.
Theodorakopoulos, Elena (2010a) ‘Ben-Hur : “tale of the Christ” or tale of Rome?’, in Ancient Rome at the cinema: story and spectacle in Hollywood and Rome. Exeter: Bristol Phoenix Press.
Theodorakopoulos, Elena (2010b) ‘Gladiator : making it new?’, in Ancient Rome at the cinema: story and spectacle in Hollywood and Rome. Exeter: Bristol Phoenix Press.
Theodorakopoulos, Elena (2010c) ‘The fall of the Roman Empire : the filmmaker as historian’, in Ancient Rome at the cinema: story and spectacle in Hollywood and Rome. Exeter: Bristol Phoenix Press.
Theodorakopoulos, Elena (2010d) ‘The fall of the Roman Empire : the filmmaker as historian’, in Ancient Rome at the cinema: story and spectacle in Hollywood and Rome. Exeter: Bristol Phoenix Press.
Thomas Doherty (2007) Hollywood’s Censor [Hardcover]. Columbia University Press. Available at: https://www.jstor.org/stable/10.7312/dohe14358.
Thompson, Kristin and Bordwell, David (2010) Film history: an introduction. 3rd ed., international ed. Boston: McGraw-Hill Higher Education.
Thompson, R. and Routt, W.D. (1987) ‘'Keep young and beautiful’: Surplus and Subversion in Roman Scandals’, in T. O’Regan and B. Shoesmith (eds) History on/and/in film : selected papers from the 3rd Australian History and Film Conference, Perth. Available at: http://trove.nla.gov.au/work/13286013?selectedversion=NBD5567713.
Tony Shaw (2007) Hollywood’s Cold War. Edinburgh: Edinburgh University Press. Available at: https://www.jstor.org/stable/10.3366/j.ctt1r26fd.
Tuszynski, S. (2006) ‘A Cold War Cautionary: TaleHeterosexuality and Ideology in William Wyler’s Ben-Hur’, Journal of Popular Film and Television, 34(3), pp. 116–122. Available at: https://doi.org/10.3200/JPFT.34.3.116-122.
Tyldesley, Joyce A. (2008) Cleopatra: last queen of Egypt. New York: Basic Books.
Urbainczyk, Theresa (2004) Spartacus. Bristol: Bristol Classical.
Vern G. Swanson (1977) Alma-Tadema. New York: Scribner.
Vidali, Giovanni Enrico et al. (no date) ‘Spartaco, ovvero, Il gladiatore della Tracia (1913)’. Bologna]: Cineteca di Bologna.
Vivian Sobchack (no date a) ‘“Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic’, Representations, (29), pp. 24–49. Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/2928417.
Vivian Sobchack (no date b) ‘“Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic’, Representations, (29), pp. 24–49. Available at: http://www.jstor.org/stable/2928417.
Walker, Susan and Ashton, Sally-Ann (2006) Cleopatra. Bristol: Bristol Classical Press.
Walker, Susan, Ashton, Sally-Ann, and British Museum (2003) Cleopatra reassessed. London: British Museum.
Walker, Susan, Higgs, Peter, and British Museum (2001) Cleopatra of Egypt: from history to myth. London: British Museum.
Wallace, L. (2002) Ben-Hur: a tale of the Christ. New York: Modern Library.
Wallace, Lew (2002) Ben-Hur: a tale of the Christ. New York: Modern Library.
Walters, M. (1978) The nude male: a new perspective. Harmondsworth: Penguin.
Wanger, W. and Hyams, J. (2013) My Life with Cleopatra: The Making of a Hollywood Classic. Vintage.
Ward-Perkins, J. B., Claridge, Amanda, and Royal Academy of Arts (Great Britain) (1976) Pompeii AD 79: sponsored by Imperial Tobacco Limited in association with The Daily Telegraph in support of the arts ; [exhibited at the] Royal Academy of Arts, Piccadilly, London, 20 November 1976-27 February 1977. Bristol: Imperial Tobacco.
Watkins, T. H. (1993) The Great Depression: America in the 1930s. 1st ed. Boston: Little, Brown.
Waugh, T. (2000) The fruit machine: twenty years of writings on queer cinema. Durham, N.C.: Duke University Press. Available at: https://doi.org/10.1215/9780822380948?locatt=mode:legacy.
White, Hayden V. (1975) Metahistory: the historical imagination in nineteenth-century Europe. Baltimore: Johns Hopkins University Press.
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Whitfield, Stephen J. (1996) The culture of the Cold War. 2nd ed. Baltimore: Johns Hopkins University Press.
Wiedemann, Thomas E. J. (1992) Emperors and gladiators. London: Routledge.
William Pencak (2002) The films of Derek Jarman. Jefferson, N.C: McFarland & Co.
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Winkler, Martin M. (2001a) Classical myth & culture in the cinema. Oxford: Oxford University Press.
Winkler, Martin M. (2001b) Classical myth & culture in the cinema. Oxford: Oxford University Press.
Winkler, Martin M. (2004) Gladiator: film and history. Malden, MA: Blackwell Pub.
Winkler, Martin M. (2009) Cinema and classical texts: Apollo’s new light. Cambridge: Cambridge University Press.
Winkler, M.M. (2007) Spartacus: film and history. Malden, MA, USA: Blackwell Pub. Available at: https://onlinelibrary.wiley.com/doi/book/10.1002/9780470776605.
Winston, Brian and British Film Institute (1996) Technologies of seeing: photography, cinematography and television. London: British Film Institute.
Wollen, R. and Parkes, J.C. (1996) Derek Jarman: a portrait. London: Thames and Hudson.
Wood, Mary P. (2005) Italian cinema. English ed. Oxford: Berg.
Wood, Michael (1989) America in the movies, or, ‘Santa Maria, it had slipped my mind’. Morningside ed. New York: Columbia University Press.
Wyke, M. (1997a) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997b) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997c) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997d) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997e) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997f) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997g) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997h) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1997i) Projecting the past: ancient Rome, cinema, and history. New York: Routledge. Available at: https://doi.org/10.4324/9781315811611.
Wyke, M. (1999) ‘Screening ancient Rome in the new Italy’, in Roman Presences. Cambridge University Press.
Wyke, M. (2001) ‘Shared sexualities: Roman soldiers, Derek Jarman’s Sebastiane and British Homosexuality’, in Imperial projections: ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press.
Wyke, M. (2004) ‘Film style and fascism: Julius Caesar (1953)’. Available at: http://www.researchgate.net/publication/32895507_Film_style_and_fascism_Julius_Caesar_(1953).
Wyke, M. (2006) ‘Caesar, Cinema, and National Identity in the 1910s’, in Julius Caesar in western culture. Malden, Mass: Blackwell Pub. Available at: https://doi.org/10.1002/9780470775042.
Wyke, Maria (2002a) The Roman mistress: ancient and modern representations. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=422961.
Wyke, Maria (2002b) The Roman mistress: ancient and modern representations. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=422961.
Wyke, Maria (2007a) Caesar: a life in western culture. London: Granta.
Wyke, Maria (2007b) Caesar: a life in western culture. London: Granta.
Wyke, Maria (2012) Caesar in the USA. Berkeley: University of California Press.
Zander, Horst (2005) Julius Caesar: new critical essays. New York: Routledge.
