[1]
B. M. Carbonell, Museum studies: an anthology of contexts. Blackwell, 2004.
[2]
Henning, Michelle, Museums, media and cultural theory, vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2006 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780335225750
[3]
Karp, Ivan et al., Museum frictions: public cultures/global transformations. Durham [N.C.]: Duke University Press, 2006 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388296
[4]
Kreps, Christina F., Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, vol. Museum meanings. London: Routledge, 2003.
[5]
Macdonald, Sharon, A companion to museum studies, vol. Blackwell companions in cultural studies. Malden, Mass: Blackwell, 2006.
[6]
Basu, Paul and Macdonald, Sharon, Exhibition experiments, vol. New interventions in art history. Malden, Mass: Blackwell, 2007 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470695364
[7]
Marstine, Janet, New museum theory and practice: an introduction. Malden, MA: Blackwell, 2006.
[8]
Garrow, Duncan and Shove, Elizabeth, ‘Artefacts between disciplines. The toothbrush and the axe’, Archaeological Dialogues, vol. 14, no. 02, pp. 117–131, Oct. 2007, doi: 10.1017/S1380203807002267.
[9]
Hoskins, J., ‘Agency, biography and objects’, in Handbook of material culture, London: SAGE, 2006, pp. 74–84.
[10]
Miller, Daniel, The comfort of things. Cambridge: Polity, 2008.
[11]
Appadurai, Arjun, The social life of things: commodities in cultural perspective. Cambridge: Cambridge University Press, 1986.
[12]
Basu, Paul and Coleman, Simon, ‘Introduction: Migrant Worlds, Material Cultures’, Mobilities, vol. 3, no. 3, pp. 313–330, Nov. 2008, doi: 10.1080/17450100802376753.
[13]
Dudley, S., Museum Objects. London: Routledge, 2012.
[14]
Edwards, Elizabeth, Hart, Janice, ‘Mixed box: the cultural biography of a box of “ethnographic” photographs’, in Photographs objects histories: on the materiality of images, vol. Material cultures, London: Routledge, 2005, pp. 47–61.
[15]
Chris Gosden and Yvonne Marshall, ‘The Cultural Biography of Objects’, World Archaeology, vol. Vol. 31, no. No. 2, pp. 169–178.
[16]
Hoskins, Janet, Biographical objects: how things tell the stories of people’s lives. London: Routledge, 1998.
[17]
D. Miller, ‘Artefacts and the meaning of things’, in Museums in the material world, vol. Leicester readers in museum studies, London: Routledge, 2007, pp. 166–186 [Online]. Available: http://ls-tlss.ucl.ac.uk/course-materials/ARCLG064_50781.pdf
[18]
Woodward, Ian, Understanding material culture. London: SAGE Publications, 2007.
[19]
S. J. M. M. Alberti, ‘Objects and the Museum’, Isis, vol. 96, no. 4, pp. 559–571, Dec. 2005, doi: 10.1086/498593.
[20]
T. J. Barringer, ‘South Kensington Museum and the colonial project’, in Colonialism and the object: empire, material culture and the museum, vol. Museum meanings, London: Routledge, 1998, pp. 11–27 [Online]. Available: http://ls-tlss.ucl.ac.uk/course-materials/ARCLG064_50851.pdf
[21]
S. Macdonald, ‘Collecting Practices’, in A companion to museum studies, vol. Blackwell companions in cultural studies, Malden, Mass: Blackwell, 2006, pp. 81–97.
[22]
Arnold, Ken and Olsen, Danielle, ‘Illustrations from the Wellcome collections. Medicine man: the forgotten museum of Henry Wellcome’, Medical history, vol. 47, no. 3, pp. 369–381, Jul. 2003.
[23]
Burton, Anthony, Baker, Malcolm, Richardson, Brenda, Baltimore Museum of Art, and Victoria and Albert Museum, A grand design: the art of the Victoria and Albert Museum. London: V & A with The Baltimore Museum of Art, 1997.
[24]
Belk, Russell W., Collecting in a consumer society, vol. Collecting cultures. London: Routledge, 1995.
[25]
Blanchard, Pascal, Human zoos: science and spectacle in the age of colonial empires. Liverpool: Liverpool University Press, 2008.
[26]
Blom, Philipp, To have and to hold: an intimate history of collectors and collecting. Woodstock, NY: Overlook Press, 2002.
[27]
Bujok, E., ‘Ethnographica in early modern Kunstkammern and their perception’, Journal of the History of Collections, vol. 21, no. 1, pp. 17–32, Mar. 2009, doi: 10.1093/jhc/fhn031.
[28]
Clifford, James, The predicament of culture: twentieth-century ethnography, literature, and art. Cambridge, Mass: Harvard University Press, 1988.
[29]
Clifford, James, ‘On collecting art and culture’, in The predicament of culture: twentieth-century ethnography, literature, and art, Cambridge, Mass: Harvard University Press, 1988, pp. 215–250.
[30]
Raymond Corbey, ‘Ethnographic Showcases, 1870-1930’, Cultural Anthropology, vol. 8, no. 3, pp. 338–369, 1993 [Online]. Available: http://www.jstor.org.libproxy.ucl.ac.uk/stable/656317
[31]
Elsner, John and Cardinal, Roger, The cultures of collecting, vol. Critical views. London: Reaktion Books, 1994.
[32]
Findlen, P., ‘The Museum: it’s Classical Etymology and Renaissance genealogy’, Journal of the History of Collections, vol. 1, no. 1, pp. 59–78, 1989.
[33]
Gosden, Chris and Knowles, Chantal, Collecting colonialism: material culture and colonial change. Oxford: Berg, 2001.
[34]
Gosden, Chris, Larson, Frances, and Petch, Alison, Knowing things: exploring the collections at the Pitt Rivers Museum 1884-1945. Oxford: Oxford University Press, 2007.
[35]
Greenhalgh, Paul, Ephemeral vistas: the Expositions Universelles, great exhibitions and world’s fairs, 1851-1939, vol. Studies in imperialism. Manchester: Manchester University Press, 1988.
[36]
Blegvad, Peter, The Phantom Museum and Henry Wellcome’s collection of medical curiosities. London: Profile, 2003.
[37]
Henning, Michelle, Museums, media and cultural theory, vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2006.
[38]
Hobhouse, Hermione, The Crystal Palace and the Great Exhibition: art, science, and productive industry, a history of the Royal Commission for the Exhibition of 1851. London: Athlone Press, 2002.
[39]
MacGregor, Arthur and Impey, O. R., The Origins of museums: the cabinet of curiosities in sixteenth- and seventeenth-century Europe. Oxford: Clarendon, 1985.
[40]
Kirshenblatt-Gimblett, B., ‘Objects of ethnography’, in Exhibiting cultures: the poetics and politics of museum display, London: Smithsonian Institution Press, 1991, pp. 386–443.
[41]
Knell, Simon J, ‘Altered values: searching for a new collecting’, in Museums and the future of collecting, 2nd ed., Aldershot: Ashgate, 2004, pp. 1–46.
[42]
Larson, Frances, An infinity of things: how Sir Henry Wellcome collected the world. Oxford: Oxford University Press, 2009.
[43]
MacGregor, Arthur, Curiosity and enlightenment: collectors and collections from the sixteenth to the nineteenth century. London: Yale University Press, 2007.
[44]
MacGregor, Arthur and McAlpine, Alistair, Sir Hans Sloane: collector, scientist, antiquary, founding father of the British Museum. London: British Museum Press in association with Alistair McAlpine, 1994.
[45]
Muensterberger, Werner, Collecting: an unruly passion : psychological perspectives. Princeton, N.J: Princeton University Press, 1994.
[46]
Welsch, Robert Louis and O’Hanlon, Michael, Hunting the gatherers: ethnographic collectors, agents and agency in Melanesia, 1870s-1930s, vol. Methodology and history in anthropology. New York: Berghahn, 2000.
[47]
Pearce, Susan M., Objects of knowledge, vol. New research in museum studies. London: Athlone Press, 1990.
[48]
Pearce, Susan M., Interpreting objects and collections, vol. Leicester readers in museum studies. London: Routledge, 1994.
[49]
Pearce, Susan M., On collecting: an investigation into collecting in the European tradition, vol. Collecting cultures. London: Routledge, 1995.
[50]
Pomian, Krzysztof and Wiles-Portier, Elizabeth, Collectors and curiosities: Paris and Venice, 1500-1800. Cambridge: Polity Press, 1990.
[51]
Shelton, Anthony and Universidade de Coimbra, Collectors: expressions of self and other, vol. Contributions in critical museology and material culture. London: Horniman Museum and Gardens, 2001.
[52]
Shelton, Anthony, Collectors: individuals and insitutions, vol. Contributions in critical museology and material culture. London: Horniman Museum and Gardens, 2001.
[53]
Shelton, A. A., ‘The Collector’s Zeal: Towards an Anthropology of Intentionality, Instrumentality and Desire’, in Colonial collections revisited, vol. Mededelingen van het Rijksmuseum voor Volkenkunde, Leiden, Leiden: CNWS Publications, 2007, pp. 16–44.
[54]
Steiner, C. B., ‘The Art of the Trade’, in The traffic in culture: refiguring art and anthropology, Berkeley: University of California Press, 1995, pp. 151–165.
[55]
S. Stewart, ‘Objects of Desire’, in On longing: narratives of the miniature, the gigantic, the souvenir, the collection, Durham: Duke University Press, 1993, pp. 132–169 [Online]. Available: http://ls-tlss.ucl.ac.uk/course-materials/ARCLG064_51488.pdf
[56]
Ucko, Peter J., ‘The Biography of a Collection: The Sir Flinders Petrie Palestinian Collection and the Role of University Museums’, Museum Management and Curatorship, vol. 17, no. 4, pp. 351–399, Jan. 1998, doi: 10.1080/09647779800301704.
[57]
Were, Graeme and King, J. C. H., Extreme collecting: challenging practices for 21st century museums. New York: Berghahn Books, 2012.
[58]
Barrett, Jennifer, ‘Historical discourses of the Museum’, in Museums and the public sphere, Chichester: Wiley, 2011, pp. 45–80.
[59]
T. Bennett, ‘Exhibitionary complex’, New Formations, vol. 4, pp. 73–102, 1988.
[60]
Hooper-Greenhill, Eilean, ‘What is a Museum?’, in Museums and the shaping of knowledge, vol. Heritage, London: Routledge, 1992, pp. 1–22.
[61]
Altick, R. D., ‘National Monuments’, in Representing the nation: a reader : histories, heritage and museums, London: Routledge in association with the Open University, 1999, pp. 240–258.
[62]
Bal, Mieke and Janssen, Edwin, Double exposures: the subject of cultural analysis. London: Routledge, 1996.
[63]
J. Barrett, ‘Historical discourses’, in Museums and the public sphere, Chichester: Wiley, 2011.
[64]
Bennett, Tony, The birth of the museum: history, theory, politics, vol. Culture : policies and politics. London: Routledge, 1995.
[65]
Bourdieu, Pierre, Distinction: a social critique of the judgement of taste. London: Routledge & Kegan Paul, 1984.
[66]
Bourdieu, Pierre and Darbel, Alain, The love of art: European art museums and their public. Cambridge: Polity Press, 1991.
[67]
Carr, David, The promise of cultural institutions, vol. American Association for State and Local History book series. Oxford: AltaMira Press, 2003.
[68]
Crimp, Douglas, On the museum’s ruins. Cambridge, Mass: MIT, 1993.
[69]
Duncan, C., ‘Art Museums and the Ritual of Citizenship’, in Exhibiting cultures: the poetics and politics of museum display, London: Smithsonian Institution Press, 1991, pp. 88–103.
[70]
Duncan, Carol, Civilizing rituals: inside public art museums, vol. Re visions : critical studies in the history and theory of art. London: Routledge, 1995.
[71]
Foucault, Michel, The order of things: an archaeology of the human sciences, vol. World of man. London: Routledge, 1989.
[72]
Fraser, A., ‘Isn’t This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao)’, in Museum frictions: public cultures/global transformations, Durham: Duke University Press, 2006, pp. 135–160.
[73]
Hill, Kate, Culture and class in English public museums, 1850-1914, vol. Historical urban studies. Aldershot: Ashgate, 2005.
[74]
Hetherington, K., ‘The Utopics of Social Ordering: Stonehenge as a Museum without Walls’, in Theorizing museums: representing identity and diversity in a changing world, vol. Sociological review monograph, Cambridge, Mass: Sociological Review, 1996, pp. 153–176.
[75]
K. Hetherington, ‘Foucault, the museum and the diagram’, The Sociological Review, vol. 59, no. 3, pp. 457–475, Aug. 2011, doi: 10.1111/j.1467-954X.2011.02016.x.
[76]
A. Huyssen, ‘Escape from Amnesia: the museum as mass medium’, in Twilight memories: marking time in a culture of amnesia, London: Routledge, 1995, pp. 13–33.
[77]
Knell, Simon J., National museums: new studies from around the world. London: Routledge, 2011.
[78]
S. Macdonald, ‘Exhibitions of Power and Powers of Exhibition’, in The politics of display: museums, science, culture, New York: Routledge, 1997, pp. 1–24 [Online]. Available: http://ls-tlss.ucl.ac.uk/course-materials/ARCLG064_50852.pdf
[79]
Macdonald, Sharon, Behind the scenes at the Science Museum, vol. Materializing culture. Oxford: Berg, 2002.
[80]
MacDonald, Sharon and Silverstone, Roger, ‘Rewriting the museums’ fictions: Taxonomies, stories and readers’, Cultural Studies, vol. 4, no. 2, pp. 176–191, May 1990, doi: 10.1080/09502389000490141.
[81]
Oberhardt, Suzanne, Frames within frames: the art museum as cultural artifact, vol. Counterpoints. New York: P. Lang, 2001.
[82]
Pickstone, John V., Ways of knowing: a new history of science, technology and medicine. Manchester: Manchester University Press, 2000.
[83]
Pile, Steve, ‘In the footsteps of angels: Tim Brennan’s “Museum of angels” guided walk’, Cultural Geographies, vol. 12, no. 4, pp. 521–526, Oct. 2005, doi: 10.1191/1474474005eu340xx.
[84]
Pollock, G., ‘Un-Framing the Modern: Critical Space/ Public Possibility’, in Museums after modernism: strategies of engagement, vol. New interventions in art history, Malden, Mass: Blackwell, 2007, pp. 1–39.
[85]
Sherman, Daniel J. and Rogoff, Irit, Museum culture: histories, discourses, spectacles. London: Routledge, 1994.
[86]
Thackray, John C. and Press, J. R., The Natural History Museum: nature’s treasurehouse. London: Natural History Museum, 2001.
[87]
Vergo, Peter, The new museology, vol. Critical views. London: Reaktion, 1989.
[88]
Whitehead, Christopher, The public art museum in nineteenth century Britain: the development of the National Gallery, vol. Perspectives on collecting. Aldershot: Ashgate, 2005.
[89]
Zolberg, V. L., ‘“An Elite Experience for Everyone”: Art Museums, the Public, and Cultural Literacy’, in Museum culture: histories, discourses, spectacles, London: Routledge, 1994, pp. 49–65.
[90]
‘The Labyrinthine Aesthetic in Contemporary Museum Design - Paul Basu, Exhibition Experiments’, [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780470695364/startPage/63
[91]
‘The Architecture is the Museum - M. Giebelhausen, New museum theory and practice : an introduction’, [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781405148825/startPage/55
[92]
Carla Yanni, ‘Divine Display or Secular Science: Defining Nature at the Natural History Museum in London’, Journal of the Society of Architectural Historians, vol. 55, no. 3, pp. 276–299, 1996 [Online]. Available: http://www.jstor.org.libproxy.ucl.ac.uk/stable/991149?&Search=yes&searchText=carla&searchText=yanni&list=hide&searchUri=%252Faction%252FdoBasicSearch%253FQuery%253Dcarla%252Byanni%2526filter%253Djid%25253A10.2307%25252Fj100367%2526Search%253DSearch%2526wc%253Don%2526fc%253Doff%2526globalSearch%253D%2526sbbBox%253D%2526sbjBox%253D%2526sbpBox%253D&prevSearch=&item=3&ttl=90&returnArticleService=showFullText
[93]
Stara, Alexandra and Chaplin, Sarah, Curating architecture and the city, vol. AHRA critiques. London: Routledge, 2009.
[94]
Chappell, Edward A., ‘Open-Air Museums: Architectural History for the Masses’, Journal of the Society of Architectural Historians, vol. Vol. 58, no. No. 3, pp. 334–341.
[95]
Crook, J. Mordaunt, The British Museum: a case-study in architectural politics, vol. Pelican books. Harmondsworth: Penguin, 1973.
[96]
W. Davidts, ‘Art Factories: Museums of Contemporary Art and the Promise of Artistic Production, from Centre Pompidou to Tate Modern’, Fabrications, vol. 16, no. 1, pp. 23–42, Jun. 2006, doi: 10.1080/10331867.2006.10539578.
[97]
Forgan, Sophie, ‘Building the Museum’, Isis, vol. 96, no. 4, pp. 572–585, Dec. 2005, doi: 10.1086/498594.
[98]
Freed, James Ingo, ‘The United States Holocaust Memorial Museum’, Assemblage, no. No. 9, pp. 58–79.
[99]
Furján, Helene Mary and Soane, John, Glorious visions: John Soane’s spectacular theater. London: Routledge, 2011.
[100]
Giebelhausen, M., ‘Museum Architecture : A Brief History’, in A companion to museum studies, vol. Blackwell companions in cultural studies, Malden, Mass: Blackwell, 2006, pp. 223–244.
[101]
Giebelhausen, Michaela, The architecture of the museum: symbolic structures, urban contexts, vol. Critical perspectives in art history. Manchester: Manchester University Press, 2003.
[102]
Girouard, Mark, Alfred Waterhouse and the Natural History Museum. London: Natural History Museum, 1999.
[103]
Hillier, B. and Tzortzi, K., ‘Space Syntax: The Language of Museum Spaces’, in A companion to museum studies, vol. Blackwell companions in cultural studies, Malden, Mass: Blackwell, 2006, pp. 282–301.
[104]
Kaufman, Edward N., ‘The Architectural Museum from World’s Fair to Restoration Village’, Assemblage, no. No. 9, pp. 20–39.
[105]
Klonk, Charlotte, Spaces of experience: art gallery interiors from 1800 to 2000. London: Yale University Press, 2009.
[106]
Sachs, Angeli and Magnano Lampugnani, Vittorio, Museums for a new millennium: concepts projects buildings. London: Prestel, 1999.
[107]
Libeskind, Daniel, Daniel Libeskind: the space of encounter. New York: Universe, 2000.
[108]
Macleod, Suzanne, Reshaping museum space: architecture, design, exhibitions, vol. Museum meanings. London: Routledge, 2005.
[109]
Millenson, Susan Feinberg, Sir John Soane’s Museum, vol. Architecture and urban design. Ann Arbor, Mich: UMI Research Press, 1987.
[110]
Naredi-Rainer, Paul v, Museum buildings: a design manual. Basel: Birkhäuser, 2004.
[111]
Newhouse, Victoria, Towards a new museum, Expanded ed. New York: Monacelli Press, 2006.
[112]
O’Doherty, Brian, McEvilley, Thomas, ‘Notes on the Gallery Space’, in Inside the white cube: the ideology of the gallery space, San Francisco: Lapis Press, 1986, pp. 13–64.
[113]
Oliver, P., ‘Re-Presenting and Representing the Vernacular: The Open-Air Museum’, in Consuming, tradition, manufacturing heritage: global norms and urban forms in the age of tourism, London: Routledge, 2001, pp. 191–211.
[114]
Psarra, Sophia, Architecture and narrative: the formation of space and cultural meaning. London: Routledge, 2009 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203639672
[115]
Rosenblatt, Arthur, Building type basics for museums, vol. Building type basics series. Chichester: Wiley, 2001.
[116]
Roth, Leland M., Understanding architecture: its elements, history and meaning. London: Icon Editions, 1998.
[117]
Libeskind, Daniel, Müller, Stefan, and Schneider, Bernhard, Daniel Libeskind: Jewish Museum Berlin : between the lines. London: Prestel, 1999.
[118]
Serota, Nicholas, Experience or interpretation: the dilemma of museums of modern art, vol. Walter Neurath Memorial Lecture. London: Thames & Hudson, 1996.
[119]
Sirefman, Susanna, ‘Formed and Forming: Contemporary Museum Architecture’, Daedalus, vol. Vol. 128, no. No. 3, pp. 297–320, 1999.
[120]
Steffensen-Bruce, Ingrid A., Marble palaces, temples of art: art museums, architecture, and American culture, 1890-1930. Lewisburg: Bucknell University Press, 1998.
[121]
Tilley, Christopher Y., ‘Space, place, landscape and perception: phenomenological perspectives’, in A phenomenology of landscape: places, paths, and monuments, vol. Explorations in anthropology, Oxford: Berg, 1994, pp. 7–34.
[122]
Whitehead, Christopher, ‘Museum architecture and moral improvement’, in The public art museum in nineteenth century Britain: the development of the National Gallery, vol. Perspectives on collecting, Aldershot: Ashgate, 2005.
[123]
J. D. Wineman and J. Peponis, ‘Constructing Spatial Meaning: Spatial Affordances in Museum Design’, Environment and Behavior, vol. 42, no. 1, pp. 86–109, Jun. 2009, doi: 10.1177/0013916509335534.
[124]
Yanni, Carla, Nature’s museums: Victorian science and the architecture of display. London: Athlone, 1999.
[125]
‘Introduction: Experiments in Exhibition, Ethnography, Art, and Science - Paul Basu and Sharon Macdonald, Exhibition Experiments’, [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780470695364/startPage/17
[126]
M. Henning, ‘Display’, in Display in M. Henning, Museums, Media and Cultural Theory, [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780335225750/startPage/52
[127]
S. Moser, ‘The Devil is in the Detail: museum displays and the creation of knowledge’, Museum Anthropology, vol. 33, no. 1, pp. 22–32, 2010.
[128]
Bal, Mieke and Janssen, Edwin, Double exposures: the subject of cultural analysis. London: Routledge, 1996.
[129]
Bal, Mieke, Narratology: introduction to the theory of narrative, 2nd ed. London: University of Toronto Press, 1985.
[130]
Bal, M., ‘Exhibition as Film’, in Exhibition experiments, vol. New interventions in art history, Malden, Mass: Blackwell, 2007, pp. 71–93.
[131]
Bal, M., ‘On Grouping: The Caravaggio Corner’, in Looking in: the art of viewing, vol. Critical voices in art, theory and culture, Abingdon: Routledge, 2004, pp. 161–190.
[132]
Basu, Paul and Macdonald, Sharon, Exhibition experiments, vol. New interventions in art history. Malden, Mass: Blackwell, 2007.
[133]
Basu, P., ‘Reframing Ethnographic Film’, in Rethinking documentary: new perspectives, new practices, Maidenhead: Open University Press, 2008, pp. 94–106.
[134]
Belcher, Michael, Exhibitions in museums, vol. Leicester museum studies series. Leicester: Smithsonian Institution Press, 1991.
[135]
Bolton, L., ‘Living and Dying: Ethnography, Class, and Aesthetics in the British Museum’, in Museums and difference, vol. 21st Century studies, Bloomington: Indiana University Press, 2008.
[136]
Bouquet, Mary, ‘Thinking and Doing Otherwise: Anthropological Theory in Exhibitionary Practice’, Ethnos, vol. 65, no. 2, pp. 217–236, Jan. 2000, doi: 10.1080/00141840050076905.
[137]
Cartiere, Cameron and Willis, Shelly, The practice of public art, vol. Routledge research in cultural and media studies. London: Routledge, 2008.
[138]
Dean, David, Museum exhibition: theory and practice, vol. The heritage: care-preservation-management. London: Routledge, 1994.
[139]
Dernie, David, Exhibition design. London: Laurence King Pub, 2006.
[140]
Jacques Derrida and Craig Owens, ‘The Parergon’, October, vol. Vol. 9, pp. 3–41.
[141]
Greenberg, Reesa, Ferguson, Bruce W., and Nairne, Sandy, Thinking about exhibitions. London: Routledge, 1996.
[142]
Henderson, Amy and Kaeppler, Adrienne Lois, Exhibiting dilemmas: issues of representation at the Smithsonian. London: Smithsonian Institution Press, 1997.
[143]
Henning, Michelle, Museums, media and cultural theory, vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2006.
[144]
Hooper-Greenhill, Eilean, Museum, media, message, vol. Heritage. New York: Routledge, 1994.
[145]
Hughes, Philip, Exhibition design, vol. Portfolio. London: Laurence King, 2010.
[146]
Kaplan, F.E.S., ‘Exhibitions as Communicative Media’, in Museum, media, message, vol. Heritage, New York: Routledge, 1994, pp. 37–58 [Online]. Available: https://www.dawsonera.com/abstract/9780203456514
[147]
Lavine, Steven, Karp, Ivan, and Smithsonian Institution, Exhibiting cultures: the poetics and politics of museum display. London: Smithsonian Institution Press, 1991.
[148]
Latour, Bruno, Weibel, Peter, and Zentrum für Kunst und Medientechnologie Karlsruhe, Iconoclash: [beyond the image wars in science, religion and art]. Cambridge MA: ZKM.
[149]
Latour, Bruno, Weibel, Peter, and Zentrum für Kunst und Medientechnologie Karlsruhe, Making things public: atmospheres of democracy. Cambridge, Mass: MIT Press, 2005.
[150]
Lidchi, H., ‘The Poetics and Politics of Exhibiting Other Cultures’, in Representation: cultural representations and signifying practices, vol. Culture, media, and identities, London: Sage in association with the Open University, 1997, pp. 151–222.
[151]
Macdonald, S., ‘Interconnecting: museum visiting and exhibition design’, CoDesign, vol. 3, no. sup1, pp. 149–162, Jan. 2007, doi: 10.1080/15710880701311502.
[152]
Mclsaac, P.M., ‘Gunther von Hagen’s Body Worlds: Exhibitionary Practice, German History, and Difference’, in Museums and difference, vol. 21st Century studies, Bloomington: Indiana University Press, 2008, pp. 155–202.
[153]
Marincola, Paula, What makes a great exhibition?, vol. Questions of practice. Philadelphia: Philadelphia Exhibitions Initiative, 2006.
[154]
Noordegraaf, Julia, Strategies of display : museum presentation in nineteenth- and twentieth-century visual culture. Rotterdam: NAi Publishers, 2004.
[155]
O’Hanlon, Michael, ‘Chapter 3: Exhibiting in practice’, in Paradise: portraying the New Guinea Highlands, London: Published by British Museum Press for the Trustees of the British Museum, 1993, pp. 78–92.
[156]
Potteiger, Matthew and Purinton, Jamie, Landscape narratives: design practices for telling stories. Chichester: J. Wiley, 1998.
[157]
Psarra, Sophia, ‘Chapter 5: Through the Looking Glass: The House-Museum of Sir John Soane’, in Architecture and narrative: the formation of space and cultural meaning, Abingdon: Routledge, 2009, pp. 111–135.
[158]
Putnam, James, Art and artifact: the museum as medium. London: Thames & Hudson, 2001.
[159]
Ricoeur, P., ‘Life in Quest of Narrative’, in On Paul Ricoeur: narrative and interpretation, vol. Warwick studies in philosophy and literature, London: Routledge, 1991, pp. 20–33.
[160]
Weibel, P. & Latour, B., ‘Experimenting with Representation: Iconclash and Making Things Public’, in Exhibition experiments, vol. New interventions in art history, Malden, Mass: Blackwell, 2007, pp. 94–108.
[161]
Wonders, Karen, Habitat dioramas: illusions of wilderness in museums of natural history, vol. Acta Universitatis Upsaliensis, Figura , Nova series. Uppsala: Acta Universitatis Upsaliensis, 1993.
[162]
Philips, R.B., ‘Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artefact’, in Museums after modernism: strategies of engagement, vol. New interventions in art history, Malden, Mass: Blackwell, 2007, pp. 80–103.
[163]
Pieterse, J. N., ‘Multiculturalism and Museums: Discourse about Others in the Age of Globalization’, Theory, Culture & Society, vol. 14, no. 4, pp. 123–146, Nov. 1997, doi: 10.1177/026327697014004006.
[164]
Shelton, Anthony Alan, ‘The Public Sphere as Wilderness: Le Musée du quai Branly’, Museum Anthropology, vol. 32, no. 1, pp. 1–16, Mar. 2009, doi: 10.1111/j.1548-1379.2009.01017.x.
[165]
Adedze, Agbenyega, ‘Symbols of Triumph: IFAN and the Colonial Museum Complex in French West Africa (1938-1960)’, Museum Anthropology, vol. 25, no. 2, pp. 50–60, Jun. 2002, doi: 10.1525/mua.2002.25.2.50.
[166]
Ames, Michael M., Cannibal tours and glass boxes: the anthropology of museums, [2nd ed.]. Vancouver: UBC Press, 1992.
[167]
Ames, Michael M., ‘How to Decorate a House: The Re-negotiation of Cultural Representations at the University of British Columbia Museum of Anthropology’, Museum Anthropology, vol. 22, no. 3, pp. 41–51, Dec. 1999, doi: 10.1525/mua.1999.22.3.41.
[168]
Appadurai, Arjun, Modernity at large: cultural dimensions of globalization, vol. Public worlds. London: University of Minnesota Press, 1996.
[169]
Arnoldi, Mary Jo, ‘Overcoming a Colonial Legacy: The New National Museum in Mali: 1976 to the Present’, Museum Anthropology, vol. 22, no. 3, pp. 28–40, Dec. 1999, doi: 10.1525/mua.1999.22.3.28.
[170]
Mieke Bal, ‘Telling, Showing, Showing off’, Critical Inquiry, vol. Vol. 18, no. No. 3, pp. 556–594.
[171]
Butler, Shelley Ruth, Contested representations: revisiting Into the heart of Africa, vol. Teaching culture. North York, Ont: University of Toronto Press, 2011.
[172]
Clarke, C., ‘From Theory to Practice: Exhibiting African Art in the Twenty-First Century’, in Art and its publics: museum studies at the millennium, vol. New interventions in art history, Malden, Mass: Blackwell, 2003, pp. 166–182.
[173]
Cohn, Bernard S., ‘The Transformation of Objects into Artifacts, Antiquities, and Art in Nineteenth-Centuary India’, in Colonialism and its forms of knowledge: the British in India, vol. Princeton studies in culture/power/history, Princeton, N.J: Princeton University Press, 1996, pp. 77–105.
[174]
Coombes, Annie E., Reinventing Africa: museums, material culture and popular imagination in late Victorian and Edwardian England. London: Yale University Press, 1994.
[175]
Crinson, M., ‘Nation-building, collecting and the politics of display: The National Museum, Ghana’, Journal of the History of Collections, vol. 13, no. 2, pp. 231–250, Jan. 2001, doi: 10.1093/jhc/13.2.231.
[176]
Dias, N., ‘Cultural Difference and Cultural Diversity: The Case of the Museé du Quai Branly’, in Museums and difference, vol. 21st Century studies, Bloomington: Indiana University Press, 2008, pp. 124–154.
[177]
Fladmark, J. M., Heritage and museums: shaping national identity. Shaftesbury: Donhead, 2000.
[178]
Griffiths, Alison, Wondrous difference: cinema, anthropology, & turn-of-the-century visual culture, vol. Film and culture. Chichester: Columbia University Press, 2002.
[179]
Guha-Thakurta, Tapati, Monuments, objects, histories: institutions of art in colonial and postcolonial India, vol. Cultures of history. New York: Columbia University Press, 2004.
[180]
C. Harris and M. O’Hanlon, ‘The future of the enthnographic museum’, Anthropology Today, vol. 29, no. 1, pp. 8–12, Feb. 2013, doi: 10.1111/1467-8322.12003.
[181]
Henare, Amiria J. M., Museums, anthropology and imperial exchange. New York: Cambridge University Press, 2005.
[182]
Kaplan, Flora E. S., Museums and the making of ‘ourselves’: the role of objects in national identity. London: Distributed in the U.S. and Canada by St. Martin’s Press, 1994.
[183]
Karp, Ivan et al., Museum frictions: public cultures/global transformations. Durham: Duke University Press, 2006.
[184]
Kennedy, R.G., ‘Some Thoughts about National Museums at the End of the Century’, in The formation of national collections of art and archaeology, vol. Studies in the history of art, Hanover, N.H: National Gallery of Art, 1996, pp. 159–163.
[185]
Knell, Simon J., National museums: new studies from around the world. London: Routledge, 2011.
[186]
Kreps, Christina F., Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, vol. Museum meanings. London: Routledge, 2003.
[187]
Kreps, C.F., ‘Non-Western Models of Museums and Curation in Cross-Cultural Perspective’, in A companion to museum studies, vol. Blackwell companions in cultural studies, Malden, Mass: Blackwell, 2006, pp. 457–476.
[188]
Lidchi, H., ‘The Poetics and Politics of Exhibiting Other Cultures’, in Representation: cultural representations and signifying practices, vol. Culture, media, and identities, London: Sage in association with the Open University, 1997, pp. 119–219.
[189]
F. Lionnet, ‘The Mirror and the Tomb: Africa, Museums, and Memory’, African Arts, vol. 34, no. 3, Autumn 2001, doi: 10.2307/3337878.
[190]
McCarthy, Conal, Exhibiting Māori: a history of colonial cultures of display. Oxford: Berg, 2007.
[191]
McClellan, A., ‘Nationalism and the Origins of the Museum in France’, in The formation of national collections of art and archaeology, vol. Studies in the history of art, Hanover, N.H: Distributed by the University Press of New England, 1996, pp. 29–39.
[192]
Macdonald, S., ‘Museums, national, postnational and transcultural identities’, Museum and society, vol. 1, no. 1, pp. 1–16, 2003.
[193]
MacKenzie, John M., Museums and empire: natural history, human cultures and colonial identities, vol. Studies in imperialism. Manchester: Manchester University Press, 2009.
[194]
Message, Kylie, New museums and the making of culture. Oxford: Berg, 2006.
[195]
T. Mitchell, ‘Orientalism and the Exhibitionary Order’, in Colonialism and culture, vol. The Comparative studies in society and history book series, Ann Arbor, MI: University of Michigan Press, 1992, pp. 289–318.
[196]
O’Hanlon, Michael, Paradise: portraying the New Guinea Highlands. London: Published by British Museum Press for the Trustees of the British Museum, 1993.
[197]
Morphy, Howard and Perkins, Morgan, The anthropology of art: a reader, vol. Blackwell anthologies in social and cultural anthropology. Malden, Mass: Blackwell, 2006.
[198]
Review by: Ruth B. Phillips, ‘Where Is “Africa”? Re-Viewing Art and Artifact in the Age of Globalization’, American Anthropologist, vol. Vol. 104, no. No. 3, pp. 944–952.
[199]
R. B. Phillips, ‘Re-placing Objects: Historical Practices for the Second Museum Age’, The Canadian Historical Review, vol. 86, no. 1, pp. 83–110, 2005.
[200]
Price, Sally, Primitive art in civilized places, 2nd ed., with A new afterword. Chicago: University of Chicago Press, 2001.
[201]
Price, Sally, Paris primitive: Jacques Chirac’s Museum on the Quai Branly. Chicago: University of Chicago Press, 2007.
[202]
S. Price, ‘Return to the Quai Branly’, Museum Anthropology, vol. 33, no. 1, pp. 11–21, Mar. 2010, doi: 10.1111/j.1548-1379.2010.01071.x.
[203]
M. W. Ravenhill, ‘The Passive Object and the Tribal Paradigm: Colonial Museography in French West Africa’, in African material culture, vol. African systems of thought, Bloomington: Indiana University Press, 1996, pp. 265–282.
[204]
M. W. Rectanus, ‘Globalization: Incorporating the Museum’, in A companion to museum studies, vol. Blackwell companions in cultural studies, Malden, Mass: Blackwell, 2006, pp. 381–397.
[205]
E. Schildkrout, ‘Ambiguous Messages and Ironic Twists: Into the Heart of Africa and The Other Museum’, Museum Anthropology, vol. 15, no. 2, pp. 16–23, May 1991, doi: 10.1525/mua.1991.15.2.16.
[206]
Keim, Curtis A. and Schildkrout, Enid, The scramble for art in Central Africa. Cambridge: Cambridge University Press, 1998.
[207]
A. Shelton, ‘Museum ethnography: an imperial science’, in Cultural encounters: representing ‘otherness’, London: Routledge, 2000, pp. 181–193.
[208]
A. Shelton, ‘Curating African Worlds’, in Museums and source communities: a Routledge reader, London: Routledge, 2003, pp. 181–193.
[209]
Sherman, Daniel J. and University of Wisconsin--Milwaukee, Museums and difference, vol. 21st Century studies. Bloomington: Indiana University Press, 2008.
[210]
Sherman, Daniel J. and University of Wisconsin--Milwaukee, Museums and difference, vol. 21st Century studies. Bloomington: Indiana University Press, 2008.
[211]
Christopher Spring, Nigel Barley and Julie Hudson, ‘The Sainsbury African Galleries at the British Museum’, African Arts, vol. Vol. 34, no. No. 3, pp. 18–93.
[212]
C. B. Steiner, ‘Museums and the politics of Nationalism: special issue’, Museum Anthropology, vol. 19, no. 2, 1995.
[213]
Stocking, George W., Objects and others: essays on museums and material culture. Madison, Wis: University of Wisconsin Press, 1985.
[214]
G. M. White, ‘Public History and National Narrative’, Museum Anthropology, vol. 21, no. 1, 1997.
[215]
A. Huyssen, ‘The voids of Berlin’, in Present pasts: urban palimpsests and the politics of memory, vol. Cultural memory in the present, Stanford, Calif: Stanford University Press, 2003, pp. 49–71.
[216]
Pierre Nora, ‘Between Memory and History: Les Lieux de Mémoire’, Representations, no. No. 26, pp. 7–24.
[217]
Williams, Paul Harvey, ‘The surviving object: presence and absence in memorial museums’, in Memorial museums: the global rush to commemorate atrocities, Oxford: Berg, 2007, pp. 25–50.
[218]
E. M. Bruner, ‘Tourism in Ghana: The Representation of Slavery and the Return of the Black Diaspora’, American Anthropologist, vol. 98, no. 2, pp. 290–304, Jun. 1996, doi: 10.1525/aa.1996.98.2.02a00060.
[219]
Carrier, P, ‘Places, politics and the archiving of contemporary memory in Pierre Nora’s Les lieux de mémoire’, in Memory and methodology, Oxford: Berg, 1999, pp. 37–57.
[220]
T. Cole, ‘Nativization and Nationalization: A Comparative Landscape Study of Holocaust Museums in Israel, the US and the UK’, Journal of Israeli History, vol. 23, no. 1, pp. 130–145, Jan. 2004, doi: 10.1080/1353104042000241965.
[221]
C. S, ‘“Your story too?” The new Holocaust exhibition at the Imperial War Museum’, in Remembering For the Future: the Holocaust in the Age of Genocide, Palgrave Macmillan, pp. 590–606.
[222]
Crane, Susan A., Museums and memory, vol. Cultural sitings. Stanford, Calif: Stanford University Press, 2000.
[223]
H. Deacon, ‘Remembering Tragedy, Constructing Modernity: Robben Island as National Monument’, in Negotiating the past: the making of memory in South Africa, Oxford: Oxford University Press, 1998, pp. 161–179.
[224]
C. DeSilvey, ‘Observed Decay: Telling Stories with Mutable Things’, Journal of Material Culture, vol. 11, no. 3, pp. 318–338, Nov. 2006, doi: 10.1177/1359183506068808.
[225]
James Ingo Freed, ‘The United States Holocaust Memorial Museum’, Assemblage, no. No. 9, pp. 58–79.
[226]
J. R. Gillis, ‘Memory and Identity: The History of a Relationship’, in Commemorations: the politics of national identity, Princeton, N.J: Princeton University Press, 1994, pp. 3–24.
[227]
Gouriévidis, Laurence, The dynamics of heritage: history, memory and the Highland Clearances, vol. Heritage, culture, and identity. Farnham: Ashgate, 2010.
[228]
Holtschneider, K. Hannah, The Holocaust and representations of Jews: history and identity in the museum, vol. Routledge Jewish studies series. London: Routledge, 2011.
[229]
A. Hoskins, ‘Signs of the Holocaust: exhibiting memory in a mediated age’, Media, Culture & Society, vol. 25, no. 1, pp. 7–22, Jan. 2003, doi: 10.1177/0163443703025001631.
[230]
R. Hughes, ‘The abject artefacts of memory: photographs from Cambodia’s genocide’, Media, Culture & Society, vol. 25, no. 1, pp. 23–44, Jan. 2003, doi: 10.1177/0163443703025001632.
[231]
Kavanagh, Gaynor, Dream spaces: memory and the museum. Leicester: Leicester University Press, 2000.
[232]
C. Koonz, ‘Between memory and and oblivion: concentration camps in German memory’, in Commemorations: the politics of national identity, Princeton, N.J: Princeton University Press, 1994, pp. 258–280.
[233]
C. M. Kraemer, ‘Shared heritage, contested terrain: cultural negotation and Ghana’s Cape Coast Castle museum exhibition’, in Museum frictions: public cultures/global transformations, Durham: Duke University Press, 2006, pp. 435–468.
[234]
J. Ledgerwood, ‘The Cambodian Tuol Sleng Museum of Genocidal Crimes: National Narrative’, Museum Anthropology, vol. 21, no. 1, pp. 82–98, Mar. 1997, doi: 10.1525/mua.1997.21.1.82.
[235]
Lehrer, Erica T., Patterson, Monica, Milton, Cynthia E., and Palgrave Connect (Online service), Curating difficult knowledge: violent pasts in public places. Houndmills, Basingstoke Hampshire: Palgrave Macmillan, 2011 [Online]. Available: http://www.palgraveconnect.com/doifinder/10.1057/9780230319554
[236]
Lennon, J. John and Foley, Malcolm, Dark tourism. London: Continuum, 2000.
[237]
Linenthal, Edward Tabor, Preserving memory: the struggle to create America’s Holocaust Museum. London: Viking, 1995.
[238]
Logan, William Stewart and Reeves, Keir, Places of pain and shame: dealing with ‘difficult heritage’, vol. Key issues in cultural heritage. London: Routledge, 2009.
[239]
Macdonald, Sharon, Difficult heritage: negotiating the Nazi past in Nuremberg and beyond. Abingdon: Routledge, 2009.
[240]
Macdonald, Sharon, Memorylands: heritage and identity in Europe today. London: Routledge, 2013.
[241]
Maleuvre, Didier, Museum memories: history, technology, art, vol. Cultural memory in the present. Stanford, Calif: Stanford University. Press, 1999.
[242]
Marcuse, Harold, Legacies of Dachau: the uses and abuses of a concentration camp, 1933-2001. Cambridge: Cambridge University Press, 2001.
[243]
Review by: Serena Nanda, ‘South African Museums and the Creation of a New National Identity’, American Anthropologist, vol. Vol. 106, no. No. 2, pp. 379–385.
[244]
V. M. Patraka, ‘Performing presence, absence and historical memory at US Holocaust museums’, in Performance and cultural politics, London: Routledge, 1996, pp. 89–107.
[245]
A. Radley, ‘Artefacts, memory and a sense of the past’, in Collective remembering, vol. Inquiries in social construction, London: SAGE, 1990, pp. 46–59.
[246]
Libeskind, Daniel, Müller, Stefan, and Schneider, Bernhard, Daniel Libeskind: Jewish Museum Berlin : between the lines. London: Prestel, 1999.
[247]
O. B. Stier, ‘Different Trains: Holocaust Artifacts  and the Ideologies of Remembrance’, Holocaust and Genocide Studies, vol. 19, no. 1, pp. 81–106, Mar. 2005, doi: 10.1093/hgs/dci004.
[248]
Young, James Edward, The texture of memory: Holocaust memorials and meaning. London: Yale University Press, 1993.
[249]
J. E. Young, ‘Daniel Libeskind’s Jewish Museum in Berlin’, in At memory’s edge: after-images of the Holocaust in contemporary art and architecture, London: Yale University Press, 2000, pp. 152–183.
[250]
R. J. Abram, ‘History is as History Does: The Evolution of a Mission‐Driven Museum’, in Looking reality in the eye: museums and social responsibility, Calgary, Alberta: University of Calgary Press, 2005, pp. 19–42.
[251]
Kreps, Christina F., Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, vol. Museum meanings. London: Routledge, 2003.
[252]
C. Rassool, ‘Community Museums, Memory Politics, and Social Transformation in South Africa: Histories, Possibilities, and Limits’, in Museum frictions: public cultures/global transformations, Durham: Duke University Press, 2006, pp. 286–321.
[253]
R. J. Abram, ‘Harnessing the power of history’, in Museums, society, inequality, vol. Museum meanings, London: Routledge, 2002.
[254]
C. D. Ardouin, ‘Culture, Museums, and Development in Africa’, in The muse of modernity: essays on culture as development in Africa, Trenton, NJ: Africa World Press, 1996, pp. 181–208.
[255]
Barrett, Jennifer, Museums and the public sphere. Chichester: Wiley, 2011.
[256]
K. C. Cooper and N. I. Sandoval, Living homes for cultural expression: North American Native perspectives on creating community museums. Smithsonian Institute, 2006.
[257]
Crooke, Elizabeth M., Museums and community: ideas, issues and challenges, vol. Museum meanings. London: Routledge, 2007.
[258]
E. M. Crooke, ‘Museums and community’, in A companion to museum studies, vol. Blackwell companions in cultural studies, Malden, Mass: Blackwell, 2006, pp. 170–185.
[259]
Edwards, Michael, Civil society. Malden, MA: Polity Press, 2004.
[260]
N. J. Fuller, ‘The museum as a vehicle for community empowerment: the Ak-Chin Indian community ecomuseum project’, in Museums and communities: the politics of public culture, London: Smithsonian Institution Press, 1992, pp. 327–365.
[261]
Golding, Vivien, Learning at the museum frontiers: identity, race and power. Farnham: Ashgate, 2009.
[262]
Golding, Vivien and Modest, Wayne, Museums and communities: curators, collections and collaboration. London: Bloomsbury, 2013.
[263]
Janes, Robert R., Museums in a troubled world: renewal, irrelevance or collapse?, vol. Museum meanings. London: Routledge, 2009.
[264]
Janes, Robert R. and Conaty, Gerald T., Looking reality in the eye: museums and social responsibility. Calgary, Alberta: University of Calgary Press, 2005.
[265]
V. LAYNE, ‘The District Six Museum: An Ordinary People’s Place’, The Public Historian, vol. 30, no. 1, pp. 53–62, Feb. 2008, doi: 10.1525/tph.2008.30.1.53.
[266]
Kreamer, Christine Mullen, Lavine, Steven, Karp, Ivan, and Woodrow Wilson International Center for Scholars, Museums and communities: the politics of public culture. London: Smithsonian Institution Press, 1992.
[267]
Kavanagh, Gaynor, Dream spaces: memory and the museum. Leicester: Leicester University Press, 2000.
[268]
C. F. Kreps, ‘Appropriate museology in theory and practice’, Museum Management and Curatorship, vol. 23, no. 1, pp. 23–41, Mar. 2008, doi: 10.1080/09647770701865345.
[269]
C. Mceachern, ‘Mapping the Memories: Politics, Place and Identity in the District Six Museum, Cape Town’, Social Identities, vol. 4, no. 3, pp. 499–521, Oct. 1998, doi: 10.1080/13504639851744.
[270]
K. Message, ‘New directions for civil renewal in Britain: Social capital and culture for all?’, International Journal of Cultural Studies, vol. 12, no. 3, pp. 257–278, May 2009, doi: 10.1177/1367877908101571.
[271]
C. Rassool, ‘Memory and the Politics of History in the District Six Museum’, in Desire lines: space, memory and identity in the post-apartheid city, vol. The Architext series, London: Routledge, 2007, pp. 113–127.
[272]
P. Delport, ‘Signposts for retrieval: a visual framework for enabling memory of place and time’, in Recalling community in Cape Town: creating and curating the District Six Museum, Cape Town, South Africa: District Six Museum, 2001, pp. 31–46.
[273]
Sandell, Richard, Museums, prejudice and the reframing of difference. London: Routledge, 2007.
[274]
Sandell, Richard, Museums, society, inequality, vol. Museum meanings. London: Routledge, 2002.
[275]
R. Sandell, ‘Museums as agents of social inclusion’, Museum Management and Curatorship, vol. 17, no. 4, pp. 401–418, Dec. 1998, doi: 10.1016/S0260-4779(99)00037-0.
[276]
L. Sevcenko, The power of place: how historic sites can engage citizens in Human Rights issues. Minneapolis: Center for victims of torture, 2004.
[277]
L. Ssevccenko and M. Russell-Ciardi, ‘Foreword: sites of conscience: opening historic sites for civic dialogue’, The Public Historian, vol. 30, no. 1, pp. 9–15, Feb. 2008, doi: 10.1525/tph.2008.30.1.9.
[278]
Seitz, Sharon and Lower East Side Tenement Museum, A tenement story: the history of 97 Orchard Street and the Lower East Side Tenement Museum. [New York, N.Y.]: Lower East Side Tenement Museum, 2004.
[279]
Silverman, Lois H., The social work of museums. London: Routledge, 2010.
[280]
McTavish, L., ‘Visiting the virtual museum: art and experience online’, in New museum theory and practice: an introduction, Malden, MA: Blackwell, 2006, pp. 226–246.
[281]
R. Parry, ‘Disaggregating the collection’, in Recoding the museum: digital heritage and the technologies of change, vol. Museum meanings, London: Routledge, 2007, pp. 32–57.
[282]
R. Srinivasan, J. Enote, K. M. Becvar, and R. Boast, ‘Critical and reflective uses of new media technologies in tribal museums’, Museum Management and Curatorship, vol. 24, no. 2, pp. 161–181, Jun. 2009, doi: 10.1080/09647770902857901.
[283]
W. Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’, in Illuminations, Pimlico ed., vol. Pimlico, London: Pimlico, 1999, pp. 211–244.
[284]
R. Boast, M. Bravo, and R. Srinivasan, ‘Return to Babel: Emergent Diversity, Digital Resources, and Local Knowledge’, The Information Society, vol. 23, no. 5, pp. 395–403, Sep. 2007, doi: 10.1080/01972240701575635.
[285]
Cameron, Fiona and Kenderdine, Sarah, Theorizing digital cultural heritage: a critical discourse, vol. Media in transition. Cambridge, Mass: MIT Press, 2007.
[286]
K. Christen, ‘Ara Irititja: Protecting the Past, Accessing the Future?Indigenous Memories in a Digital Age’:, Museum Anthropology, vol. 29, no. 1, pp. 56–60, Apr. 2006, doi: 10.1525/mua.2006.29.1.56.
[287]
K. Christen, ‘Opening Archives: Respectful Repatriation’, The American Archivist, vol. 74, no. 1, pp. 185–210, 2011.
[288]
Crane, Susan A., ‘Archi(ve)textures of Museology’, in Museums and memory, vol. Cultural sitings, Stanford, Calif: Stanford University Press, 2000, pp. 17–34.
[289]
H. Geismar and W. Mohns, ‘Social relationships and digital relationships: rethinking the database at the Vanuatu Cultural Centre’, Journal of the Royal Anthropological Institute, vol. 17, pp. S133–S155, May 2011, doi: 10.1111/j.1467-9655.2011.01693.x.
[290]
Gumbrecht, Hans Ulrich and Marrinan, Michael, Mapping Benjamin: the work of art in the digital age, vol. Writing science. Stanford, Calif: Stanford University Press, 2003.
[291]
R. Harrison, ‘Excavating Second Life: Cyber-Archaeologies, Heritage and Virtual Communities’, Journal of Material Culture, vol. 14, no. 1, pp. 75–106, Mar. 2009, doi: 10.1177/1359183508100009.
[292]
M. Henning, ‘Chapter 5: Archive’, in Museums, media and cultural theory, vol. Issues in cultural and media studies, Maidenhead: Open University Press, 2006, pp. 129–155.
[293]
G. Isaac, ‘Technology Becomes the Object: The Use of Electronic Media at the National Museum of the American Indian’, Journal of Material Culture, vol. 13, no. 3, pp. 287–310, Nov. 2008, doi: 10.1177/1359183508095497.
[294]
Affleck, Janice, Kalay, Yehuda E., and Kvan, Thomas, New heritage: new media and cultural heritage. London: Routledge, 2008.
[295]
Jones, Katherine Burton and Marty, Paul F., Museum informatics: people, information, and technology in museums, vol. Routledge studies in library and information science. London: Routledge, 2008.
[296]
R. Parry, ‘Digital heritage and the rise of theory in museum computing’, Museum Management and Curatorship, vol. 20, no. 4, pp. 333–348, Dec. 2005, doi: 10.1016/j.musmancur.2005.06.003.
[297]
A. Reading, ‘Digital interactivity in public memory institutions: the uses of new technologies in Holocaust museums’, Media, Culture & Society, vol. 25, no. 1, pp. 67–85, Jan. 2003, doi: 10.1177/016344370302500105.
[298]
Amiria Salmond and Billie Lythberg (eds), ‘Digital Subjects, Cultural Objects, special issue of Journal of Material Culture’, vol. 17, pp. 211–228 [Online]. Available: http://mcu.sagepub.com.libproxy.ucl.ac.uk/content/17/3.toc
[299]
W. Schweibenz, ‘The “Virtual Museum”: new perspectives for museums to present objects and information using the Internet as a knowledge base and communication system’, in Knowledge Management und Kommunikationssysteme, UVK, 1998, pp. 185–200.
[300]
R. Srinivasan and J. Huang, ‘Fluid ontologies for digital museums’, International Journal on Digital Libraries, vol. 5, no. 3, pp. 193–204, Feb. 2005, doi: 10.1007/s00799-004-0105-9.
[301]
R. Srinivasan, R. Boast, K. M. Becvar, and J. Furner, ‘Blobgects: Digital museum catalogs and diverse user communities’, Journal of the American Society for Information Science and Technology, vol. 60, no. 4, pp. 666–678, Apr. 2009, doi: 10.1002/asi.21027.
[302]
R. Srinivasan, R. Boast, J. Furner, and K. M. Becvar, ‘Digital Museums and Diverse Cultural Knowledges: Moving Past the Traditional Catalog’, The Information Society, vol. 25, no. 4, pp. 265–278, Jul. 2009, doi: 10.1080/01972240903028714.
[303]
S. Vermeylen and J. Pilcher, ‘Let the objects speak: online musems and indigenous cultural heritage’, International Journal of Intangible Heritage, vol. 4, no. 4, pp. 60–78, 2009.
[304]
‘Digital Division is Cultural Exclusion. But Is Digital Inclusion Cultural Inclusion?’, D-Lib Magazine, vol. 8, no. 3, 2002.
[305]
B. S, C. A, H. R, and T. R, ‘Networks, agents and objects: frameworks for unpacking museum collections’, in Unpacking the collection: networks of material and social agency in the museum, vol. One world archaeology, London: Springer, 2011, pp. 3–26.
[306]
J. Clifford, ‘Museums as contact zones’, in Routes: travel and translation in the late twentieth century, Cambridge, Mass: Harvard University Press, 1999, pp. 188–219.
[307]
Kreps, Christina F., Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, vol. Museum meanings. London: Routledge, 2003.
[308]
P. Basu, ‘Object diasporas, resourcing communities: Sierra Leonean Collections in the Global Museumscape’, Museum Anthropology, vol. 34, no. 1, pp. 28–42, Mar. 2011, doi: 10.1111/j.1548-1379.2010.01105.x.
[309]
R. Boast, ‘Neocolonial collaboration: Museum as Contact Zone Revisited’, Museum Anthropology, vol. 34, no. 1, pp. 56–70, Mar. 2011, doi: 10.1111/j.1548-1379.2010.01107.x.
[310]
L. Bolton, ‘Resourcing Change: Fieldworkers, the Women’s Culture Project and the Vanuatu Cultural Centre’, in The future of indigenous museums: perspectives from the southwest Pacific, vol. Museums and collections, New York: Berghahn Books, 2007, pp. 23–37.
[311]
K. Christen, ‘Following the Nyinkka: Relations of Respect and Obligations to Act in the Collaborative Work of Aboriginal Cultural Centers’, Museum Anthropology, vol. 30, no. 2, pp. 101–124, Sep. 2007, doi: 10.1525/mua.2007.30.2.101.
[312]
E. Edwards, ‘Jorma Puranen – Imaginary Homecoming – A Study in Re‐engagement’’, in Raw histories: photographs, anthropology and museums, vol. Materializing culture, Oxford: Berg, 2001, pp. 211–233.
[313]
P. Turnbull, C. Fforde, and J. Hubert, The dead and their possessions: repatriation in principle, policy and practice, vol. One world archaeology. London: Routledge, 2002.
[314]
H. Geismar and W. Mohns, ‘Social relationships and digital relationships: rethinking the database at the Vanuatu Cultural Centre’, Journal of the Royal Anthropological Institute, vol. 17, pp. S133–S155, May 2011, doi: 10.1111/j.1467-9655.2011.01693.x.
[315]
Haidy Geismar and Christopher Tilley, ‘Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum’, Oceania, vol. Vol. 73, no. No. 3, pp. 170–188.
[316]
C. Gosden, ‘The Relational Museum | Material World’. .
[317]
Healy, Chris and Witcomb, Andrea, South Pacific museums: experiments in culture. Clayton, Vic: Monash University ePress, 2006.
[318]
F. Larson, A. Petch, and D. Zeitlyn, ‘Social Networks and the Creation of the Pitt Rivers Museum’, Journal of Material Culture, vol. 12, no. 3, pp. 211–239, Nov. 2007, doi: 10.1177/1359183507081886.
[319]
Lonetree, Amy and Cobb, Amanda J., The National Museum of the American Indian: critical conversations. Lincoln, [Neb.]: University of Nebraska Press, 2008.
[320]
McCarthy, Conal, Museums and Māori: heritage professionals, indigenous collections, current practice. Walnut Creek, CA: Left Coast Press, 2011.
[321]
H. Moprhy, ‘Sites of persuasion: Yingapungapu at the National Museum of Australia’, in Museum frictions: public cultures/global transformations, Durham: Duke University Press, 2006, pp. 469–499.
[322]
Peers, Laura L. and Brown, Alison K., Museums and source communities: a Routledge reader. London: Routledge, 2003.
[323]
M. G. Simpson, ‘Native American museums and cultural centres’, in Making representations: museums in the post-colonial era, London: Routledge, 1996, pp. 135–170.
[324]
M. G. Simpson, ‘Revealing and Concealing: Museums, Objects, and the Transmission of Knowledge in Aboriginal Australia’, in New museum theory and practice: an introduction, Malden, MA: Blackwell, 2006, pp. 152–177.
[325]
H. M. Smith, ‘Mana Taonga and the micro world of intricate research and findings around taonga Māori at the Museum of New Zealand Te Papa Tongarewa’, Sites: a journal of social anthropology and cultural studies, vol. 6, no. 2, pp. 7–31, 2009.
[326]
Smith, Laurajane and Akagawa, Natsuko, Intangible heritage, vol. Key issues in cultural heritage. Abingdon: Routledge, 2009.
[327]
Stanley, Nick, The future of indigenous museums: perspectives from the southwest Pacific, vol. Museums and collections. New York: Berghahn Books, 2007.
[328]
P. Tapsell, ‘Partnership in museums: a tribal response to repatriation’, in The dead and their possessions : repatriation in principle, policy and practice - University College London, pp. 284–292.
[329]
Torpey, John C., Politics and the past: on repairing historical injustices, vol. World social change. Lanham, Md: Rowman & Littlefield, 2003.
[330]
Turnbull, Paul and Pickering, Michael, The long way home: the meanings and values of repatriation. New York: Berghahn Books, 2010.