1.
National Museum Wales. Things Fall Apart...: Museum Conservation in Practice. (Buttler C, Davis M, eds.). National Museum Wales Books; 2006.
2.
Caple C. Conservation Skills: Judgement, Method and Decision Making. Routledge; 2000. https://www.dawsonera.com/readonline/9780203086261/startPage/29
3.
Clavir M. Preserving What Is Valued: Museums, Conservation, and First Nations. Vol UBC Museum of Anthropology Research publication. UBC Press; 2002. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=521419&site=ehost-live&scope=site
4.
Cronyn JM, Robinson WS. Introducing archaeological conservation: chapter 1. In: The Elements of Archaeological Conservation. Routledge; 1990:1-13.
5.
Muñoz Viñas S. Contemporary Theory of Conservation. Butterworth Heinemann; 2005. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080476834
6.
Pye E. Caring for the Past: Issues in Conservation for Archaeology and Museums. James & James; 2001.
7.
Appelbaum, Barbara. Conservation Treatment Methodology. Butterworth-Heinemann; 2007. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080561042
8.
Arnold, Ken, Olsen, Danielle, Wellcome Trust (London, England). Medicine Man: The Forgotten Museum of Henry Wellcome. British Museum Press; 2003.
9.
Avrami EC, Mason R, De la Torre M, Getty Conservation Institute. Values and Heritage Conservation: Research Report. Getty Conservation Institute; 2000. http://www.getty.edu/conservation/publications_resources/pdf_publications/values_heritage_research_report.html
10.
Candlin, Fiona, Guins, Raiford. The Object Reader. Vol In sight. Routledge; 2009.
11.
Dudley, Sandra H. Museum Materialities: Objects, Engagements, Interpretations. Routledge; 2010. doi:10.4324/9780203523018
12.
Forty, Adrian. Objects of Desire: Design and Society since 1750. Thames and Hudson; 1986.
13.
Hermens, Erma, Fiske, Tina. Art, Conservation and Authenticities: Material, Concept, Context : Proceedings of the International Conference Held at the University of Glasgow, 12-14 September 2007. Archetype; 2009.
14.
Journal of material culture. http://mcu.sagepub.com/content/by/year
15.
Ogden, Sherelyn. Caring for American Indian Objects: A Practical and Cultural Guide. Minnesota Historical Society Press; 2004.
16.
Tilley, Chris. Handbook of Material Culture. SAGE; 2006. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781446206430
17.
De la Torre M, Getty Conservation Institute. Assessing the Values of Cultural Heritage: Research Report. Getty Conservation Institute; 2002. http://www.getty.edu/conservation/publications_resources/pdf_publications/values_cultural_heritage.html
18.
Turkle, Sherry. Evocative Objects: Things We Think With. MIT Press; 2007. http://www.jstor.org/stable/j.ctt5hhg8p
19.
Appelbaum, Barbara. Conservation Treatment Methodology. Butterworth-Heinemann; 2007. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080561042
20.
L. Dacome, R. Peters. Fabricating the body: the anatomical machines of the Prince of Sansevero. In: Greene V, ed. Post-Prints of the Objects Specialty Group 35th Annual Meeting of the American Institute of Conservation. Vol 14. The American Institute for Conserva tion of Historic & Artistic Works; 2008:161-177. http://resources.conservation-us.org/osg-postprints/wp-content/uploads/sites/8/2015/02/osg014-10.pdf
21.
Eastop D. Textiles as multiple and competing histories. In: Textiles Revealed: Object Lessons in Historic Textile and Costume Research. Archetype Publications; 2000:17-28.
22.
Holtorf C. Past meanings. In: From Stonehenge to Las Vegas: Archaeology as Popular Culture. Altamira Press; 2005:78-91.
23.
Laura Peers. ‘Many tender ties’: the shifting contexts and meanings of the S BLACK bag. World Archaeology. 1999;31(2):288-302.
24.
Batchelor R. Not looking at kettles. In: Interpreting Objects and Collections. Vol Leicester readers in museum studies. Routledge; 1994:139-143. https://www.dawsonera.com/readonline/9780203428276/startPage/139
25.
Kingery, W. D. Learning from Things: Method and Theory of Material Culture Studies. Smithsonian Institution Press; 1996.
26.
Mason R. Assessing values in conservation planning: methodological issues and choices. In: Assessing the Values of Cultural Heritage: Research Report. Getty Conservation Institute; 2002:5-30. http://www.getty.edu/conservation/publications_resources/pdf_publications/values_cultural_heritage.html
27.
Avrami EC, Mason R, De la Torre M, Getty Conservation Institute. Values and Heritage Conservation: Research Report. Getty Conservation Institute; 2000. http://www.getty.edu/conservation/publications_resources/pdf_publications/values_heritage_research_report.html
28.
Avrami E. Heritage, values, and sustainability. In: Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:177-183. https://www.dawsonera.com/readonline/9780080941714/startPage/177
29.
Hodkinson I. Man’s effect on paintings. In: Shared Responsibility: Proceedings of a Seminar for Curators and Conservators ... National Gallery of Canada, Ottawa, Canada, 26, 27 and 28 October 1989. The Gallery; 1990:54-68.
30.
Kopytoff I. The cultural biography of things: commoditization as process. In: The Social Life of Things: Commodities in Cultural Perspective. Cambridge University Press; 1986:69-94. https://www-cambridge-org.libproxy.ucl.ac.uk/core/books/social-life-of-things/4F4D3929A501EC19CF413D36BDF8AB3A
31.
Chris Gosden and Yvonne Marshall. The cultural biography of objects. World Archaeology. 1999;31(2):169-178.
32.
Wastiau, Boris. ExItCongoMuseum: An Essay on the ‘social Life’ of the Masterpieces of the Tervuren Museum. Royal Museum for Central Africa; 2000.
33.
Pearce, Susan M. Interpreting Objects and Collections. Vol Leicester readers in museum studies. Routledge; 1994. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203428276
34.
Pearce SM. Appendix: models for object study. In: Interpreting Objects and Collections. Vol Leicester readers in museum studies. Routledge; 1994:265-273. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203428276
35.
Pye E. Part 3: Professional Touch. In: The Power of Touch: Handling Objects in Museum and Heritage Contexts. Vol Publications of the Institute of Archaeology, University College London. Left Coast Press; 2007. https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=14455023930004761&institutionId=4761&customerId=4760&VE=true
36.
Stanley-Price, Nicholas, Talley, Mansfield Kirby, Melucco Vaccaro, Alessandra, Getty Conservation Institute. Historical and Philosophical Issues in the Conservation of Cultural Heritage. Vol Readings in conservation. Getty Conservation Institute; 1996.
37.
Phillips, David. Exhibiting Authenticity. Manchester University Press; 1997.
38.
Prown JD. The truth of material culture: history or fiction? In: History from Things: Essays on Material Culture. Smithsonian Institution Press; 1993:1-19. https://contentstore.cla.co.uk//secure/link?id=5be64aab-7d36-e711-80c9-005056af4099
39.
Ucko P. Foreword. In: The Meanings of Things: Material Culture and Symbolic Expression. Vol One world archaeology. Unwin Hyman, HarperCollins Academic; 1989.
40.
Alarcon T, O’Hern R, Pearlstein E. Case studies in basketry repair: two Abenaki Splint Baskets. Journal of the American Institute for Conservation. 2012;51(2):123-143. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=lls&AN=85351426&site=ehost-live&scope=site
41.
Appelbaum, Barbara. Conservation Treatment Methodology. Butterworth-Heinemann; 2007. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080561042
42.
Florian MLE, Kronkright DP, Norton RE. The Conservation of Artifacts Made from Plant Materials. http://www.getty.edu/publications/virtuallibrary/0892361603.html?imprint=gtcn?imprint=gtcn?title=the%20conservation%20of%20artifacts
43.
Landi S. The object: examination, options and choice. In: The Textile Conservator’s Manual. Vol Butterworth-Heinemann series in conservation and museology. 2nd rev. ed. Butterworth-Heinemann; 1998:23-29. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080518749
44.
Norton RE. Technology of plant materials used in artifacts. In: The Conservation of Artifacts Made from Plant Materials. Getty Conservation Institute; 1990:83-138.
45.
Pearlstein E, Keene L. Evaluating Color and Fading of Red-Shafted Flicker (Colaptes auratus cafer) Feathers: Technical and Cultural Considerations. Studies in conservation =: Études de conservation. 2010;55(2):81-94. http://www.jstor.org/stable/27867121
46.
Sadongei A. What about sacred objects? In: Caring for American Indian Objects: A Practical and Cultural Guide. Minnesota Historical Society Press; 2004:17-20.
47.
Sadongei A, Kuwanwisiwma L, Loma’omvaya M. Describing the problem: contaminated artifacts and Hopi cultural use. In: Odegaard N, Sadongei A, eds. Old Poisons, New Problems: A Museum Resource for Managing Contaminated Cultural Materials. AltaMira Press; 2005:1-4.
48.
Walton P. Textiles. In: English Medieval Industries: Craftsmen, Techniques, Products. Hambledon Press; 1991:319-354.
49.
Wright, Margot M., Conservators of Ethnographic Artefacts. The Conservation of Fur, Feather and Skin: Seminar Organised by the Conservators of Ethnographic Artefacts at the Museum of London on 11 December 2000. Vol Conservators of Ethnographic Artefacts. Archetype; 2002.
50.
Barclay, R. L., Canadian Conservation Institute. Symposium 86: The Care and Preservation of Ethnological Materials : Proceedings : L’entretien et La Sauvegarde Des Matériaux Ethnologiques : Actes. Canadian Conservation Institute; 1987.
51.
Marschner, Joanna M., Sykas, Philip Anthony, Brooks, Mary M. Textiles Revealed: Object Lessons in Historic Textile and Costume Research. Archetype Publications; 2000.
52.
Burnham, Dorothy K., Centre international d’étude des textiles anciens. Warp and Weft: A Textile Terminology. Royal Ontario Museum; 1980.
53.
Butterfield, B. G., Meylan, B. A. Three-Dimensional Structure of Wood: An Ultrastructural Approach. 2nd ed. Chapman and Hall; 1980.
54.
Calnan, C. N., Haines, Betty, Leather Conservation Centre. Leather: Its Composition and Changes with Time. Leather Conservation Centre; 1991.
55.
Collingwood, Peter, Cripps, David. The Maker’s Hand: A Close Look at Textile Structures. Revised ed. Bellew; 1998.
56.
Emery, Irene, Textile Museum (Washington, D.C.). The Primary Structures of Fabrics: An Illustrated Classification. Textile Museum; 1966.
57.
Grew, Francis, Neergaard, Margrethe de, Museum of London. Shoes and Pattens. Vol Medieval finds from excavations in London. New ed. Boydell Press; 2001.
58.
Walston, Sue, Bishop, Mitchell Hearns, Hansen, Eric F., Getty Conservation Institute, International Institute for Conservation of Historic and Artistic Works. Matte Paint: Its History and Technology, Analysis, Properties and Conservation Treatment : With a Special Emphasis on Ethnographic Objects. Vol Art and archaeology technical abstracts. Getty Conservation Institute in association with the International Institute for Conservation of Historic and Artistic Works (IIC), London; 1993.
59.
Hill R. Traditional paint from Papua New Guinea: Context, materials and techniques, and their implications for conservation. The Conservator. 2001;25(1):49-61. doi:10.1080/01410096.2001.9995164
60.
Hoardley RB. Wood as a pysical surface for paint application. In: Painted Wood: History and Conservation. Getty Conservation Institute; 1998:2-16. http://www.getty.edu/conservation/publications_resources/pdf_publications/paintedwood.html
61.
Janaway, R. C., Wyeth, Paul, AHRC Research Centre for Textile Conservation and Textile Studies. Scientific Analysis of Ancient and Historic Textiles: Informing Preservation, Display and Interpretation : Postprints. Archetype; 2005.
62.
Janssen, Rosalind. Egyptian Textiles. Vol Shire Egyptology. Shire; 1986.
63.
Johansen K. How to read historic textiles. In: Textiles Revealed: Object Lessons in Historic Textile and Costume Research. Archetype Publications; 2000.
64.
Kite, Marion, Thomson, Roy. Conservation of Leather and Related Materials. Vol Butterworth-Heinemann series in conservation and museology. Butterworth-Heinemann; 2006. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080454665
65.
Krzyszkowska, O., University of London. Ivory and Related Materials: An Illustrated Guide. Vol Classical handbook. Institute of Classical Studies; 1990.
66.
MacGregor A. Antler, bone and horn. In: English Medieval Industries: Craftsmen, Techniques, Products. Hambledon Press; 1991:355-378.
67.
Munby J. Wood. In: English Medieval Industries: Craftsmen, Techniques, Products. Hambledon Press; 1991:379-405.
68.
Pearlstein E. The complex world of avian plumage: developing a technical and condition database for California Native American featherwork | Ellen Pearlstein - Academia.edu. http://www.academia.edu/5426913/The_complex_world_of_avian_plumage_developing_a_technical_and_condition_database_for_California_Native_American_featherwork
69.
Picton, John, Mack, John, British Museum. African Textiles. 2nd ed. British Museum; 1989.
70.
Reed, Ronald. Ancient Skins, Parchments and Leathers. Vol Studies in archaeological science. Seminar Press; 1972.
71.
Schweingruber, Fritz Hans, Amiet, Roger, Lenz, Oscar, Baudais-Lundström, Karen. Mikroskopische Holzanatomie [Microscopic Wood Anatomy]: Formenspektren Mitteleuropäischer Stamm- Und Zweighölzer Zur Bestimmung von Rezentem Und Subfossilem Material. 3. Aufl. F. Flück-Wirth; 1990.
72.
Thomson R. Chapter 7: The manufacture of leather. In: Conservation of Leather and Related Materials. Vol Butterworth-Heinemann series in conservation and museology. Butterworth-Heinemann; 2006:66-81. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080454665
73.
Bray, Charles, Society of Glass Technology. Ceramics and Glass: A Basic Technology. Society of Glass Technology; 2000.
74.
Frank B. Ceramics as testaments of the past. In: Museums in the Material World. Vol Leicester readers in museum studies. Routledge; 2007:60-64. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203946855
75.
Kingery WD, Vandiver PB. Studying ceramic objects. In: Ceramic Masterpieces: Art, Structure, and Technology. Free Press; 1986:279-293-279-293.
76.
Orton C, Hughes M. Chapter 10: Making pottery. In: Pottery in Archaeology. Vol Cambridge manuals in archaeology. 2nd ed. Cambridge University Press; 2013:121-139. doi:10.1017/CBO9780511920066.014
77.
Barovier Mentasti, Rosa. Glass throughout Time: History and Technology of Glassmaking from the Ancient World to the Present. Skira; 2003.
78.
Barley, Nigel. Smashing Pots: Works of Clay from Africa. Smithsonian Institution Press; 1994.
79.
Blair, John, Ramsay, Nigel. English Medieval Industries: Craftsmen, Techniques, Products. Hambledon Press; 1991.
80.
Charleston R. Vessel glass. In: English Medieval Industries: Craftsmen, Techniques, Products. Hambledon Press; 1991:237-264.
81.
Cohen, Beth, Lansing-Maish, Susan, J. Paul Getty Museum. The Colors of Clay: Special Techniques in Athenian Vases. J. Paul Getty Museum; 2006.
82.
Picton, John, Percival David Foundation of Chinese Art. Earthenware in Asia and Africa: A Colloquy Held 21-23 June 1982. Vol Colloquies on art&archaeology in Asia. University of London, Percival David Foundation of Chinese Art, School of Oriental and African Studies; 1984.
83.
Pierson, Stacey, Percival David Foundation of Chinese Art. Earth, Fire and Water: Chinese Ceramic Technology : A Handbook for Non-Specialists. University of London, Percival David Foundation of Chinese Art, School of Oriental and African Studies; 1996.
84.
Rye, Owen S. Pottery Technology: Principles and Reconstruction. Vol Manuals on archeology. Taraxacum; 1981.
85.
Shelby, J. E., Royal Society of Chemistry (Great Britain). Introduction to Glass Science and Technology. 2nd ed. The Royal Society of Chemistry; 2005. https://app.knovel.com/web/toc.v/cid:kpIGSTE002/viewerType:toc/root_slug:introduction-to-glass
86.
Sillar, Bill. Shaping Culture: Making Pots and Constructing Households : An Ethnoarchaeological Study of Pottery Production, Trade and Use in the Andes. Vol BAR international series. J. and E. Hedges; 2000.
87.
Tyson, Rachel, Council for British Archaeology. Medieval Glass Vessels Found in England, c. A.D. 1200-1500. Vol CBA research report. Council for British Archaeology; 2000.
88.
Washbourne, Rose Mary. Out of the Mouths of Pots: Towards an Interpretation of the Symbolic Meaning of Cypriot Bronze Age Funerary Artefacts Including Examples in the University of Canterbury’s Logie Collection. Vol Studies in Mediterranean archaeology and literature. Åströms; 2000.
89.
Wright, Margot M., Conservators of Ethnographic Artefacts. Ethnographic Beadwork: Aspects of Manufacture, Use and Conversion. Archetype for Conservators of Ethnographic Artefacts; 2001.
90.
Bayley J, Crossley D, Ponting M. Metals and metalworking. A research framework for archaeometallurgy. Published online 2008. http://hist-met.org/publications/hms-occasional-publications.html
91.
Bayley J, Dungworth D, Paynter S. Centre for Archaeology Guidelines: Archaeometallurgy | English Heritage. Published online 2001. http://www.english-heritage.org.uk/publications/archaeometallurgy/
92.
Hurcombe LM. Metal materials and artefacts. In: Archaeological Artefacts as Material Culture. Routledge; 2007:190-208.
93.
McCreight T. Surfaces. In: The Complete Metalsmith: An Illustrated Handbook. Rev. ed. Davis; 1991:18-46.
94.
Oddy A. Jewelry under the microscope. A conservator’s guide to cataloguing. In: Ancient Jewelry and Archaeology. Indiana Unversity Press; 1996:185-197.
95.
Selwyn, Lyndsie, Canadian Conservation Institute. Metals and Corrosion: A Handbook for the Conservation Professional. Canadian Conservation Institute; 2004.
96.
Untracht, Oppi. Metal Techniques for Craftsmen: A Basic Manual for Craftsmen on the Methods of Forming and Decorating Metals. Hale; 1969.
97.
Janice Li X, Martinón-Torres M, Meeks ND, Et al. Inscriptions, filing, grinding and polishing marks on the bronze weapons from the Qin Terracotta Army in China. Journal of archaeological science. 2011;38(3):492-501. doi:10.1016/j.jas.2010.09.012
98.
Martinón-Torres M, Valcárcel Rojas R, Sáenz Samper J, Et. al. Metallic encounters in Cuba: The technology, exchange and meaning of metals before and after Columbus. Journal of anthropological archaeology. 2012;31(4):439-454. doi:10.1016/j.jaa.2012.03.006
99.
Martinón-Torres M, Li XJ, Bevan A, Xia Y, Zhao K, Rehren T. Forty Thousand Arms for a Single Emperor: From Chemical Data to the Labor Organization Behind the Bronze Arrows of the Terracotta Army - Springer. Journal of Archaeological Method and Theory. Published online 2012:1-29. http://link.springer.com/article/10.1007/s10816-012-9158-z/fulltext.html
100.
Villegas MAU, Martinón-Torres M. Composition, colour and context in Muisca votive metalwork (Colombia, AD 600-1800) - ProQuest. Antiquity. 2012;86(333):772-791. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9423537&fulltextType=RA&fileId=S0003598X00047918
101.
Ashurst J, Ashurst N. Distinguishing the forms of iron. In: Practical Building Conservation: English Heritage Technical Handbook, Vol.4: Metals. Gower Technical; 1988:22-23.
102.
Blair, John, Ramsay, Nigel. English Medieval Industries: Craftsmen, Techniques, Products. Hambledon Press; 1991.
103.
Buchwald, Vagn Fabritius, Kongelige Danske videnskabernes selskab. Iron and Steel in Ancient Times. Vol Historisk-filosofiske skrifter. Det Kongelige Danske Videnskabernes Selskab; 2005.
104.
Chandler, Harry. Metallurgy for the Non-Metallurgist. ASM International; 1998.
105.
Craddock PT. Chapter 1: The emergence of scientific enquiry into the past. In: Science and the Past. British Museum Press; 1991:11-15. http://www.jstor.org/stable/10.3138/j.ctt2tv44s.6
106.
Lang, Janet, Craddock, P. T. Mining and Metal Production through the Ages. British Museum; 2003.
107.
Drayman Weisser, Terry, American Institute for Conservation of Historic and Artistic Works. Gilded Metals: History, Technology and Conservation. Archetype Publications in association with The American Institute for Conservation of Historic and Artistic Works; 2000.
108.
Ellis, Linda. Archaeological Method and Theory: An Encyclopedia. Vol Garland reference library of the humanities. Garland; 2000.
109.
Ogden, Jack. Jewellery of the Ancient World. Trefoil Books; 1982.
110.
Scott, David A., Eggert, Gerhard. Iron and Steel in Art: Corrosion, Colorants, Conservation. Archetype; 2009.
111.
Scott, David A., Getty Conservation Institute. Copper and Bronze in Art: Corrosion, Colorants, Conservation. Getty Conservation Institute; 2002.
112.
Scott, David A. Metallography and Microstructure of Ancient and Historic Metals. Getty Conservation Institute; 1991.
113.
Shearman F, Dove S. Chapter 8: Applications of radiography in conservation. In: Radiography of Cultural Material. 2nd ed. Elsevier Butterworth-Heinemann; 2005:155-174.
114.
Smith, Cyril Stanley. A Search for Structure: Selected Essays on Science, Art, and History. MIT Press; 1981.
115.
Clifford J. Looking Several Ways: Anthropology and Native Heritage in Alaska. Current anthropology. 2004;45(1):5-30. doi:10.1086/379634
116.
Feinup-Riordan A. Yup’ik elders in museum. In: Museums and Source Communities: A Routledge Reader. Routledge; 2003:28-41.
117.
Haidy Geismar and Christopher Tilley. Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum. Oceania. 2003;73(3):170-188. http://www.jstor.org.libproxy.ucl.ac.uk/stable/40331895
118.
Gosden, Chris, Larson, Frances, Petch, Alison. Knowing Things: Exploring the Collections at the Pitt Rivers Museum 1884-1945. Oxford University Press; 2007.
119.
Jonathan Haas. Power, Objects, and a Voice for Anthropology. Current Anthropology. 1996;37(1):1-22. http://www.jstor.org.libproxy.ucl.ac.uk/stable/2744232
120.
Keene S. Collections for research. In: Fragments of the World: Uses of Museum Collections. Butterworth Heinemann Ltd; 2005:45-65.
121.
Lonetree, Amy, Cobb, Amanda J. The National Museum of the American Indian: Critical Conversations. University of Nebraska Press; 2008. http://muse.jhu.edu/books/9780803219373/
122.
Coupaye L, Geismar H, Mercier D, eds. UCL Ethnography Collections blog. http://blogs.ucl.ac.uk/ethnography-collections/
123.
Collections Trust. Professional Practice. http://collectionstrust.org.uk/resources-start/
124.
Hein, George E. Learning in the Museum. Vol Museum meanings. Routledge; 1998. doi:10.4324/9780203028322
125.
Hooper-Greenhill, Eilean. Museums and the Interpretation of Visual Culture. Vol Museum meanings. Routledge; 2000.
126.
Hooper-Greenhill, Eilean. Museums and the Shaping of Knowledge. Vol Heritage. Routledge; 1992. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203415825
127.
Keene, Suzanne, Stevenson, Alice, Monti, Francesca, University College, London. Collections for people: museums’ stored collections as a public resource. Published online 2008.
128.
Knell, Simon J. Museums in the Material World. Vol Leicester readers in museum studies. Routledge; 2007. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203946855
129.
Knell, Simon J. Museums and the Future of Collecting. 2nd ed. Ashgate; 2004.
130.
Küchler, Susanne, Were, Graeme Robert, Jowitt, Glenn. Pacific Pattern. Thames & Hudson; 2005.
131.
Mack, John, British Museum. The Museum of the Mind: Art and Memory in World Cultures. British Museum Press; 2003.
132.
Material World Blog | A Global Hub for Thinking About Things. http://www.materialworldblog.com/
133.
McMullen A. The Currency of Consultation and Collaboration. Museum Anthropology Review. 2008;2(2):54-87. http://scholarworks.iu.edu/journals/index.php/mar/article/view/88/169
134.
Pearce, Susan M. Museums, Objects and Collections: A Cultural Study. Smithsonian Institution Press; 1993.
135.
Peers, Laura L., Brown, Alison K. Museums and Source Communities: A Routledge Reader. Routledge; 2003. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203987834
136.
Shanks M, Tilley C. Material culture. In: Museums in the Material World. Routledge; 2007:79-93. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203946855
137.
Swain, Hedley. An Introduction to Museum Archaeology. Cambridge University Press; 2007.
138.
Tilley C. Interpreting material culture. In: The Meanings of Things: Material Culture and Symbolic Expression. Vol One world archaeology. Unwin Hyman, HarperCollins Academic; 1989:185-194.
139.
Ucko P. Indigenous Archaeology at the Institute of Archaeology. Papers from the Institute of Archaeology: PIA. 2001;12:1-11. doi:10.5334/pia.168
140.
Wilkinson, Helen, Museums Association. Collections for the Future: Report of a Museums Association Inquiry. Museums Association; 2005. https://www.museumsassociation.org/download?id=11121
141.
Cassman, Vicki, Odegaard, Nancy, Powell, Joseph F. Human Remains: Guide for Museums and Academic Institutions. AltaMira Press; 2007. https://www.vlebooks.com/Product/Index/52149?page=0
142.
Daniels V. Research into the deterioration of barkcloth. In: Barkcloth: Aspects of Preparation, Use, Deterioration, Conservation and Display : Seminar Organised by the Conservators of Ethnographic Artefacts at Torquay Museum on 4 December 1997. Vol Conservators of Ethnographic Artefacts. Archetype; 2001:20-23.
143.
Doyal S. Condition survey of barkcloth at Exeter City Museums, with particular reference to African collections. In: Barkcloth: Aspects of Preparation, Use, Deterioration, Conservation and Display : Seminar Organised by the Conservators of Ethnographic Artefacts at Torquay Museum on 4 December 1997. Vol Conservators of Ethnographic Artefacts. Archetype; 2001:10-19.
144.
Espinoza E, Mann MJ. Identification guide for ivory and ivory substitutes. Published online 1999. http://www.cites.org/eng/resources/pub/E-Ivory-guide.pdf
145.
Passmore E, Ambers J, Higgitt C, et al. Hidden, looted, saved: the scientific research and conservation of a group of Begram Ivories from the National Museum of Afghanistan. The British Museum technical research bulletin. 2012;6:33-46. https://www.obs-traffic.museum/hidden-looted-saved-scientific-research-and-conservation-group-begram-ivories
146.
Cronyn, J. M., Robinson, W. S. The Elements of Archaeological Conservation. Routledge; 1990. doi:10.4324/9780203169223
147.
Johnson J. Consolidation of Archaeological Bone: A Conservation Perspective. Journal of field archaeology. 1994;21(1):221-233. http://www.jstor.org/stable/529866
148.
Ogden, Sherelyn. Caring for American Indian Objects: A Practical and Cultural Guide. Minnesota Historical Society Press; 2004.
149.
Care of Ivory, Bone, Horn, and Antler - CCI Notes 6/1. Published online 2010. http://www.cci-icc.gc.ca/publications/notes/6-1-eng.aspx
150.
Cassman V, Odegaard N, Arriaza B. Chinchorro Twined Shrouds. In: Textile Society of America Symposium Proceedings: The 11th Biennial Symposium. ; 2008. http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1225&context=tsaconf
151.
The Plastics Historical Society. http://www.plastiquarian.com/
152.
Williams RS. Care of Plastics: Malignant Plastics. Western Association for Art Conservation Newsletter. 24(1). http://cool.conservation-us.org/waac/wn/wn24/wn24-1/wn24-102.html
153.
Shashoua, Yvonne. Conservation of Plastics: Materials Science, Degradation and Preservation. Butterworth-Heinemann; 2008.
154.
Rogers, Penelope Walton, Vogelsang-Eastwood, Gillian, University of London. A Brief Guide to the Cataloguing of Archaeological Textiles. 4th ed. Institute of Archaeology Publications; 1988.
155.
Bülow, Anna, Ahmon, Jess, National Archives (Great Britain). Preparing Collections for Digitization. Facet Pub. in association with the National Archives; 2011. https://www.dawsonera.com/abstract/9781856048774
156.
Craddock P. Chapter 1: The emergence of scientific inquiry into the past. In: Science and the Past. British Museum Press; 1991:11-15. http://www.jstor.org/stable/10.3138/j.ctt2tv44s.6
157.
Hess M, Robson S. Re-engineering Watt: A case study and best practice recommendations for 3D colour laser scans and 3D printing in museum artefact documentation. In: Saunders D, Strlic M, Kronen M, Et al., eds. Lasers in Conservation of Artworks IX - Proceedings of Lacona IX. Archetype Publications; hosted on the UCL Discovery website; 2013:154-162. http://discovery.ucl.ac.uk/1411525/
158.
Museums Sheffield. Objects in 3D. Published 2012. http://collections.museums-sheffield.org.uk/view/objects/aslist/367
159.
O’Connor, Sonia A., Brooks, Mary M. X-Radiography of Textiles, Dress and Related Objects. Vol Butterworth-Heinemann series in conservation and museology. Elsevier/Butterworth-Heinemann; 2007. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080550206
160.
O’Connor et al. S. Innovation in the x-radiography of textiles: using computed tomography imaging techniques. In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:22-26.
161.
Prown JD. Material/culture: can the farmer and cowman still be friends? In: Learning from Things: Method and Theory of Material Culture Studies. Smithsonian Institution Press; 1996:19-27.
162.
New business partnerships to develop virtual exhibitions. Published 2009. http://www.ucl.ac.uk/news/news-articles/0903/09033101
163.
Lister A, Rowe A. Hidden meanings: the relevations of conservation. In: Textiles Revealed: Object Lessons in Historic Textile and Costume Research. Archetype Publications; 2000:99-108.
164.
Emery, Irene, Textile Museum (Washington, D.C.). The Primary Structures of Fabrics: An Illustrated Classification. Textile Museum; 1966.
165.
Lang, Janet, Middleton, Andrew. Radiography of Cultural Material. 2nd ed. Elsevier Butterworth-Heinemann; 2005. https://www.dawsonera.com/abstract/9780080455600
166.
Craddock P, Bowman S. Chapter 8: Spotting the fakes. In: Science and the Past. British Museum Press; 1991:141-157. http://www.jstor.org/stable/10.3138/j.ctt2tv44s.14
167.
Caple, Chris. Objects: Reluctant Witnesses to the Past. Routledge; 2006. https://www.dawsonera.com/abstract/9780203409060
168.
Fleming, Stuart James, Institute of Physics (Great Britain). Authenticity in Art: The Scientific Detection of Forgery. Institute of Physics; 1975.
169.
Hermens, Erma, Fiske, Tina. Art, Conservation and Authenticities: Material, Concept, Context : Proceedings of the International Conference Held at the University of Glasgow, 12-14 September 2007. Archetype; 2009.
170.
Jones, Mark, Craddock, P. T., Barker, Nicholas, British Museum. Fake?: The Art of Deception. Published for the Trustees of the British Museum by British Museum Publications; 1990.
171.
Jones M. Introduction. Do fakes matter? In: Why Fakes Matter: Essays on Problems of Authenticity. Published for the Trustees of the British Museum by British Museum Press; 1992:7-10.
172.
Liang H. Advances in multispectral and hyperspectral imaging for archaeology and art conservation. Applied physics: A: Materials science & processing. 2012;106(2):309-323. doi:10.1007/s00339-011-6689-1
173.
Fischer C, Kakoulli I. Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications. Studies in conservation =: Études de conservation. 2006;51(Supplement 1):3-16. doi:10.1179/sic.2006.51.Supplement-1.3
174.
Verri G, Saunders D, Ambers J, Sweek T. Digital mapping of Egyptian blue: Conservation implications. Studies in conservation =: Études de conservation. 2010;55(Supplement 2):220-224. doi:10.1179/sic.2010.55.Supplement-2.220
175.
Verri G, Tanimoto S, Higgitt C, 76 57. Inks and washes. In: Italian Renaissance Drawings: Technical Examination and Analysis. Archetype; 2010.
176.
Tanimoto S, Verri G. A Note on the Examination of Silverpoint Drawings by Near-Infrared Reflectography. Studies in conservation =: Études de conservation. 2009;54(2):106-116. http://www.maneyonline.com/doi/abs/10.1179/sic.2009.54.2.106
177.
Verri G, Ambers J. Revealing stratigraphy. In: Italian Renaissance Drawings: Technical Examination and Analysis. Archetype; 2010:89-102.
178.
Verri G. The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging. Analytical and bioanalytical chemistry. 2009;394(4):1011-1021. doi:10.1007/s00216-009-2693-0
179.
Verri G. The application of visible-induced luminescence imaging to the examination of museum objects. In: O3A: Optics for Arts, Architecture, and Archaeology II. Vol Conference Volume 7391. SPIE; 2009:1-12. doi:10.1117/12.827331
180.
Østergaard JS, Et al. Tracking colour: The polychromy of Greek and Roman sculpture in the Ny Carlsberg Glyptotek (Preliminary Reports 1 - 5). Published 2009. http://www.glyptoteket.com/explore/research/tracking-colour
181.
Heritage in Hospitals. http://www.ucl.ac.uk/museums/research/touch/heritageinhospitals
182.
Chatterjee et al. H. Museopathy: exploring the healing potential of handling museum objects. Museum and Society. 2009;7(3):164-177.
183.
MacDonald, Sally, Prytherch, David, Chatterjee, Helen, Noble, Guy. Touch in Museums: Policy and Practice in Object Handling. Berg; 2008. https://doi-org.libproxy.ucl.ac.uk/10.4324/9781003135616
184.
Noble G, Chatterjee H. Enrichment programmes in hospitals: using museum loan boxes in University College London hospitals. In: Touch in Museums: Policy and Practice in Object Handling. Berg; 2008:215-223.
185.
Pye, Elizabeth. The Power of Touch: Handling Objects in Museum and Heritage Contexts. Vol Publications of the Institute of Archaeology, University College London. Left Coast Press; 2007. https://doi-org.libproxy.ucl.ac.uk/10.4324/9781315417455
186.
Pye E. Introduction: power of touch. In: The Power of Touch: Handling Objects in Museum and Heritage Contexts. Vol Publications of the Institute of Archaeology, University College London. Left Coast Press; 2007:13-30. https://contentstore.cla.co.uk/secure/link?id=85fd4959-0d0c-e811-80cd-005056af4099
187.
Ander EE, Thompson LJM, Blair K, Et al. Using Museum Objects to Improve Wellbeing in Mental Health Service Users and Neurological Rehabilitation Clients. The British journal of occupational therapy. 2013;76(5):208-216. doi:10.4276/030802213X13679275042645
188.
Ander E, Thompson L, Noble G, Et al. Heritage, health and well-being: assessing the impact of a heritage focused intervention on health and well-being. International journal of heritage studies: IJHS. 2013;19(3):229-242. doi:10.1080/13527258.2011.651740
189.
Bülow, Anna, Ahmon, Jess, National Archives (Great Britain). Preparing Collections for Digitization. Facet Pub. in association with the National Archives; 2011. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781856048774
190.
Camic PM, Chatterjee HJ. Museums and art galleries as partners for public health interventions. Perspectives in public health. 2013;133(1):66-71. doi:10.1177/1757913912468523
191.
Caple, Chris. Objects: Reluctant Witnesses to the Past. Routledge; 2006. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203409060
192.
Chatterjee H, Vreeland S, Noble G. Museopathy: Exploring the Healing Potential of Handling Museum Objects. Museum and Society. 2009;7(3):164-177. http://www2.le.ac.uk/departments/museumstudies/museumsociety/documents/volumes/chattergeevreelandnoble.pdf
193.
Lanceley A, Noble G, Johnson M, Et al. Investigating the therapeutic potential of a heritage-object focused intervention: a qualitative study. Journal of health psychology. 2012;17(6):809-820. doi:10.1177/1359105311426625
194.
MacDonald S. Exploring the role of touch in connoisseurship and the identification of objects. In: The Power of Touch: Handling Objects in Museum and Heritage Contexts. Vol Publications of the Institute of Archaeology, University College London. Left Coast Press; 2007:107-120. https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=14455023930004761&institutionId=4761&customerId=4760&VE=true
195.
Pye E. Understanding objects: the role of touch in conservation. In: The Power of Touch: Handling Objects in Museum and Heritage Contexts. Vol Publications of the Institute of Archaeology, University College London. Left Coast Press; 2007:121-138.
196.
Thompson L, Ander E, Menon U, Et al. Evaluating the therapeutic effects of museum object handling with hospital patients: A review and initial trial of well-being measures. Journal of Applied Arts and Health. 2011;2(1):37-56. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=asu&AN=73987377&site=ehost-live&scope=site
197.
Thompson L, Ander E, Menon U, Et al. Enhancing Cancer Patient Well-Being With a Nonpharmacological, Heritage-Focused Intervention. Journal of pain and symptom management. 2012;44(5):731-740. doi:10.1016/j.jpainsymman.2011.10.026
198.
Thompson L, Ander E, Menon U, Et al. Quantitative evidence for wellbeing benefits from a heritage-in-health intervention with hospital patients. International journal of art therapy: Inscape. 2012;17(2):63-79. doi:10.1080/17454832.2012.687750
199.
France FG, Toth M B, Hansen E F. Advanced spectral imaging for interdisciplinary cultural heritage preservation. Published Autumn 19AD. http://www.google.co.uk/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CDEQFjAA&url=http%3A%2F%2Fbh1.fpc.pt%2Fwinlib%2Fwinlibimg.aspx%3Fskey%3D226286A5DBEA47BDB28A3B89794E9122%26doc%3D12958%26img%3D3475%26save%3Dtrue&ei=UgHxUsnSIomp7Qapz4HYBw&usg=AFQjCNGWf9PprdjEZ8Qhl2mMzQ2vpiztng&bvm=bv.60444564,d.ZGU
