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Grieveson, L. (2004). Chapter 5: Judging cinema, 1913-1914. In Policing cinema: movies and censorship in early-twentieth-century America (pp. 151–192). University of California Press.
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Hillier, J. (1985). Introduction : re-thinking the function of cinema and criticism. In Cahiers du cinéma. Vol. 2 : 1960-1968: Vol. Harvard film studies (pp. 223–235). Harvard University Press.
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Kramer, P. (2005b). Introduction: 1967 and beyond. In The new Hollywood: from Bonnie and Clyde to Star Wars: Vol. Short cuts (pp. 1–5). Wallflower.
Kristin Thompson. (2004). The international exploration of cinematic expressivity. In The silent cinema reader (pp. 254–270). Routledge.
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Laura Mulvey. (2006). Passing time. In Death 24x a second: stillness and the moving image (pp. 17–32). Reaktion. https://contentstore.cla.co.uk//secure/link?id=24604280-8d36-e711-80c9-005056af4099
Lev Kuleshov. (1988a). Americanism. In The Film factory: Russian and Soviet cinema in documents 1896-1939 (pp. 72–73). Routledge & Kegan Paul. https://doi.org/10.4324/9780203059920
Lev Kuleshov. (1988b). The tasks of the artist in cinema. In The Film factory: Russian and Soviet cinema in documents 1896-1939 (pp. 41–43). Routledge & Kegan Paul.
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Louis Marcorelles. (1985). Louis Marcorelles: The Leacock experiment. In Cahiers du cinéma. Vol. 2: 1960-1968: Vol. Harvard film studies (pp. 264–270). Harvard University Press.
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Paul Monaco. (2001a). 1967: The Watershed Year. In The sixties, 1960-1969: Vol. History of the American cinema (pp. 182–186). Charles Scribner’s Sons.
Paul Monaco. (2001b). The waning production code and the rise of the ratings system. In The sixties, 1960-1969: Vol. History of the American cinema (pp. 56–66). Charles Scribner’s Sons.
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Richard John Neupert. (2007a). Cultural contexts : where did the wave begin ? In A history of the French new wave cinema: Vol. Wisconsin studies in film (2nd ed, pp. 3–44). University of Wisconsin Press.
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