A. J. Prats, ‘The Individual, the World, and the Life of Myth in Fellini Satyricon’, South Atlantic Bulletin, 44.2, 45–58 <http://www.jstor.org/stable/3198932>
Albu, Emily, ‘Gladiator at the Millennium’, Arethusa, 41.1 (2008), 185–204 <https://doi.org/10.1353/are.2008.0001>
Ambrosio, Arturo, Maggi, Luigi, Guazzoni, Enrico, Pastrone, Giovanni, Borgnetto, Luigi, Falena, Ugo, and others, ‘Compilatie DVD.’ (Amsterdam: EYE Film Institute Netherlands)
Amelia Arenas, ‘Popcorn and Circus: “Gladiator” and the Spectacle of Virtue’, Arion: A Journal of Humanities and the Classics, 9.1, 1–12 <http://www.jstor.org/stable/20163824>
Andrew Horton and Joan Magretta, Modern European Filmmakers and the Art of Adaptation (New York: F. Ungar Pub. Co., 1981)
Ashton, Sally-Ann, Cleopatra and Egypt (Malden, Mass: Blackwell, 2008), Blackwell ancient lives <https://onlinelibrary-wiley-com.libproxy.ucl.ac.uk/doi/book/10.1002/9781444301502>
Auguet, Roland, Cruelty and Civilization: The Roman Games (London: Routledge, 1994)
Bankston, Douglas, ‘Death or Glory’, American Cinematographer, 81.5 (2000), 34–45 <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=asu&AN=505862629&site=ehost-live&scope=site>
Bann, Stephen, The Inventions of History: Essays on the Representation of the Past (Manchester: Manchester University Press, 1990)
Barrow, R. J. and Alma-Tadema, Lawrence, Lawrence Alma-Tadema (London: Phaidon Press, 2001)
Barton, Carlin A., The Sorrows of the Ancient Romans: The Gladiator and the Monster (Princeton, N.J: Princeton University Press, 1993)
Baxter, John, Fellini (London: Fourth Estate, 1993)
Beard, Mary, The Fires of Vesuvius: Pompeii Lost and Found (Cambridge, Mass: Belknap Press of Harvard University Press, 2008)
Becker, Jared, Nationalism and Culture: Gabriele D’Annunzio and Italy after the Risorgimento (New York: P. Lang, 1994), Studies in Italian culture--Literature in history
Belsey, Catherine, ‘Shakespeare and Film: A Question of Perspective’, Literature/Film Quarterly, 11.3 (1983), 152–58 <http://search.proquest.com/docview/226985591/14305CAB39E6F461079/5?accountid=14511>
Belton, John, Widescreen Cinema (Cambridge, Mass: Harvard University Press, 1992)
Ben-Ari, Nitsa, ‘The Double Conversion of Ben-Hur’, 2003 <http://www.tau.ac.il/~nitsaba/Publications/papers/NBA-DoubleConversionBen-Hur2002.pdf>
Ben-Ari, Nitsa, ‘The Double Conversion of Ben-Hur: A Case of Manipulative Translation’, Target - International Journal of Translation Studies, 14.2 (1AD), 263–301 <http://www.swetswise.com/swoc-web/linkingDetails.html?openURL=false&issn=0924-1884&eissn=0924-1884&volume=14&issue=2&page=263>
‘Ben-Hur (1959)’, 1959 <http://www.imdb.com/title/tt0052618/>
Bergman, Andrew, We’re in the Money: Depression America and Its Films, 1st Elephant pbk. ed (Chicago: I.R. Dee, 1992)
Berti, Irene and García Morcillo, Marta, Hellas on Screen: Cinematic Receptions of Ancient History, Literature and Myth (Stuttgart: Franz Steiner Verlag, 2008), Heidelberger althistorische Beiträge und epigraphische Studien
Bertolini, Francesco, De Liguoro, Giuseppe, Del Colle, Ubaldo Maria, Tettoni Fior, Eugenia, Padovan, Adolfo, Roncarolo, Emilio, and others, ‘L’odissea’ (Amsterdam: EYE Film Institute Netherlands)
BFI National Archive, ‘Dall Amore al Martino’ (Berkhamsted: BFI National Archive, 2009)
———, ‘Patrizia e Schiavia’ (Berkhamsted: BFI National Archive, 2009)
Birchard, Robert S., Cecil B. DeMille’s Hollywood (Lexington, Ky: University Press of Kentucky, 2004)
Blits, Jan H., The End of the Ancient Republic: Shakespeare’s Julius Caesar (Lanham, Md: Rowan & Littlefield, 1993)
Bolton, Lucy, Siggers Manson, Christina, Italy on Screen Conference, and University of London, Italy on Screen: National Identity and Italian Imaginary (Oxford: Peter Lang, 2010), New studies in European cinema
Bondanella, Peter E., The Eternal City: Roman Images in the Modern World (Chapel Hill: University of North Carolina Press, 1987)
———, The Eternal City: Roman Images in the Modern World (Chapel Hill: University of North Carolina Press, 1987)
Bondanella, Peter E. and Fellini, Federico, The Cinema of Federico Fellini (Princeton, N.J: Princeton University Press, 1992)
Bordwell, David, On the History of Film Style (Cambridge, Mass: Harvard University Press, 1997)
Bordwell, David, ‘The Classical Hollywood Style 1917-1960’, in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge & Kegan Paul, 1985), pp. 1–84
Bordwell, David, The Way Hollywood Tells It: Story and Style in Modern Movies (Berkeley: University of California Press, 2006)
Bordwell, David and Thompson, Kristin, Film Art: An Introduction, 10th ed., international ed (New York: McGraw-Hill)
Borgnetto, Luigi, Casaleggio, Giovanni, Davesnes, Novelli, Olga Giannini, Vinà, Giulio, Pastrone, Giovanni, and others, ‘The Fall of Troy (1910)’ (Berkhamsted: BFI National Archive, 2009)
Bowers, Charles R., Fisher, Bud, Horace, Edgar, Fisher, Bud, and BFI National Archive, ‘A Roman Scandal (1924)’ (Berkhamsted: BFI National Archive, 2009)
Braudy, Leo and Cohen, Marshall, Film Theory and Criticism: Introductory Readings, 6th ed (New York: Oxford University Press, 2004)
Brian J. Robb, Ridley Scott (Pocket Essentials)
Brunetta, Gian Piero, The History of Italian Cinema: A Guide to Italian Film from Its Origins to the Twenty-First Century (Princeton: Princeton University Press, 2009)
Burgoyne, Robert, The Hollywood Historical Film (Malden, MA: Blackwell Pub, 2008), New approaches to film genre
———, The Hollywood Historical Film (Malden, MA: Blackwell, 2008), New approaches to film genre
———, The Hollywood Historical Film (Malden, MA: Blackwell, 2008), New approaches to film genre
Burton, Margaret, ‘Performances of Jewish Identity: Spartacus’, Shofar: An Interdisciplinary Journal of Jewish Studies, 27.1 (2008), 1–15 <https://doi.org/10.1353/sho.0.0306>
Capellani, Albert and BFI National Archive, ‘Armour Desclave (1907)’ (Berkhamsted: BFI National Archive, 2009)
Ceplair, Larry and Englund, Steven, The Inquisition in Hollywood: Politics in the Film Community, 1930-60, 1st Illinois paperback (Urbana: University of Illinois Press, 2003)
Champlin, Edward, Nero (Cambridge, Mass: Belknap press of Harvard University Press, 2003)
Chandler Charlotte., I, Fellini (London: Bloomsbury, 1997) <http://copac.jisc.ac.uk/id/21541427?style=html&title=I%2C%20Fellini>
Charlesworth, Michael, Derek Jarman (London: Reaktion Books, 2011), Critical lives <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1582276>
Chávez, Ernesto, ‘“Ramon Is Not One of These”: Race and Sexuality in the Construction of Silent Film Actor Ramón Novarro’s Star Image’, Journal of the History of Sexuality, 20.3 (2011), 520–44 <https://doi.org/10.1353/sex.2011.0047>
Cherchi Usai, Paolo, Cherchi Usai, Paolo, and British Film Institute, Silent Cinema: An Introduction, [Rev. and expanded ed.] (London: BFI Pub, 2000)
———, Silent Cinema: An Introduction, [Rev. and expanded ed.] (London: BFI Pub, 2000)
Chopra-Gant, Mike, Cinema and History: The Telling of Stories (London: Wallflower, 2008), Short cuts
Christensen, Allan Conrad and Bulwer Lytton 2000, The Subverting Vision of Bulwer Lytton: Bicentenary Reflections (Newark, DE: University of Delaware Press, 2004)
Cohan, Steven and Hark, Ina Rae, Screening the Male: Exploring Masculinities in Hollywood Cinema (London ; New York: Routledge, 1993)
———, Screening the Male: Exploring Masculinities in Hollywood Cinema (London ; New York: Routledge, 1993)
Connors, Catherine, Petronius the Poet: Verse and Literary Tradition in the Satyricon (Cambridge: Cambridge University Press, 1998)
Cook, Pam, The Cinema Book, 3rd ed (London: BFI, 2007)
Cooley, Alison, Pompeii (London: Duckworth, 2003), Duckworth archaeological histories
Cooper, Emmanuel, The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West (London: Routledge & Kegan Paul, 1986)
Corda, Maria, Korda, Alexander, Duffy, Gerald C., Wilson, Carey, Robinson, Casey, Edouarde, Carl, and others, ‘The Private Life of Helen of Troy’ (Berkhamsted: BFI National Archive, 2009)
Cosgrove, Peter, Impartial Stranger: History and Intertextuality in Gibbon’s Decline and Fall of the Roman Empire (Newark: University of Delaware Press, 1999)
Costello, Maurice, Blackton, James Stuart, Fuller, Mary, and BFI National Archive, ‘Elektra (1909)’ (Berkhamsted: BFI National Archive, 2009)
Cyrino, Monica Silveira, Big Screen Rome (Malden, MA: Blackwell, 2005) <https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989>
———, Big Screen Rome (Malden, MA: Blackwell, 2005) <https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989>
———, Big Screen Rome (Malden, MA: Blackwell, 2005) <https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989>
———, Big Screen Rome (Malden, MA: Blackwell, 2005) <https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989>
Dalby, Simon, ‘Warrior Geopolitics: Gladiator, Black Hawk Down and The Kingdom Of Heaven’, Political Geography, 27.4 (2008), 439–55 <https://doi.org/10.1016/j.polgeo.2008.03.004>
Dalle Vacche, Angela, The Body in the Mirror: Shapes of History in Italian Cinema (Princeton, N.J: Princeton University Press, 1992)
David S. Reynolds, Faith in Fiction (Cambridge, Mass: Harvard University Press, 1981)
Davis, Natalie Zemon, Slaves on Screen: Film and Historical Vision (Cambridge, Mass: Harvard University Press, 2000)
Del Colle, Ubaldo Maria, De Liguoro, Giuseppe, Tettoni Fior, Eugenia, Bertolini, Francesco, Padovan, Adolfo, Roncarolo, Emilio, and others, ‘Die Odyssee’ (Berkamsted: BFI National Archive, 2009)
Derek Jarman, Dancing Ledge (London: Quartet, 1991)
Dick, Bernard F., ‘Adaptation as Archaeology: Fellini Satyricon’, in Modern European Filmmakers and the Art of Adaptation (New York: F. Ungar Pub. Co., 1981)
Dick, Bernard F., Anatomy of Film, 6th ed (Boston: Bedford/St. Martin’s, 2010)
Dickstein, Morris, Dancing in the Dark: A Cultural History of the Great Depression (New York: W. W. Norton, 2009)
Dix, Andrew, Beginning Film Studies (Manchester: Manchester University Press, 2008), Beginnings
Doherty, Thomas Patrick, Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934 (New York: Columbia University Press, 1999), Film and culture
Dunkle, Roger, Gladiators: Violence and Spectacle in Ancient Rome (Harlow: Longman, 2008)
Dyer, R., ‘Don’t Look Now’, Screen, 23.3–4 (1982), 61–73 <https://doi.org/10.1093/screen/23.3-4.61>
Dyer, Richard, Heavenly Bodies: Film Stars and Society, 2nd ed (London: Routledge, 2004)
Dyer, Richard, McDonald, Paul, and British Film Institute, Stars, New ed (London: British Film Institute, 1998)
———, Stars, New ed (London: British Film Institute, 1998)
Eckert, Charles, ‘The Carole Lombard in Macy’s Window’, Quarterly Review of Film Studies, 3.1 (1978), 1–21 <https://doi.org/10.1080/10509207809391376>
Eldridge, David, Hollywood’s History Films (London: I. B. Tauris, 2006), Cinema and society series
Elley, Derek, The Epic Film: Myth and History (London: Routledge & Kegan Paul, 1984), Cinema and society
Ellis, James Richard, Derek Jarman’s Angelic Conversations (Minneapolis: University of Minnesota Press, 2009) <https://www.jstor.org/stable/10.5749/j.ctttvbhj>
Elsaesser, Thomas and Buckland, Warren, Studying Contemporary American Movies: A Guide to Film Analysis (London: Arnold, 2001)
Elsner, Jaś and Masters, Jamie, Reflections of Nero: Culture, History & Representation (London: Duckworth, 1994)
———, Reflections of Nero: Culture, History & Representation (London: Duckworth, 1994)
Engelhardt, Tom, The End of Victory Culture: Cold War America and the Disillusioning of a Generation (New York, NY: BasicBooks, 1995) <https://www.jstor.org/stable/j.ctt1cx3t0j>
Erich Segal, ‘Arbitrary Satyricon: Petronius & Fellini’, Diacritics, 1.1, 54–57 <http://www.jstor.org/stable/464561>
Etienne, Robert, Pompeii: The Day a City Died (London: Thames and Hudson, 1992), New horizons
Fast, Howard, Spartacus, New ed (Armonk, N.Y.: North Castle Books, 1996)
Fava, Claudio G., Curto, Shula, and Viganò, Aldo, The Films of Federico Fellini (Secaucus, N.J.: Citadel Press, 1990)
Federico Fellini, Fellini on Fellini (London: Faber & Faber, 1995)
Fellini, Federico, Fellini Satyricon, ed. by Dario Zanelli (Bologna: Cappelli, 1969) <http://copac.jisc.ac.uk/id/29488411?style=html&title=Fellini%20Satyricon%20...%20A%20cura%20di%20Dario%20Zanelli.>
Fellini Federico., Fellini’s Satyricon (New York: Ballantine Books, 1970) <http://copac.jisc.ac.uk/id/21227790?style=html&title=Fellini’s%20Satyricon>
Fellini, Federico and Pettigrew, Damian, I’m a Born Liar: A Fellini Lexicon (New York: Harry N. Abrams, 2003)
Ferro, Marc and Greene, Naomi, Cinema and History (Detroit, Mich: Wayne State University Press, 1988), Contemporary film studies
Feuillade, Louis and BFI National Archive, ‘König Midas (1910)’ (Berkhamsted: BFI National Archive, 2009)
Fitzgerald, William, ‘Oppositions, Anxieties, and Ambiguities in the Toga Movie’’, in Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
Frank Burke, Fellini’s Films (New York: Twayne Publishers, 1996)
Franzero, C.M., Cleopatra (Panther; 1402 edition (1962), 1962) <http://www.amazon.co.uk/Cleopatra-Carlo-Maria-Franzero/dp/B001PCDFKE>
Furstenau, Marc, The Film Theory Reader: Debates and Arguments (Abingdon: Routledge, 2010)
Futrell, A., ‘Seeing Red: Spartacus as Domestic Economist’, in Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
Gaines, J., and C. Herzog, ‘Puffed Sleeves before Teatime’, in Stardom: Industry of Desire (London: Routledge, 1991)
Gambardella, Giuseppe, Novelli, Amleto, Soderini, Lorenzo, and BFI National Archive, ‘La Morte Di Socrate’ (Berkhamsted: BFI National Archive, 2009)
Gardner Coates, Victoria C. and Seydl, Jon L., Antiquity Recovered: The Legacy of Pompeii and Herculaneum (Los Angeles: J. Paul Getty Museum, 2007)
Gentile, Emilio, La Grande Italia: The Myth of the Nation in the Twentieth Century (Madison, Wis: University of Wisconsin Press, 2009), George L. Mosse series in modern European cultural and intellectual history
GERALDINE MURPHY, ‘Ugly Americans in Togas: Imperial Anxiety in the Cold War Hollywood Epic’, Journal of Film and Video, 56.3, 3–19 <http://www.jstor.org/stable/20688460>
———, ‘Ugly Americans in Togas: Imperial Anxiety in the Cold War Hollywood Epic’, Journal of Film and Video, 56.3, 3–19 <https://www.jstor.org/stable/20688460?seq=1#metadata_info_tab_contents>
———, ‘Ugly Americans in Togas: Imperial Anxiety in the Cold War Hollywood Epic’, Journal of Film and Video, 56.3, 3–19 <http://www.jstor.org/stable/20688460>
Gibbon, Edward and Womersley, David, The History of The Decline and Fall of the Roman Empire (London: Allen Lane, Penguin Press, 1994)
Gladiator (London, England: Boxtree, 2000)
——— (Newmarket Press)
Goldhill, Simon, Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity (Princeton, NJ: Princeton University Press, 2011), Martin classical lectures <https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt7rvwp>
Goldman, Herbert G., Banjo Eyes: Eddie Cantor and the Birth of Modern Stardom (New York: Oxford University Press, 1997)
Goldsworthy, Adrian Keith, The Fall of Carthage: The Punic Wars, 265-146 BC (London: Cassell, 2003), Cassell military paperbacks
Grant, Barry Keith, Film Genre: From Iconography to Ideology (London: Wallflower, 2007), Short cuts
Grant, Michael, Cleopatra (Edison, N.J.: Castle Books, 2004)
———, Cleopatra (Edison, N.J.: Castle Books, 2004)
———, The Fall of the Roman Empire: A Reappraisal (Radnor, Pa: Annenberg School Press, 1976)
———, The Jews in the Roman World (London: Weidenfeld and Nicolson, 1973)
———, The Jews in the Roman World (London: Weidenfeld and Nicolson, 1973)
Grieveson, Lee and Krämer, Peter, The Silent Cinema Reader (London: Routledge, 2004)
Griffin, Miriam T., Nero: The End of a Dynasty, pbk. ed (London: Batsford, 1987)
———, Nero: The End of a Dynasty, pbk. ed (London: Batsford, 1987)
Grindon, Leger, Shadows on the Past: Studies in the Historical Fiction Film (Philadelphia: Temple University Press, 1994), Culture and the moving image <https://www.jstor.org/stable/j.ctt14bs6kx>
Guynn, William Howard, Writing History in Film (New York: Routledge, 2006)
Hales, Shelley and Paul, Joanna, Pompeii in the Public Imagination from Its Rediscovery to Today (Oxford: Oxford University Press, 2011), Classical presences <https://doi.org/10.1093/acprof:osobl/9780199569366.001.0001>
———, Pompeii in the Public Imagination from Its Rediscovery to Today (Oxford: Oxford University Press, 2011), Classical presences <https://doi.org/10.1093/acprof:osobl/9780199569366.001.0001>
Hamer, Mary, Signs of Cleopatra: Reading an Icon Historically, Updated 2nd ed (Exeter: University of Exeter Press, 2008)
Hardwick, Lorna and Classical Association (Great Britain), Reception Studies (Oxford: Oxford University Press, 2003), Greece&Rome
Hardwick, Lorna and Stray, Christopher, A Companion to Classical Receptions (Malden, Mass: Blackwell, 2008), Blackwell companions to the ancient world
Hark, Ina Rae, American Cinema of the 1930s: Themes and Variations (New Brunswick, N.J.: Rutgers University Press, 2007), Screen decades <https://www.jstor.org/stable/j.ctt5hj0s2>
Hendershot, Cynthia, Anti-Communism and Popular Culture in Mid-Century America (Jefferson, N.C.: McFarland, 2003)
Hezser, C., ‘Ben-Hur and Ancient Jewish Slavery’’, in A Wandering Galilean (Leiden: Brill, 2009), pp. 121–39 <https://brill-com.libproxy.ucl.ac.uk/edcollbook/title/16366>
Higashi, Sumiko, Cecil B. DeMille and American Culture: The Silent Era (Berkeley: University of California Press, 1994) <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08035.0001.001>
Higham, Charles, Cecil B. DeMille (New York: Dell, 1976)
Hilburn, Percy, Kershner, Glenn R., Struss, Karl, Hilliker, Katharine, Caldwell, H. H., Wilson, Carey, and others, ‘Ben-Hur: A Tale of Christ’ ([S.l.]: MGM/UA Home Entertainment, 1995)
Hill, John and McLoone, Martin, Big Picture, Small Screen: The Relations between Film and Television (Luton, Bedfordshire, England: University of Luton Press), Acamedia research monograph
Hoffman, Carl, ‘The Evolution of a Gladiator: History, Representation, and Revision in Spartacus’, The Journal of American Culture, 23.1 (2000), 63–70 <https://doi.org/10.1111/j.1537-4726.2000.2301_63.x>
Holland, Richard, Nero: The Man behind the Myth (Stroud: Sutton, 2002)
Holland, Richard, Nero: The Man behind the Myth (Stroud: Sutton, 2002)
Hopkins, Keith, A World Full of Gods: Pagans, Jews and Christians in the Roman Empire (London: Weidenfeld & Nicolson, 1999)
Hopkins, Keith and Beard, Mary, The Colosseum (London: Profile, 2005)
Hovet, Ted, ‘The Case of Kalem’s (1907) and the Transformation of Cinema’, Quarterly Review of Film and Video, 18.3 (2001), 283–94 <https://doi.org/10.1080/10509200109361530>
Hughes, E., On the Set of Fellini Satyricon (New York: Morrow, 1971)
Hughes-Hallett, Lucy, Cleopatra: Histories, Dreams and Distortions (London: Bloomsbury, 1990)
———, Cleopatra: Histories, Dreams and Distortions (London: Bloomsbury, 1990)
Hunt, Leon, ‘’What Are Big Boys Made of?: Spartacus, El Cid and the Male Epic’, in You Tarzan (London: Lawrence & Wishart, 1993)
Jack J. Jorgens, Shakespeare on Film (Bloomington: Indiana University Press, 1977)
James, Simon, ‘The Roman Galley Slave: and the Birth of a Factoid’, Public Archaeology, 2.1 (2001), 35–49 <https://doi.org/10.1179/pua.2001.2.1.35>
James, Simon, ‘The Roman Galley Slave: Ben Hur and the Birth of a Factoid’, Public Archaeology, 2.1, 35–49 <http://www.maneyonline.com/doi/abs/10.1179/pua.2001.2.1.35>
Jarman, Derek and Christie, Michael, At Your Own Risk: A Saint’s Testament (London: Vintage Press, 1993)
John David Rhodes, ‘“Our Beautiful and Glorious Art Lives”: The Rhetoric of Nationalism in Early Italian Film Periodicals’, Film History, 12.3, 308–21 <http://www.jstor.org/stable/3815360>
Jon Lewis, The End Of Cinema As We Know It (NYU Press)
Jones, Prudence J., Cleopatra: A Sourcebook (Norman: University of Oklahoma Press, 2006), Oklahoma series in classical culture
———, Cleopatra: The Last Pharaoh (Cairo: American University in Cairo Press, 2006)
Josephus, Flavius, G. A. Williamson, and E. Mary Smallwood, The Jewish War, Rev (Harmondsworth: Penguin Press, 1981), Penguin classics
Judith Harris, Pompeii Awakened (London: I. B. Tauris, 2007) <https://doi.org/10.5040/9780755624195>
Kaye, Richard A., ‘Richard A. Losing His Religion: Saint Sebastian as Contemporary Gay Martyr’, in Outlooks: Lesbian and Gay Sexualities and Visual Cultures, 1996
Kezich, Tullio, Federico Fellini: His Life and Work (London: I. B. Tauris, 2007)
Köhne, Eckhart, Ewigleben, Cornelia, and Jackson, Ralph, Gladiators and Caesars: The Power of Spectacle in Ancient Rome (London: British Museum Press, 2000)
Kolker, Robert Phillip, Film, Form and Culture, 2nd ed (Boston: McGraw Hill, 2002)
Ladjali, C., ‘“Varius Multiplex Multiformis”: Impressions of Federico Fellini’s Satyricon’, Diogenes, 52.4 (2005), 174–82 <https://doi.org/10.1177/0392192105059489>
Landy, Marcia, Cinematic Uses of the Past (Minneapolis, Minn: University of Minnesota Press, 1996)
Lazer, Estelle, Resurrecting Pompeii (London: Routledge, 2009)
Lenihan, John H., ‘English Classic For Cold War America’, Journal of Popular Film and Television, 20.3 (1992), 42–51 <https://doi.org/10.1080/01956051.1992.9944227>
Ling, Roger, Pompeii: History, Life & Afterlife (Stroud: Tempus, 2005)
Lippard, Chris, By Angels Driven: Films of Derek Jarman (Trowbridge, Wiltshire: Flicks, 1995), Cinema voices
Lowe, Dunstan and Shahabudin, Kim, Classics for All: Reworking Antiquity in Mass Culture (Newcastle upon Tyne: Cambridge Scholars, 2009)
———, Classics for All: Reworking Antiquity in Mass Culture (Newcastle upon Tyne: Cambridge Scholars, 2009)
Malamud, M., ‘Screening Rome during the Great Depression’, in Ancient Rome and Modern America (Chichester: Wiley-Blackwell, 2008), Classical receptions <https://doi.org/10.1002/9781444305074>
———, ‘Screening Rome during the Great Depression’, in Ancient Rome and Modern America - Margaret Malamud, 2008 <https://doi.org/10.1002/9781444305074>
Malamud, Margaret, Ancient Rome and Modern America (Chichester: Wiley-Blackwell, 2009), Classical receptions <https://doi.org/10.1002/9781444305074>
———, Ancient Rome and Modern America (Chichester: Wiley-Blackwell, 2009), Classical receptions
Malamud, Margaret., ‘Swords-and-Scandals: Hollywood’s Rome During the Great Depression’, Arethusa, 41.1 (2008), 157–83 <https://doi.org/10.1353/are.2008.0004>
———, ‘Swords-and-Scandals: Hollywood’s Rome During the Great Depression’, Arethusa, 41.1 (2008), 157–83 <https://doi.org/10.1353/are.2008.0004>
———, ‘Swords-and-Scandals: Hollywood’s Rome During the Great Depression’, Arethusa, 41.1 (2008), 157–83 <https://doi.org/10.1353/are.2008.0004>
Martin M. Winkler, ‘Cinema and the Fall of Rome’, Transactions of the American Philological Association (1974-), 125, 1974–154 <http://www.jstor.org/stable/284349>
———, ‘The Roman Empire in American Cinema after 1945’, The Classical Journal, 93.2, 1997–196 <http://www.jstor.org/stable/3298137>
Martindale, Charles, Redeeming the Text: Latin Poetry and the Hermeneutics of Reception (Cambridge: Cambridge University Press, 1993), Roman literature and its contexts
Martindale, Charles and Thomas, Richard F., Classics and the Uses of Reception (Malden, Mass: Blackwell, 2006), Classical receptions
‘Martyrs, Miracles, and Martians: Religion and Cold War Cinematic Propaganda in the 1950s’, Journal of Cold War Studies, 4.2 (2002), 3–22 <http://muse.jhu.edu/journals/journal_of_cold_war_studies/v004/4.2shaw.html>
May, Lary, The Big Tomorrow: Hollywood and the Politics of the American Way (Chicago: University of Chicago Press, 2000)
Mayer, David and Preston, Katherine K., Playing out the Empire: Ben-Hur and Other Toga Plays and Films, 1883-1908 : A Critical Anthology (Oxford: Clarendon Press, 2002)
———, Playing out the Empire: Ben-Hur and Other Toga Plays and Films, 1883-1908 : A Critical Anthology (Oxford: Clarendon Press, 2002)
———, Playing out the Empire: Ben-Hur and Other Toga Plays and Films, 1883-1908 : A Critical Anthology (Oxford: Clarendon Press, 2002)
McAlister, Melani, Epic Encounters: Culture, Media, and U.S. Interests in the Middle East since 1945, Updated ed (Berkeley, Calif: University of California Press, 2005), American crossroads
McGuire, Donald T., Joshel, Sandra R., and Malamud, Margaret, Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
———, Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
———, Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
———, Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
———, Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
Mele, Luigi, Pastrone, Giovanni, Aubert, Louis, Shakespeare, William, and BFI National Archive, ‘Giulio Cesare (1909)’ (Berkhamsted: BFI National Archive, 2009)
Michael Rogin, ‘Making America Home: Racial Masquerade and Ethnic Assimilation in the Transition to Talking Pictures’, The Journal of American History, 79.3, 1050–77 <http://www.jstor.org/stable/10.2307/2080798?Search=yes&resultItemClick=true&searchText=Making&searchText=America&searchText=Home&searchUri=%252Faction%252FdoBasicSearch%253FQuery%253DMaking%252BAmerica%252BHome%2526amp%253Bfilter%253Djid%25253A10.2307%25252Fj100204%2526amp%253BSearch%253DSearch%2526amp%253Bwc%253Don%2526amp%253Bfc%253Doff%2526amp%253BglobalSearch%253D%2526amp%253BsbbBox%253D%2526amp%253BsbjBox%253D%2526amp%253BsbpBox%253D>
Michel Ciment and Martin Scorsese, Kubrick (Faber & Faber, 2003)
Michelakis, Pantelis and Wyke, Maria, The Ancient World in Silent Cinema (Cambridge: Cambridge University Press, 2013) <https://doi.org/10.1017/CBO9781139060073>
———, The Ancient World in Silent Cinema (Cambridge: Cambridge University Press, 2013)
Miles, Margaret Melanie, Cleopatra: A Sphinx Revisited (Berkeley: University of California Press, 2011), The Joan Palevsky imprint in classical literature <https://www.jstor.org/stable/10.1525/j.ctt1pnvmm>
———, Cleopatra: A Sphinx Revisited (Berkeley: University of California Press, 2011), The Joan Palevsky imprint in classical literature <https://www.jstor.org/stable/10.1525/j.ctt1pnvmm>
Miles, Richard, Carthage Must Be Destroyed: The Rise and Fall of an Ancient Mediterranean Civilization (London: Allen Lane, 2010)
Mitchell, Leslie, Bulwer Lytton: The Rise and Fall of a Victorian Man of Letters (London: Hambledon and London, 2003)
Monaco, James, How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory, 4th ed., completely rev. and expanded (New York: Oxford University Press, 2009)
Monica Silveira Cyrino, Big Screen Rome (Malden, MA: Blackwell Pub., 2006) <https://app.kortext.com/Shibboleth.sso/Login?entityID=https://shib-idp.ucl.ac.uk/shibboleth&target=https://app.kortext.com/borrow/637989>
Mozzato, Umberto, Pagano, Bartolomeo, Almirante-Manzini, Italia, Quaranta, Letizia, D’Annunzio, Giovanni, Pastrone, Giovanni, and others, ‘Cabiria’ (New York: Eighteen Frames Inc, 1990)
Mozzato, Umberto, Pagano, Bartolomeo, Catena, Letizia, Quaranta, Letizia, D’Annunzio, Giovanni, Pastrone, Giovanni, and others, ‘Cabiria’ (New York: Kino on Video, 2000)
Mulvey, L., ‘Visual Pleasure and Narrative Cinema’, Screen, 16.3 (1975), 6–18 <https://doi.org/10.1093/screen/16.3.6>
Neale, S., ‘Masculinity as Spectacle’, Screen, 24.6 (1983), 2–17 <https://doi.org/10.1093/screen/24.6.2>
Neale, Stephen, Genre and Hollywood (London: Routledge, 2000), Sightlines
Negri-Pouget, Fernanda, Tettoni Fior, Eugenia, Grisanti, Antonio, Carini, Cesare Gani, Stefano, Vitale Di, Campogalliani, Carlo, and others, ‘The Last Days of Pompeii’ (New York: Kino on Video, 2000)
Nelmes, Jill, An Introduction to Film Studies, 3rd ed (London: Routledge, 2003)
Nisbet, Gideon, Ancient Greece in Film and Popular Culture (Bristol: Bristol Phoenix, 2006), Greece and Rome live
Novelli, Amleto, Mattalia, Irene, Nazzari, Antonio, Guazzoni, Enrico, Homer, and EYE Film Instituut Nederland, ‘Cajus Julius Caesar’ (Amsterdam: EYE Film Institute Netherlands)
Novelli, Amleto, Serena, Gustavo, Cattaneo, Amelia, Cattaneo, Carlo, Giunchi, Lea, Moltini, Cesare, and others, ‘Quo Vadis’ (S.l: Movie Classics, 1992)
O’Pray, Michael and British Film Institute, Derek Jarman: Dreams of England (London: British Film Institute, 1996)
Panayotakis, Costas, Theatrum Arbitri: Theatrical Elements in the Satyrica of Petronius (Leiden: E.J. Brill, 1995), Mnemosyne, bibliotheca classica Batava
Paolo Cherchi Usai and Martin Sopocy, ‘“Cabiria”, an Incomplete Masterpiece: The Quest for the Original 1914 Version’, Film History, 2.2, 155–65 <http://www.jstor.org/stable/3815032>
Paul, J., ‘Working with Film Theories and Methodologies’, in A Companion to Classical Receptions (Malden, Mass: Blackwell, 2008), Blackwell companions to the ancient world, 303–14 <https://ucl.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma9931594612204761&context=L&vid=44UCL_INST:UCL_VU2&lang=en&search_scope=UCLLibraryCatalogue&adaptor=Local%20Search%20Engine&isFrbr=true&tab=UCLLibraryCatalogue&query=any,contains,A%20companion%20to%20classical%20receptions&sortby=date_d&facet=frbrgroupid,include,9048698605667757290&offset=0>
Paul, Joanna, ‘Cinematic Receptions of Antiquity: The Current State of Play’, Classical Receptions, 2.1 (2010) 136-55 (2010), 136–55 <https://doi.org/10.1093/crj/clq005>
Pearce, T. M., ‘“Ben-Hur” Wallace: The Life of General Lew Wallace Irving McKee’, Pacific Historical Review, 17.2 (1948), 220–22 <https://doi.org/10.2307/3635538>
Pelling, C., ‘Judging Julius Caesar’, in Julius Caesar in Western Culture (Malden, MA: Blackwell, 2006) <https://doi.org/10.1002/9780470775042>
Pelling, C. B. R., Plutarch and History: Eighteen Studies (London: Classical Press of Wales, 2002)
Penley, Constance and British Film Institute, Feminism and Film Theory (London: Methuen in association with the British Film Institute, 1988)
Plutarch, The History of Julius Cæsar: Newly Translated from the Original Greek of Plutarch ([London?]: Printed in the year, 1771) <http://galenet.galegroup.com/servlet/ECCO?c=1&stp=Author&ste=11&af=BN&ae=T227317&tiPG=1&dd=0&dc=flc&docNum=CW103669267&vrsn=1.0&srchtp=a&d4=0.33&n=10&SU=0LRH&locID=ucl_ttda>
Plutarch and Pelling, C. B. R., Life of Antony (Cambridge: Cambridge University Press, 1988), Cambridge Greek and Latin classics
———, Life of Antony (Cambridge: Cambridge University Press, 1988), Cambridge Greek and Latin classics
Plutarch and Scott-Kilvert, Ian, Makers of Rome: Nine Lives by Plutarch (London: Penguin, 1965), Penguin classics
Prag, J. R. W. and Repath, Ian, Petronius: A Handbook (Chichester: Wiley-Blackwell, 2009) <https://ucl.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma9930760755404761&context=L&vid=44UCL_INST:UCL_VU2&lang=en&search_scope=MyInst_and_CI&adaptor=Local%20Search%20Engine&isFrbr=true&tab=Everything&query=any,contains,Petronius:%20a%20handbook&sortby=date_d&facet=frbrgroupid,include,9015370542726875663&offset=0>
Raymond Durgnat, Sexual Alienation in the Cinema (London: Studio Vista, 1972)
Rice, E. E., Cleopatra (Stroud: Sutton, 2001), Sutton pocket biographies
———, Cleopatra (Stroud: Sutton, 2001), Sutton pocket biographies
Richards, Jeffrey, Hollywood’s Ancient Worlds (London: Continuum, 2008)
Richardson, Niall, The Queer Cinema of Derek Jarman: Critical and Cultural Readings (London :w: I.B. Tauris, 2009), International library of cultural studies <https://www-bloomsburycollections-com.libproxy.ucl.ac.uk/monograph?docid=b-9780755696475>
Ridley Scott, Ridley Scott: Interviews (Jackson: University Press of Mississippi, 2005)
Rieser, Martin and Zapp, Andrea, New Screen Media: Cinema/Art/Narrative (London: British Film Institute, 2002)
Rimell, Victoria, Petronius and the Anatomy of Fiction (Cambridge: Cambridge University Press, 2002)
Roberts, Graham and Wallis, Heather, Introducing Film (London: Arnold, 2001)
Roch, Madeleine, Bérangère, Jeanne, Napierkowska, Stasia, Rianza, Andréani, Henri, Zecca, Ferdinand, and others, ‘Cleopatra (1910)’ (Berkhamsted: BFI National Archive, 2009)
Roller, Duane W., Cleopatra: A Biography (Oxford: Oxford University Press, 2010), Women in antiquity
———, Cleopatra: A Biography (Oxford: Oxford University Press, 2010), Women in antiquity
Rosenstone, Robert A., History on Film / Film on History (Harlow: Pearson Longman, 2006), History: concepts, theories and practice
———, Visions of the Past: The Challenge of Film to Our Idea of History (Cambridge, Mass: Harvard University Press, 1995)
Rothwell, Kenneth S., A History of Shakespeare on Screen: A Century of Film and Television, 2nd ed (Cambridge: Cambridge University Press, 2004)
Rowland Wymer, Derek Jarman (British Film Makers) (Manchester University Press, 2006)
Royster, Francesca, Becoming Cleopatra (New York: Palgrave Macmillan, 2003)
———, Becoming Cleopatra (New York: Palgrave Macmillan, 2003)
Rubin, Martin, Showstoppers: Busby Berkeley and the Tradition of Spectacle (New York: Columbia University Press, 1993), Film and culture
Rushton, R., ‘Narrative and Spectacle in Gladiator’, Cineaction, 56, 34–43 <http://shakespeare.galegroup.com/shax/retrieve.do?sgHitCountType=None&qrySerId=Locale%28en%2C%2C%29%3AFQE%3D%28ti%2CNone%2C36%29Narrative and spectacle in Gladiator%24&sort=DateDescend&inPS=true&userGroupName=ucl_ttda&prodId=SHAX&tabID=T013&searchId=R2&resultListType=RESULT_LIST&searchType=AdvancedSearchForm¤tPosition=1&contentSet=IAC-Documents&&docId=CW&docLevel=FASCIMILE&workId=&relevancePageBatch=&contentSet=IAC-Documents&callistoContentSet=>
Russell, James, The Historical Epic and Contemporary Hollywood: From Dances with Wolves to Gladiator (New York: Continuum, 2007)
———, The Historical Epic and Contemporary Hollywood: From Dances with Wolves to Gladiator (New York: Continuum, 2007)
Salt, Barry, Film Style and Technology: History and Analysis, 2nd ed (London: Starword, 1992)
Sanya Shoilevska Henderson, Alex North, Film Composer: A Biography, with Musical Analyses of a Streetcar Named Desire, Spartacus, the Misfits, Under the Volcano, and Prizzi’s Honor [Paperback] (McFarland & Co Inc (15 Sep 2009)) <http://www.amazon.co.uk/Alex-North-Film-Composer-Biography/dp/0786443332>
Schäfer, Peter, The History of the Jews in the Greco-Roman World, 2nd ed (London: Routledge, 2003)
———, The History of the Jews in the Greco-Roman World, 2nd ed (London: Routledge, 2003)
Schatz, Thomas, The Genius of the System: Hollywood Filmmaking in the Studio Era, 1st Metro pbk. ed (New York, N.Y: Henry Holt and Company, 1996)
Schiavone, Aldo, The End of the Past: Ancient Rome and the Modern West (Cambridge, Mass: Harvard University Press, 2000), Revealing antiquity
Scodel, Ruth and Bettenworth, Anja, Whither Quo Vadis? (Malden, MA: Blackwell, 2008) <https://onlinelibrary.wiley.com/doi/book/10.1002/9781444306125>
‘Screening the Past’ <http://tlweb.latrobe.edu.au/humanities/screeningthepast/>
Settis, Salvatore, The Future of the ‘Classical’ (Cambridge: Polity, 2006)
Shaughnessy, Robert, Shakespeare on Film (Basingstoke: Macmillan, 1998), New casebooks
Shaw, Bernard, Three Plays for Puritans: The Devil’s Disciple, Cæsar and Cleopatra, & Captain Brassbound’s Conversion (London: G. Richards, 1901)
Shaw, Brent D., Spartacus and the Slave Wars: A Brief History with Documents (Boston: Bedford, 2001), The Bedford series in history and culture
Shaw, Tony and Youngblood, Denise J., Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds (Lawrence: University Press of Kansas, 2010) <https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt1c6v8wf>
Shea, William, Costello, Maurice, Ranous, William V., Lawrence, Florence, Panzer, Paul, Williams, Earle, and others, ‘Julius Caesar (1908)’ (Berkhamsted: BFI National Archive, 2009)
Shotter, D. C. A., Nero (London: Routledge, 1997), Lancaster pamphlets
———, Nero (London: Routledge, 1997), Lancaster pamphlets
Simon Louvish, Cecil B. DeMille and the Golden Calf (London: Faber and Faber, 2007)
Sir Lawrence Alma-Tadema (Pavilion Books, 1989)
Skinner, James M., The Cross and the Cinema: The Legion of Decency and the National Catholic Office for Motion Pictures, 1933-1970 (Westport, Conn: Praeger, 1993)
Slater, Niall W., Reading Petronius (Baltimore, Md: Johns Hopkins University Press, 1990)
Smallwood, E. Mary, The Jews under Roman Rule: From Pompey to Diocletian (Leiden: Brill, 1981), Studies in Judaism in late antiquity
Snyder, S., The Transparent I: Self/Subject in European Cinema (New York: P. Lang, 1994) <http://copac.jisc.ac.uk/id/20188517?style=html&title=The%20transparent%20Iself%2Fsubject%20in%20European%20cinema>
Solomon, Jon, The Ancient World in the Cinema, Rev. and expanded ed (New Haven: Yale University Press, 2001)
Sordi, Marta and Bedini, Annabel, The Christians and the Roman Empire, Oklahoma paperbacks ed (Norman: University of Oklahoma Press, 1994)
———, The Christians and the Roman Empire, Oklahoma paperbacks ed (Norman: University of Oklahoma Press, 1994)
Sorlin, Pierre, Italian National Cinema 1896-1996 (New York: Routledge, 1996), National cinemas series
———, The Film in History: Restaging the Past (Oxford: Blackwell, 1980)
Southern, Pat, Cleopatra (Stroud: Tempus, 1999)
———, Cleopatra (Stroud: Tempus, 1999)
Spartacus: The Illustrated Story of the Motion Picture Production (Literary Licensing, LLC (2 Nov 2012)) <http://www.amazon.co.uk/Spartacus-Illustrated-Motion-Picture-Production/dp/1258521636>
Stacey, Jackie, Star Gazing: Hollywood Cinema and Female Spectatorship (London: Routledge, 1994)
———, Star Gazing: Hollywood Cinema and Female Spectatorship (London: Routledge, 1994)
———, Star Gazing: Hollywood Cinema and Female Spectatorship (London: Routledge, 1994)
Stam, Robert, Film Theory: An Introduction (Malden, Mass: Blackwell, 2000)
Steven Dillon, Derek Jarman and Lyric Film (Austin: University of Texas Press, 2004)
Strauss, Barry S., The Spartacus War, 1st Simon & Schuster hardcover ed (New York: Simon & Schuster, 2009)
Suetonius and Warmington, B. H., Nero (Bristol: Bristol Classical Press, 1977)
Sullivan, J. P., ‘The Social Ambience of Petronius’ Satyricon and Fellini Satyricon’, in Classics and Cinema, 2001 <http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/search.do?dscnt=0&vl(50210315UI1)=lsr03&vl(50210261UI0)=title&vl(drEndMonth5)=00&scp.scps=scope%253A%2528UCL%2529%252Cprimo_central_multiple_fe&tab=local&dstmp=1390475198036&srt=rank&vl(drStartMonth5)=00&mode=Advanced&vl(1UIStartWith1)=contains&tb=t&indx=9&vl(drStartYear5)=Year&vl(freeText0)=Classics%2520and%2520Cinema%2520&vl(50210435UI2)=any&fn=search&vid=UCL_VU1&vl(freeText2)=&vl(drStartDay5)=00&title1=1&frbg=&ct=search&vl(18346185UI4)=all_items&vl(1UIStartWith2)=contains&dum=true&vl(2235576UI3)=all_items&vl(drEndDay5)=00&vl(1UIStartWith0)=contains&Submit=Search&vl(drEndYear5)=Year&vl(freeText1)=+>
Tarlarini, Mary Cleo, Maggi, Luigi, Grandi, Oreste, Nigra, Romilde, Vaser, Ercole, Vaser, Ernesto, and others, ‘Lo Schiavo Di Cartagine’ (Berkhamsted: BFI National Archive, 2009)
Tettoni Fior, Eugenia, Stefani, Ubaldo, Grisanti, Antonio, Carini, Cesare Gani, Stefano, Vitale Di, Campogalliani, Carlo, and others, ‘The Last Days of Pompeii’ (Berkamsted: BFI National Archive, 2009)
‘The American Historical Review’, 93.5 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/i332151>
The Cleopatra Papers: A Private Correspondence (1963) [Paperback] (Kessinger Publishing (10 Sep 2010)) <http://www.amazon.co.uk/Cleopatra-Papers-Private-Correspondence/dp/1169829953>
‘The Idol Body: Stars, Statuary and the Classical Epic’, Film & History: An Interdisciplinary Journal of Film and Television Studies, 39.2 (2009), 39–48 <https://doi.org/10.1353/flm.0.0120>
‘The Performance of Queer Masculinity in Derek Jarman’s Sebastiane.: EBSCOhost’ <http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=31316564&site=ehost-live>
Theisen, Lee Scott, ‘“My God, Did I Set All of This in Motion?” General Lew Wallace and Ben-Hur’, The Journal of Popular Culture, 18.2 (1984), 33–41 <https://doi.org/10.1111/j.0022-3840.1984.1802_33.x>
Theodorakopoulos, Elena, Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome (Exeter: Bristol Phoenix Press, 2010), Greece and Rome live
———, Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome (Exeter: Bristol Phoenix Press, 2010), Greece and Rome live
———, Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome (Exeter: Bristol Phoenix Press, 2010), Greece and Rome live
———, Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome (Exeter: Bristol Phoenix Press, 2010), Greece and Rome live
———, Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome (Exeter: Bristol Phoenix Press, 2010), Greece and Rome live
Thomas Doherty, Hollywood’s Censor (Columbia University Press, 2007) <https://www.jstor.org/stable/10.7312/dohe14358>
Thompson, Kristin and Bordwell, David, Film History: An Introduction, 3rd ed., international ed (Boston: McGraw-Hill Higher Education, 2010)
Thompson, Richard, and William D. Routt, ‘Keep Young and Beautiful’: Surplus and Subversion in Roman Scandals’, in History on/and/in Film : Selected Papers from the 3rd Australian History and Film Conference, Perth / Edited by Tom O’Regan & Brian Shoesmith., 1987 <http://trove.nla.gov.au/work/13286013?selectedversion=NBD5567713>
Tony Shaw, Hollywood’s Cold War (Edinburgh: Edinburgh University Press, 2007)
Tuszynski, Susan, ‘A Cold War Cautionary: TaleHeterosexuality and Ideology in William Wyler’s Ben-Hur’, Journal of Popular Film and Television, 34.3 (2006), 116–22 <https://doi.org/10.3200/JPFT.34.3.116-122>
Tyldesley, Joyce A., Cleopatra: Last Queen of Egypt (New York: Basic Books, 2008)
Urbainczyk, Theresa, Spartacus (Bristol: Bristol Classical, 2004), Ancients in action
Vern G. Swanson, Alma-Tadema (New York: Scribner, 1977)
Vidali, Giovanni Enrico, Pasquali, Ernesto Maria, Altschuler, Modest, Guaita-Ausonia, Mario, Giovagnoli, Raffaele, and Cineteca comunale (Bologna, Italy), ‘Spartaco, Ovvero, Il Gladiatore Della Tracia’ (Bologna]: Cineteca di Bologna)
Vivian Sobchack, ‘“Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic’, Representations, 29, 24–49 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/2928417>
———, ‘“Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic’, Representations, 29, 24–49 <http://www.jstor.org/stable/2928417>
Walker, Susan and Ashton, Sally-Ann, Cleopatra (Bristol: Bristol Classical Press, 2006), Ancients in action
Walker, Susan, Ashton, Sally-Ann, and British Museum, Cleopatra Reassessed (London: British Museum, 2003), British Museum occasional paper
Walker, Susan, Higgs, Peter, and British Museum, Cleopatra of Egypt: From History to Myth (London: British Museum, 2001)
Wallace, Lew, Ben-Hur: A Tale of the Christ (New York: Modern Library, 2002), The Modern Library Classics
Wallace, Lew, Ben-Hur: A Tale of the Christ (New York: Modern Library, 2002), The Modern Library Classics
Walter Wanger, My Life with Cleopatra: The Making of a Hollywood Classic (Vintage; Reprint edition (June 4, 2013)) <http://www.amazon.com/My-Life-Cleopatra-Hollywood-Classic-ebook/dp/B00ALBR2LI>
Walters, Margaret, The Nude Male: A New Perspective (Harmondsworth: Penguin, 1978), Penguin Books
Ward-Perkins, J. B., Claridge, Amanda, and Royal Academy of Arts (Great Britain), Pompeii AD 79: Sponsored by Imperial Tobacco Limited in Association with The Daily Telegraph in Support of the Arts ; [Exhibited at the] Royal Academy of Arts, Piccadilly, London, 20 November 1976-27 February 1977 (Bristol: Imperial Tobacco, 1976)
Watkins, T. H., The Great Depression: America in the 1930s, 1st ed (Boston: Little, Brown, 1993)
Waugh, Thomas, The Fruit Machine: Twenty Years of Writings on Queer Cinema (Durham, N.C.: Duke University Press, 2000)
White, Hayden V., Metahistory: The Historical Imagination in Nineteenth-Century Europe (Baltimore: Johns Hopkins University Press, 1975)
———, The Content of the Form: Narrative Discourse and Historical Representation (Baltimore: John Hopkins University Press, 1987)
———, Tropics of Discourse: Essays in Cultural Criticism (Baltimore: Johns Hopkins University Press, 1978)
White, R. J., ‘American Beauty, Gladiator and the New Imperial Humanitarianism’, Global Media Journal, 1.1 (2002)
Whitfield, Stephen J., The Culture of the Cold War, 2nd ed (Baltimore: Johns Hopkins University Press, 1996), The American moment
Wiedemann, Thomas E. J., Emperors and Gladiators (London: Routledge, 1992)
William Pencak, The Films of Derek Jarman (Jefferson, N.C: McFarland & Co., 2002)
Wilson, R., ‘Ridley Scott’s Gladiator and the Spectacle of Empire’’, European Journal of American Culture, 21.2 (2002)
Winkler, Martin M., Cinema and Classical Texts: Apollo’s New Light (Cambridge: Cambridge University Press, 2009)
———, Classical Myth & Culture in the Cinema (Oxford: Oxford University Press, 2001)
———, Classical Myth & Culture in the Cinema (Oxford: Oxford University Press, 2001)
———, Gladiator: Film and History (Malden, MA: Blackwell Pub, 2004)
Winkler, Martin M., Spartacus: Film and History (Malden, MA, USA: Blackwell Pub, 2007) <https://onlinelibrary.wiley.com/doi/book/10.1002/9780470776605>
Winston, Brian and British Film Institute, Technologies of Seeing: Photography, Cinematography and Television (London: British Film Institute, 1996)
Wollen, Richard and Parkes, James Cary, Derek Jarman: A Portrait (London: Thames and Hudson, 1996)
Wood, Mary P., Italian Cinema, English ed (Oxford: Berg, 2005)
Wood, Michael, America in the Movies, or, ‘Santa Maria, It Had Slipped My Mind’, Morningside ed (New York: Columbia University Press, 1989)
Wyke, M., ‘Film Style and Fascism: Julius Caesar (1953)’, 2004 <http://www.researchgate.net/publication/32895507_Film_style_and_fascism_Julius_Caesar_(1953)>
———, ‘Shared Sexualities: Roman Soldiers, Derek Jarman’s Sebastiane and British Homosexuality’, in Imperial Projections: Ancient Rome in Modern Popular Culture (Baltimore: Johns Hopkins University Press, 2001), Arethusa books
Wyke, Maria, Caesar: A Life in Western Culture (London: Granta, 2007)
———, Caesar: A Life in Western Culture (London: Granta, 2007)
Wyke, Maria, ‘Caesar, Cinema, and National Identity in the 1910s’, in Julius Caesar in Western Culture (Malden, Mass: Blackwell Pub., 2006) <https://doi.org/10.1002/9780470775042>
Wyke, Maria, Caesar in the USA (Berkeley: University of California Press, 2012), The Joan Palevsky imprint in classical literature
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
Wyke, Maria, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, Projecting the Past: Ancient Rome, Cinema, and History (New York: Routledge, 1997), The new ancient world
———, ‘Screening Ancient Rome in the New Italy’, in Roman Presences (Cambridge University Press, 1999)
Wyke, Maria, The Roman Mistress: Ancient and Modern Representations (Oxford: Oxford University Press, 2002)
———, The Roman Mistress: Ancient and Modern Representations (Oxford: Oxford University Press, 2002)
Zander, Horst, Julius Caesar: New Critical Essays (New York: Routledge, 2005), Shakespeare critical essays
