[1]
F. Candlin and R. Guin, Eds, The object reader, vol. In sight. London: Routledge, 2009.
[2]
B. M. Carbonell, Ed., Museum studies: an anthology of contexts. Blackwell, 2004.
[3]
G. Corsane, Ed., Heritage, museums and galleries: an introductory reader. London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203326350
[4]
P. Erskine-Loftus, Ed., Reimagining museums: practice in the Arabian Peninsula. Edinburgh: MuseumsEtc, 2013. Available: https://reader-exacteditions-com.libproxy.ucl.ac.uk/issues/53293/spread/1
[5]
K. Exell and T. Rico, Eds, Cultural heritage in the Arabian Peninsula: debates, discourses and practices. Farnham: Ashgate, 2014. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781409470083
[6]
D. Preziosi and C. Farago, Eds, Grasping the world: the idea of the museum. Aldershot: Ashgate, 2004.
[7]
A. Fraser, Museum highlights: the writings of Andrea Fraser. Cambridge, Mass: MIT Press, 2005.
[8]
V. Golding and W. Modest, Eds, Museums and communities : curators, collectors and collaboration. Oxford: Berg, 2013.
[9]
R. Harrison, Heritage: critical approaches. London: Routledge, 2013. Available: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203108857
[10]
M. Henning, Museums, media and cultural theory, vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780335225750
[11]
Y. E. Kalay, T. Kvan, and J. Affleck, Eds, New heritage: new media and cultural heritage. London: Routledge, 2008. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203937884
[12]
I. Karp, Ed., Museum frictions: public cultures/global transformations. Durham: Duke University Press, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780822388296
[13]
S. J. Knell, S. MacLeod, and S. Watson, Eds, Museum revolutions: how museums change and are changed. London: Routledge, 2007. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203932643
[14]
S. J. Knell, Ed., National museums: new studies from around the world. London: Routledge, 2011. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781315787312
[15]
C. F. Kreps, Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, vol. Museum meanings. London: Routledge, 2003. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203389980
[16]
S. Macdonald, Ed., A companion to museum studies, vol. Blackwell companions in cultural studies. Malden, Mass: Blackwell, 2006. doi: 10.1002/9780470996836
[17]
S. Macdonald and P. Basu, Eds, Exhibition experiments, vol. New interventions in art history. Malden, Mass: Blackwell, 2007. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780470695364
[18]
J. Marstine, Ed., New museum theory and practice: an introduction. Malden, MA: Blackwell, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781405148825
[19]
K. B. Jones and P. F. Marty, Eds, Museum informatics: people, information, and technology in museums, vol. Routledge studies in library and information science. London: Routledge, 2008. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203939147
[20]
S. Mejcher-Atassi and J. P. Schwartz, Eds, Archives, museums and collecting practices in the modern Arab world. Farnham: Ashgate, 2012. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781409446170
[21]
G. Pollock and J. Zemans, Eds, Museums after modernism: strategies of engagement, vol. New interventions in art history. Malden, Mass: Blackwell, 2007. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781405182171
[22]
C. Tilley, Ed., Handbook of material culture. London: SAGE, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781446206430
[23]
P. Vergo, Ed., The New Museology. London: Reaktion, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781861896704/
[24]
S. Watson, Ed., Museums and their communities, vol. Leicester readers in museum studies. Abingdon: Routledge, 2007. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203944752
[25]
A. Whitaker, Museum legs: Fatigue and hope in the face of art. Tucson: Hol Art Books, 2009.
[26]
T. Bennett, ‘The formation of the museum’, in The birth of the museum : history, theory, politics, London: Routledge, 1995, pp. 17–58. Available: https://ebookcentral.proquest.com/lib/ucl/reader.action?docID=1487028&ppg=28
[27]
E. Hooper-Greenhill, ‘What is a museum?’, in Museums and the shaping of knowledge, London: Routledge, 1992, pp. 1–22. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203415825/startPage/1
[28]
S. Macdonald, ‘Expanding museum studies: an introduction’, in A companion to museum studies, S. Macdonald, Ed., Malden, Mass.: Blackwell, 2006, pp. 1–12. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781405157292/startPage/1
[29]
P. Vergo, Ed., The new museology. London: Reaktion, 1989. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781861896704/
[30]
J. Abt, ‘The origins of the public museum’, in A companion to museum studies, S. Macdonald, Ed., Malden, MA: Blackwell, 2006, pp. 115–134. doi: 10.1002/9780470996836
[31]
E. P. Alexander and M. Alexander, Museums in motion: an introduction to the history and functions of museums, 2nd ed., vol. American Association for State and Local History book series. Lanham: AltaMira Press, 2008.
[32]
K. Arnold, Cabinets for the curious: looking back at early English museums, vol. Perspectives on collecting. Aldershot: Ashgate, 2006.
[33]
M. Bal, Double exposures: the subject of cultural analysis. London: Routledge, 1996. Available: https://www-taylorfrancis-com.libproxy.ucl.ac.uk/books/9780203699263
[34]
J. Barrett, Museums and the public sphere. Chichester: Wiley, 2011. Available: http://ebookcentral.proquest.com/lib/ucl/detail.action?docID=822654
[35]
P. Bourdieu, Distinction: a social critique of the judgement of taste. London: Routledge & Kegan Paul, 1984.
[36]
A. Burnett and J. Reeve, Eds, Behind the scenes at the British Museum. London: British Museum Press, 2001.
[37]
D. Carr, The promise of cultural institutions, vol. American Association for State and Local History book series. Oxford: AltaMira Press, 2003.
[38]
Gerard Corsane, editor, Heritage, museums and galleries: an introductory reader. London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203326350
[39]
J. M. Crook, The British Museum : a case-study in architectural politics. Harmondsworth: Penguin, 1972.
[40]
M. Foucault, The order of things: an archaeology of the human sciences, vol. World of man. London: Routledge, 1970.
[41]
H. M. Furján, Glorious visions: John Soane’s spectacular theater. London: Routledge, 2011.
[42]
M. Giebelhausen, Ed., The architecture of the museum: symbolic structures, urban contexts, vol. Critical perspectives in art history. Manchester: Manchester University Press, 2003.
[43]
P. Greenhalgh, Ephemeral vistas: the Expositions Universelles, great exhibitions and world’s fairs, 1851-1939, vol. Studies in imperialism. Manchester: Manchester University Press, 1988.
[44]
K. Hetherington, ‘The utopics of social ordering: Stonehenge as a museum without walls’, in Theorizing museums: representing identity and diversity in a changing world, Cambridge, Mass: Sociological Review, 1996, pp. 153–176.
[45]
G. Kavanagh, Dream spaces: memory and the museum. Leicester: Leicester University Press, 2000.
[46]
S. J. Knell, S. MacLeod, and S. Watson, Eds, Museum revolutions: how museums change and are changed. London: Routledge, 2007. Available: http://ebookcentral.proquest.com/lib/ucl/detail.action?docID=324944
[47]
S. MacDonald and R. Silverstone, ‘Rewriting the museums’ fictions: Taxonomies, stories and readers’, Cultural Studies, vol. 4, no. 2, pp. 176–191, 1990, doi: 10.1080/09502389000490141
[48]
S. F. Millenson, Sir John Soane’s Museum, vol. Architecture and urban design. Ann Arbor, Mich: UMI Research Press, 1987.
[49]
G. Norman, The Hermitage: the biography of a great museum. London: Pimlico, 1997.
[50]
J. V. Pickstone, Ways of knowing: a new history of science, technology and medicine. Manchester: Manchester University Press, 2000.
[51]
G. Pollock, ‘Un-framing the modern critical space/public possibility’, in Museums after modernism : strategies of engagement, G. Pollock and J. Zemans, Eds, Malden, MA: Blackwell, 2007, pp. 1–39. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781405182171/startPage/1
[52]
A. K. Schneider, Creating the Musée d’Orsay: the politics of culture in France. University Park, Pa: Pennsylvania State University Press, 1998.
[53]
K. Schubert, The curator’s egg: the evolution of the museum concept from the French Revolution to the present day. London: RAM Publications, 2009.
[54]
Daniel J. Sherman and Irit Rogoff, editors, Museum culture: histories, discourses, spectacles. London: Routledge, 1994.
[55]
J. Siegel, Ed., The emergence of the modern museum: an anthology of nineteenth-century sources. New York: Oxford University Press, 2008.
[56]
P. Vergo, Ed., The new museology. London: Reaktion, 1989. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781861896704/
[57]
D. F. Cameron, ‘The Museum, a Temple or the Forum’, Curator: The Museum Journal, vol. 14, no. 1, pp. 11–24, 1971, doi: 10.1111/j.2151-6952.1971.tb00416.x
[58]
S. Macdonald, ‘Collecting practices’, in A companion to museum studies, S. Macdonald, Ed., Malden, MA: Blackwell, 2006, pp. 81–97. doi: 10.1002/9780470996836
[59]
S. Mejcher-Atassi and J. P. Schwartz, Eds, Archives, museums and collecting practices in the modern Arab world. Farnham: Ashgate, 2012. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781409446170
[60]
J. Hoskins, ‘Agency, Biography and Objects’, in Handbook of material culture, C. Tilley, Ed., London: SAGE, 2006, pp. 74–84. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781446206430/startPage/74
[61]
A. Appadurai, Ed., The social life of things: commodities in cultural perspective. Cambridge: Cambridge University Press, 1986. Available: https://quod-lib-umich-edu.libproxy.ucl.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb32141.0001.001
[62]
M. Baker and B. Richardson, A grand design: the art of the Victoria and Albert Museum. London: V&A Publications, 1997.
[63]
R. W. Belk, Collecting in a consumer society, vol. Collecting cultures. London: Routledge, 1995. Available: https://www-taylorfrancis-com.libproxy.ucl.ac.uk/books/9780203167311
[64]
S. Byrne, A. Clarke, R. Harrison, and R. Torrence, ‘Networks, agents and objects: frameworks for unpacking museum collections’, in Unpacking the collection: networks of material and social agency in the museum, S. Byrne, A. Clarke, R. Harrison, and R. Torrence, Eds, London: Springer, 2011, pp. 3–28. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781441982223/startPage/2
[65]
F. Candlin and R. Guin, Eds, The object reader, vol. In sight. London: Routledge, 2009.
[66]
J. Clifford, ‘Collecting ourselves’, in Interpreting objects and collections, S. M. Pearce, Ed., London: Routledge, 1994, pp. 258–268. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203428276/startPage/258
[67]
W. D. Kingery, Ed., Learning from things: method and theory of material culture studies. London: Smithsonian Institution Press, 1996.
[68]
E. DeMarrais, C. Gosden, and C. Renfrew, Eds, Rethinking materiality: the engagement of mind with the material world, vol. McDonald Institute monographs. Cambridge: McDonald Institute for Archaeological Research, 2004.
[69]
S. H. Dudley, Ed., Museum materialities: objects, engagements, interpretations. London: Routledge, 2010. Available: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203523018
[70]
S. H. Dudley, Ed., Museum objects: experiencing the properties of things. London: Routledge, 2012. Available: https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1075422
[71]
E. Edwards and J. Hart, ‘Mixed box: the cultural biography of a box of "ethnographic” photographs’, in Photographs objects histories: on the materiality of images, E. Edwards and J. Hart, Eds, London: Routledge, 2005, pp. 47–61. Available: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203506493
[72]
J. Elsner and R. Cardinal, Eds, The cultures of collecting, vol. Critical views. London: Reaktion Books, 1994. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781861894212
[73]
P. Erskine-Loftus, Ed., Museums and the material world: collecting the Arabian Peninsula. Edinburgh: MuseumsEtc, 2014. Available: https://reader.exacteditions.com/issues/53276/spread/1
[74]
D. Garrow and E. Shove, ‘Artefacts between disciplines. The toothbrush and the axe’, Archaeological Dialogues, vol. 14, no. 02, 2007, doi: 10.1017/S1380203807002267
[75]
A. Gell, ‘The technology of enchantment and the enchantment of technology’, in The object reader, F. Candlin and R. Guins, Eds, London: Routledge, 2009, pp. 208–228.
[76]
C. Gosden and Y. Marshall, ‘The cultural biography of objects’, World Archaeology, vol. 31, no. 2, pp. 169–178, 1999.
[77]
C. Gosden and F. Larson, Knowing things: exploring the collections at the Pitt Rivers Museum 1884-1945. Oxford: Oxford University Press, 2007.
[78]
Yannis Hamilakis, ‘Stories from exile: fragments from the cultural biography of the Parthenon (or ’Elgin’) Marbles’, World Archaeology, vol. 31, no. 2, pp. 303–320, 1999.
[79]
R. Harrison, S. Byrne, and A. Clarke, Eds, Reassembling the collection: ethnographic museums and indigenous agency. Santa Fe: School for Advanced Research Press, 2013.
[80]
P. Harvey, Ed., Objects and materials: a Routledge companion. Abingdon: Routledge, 2014. Available: https://www-taylorfrancis-com.libproxy.ucl.ac.uk/books/9780203093610
[81]
H. Hobhouse, The Crystal Palace and the Great Exhibition: art, science, and productive industry, a history of the Royal Commission for the Exhibition of 1851. London: Continuum, 2004.
[82]
C. Holtorf, ‘Notes on the life history of a pot sherd’, Journal of Material Culture, vol. 7, no. 1, pp. 49–71, 2002, doi: 10.1177/1359183502007001305
[83]
I. Hodder, Ed., The meanings of things: material culture and symbolic expression, vol. One world archaeology. London: Unwin Hyman, 1989.
[84]
J. Hoskins, Biographical objects: how things tell the stories of people’s lives. London: Routledge, 1998.
[85]
S. J. Knell, Ed., Museums and the future of collecting, 2nd ed. Aldershot: Ashgate, 2004.
[86]
A. Kjølby, ‘Material agency, attribution and experience of agency in ancient Egypt: the case of new kingdom private statues’, in ’Being in ancient Egypt’ : thoughts on agency, materiality and cognition : proceedings of the seminar held in Copenhagen, September 29-30, 2006, R. Nyord and A. Kjølby, Eds, Oxford: Archaeopress, 2009.
[87]
C. F. Kreps, Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, vol. Museum meanings. London: Routledge, 2003. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203389980
[88]
F. Larson, An infinity of things: how Sir Henry Wellcome collected the world. Oxford: Oxford University Press, 2009.
[89]
F. Larson, A. Petch, and D. Zeitlyn, ‘Social networks and the creation of the Pitt Rivers Museum’, Journal of Material Culture, vol. 12, no. 3, pp. 211–239, 2007, doi: 10.1177/1359183507081886. Available: http://mcu.sagepub.com.libproxy.ucl.ac.uk/content/12/3/211.full.pdf+html
[90]
N. MacGregor, A history of the world in 100 objects. London: Allen Lane, 2010.
[91]
L. Meskell, ‘Object orientations [Introduction to Archaeologies of materiality]’, in Archaeologies of materiality, L. Meskell, Ed., Malden, Mass: Blackwell, 2005, pp. 1–17.
[92]
D. Miller, ‘Alienable gifts and inalienable commodities’, in The empire of things : regimes of value and material culture, F. R. Myers, Ed., Santa Fe: School of American Research Press, 2001.
[93]
D. Miller, ‘Artefacts and the meaning of things’, in Museums in the material world, S. J. Knell, Ed., London: Routledge, 2007, pp. 166–186. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203946855/startPage/166
[94]
D. Miller, ‘Prologue: Empty, Full’, in The comfort of things, Cambridge: Polity, 2008, pp. 1–31. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780745673851/startPage/1
[95]
F. R. Myers, Ed., The empire of things: regimes of value and material culture, vol. School of American Research advanced seminar series. Oxford: James Currey, 2001.
[96]
R. L. Welsch and M. O’Hanlon, Eds, Hunting the gatherers: ethnographic collectors, agents and agency in Melanesia, 1870s-1930s, vol. Methodology and history in anthropology. New York: Berghahn, 2000.
[97]
B. Olsen, In defense of things: archaeology and the ontology of objects, vol. Archaeology in society series. Lanham: Rowman & Littlefield Publishers, 2010.
[98]
O. Pamuk, The Museum of Innocence. New York: Vintage International, 2010.
[99]
S. M. Pearce, Ed., Objects of knowledge, vol. New research in museum studies. London: Athlone Press, 1990.
[100]
S. M. Pearce, Ed., Interpreting objects and collections, vol. Leicester readers in museum studies. London: Routledge, 1994. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203428276
[101]
S. M. Pearce, Collecting in contemporary practice. London: SAGE Publications, 1998.
[102]
A. Shelton, Ed., Collectors: expressions of self and other, vol. Contributions in critical museology and material culture. London: Horniman Museum and Gardens, 2001.
[103]
J. M. Skibo and M. B. Schiffer, People and things: a behavioral approach to material culture. New York: Springer, 2008.
[104]
S. Stewart, ‘Objects of desire.’, in On longing: narratives of the miniature, the gigantic, the souvenir, the collection, Durham: Duke University Press, 1993, pp. 132–169.
[105]
G. W. Stocking, Jr, Ed., Objects and others: essays on museums and material culture. Madison, Wis: University of Wisconsin Press, 1985. Available: https://muse-jhu-edu.libproxy.ucl.ac.uk/book/8434
[106]
N. Thomas, Entangled objects: exchange, material culture, and colonialism in the Pacific. Cambridge, Mass: Harvard University Press, 1991.
[107]
C. Tilley, Ed., Reading material culture: structuralism, hermeneutics and post-structuralism, vol. Social archaeology. Oxford: Basil Blackwell, 1990.
[108]
C. Tilley, Ed., Handbook of material culture. London: SAGE, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781446206430
[109]
P. J. Ucko, ‘The biography of a collection: the Sir Flinders Petrie Palestinian Collection and the role of University Museums’, Museum Management and Curatorship, vol. 17, no. 4, pp. 351–399, 1998, doi: 10.1080/09647779800301704
[110]
I. Woodward, Understanding material culture. London: SAGE Publications, 2007. Available: http://search.ebscohost.com.libproxy.ucl.ac.uk/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=341888&site=ehost-live&scope=site
[111]
A. Wylie, Thinking from things: essays in the philosophy of archaeology. Berkeley, Calif: University of California Press, 2002.
[112]
A. A. Alraouf, ‘Museums’ architecture and urbanism as an educational tool: the case of Museum of Islamic Art, Doha’, Tawasol: Qatar University Educational Reform Journal, no. 13, pp. 18–29, 2010, Available: http://www.academia.edu/1550395/Museums_Architecture_and_Urbanism_as_an_Educational_Tool
[113]
V. M. Lampugnani, ‘The architecture of art: the museums of the 1990s’, in Museums for a new millennium : concepts, projects, buildings, V. M. Lampugnani and A. Sachs, Eds, Munich: Prestel, 1999.
[114]
S. MacLeod, ‘Rethinking museum architecture: towards a site-specific history of production and use’, in Reshaping museum space : architecture, design, exhibitions, London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203483220/startPage/9
[115]
L. H. Sholnick, ‘Towards a new museum architecture: narrative and representation’, in Reshaping museum space : architecture, design, exhibitions, S. Macleod, Ed., London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203483220/startPage/118
[116]
C. Duncan, ‘The art museum as ritual’, in Civilizing rituals : inside public art museums, London: Routledge, 1995, pp. 7–18. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203978719/startPage/7
[117]
D. Fleming, ‘Creative space’, in Reshaping museum space : architecture, design, exhibitions, S. Macleod, Ed., London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203483220/startPage/53
[118]
M. Giebelhausen, ‘Intoduction [The architecture of the museum: symbolic structures, urban contexts]’, in The architecture of the museum : symbolic structures, urban contexts, M. Giebelhausen, Ed., Manchester: Manchester University Press, 2002.
[119]
M. Giebelhausen, ‘The architecture is the museum’, in New museum theory and practice: an introduction, J. Marstine, Ed., Malden, MA: Blackwell, 2006, pp. 41–63. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781405148825/startPage/41
[120]
M. Giebelhausen, ‘Museum architecture: a brief history’, in A companion to museum studies, S. Macdonald, Ed., Malden, MA: Blackwell, 2006, pp. 223–244. doi: 10.1002/9780470996836
[121]
J. Hale, ‘Narrative environments and the paradigm of embodiment’, in Museum making: narratives, architectures, exhibitions, S. MacLeod, L. H. Hanks, and J. Hale, Eds, Abingdon: Routledge, 2012. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203124574/startPage/199
[122]
P. Higgins, ‘From cathedral of culture to anchor attractor’, in Reshaping museum space : architecture, design, exhibitions, S. Macleod, Ed., London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203483220/startPage/215
[123]
B. Hillier and K. Tzortzi, ‘Space syntax: the language of museum space’, in A companion to museum studies, S. Macdonald, Ed., Malden, MA: Blackwell, 2006, pp. 282–301. doi: 10.1002/9780470996836
[124]
C. Klonk, Spaces of experience: art gallery interiors from 1800 to 2000. London: Yale University Press, 2009.
[125]
V. M. Lampugnani and A. Sachs, Eds, Museums for a new millennium: concepts projects buildings. London: Prestel, 1999.
[126]
C. Swickerath, Ed., Daniel Libeskind: the space of encounter. London: Thames & Hudson, 2001.
[127]
V. Newhouse, Art and the power of placement. New York: Monacelli Press, 2005.
[128]
B. O’Doherty, ‘Notes on the gallery space’, in Inside the white cube: the ideology of the gallery space, Berkeley: University of California Press, 1999, pp. 16–34.
[129]
S. Oberhardt, Frames within frames: the art museum as cultural artifact, vol. Counterpoints. New York: P. Lang, 2001.
[130]
D. Preziosi, ‘Art history and museology: rendering the visible legible’, in A companion to museum studies, S. Macdonald, Ed., Malden, MA: Blackwell, 2006, pp. 50–63. doi: 10.1002/9780470996836
[131]
S. Psarra, Architecture and narrative: the formation of space and cultural meaning. London: Routledge, 2009. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203639672
[132]
H. R. Leahy, Museum bodies : the politics and practices of visiting and viewing. Farnham: Ashgate, 2012.
[133]
N. Serota, Experience or interpretation: the dilemma of museums of modern art, vol. Walter Neurath Memorial Lecture. London: Thames & Hudson, 1996.
[134]
L. H. Skolnick, ‘Beyond narrative. Designing epiphanies’, in Museum making: narratives, architectures, exhibitions, S. MacLeod, L. H. Hanks, and J. Hale, Eds, Abingdon: Routledge, 2012. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203124574/startPage/82
[135]
Susanna Sirefman, ‘Formed and forming: contemporary museum architecture’, Daedalus, vol. 128, no. 3, pp. 297–320.
[136]
I. A. Steffensen-Bruce, Marble palaces, temples of art: art museums, architecture, and American culture, 1890-1930. Lewisburg: Associated University Presses, 1998.
[137]
S. Thornton, Seven days in the art world. London: Granta, 2008.
[138]
G. Tipton, Ed., Space: architecture for art : including a directory of art spaces in Ireland. Dublin: CIRCA, 2005.
[139]
P. Erskine-Loftus, ‘What are we silently saying? Non-verbal communication and exhibitions’, in Reimagining museums: practice in the Arabian Peninsula, Edinburgh: MuseumsEtc, 2013. Available: https://reader-exacteditions-com.libproxy.ucl.ac.uk/issues/53293/page/486
[140]
H. Lidchi, ‘The poetics and politics of exhibiting other cultures’, in Representation : cultural representations and signifying practices, S. Hall, Ed., London: SAGE, 1997, pp. 199–219.
[141]
M. Henning, ‘Display’, in Museums, media and cultural theory, Maidenhead: Open University Press, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780335225750/startPage/37
[142]
S. Macdonald, ‘Exhibitions of power and powers of exhibition: an introduction to the politics of display’, in The politics of display: museums, science, culture, S. Macdonald, Ed., New York: Routledge, 1998, pp. 1–21. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203838600/startPage/1
[143]
S. Moser, ‘The devil is in the detail: museum displays and the creation of knowledge.’, Museum Anthropology, vol. 33, no. 1, pp. 22–32, 2010, doi: 10.1111/j.1548-1379.2010.01072.x. Available: http://onlinelibrary.wiley.com.libproxy.ucl.ac.uk/doi/10.1111/j.1548-1379.2010.01072.x/abstract;jsessionid=BC5FEAC488ABE42A17DE020846292DC4.f01t02
[144]
M. M. Ames, Cannibal tours and glass boxes: the anthropology of museums, [2nd ed.]. Vancouver: UBC Press, 1992. Available: http://search.ebscohost.com.libproxy.ucl.ac.uk/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=382763&site=ehost-live&scope=site
[145]
M. M. Ames, ‘How to decorate a house: the re-negotiation of cultural representations at the University of British Columbia Museum of Anthropology’, Museum Anthropology, vol. 22, no. 3, pp. 41–51, 1999, doi: 10.1525/mua.1999.22.3.41
[146]
M. Bal, Double exposures: the subject of cultural analysis. London: Routledge, 1996.
[147]
M. Bal, Narratology: introduction to the theory of narrative, 2nd ed. London: University of Toronto Press, 1985.
[148]
M. Bal, ‘Exhibition as film’, in Exhibition experiments, S. Macdonald and P. Basu, Eds, Malden, MA: Blackwell, 2007, pp. 71–93. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780470695364/startPage/71
[149]
M. Belcher, Exhibitions in museums, vol. Leicester museum studies series. Leicester: Smithsonian Institution Press, 1991.
[150]
M. Bouquet and N. Porto, Eds, Science, magic and religion: the ritual processes of museum magic, vol. New directions in anthropology. New York: Berghahn Books, 2005. Available: http://search.ebscohost.com.libproxy.ucl.ac.uk/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1214826&site=ehost-live&scope=site
[151]
M. Bal, Looking in: the art of viewing, vol. Critical voices in art, theory and culture. Amsterdam: G+B Arts International, 2001. Available: https://www-taylorfrancis-com.libproxy.ucl.ac.uk/books/9781135208691
[152]
L. G. Corrin, ‘Mining the museum: artists look at museums, museums look at themselves’, in Museum studies: an anthology of contexts, B. M. Carbonell, Ed., Malden, Mass.: Blackwell, 2012.
[153]
B. Fagan, Writing archaeology: telling stories about the past. Walnut Creek, Calif: Left Coast Press, 2010.
[154]
E. Filipovic, ‘A museum that is not’, e-flux, no. 4, pp. 1–19, Available: http://web.b.ebscohost.com/ehost/detail?vid=3&sid=6aced0a0-fca9-43c6-9b6e-56a8c5f7f4c7%40sessionmgr111&hid=122&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=asu&AN=505399615
[155]
A. Henderson and A. L. Kaeppler, Eds, Exhibiting dilemmas: issues of representation at the Smithsonian. London: Smithsonian Institution Press, 1997.
[156]
M. Henning, Museums, media and cultural theory, vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780335225750
[157]
I. Hodder and S. Hutson, Reading the past : current approaches to interpretation in archaeology. Cambridge: CUP, 2003. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780511562136
[158]
E. Hooper-Greenhill, Ed., Museum, media, message. Abingdon: Routledge, 1995. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203456514
[159]
F. E. S. Kaplan, ‘Exhibitions as communicative media’, in Museum, media, message, E. Hooper-Greenhill, Ed., Abingdon: Routledge, 1995, pp. 37–58. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203456514/startPage/54
[160]
S. Lavine and I. Karp, Eds, Exhibiting cultures: the poetics and politics of museum display. London: Smithsonian Institution Press, 1991.
[161]
B. Latour and P. Weibel, Eds, Iconoclash. Cambridge MA: ZKM, 2002.
[162]
B. Latour and P. Weibel, Eds, Making things public: atmospheres of democracy. Cambridge, Mass: Center for Art and Media in Karlsruhe, 2005.
[163]
T. W. Luke, Museum politics: power plays at the exhibition. Minneapolis: University of Minnesota Press, 2002. Available: https://www-jstor-org.libproxy.ucl.ac.uk/stable/10.5749/j.ctttsz7n
[164]
S. Macdonald, Behind the scenes at the Science Museum, vol. Materializing culture. Oxford: Berg, 2002.
[165]
S. Macdonald, ‘Interconnecting: museum visiting and exhibition design’, CoDesign, vol. 3, no. sup1, pp. 149–162, 2007, doi: 10.1080/15710880701311502
[166]
S. Macleod, Ed., Reshaping museum space: architecture, design, exhibitions, vol. Museum meanings. London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203483220
[167]
R. Machin, ‘Gender representation in the natural history galleries at the Manchester Museum’, Museum and society, vol. 6, no. 1, pp. 54–67, 2008, Available: http://www2.le.ac.uk/departments/museumstudies/museumsociety/volumes/volume6
[168]
S. Moser, ‘Archaeological representation: the consumption and creation of the past’, in The Oxford handbook of archaeology, B. W. Cunliffe, C. Gosden, and R. A. Joyce, Eds, Oxford: Oxford University Press, 2009, pp. 1048–1077.
[169]
J. Noordegraaf, Strategies of display: museum presentation in nineteenth and twentieth-century visual culture. Rotterdam: Museum Boijmans Van Beuningen, 2012.
[170]
M. Potteiger and J. Purinton, Landscape narratives: design practices for telling stories. Chichester: J. Wiley, 1998.
[171]
S. Psarra, Architecture and narrative: the formation of space and cultural meaning. London: Routledge, 2009. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203639672
[172]
J. Putnam, Art and artifact: the museum as medium. London: Thames & Hudson, 2009.
[173]
P. Ricoeur, ‘Life in quest of narrative’, in On Paul Ricoeur: narrative and interpretation, D. Wood, Ed., London: Routledge, 1991, pp. 20–33.
[174]
D. J. Sherman, Ed., Museums and difference, vol. 21st Century studies. Bloomington: Indiana University Press, 2008.
[175]
S. Smiles and S. Moser, Eds, Envisioning the past: archaeology and the image, vol. New interventions in art history. Malden, Mass: Blackwell, 2005.
[176]
P. G. Stone and B. Molyneaux, Eds, The presented past: heritage, museums and education, vol. One world archaeology. London: Routledge, 1994.
[177]
J. Thomas, Ed., Interpretive archaeology : a reader. New York: Leicester University Press, 2000. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781441179296
[178]
P. Weibel and B. Latour, ‘Experimenting with representation: Iconoclash and making things public’, in Exhibition experiments, S. Macdonald and P. Basu, Eds, Malden, MA: Blackwell, 2007, pp. 94–108. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780470695364/startPage/94
[179]
C. Yanni, Nature’s museums: Victorian science and the architecture of display. New York: Princeton Architectural Press, 2005.
[180]
J. H. Falk and L. D. Dierking, The museum experience. Washington, D.C.: Whalesback Books, 1992. Available: https://www-taylorfrancis-com.libproxy.ucl.ac.uk/books/9781315417899
[181]
G. E. Hein, ‘Museum Education’, in A Companion to Museum Studies, S. Macdonald, Ed., Malden, MA, USA: Blackwell Publishing Ltd, 2006, pp. 340–352. doi: 10.1002/9780470996836.ch20. Available: http://doi.wiley.com/10.1002/9780470996836.ch20
[182]
G. E. Hein, ‘Educational theory’, in Progressive museum practice: John Dewey and democracy, Walnut Creek, Calif: Left Coast Press, 2012, pp. 21–50. Available: http://www.ucl.eblib.com/patron/FullRecord.aspx?p=989194
[183]
E. Hooper-Greenhill, ‘The characteristics and significance of learning in museums’, in Museums and education: purpose, pedagogy, performance, London: Routledge, 2007, pp. 170–188. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203937525/startPage/170
[184]
T. Bennet, ‘Museums and “the people”’, in The museum time-machine: putting cultures on display, R. Lumley, Ed., London: Routledge, 1988, pp. 63–85. Available: http://dx.doi.org/10.4324/9780203358825
[185]
N. Berry and S. M. Mayer, Eds, Museum education: history, theory, and practice. Reston, Va: National Art Education Association, 1989.
[186]
Durbin, Gail, Morris, Susan, and Wilkinson, Sue, Learning from objects, vol. Education on site. [London]: English Heritage, 1990. Available: https://www.tes.com/teaching-resource/learning-from-objects-a-teacher-s-guide-6059739
[187]
N. J. Fuller, ‘The museum as a vehicle for community empowerment: the Ak-Chin Indian Community Ecomuseum Project’, in Museums and communities: the politics of public culture, I. Karp, C. M. Kreamer, and S. Lavine, Eds, London: Smithsonian Institution Press, 1992, pp. 327–365. Available: http://search.ebscohost.com.libproxy.ucl.ac.uk/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=730702&site=ehost-live&scope=site&ebv=EK&ppid=Page-__-218
[188]
G. Hein, ‘The significance of museum education’, in Learning in the museum, New York: Routledge, 1998, pp. 1–13. Available: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203028322
[189]
G. E. Hein, ‘The constructivist museum’, in The educational role of the museum, H.-G. Eilean, Ed., London: Routledge, 1995. Available: http://www.gem.org.uk/pubs/news/hein1995.php
[190]
E. Hooper-Greenhill, ‘Counting visitors or visitors who count?’, in The museum time-machine: putting cultures on display, R. Lumley, Ed., London: Routledge, 1988, pp. 213–232. Available: http://dx.doi.org/10.4324/9780203358825
[191]
E. Hooper-Greenhill, Museums and their visitors, vol. The heritage: care-preservation-management. London: Routledge, 1994. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203415160
[192]
E. Hooper-Greenhill, Ed., Museum, media, message. Abingdon: Routledge, 1995. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203456514
[193]
E. Hooper-Greenhill, Museums and education: purpose, pedagogy, performance, vol. Museum meanings. London: Routledge, 2007. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203937525
[194]
E. Hooper-Greenhill, Ed., The educational role of the museum, 2nd ed., vol. Leicester readers in museum studies. London: Routledge, 1999.
[195]
Hughes, Catherine, Museum theatre: communicating with visitors through drama. Portsmouth, NH: Heinemann, 1998.
[196]
A. Jackson and H. R. Leahy, ‘“Seeing it for real …?” Authenticity, theatre and learning in museums’, Research in Drama Education: The Journal of Applied Theatre and Performance, vol. 10, no. 3, pp. 303–325, 2005, doi: 10.1080/13569780500275956
[197]
Pearse, John, Centres for curiosity and imagination: when is a museum not a museum? London: Calouste Gulbenkian Foundation, 1998.
[198]
H. Moffat and V. Woollard, Eds, Museum and gallery education: a manual of good practice. London: Stationery Office [AltaMira Press], 1999.
[199]
Victoria and Albert Museum, ‘Teachers’ resource: exploring plant-based design through the Jameel Gallery of Islamic Art’. Available: http://www.vam.ac.uk/content/articles/t/teachers-resource-exploring-plant-based-design-through-the-jameel-gallery-of-islamic-art/
[200]
Mathaf: Arab Museum of Modern Art, ‘Learning Resources’. Available: http://www.mathaf.org.qa/en/learning/learning-resources
[201]
L. Bany-Winters, On stage: theater games and activities for kids, 2nd ed. Chicago, Ill: Chicago Review Press, 2012. Available: http://UCL.eblib.com/patron/FullRecord.aspx?p=978320
[202]
B. Bedore, 101 improv games for children and adults: fun and creativity with improvisation and acting. Alameda, CA: Hunter House Inc. Publishers.
[203]
L. A. Black, ‘Applying learning theory in the development of a museum learning environment’, in What research says about learning in science museums, B. Serrell, Ed., Washington, D.C: Association of Science-Technology Centers, 1990, pp. 23–28.
[204]
D. W. Booth and C. J. Lundy, Improvisation: learning through drama. Toronto, Ontario: Harcourt Brace Jovanovich.
[205]
Burnham, R. and Kai-Kee, E., ‘The art of teaching in the museum’, in Teaching in the art museum: interpretation as experience, Los Angeles: J. Paul Getty Museum, 2011, pp. 7–18.
[206]
Helen Chatterjee, ‘Staying essential: articulating the value of object based learning’, University Museums and Collections Journal, vol. Proceedings of the 7th Conference of the International Committee of ICOM for University Museums and Collections – Vienna, 19th-24th August 2007 Sally MacDonald, Nathalie Nyst, Cornelia Weber (Eds.), Available: http://edoc.hu-berlin.de/docviews/abstract.php?lang=ger&id=29349
[207]
L. D’Acquisto, Learning on display: student-created museums that build understanding. Alexandria, Va: Association for Supervision and Curriculum Development, 2006. Available: http://UCL.eblib.com/patron/FullRecord.aspx?p=280365
[208]
J. Dewey, Experience and education. New York: Free Press, 2015.
[209]
H. Gardner, Multiple intelligences: new horizons, Completely rev. and Updated. New York: BasicBooks, 2006. Available: http://UCL.eblib.com/patron/FullRecord.aspx?p=903035
[210]
H. Nicholson, Theatre & education. Basingstoke: Palgrave Macmillan, 2009.
[211]
S. M. Pearce, Ed., Interpreting objects and collections, vol. Leicester readers in museum studies. London: Routledge, 1994. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203428276
[212]
N. Simon, ‘Preface: why participate? [The participatory museum]’, in The participatory museum, Santa Cruz, Calif.: Museum 2.0, 2010. Available: http://www.participatorymuseum.org/preface/
[213]
Wood, David J., How children think and learn: the social contexts of cognitive development, 2nd ed., vol. Understanding children’s worlds. Malden, Mass: Blackwell, 1998. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781444393040
[214]
J. H. Falk and L. D. Dierking, The museum experience. Washington, D.C.: Whalesback Books, 1992. Available: https://www-taylorfrancis-com.libproxy.ucl.ac.uk/books/9781315417899
[215]
E. Hooper-Greenhill, ‘Studying Visitors’, in A Companion to Museum Studies, S. Macdonald, Ed., Malden, MA, USA: Blackwell Publishing Ltd, 2006, pp. 362–376. doi: 10.1002/9780470996836.ch22. Available: http://doi.wiley.com/10.1002/9780470996836
[216]
Z. D. Doering, ‘Strangers, guests, or clients? Visitor experiences in museums’, Curator: The Museum Journal, vol. 42, no. 2, pp. 74–87, 1999, doi: 10.1111/j.2151-6952.1999.tb01132.x
[217]
G. E. Hein, Learning in the museum, vol. Museum meanings. New York: Routledge, 1998. Available: http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203028322
[218]
J. Bull and S. H. Al Thani, ‘Six things we didn’t know: researching the needs of family audiences in Qatar’, in Reimagining museums: practice in the Arabian Peninsula, P. Erskine-Loftus, Ed., Edinburgh: MuseumsEtc, 2013, pp. 322–344. Available: https://reader-exacteditions-com.libproxy.ucl.ac.uk/issues/53293/page/334
[219]
R. J. Loomis, Museum visitor evaluation: new tool for management, vol. AASLH management series. Nashville, Tenn: American Association for State and Local History, 1987.
[220]
R. Rentschler and E. Reussner, ‘Museum marketing research: from denial to discovery?’ 2002. Available: http://neumann.hec.ca/artsmanagement/cahiers%20de%20recherche/Rentschler.pdf
[221]
B. Schiele, ‘Creative interaction of visitor and exhibition’, Visitor studies: theory, research, and practice, vol. 5, 1992, Available: http://kora.matrix.msu.edu/files/31/173/1F-AD-1E7-8-VSA-a0a4t0-a_5730.pdf
[222]
B. Seagram, ‘Audience research and exhibit development: a framework’, Museum Management and Curatorship, vol. 12, no. 1, pp. 29–41, 1993, doi: 10.1016/0260-4779(93)90004-9
[223]
C. I. Sneider, L. P. Eason, and A. J. Friedman, ‘Summative evaluation of a participatory science exhibit’, Science Education, vol. 63, no. 1, pp. 25–36, 1979, doi: 10.1002/sce.3730630106
[224]
L. Smith, ‘Theorizing museum and heritage visiting’, in The International Handbooks of Museum Studies, S. Macdonald and H. Rees Leahy, Eds, Oxford, UK: John Wiley & Sons, Ltd, 2013, pp. 459–484. doi: 10.1002/9781118829059.wbihms122. Available: http://doi.wiley.com/10.1002/9781118829059.wbihms122
[225]
Victoria and Albert Museum, ‘Understanding the mobile V&A visitor [Survey report]’. 2012. Available: http://www.vam.ac.uk/__data/assets/pdf_file/0009/236439/Visitor_Use_Mobile_Devices.pdf
[226]
Morris Hargreaves McIntyre, ‘Testing themes and titles: responses to the V&A’s exhibition programme’. 2006. Available: http://www.vam.ac.uk/__data/assets/pdf_file/0003/177465/28423_file.pdf
[227]
International Council of Museums, ‘ICOM code of ethics for museums’. 2017. Available: https://icom.museum/wp-content/uploads/2018/07/ICOM-code-En-web.pdf
[228]
Museums Association (UK), ‘Code of ethics for museums’. Available: http://www.museumsassociation.org/ethics/code-of-ethics
[229]
J. Marstine, ‘The contingent nature of the new museum ethics’, in The Routledge companion to museum ethics: redefining ethics for the twenty-first-century museum, J. Marstine, Ed., Abingdon: Routledge, 2011. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203815465/startPage/2
[230]
T. Besterman, ‘Museum ethics’, in A companion to museum studies, S. Macdonald, Ed., Malden, Mass: Blackwell, 2006, pp. 431–441. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781405157292/startPage/431
[231]
ICOM, ‘Declaration on the importance and value of universal museums’, ICOM news, vol. 57, no. 1. 2004. Available: http://icom.museum/fileadmin/user_upload/pdf/ICOM_News/2004-1/ENG/p4_2004-1.pdf
[232]
P.-K. Schuster, ‘The treasures of the world culture in the public museum’, ICOM news, vol. 57, no. 1, 2004, Available: http://icom.museum/fileadmin/user_upload/pdf/ICOM_News/2004-1/ENG/p4_2004-1.pdf
[233]
N. MacGregor, ‘To shape the citizens of “that great city, the world”’, in Whose culture? : the promise of museums and the debate over antiquities, J. Cuno, Ed., Princeton: Princeton University Press, 2009. Available: http://www.jstor.org.libproxy.ucl.ac.uk/stable/j.ctt7pgrk.6?seq=1#page_scan_tab_contents
[234]
G. Abunga, ‘The Declaration: a contested issue’, ICOM news, vol. 57, no. 1, 2004, Available: http://icom.museum/fileadmin/user_upload/pdf/ICOM_News/2004-1/ENG/p4_2004-1.pdf
[235]
G. Lewis, ‘The universal museum: a special case?’, ICOM news, vol. 57, no. 1, 2004, Available: http://icom.museum/fileadmin/user_upload/pdf/ICOM_News/2004-1/ENG/p3_2004-1.pdf
[236]
K. Opoku, ‘Declaration on the importance and value of universal museums: singular failure of an arrogant imperialist project’, Modern Ghana, 2013, Available: http://www.modernghana.com/news/441891/1/declaration-on-the-importance-and-value-of-univers.html
[237]
J. M. Gorman, ‘Universalism and the new museology: impacts on the ethics of authority and ownership’, Museum Management and Curatorship, vol. 26, no. 2, pp. 149–162, 2011, doi: 10.1080/09647775.2011.566714
[238]
UNESCO, ‘Convention on the means of prohibiting and preventing the illicit import, export and transfer of ownership of cultural property’, 1970.
[239]
UNIDROIT, ‘Convention on stolen or illegally exported cultural objects’. 1995. Available: http://www.unidroit.org/instruments/cultural-property/1995-convention
[240]
UNESCO, ‘Convention for the protection of cultural property in the event of armed conflict’, 1954.
[241]
UNESCO, ‘Convention on the means of prohibiting and preventing the illegal import, export and transfer of ownership of cultural property 1970’, 1970.
[242]
UNEP, ‘Convention on international trade in endangered species of wild fauna and flora’, 1973.
[243]
UNESCO, ‘Convention on the protection of the underwater cultural heritage’, 2001.
[244]
UNESCO, ‘Convention for the safeguarding of the intangible cultural heritage 2003’, 2003.
[245]
UNESCO, ‘Heritage at risk’.
[246]
UNESCO, ‘Illicit trafficking of cultural property’.
[247]
‘Native American Graves Protection and Repatriation Act’, 1990.
[248]
‘The Vermillion Accord on Human Remains’, 1989.
[249]
‘Human Tissue Act 2004 [UK]’, 2004.
[250]
‘Guidance for the care of human remains in museums [UK].’ 2005.
[251]
P. Askerud and E. Clément, Preventing the illicit traffic in cultural property: a resource handbook for the implementation of the 1970 UNESCO convention. Paris: UNESCO, Division of Cultural Heritage, 1997.
[252]
V. Cassman, N. Odegaard, and J. F. Powell, Eds, Human remains: guide for museums and academic institutions. Lanham, MD: AltaMira Press, 2007.
[253]
K. Chamberlain, War and cultural heritage: an analysis of the 1954 Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two Protocols. Leicester: Institute of Art and Law, 2004.
[254]
E. Chilton and N. Silberman, ‘Heritage in conflict and consensus: towards an international agenda for the twenty-first century’, Museum International, vol. 62, no. 1–2, pp. 6–8, 2010, doi: 10.1111/j.1468-0033.2010.01725.x
[255]
J. B. Cuno, Who owns antiquity?: museums and the battle over our ancient heritage. Oxford: Princeton University Press, 2008.
[256]
G. Edson, Ed., Museum ethics. New York: Routledge, 1997.
[257]
C. Fforde, J. Hubert, and P. Turnbull, Eds, The dead and their possessions: repatriation in principle, policy and practice, vol. One world archaeology. London: Routledge, 2002.
[258]
J. Lohman and K. J. Goodnow, Eds, Human remains & museum practice, vol. Museums and diversity. London: Museum of London, 2006.
[259]
P. M. Messenger, Ed., The ethics of collecting cultural property: whose culture? whose property?, 2nd ed., Updated and Enl. Albuquerque, N.M.: University of New Mexico Press, 1999.
[260]
J. H. Merryman, Thinking about the Elgin marbles: critical essays on cultural property, art and law. London: Kluwer Law International, 2000.
[261]
P. Pels and L. Meskell, Eds, Embedding ethics, vol. Wenner-Gren international symposium series. Oxford: Berg, 2005.
[262]
P. J. O’Keefe, Commentary on the UNESCO 1970 convention on illicit traffic. Leicester: Institute of Art and Law, 2000.
[263]
L. V. Prott and P. J. O’Keefe, Handbook of national regulations concerning the export of cultural property. [Paris?]: Unesco, 1988.
[264]
L. V. Prott, Commentary on the Unidroit Convention on stolen and illegally exported cultural objects 1995. Leicester: Institute of Art and Law, 1997.
[265]
D. Sayer, Ethics and burial archaeology, vol. Duckworth debates in archaeology. London: Duckworth, 2010.
[266]
P. Turnbull and M. Pickering, Eds, The long way home: the meanings and values of repatriation. New York: Berghahn Books, 2010.
[267]
I. Vinson, ‘Heritage and museology: a new convergence’, Museum International, vol. 53, no. 3, pp. 58–64, 2001, doi: 10.1111/1468-0033.00327
[268]
A. F. Vrdoljak, International law, museums and the return of cultural objects. Cambridge: Cambridge University Press, 2006.
[269]
E. Weiss, Reburying the past: the effects of repatriation and reburial on scientific inquiry. New York: Nova Science Publishers, 2008.
[270]
S. Waxman, Loot: the battle over the stolen treasures of the ancient world. New York: Times Books, 2008.
[271]
P. Davison, ‘Museums and the re-shaping of memory’, in Heritage, museums and galleries: an introductory reader, G. Corsane, Ed., London: Routledge, 2005. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203326350/startPage/202
[272]
S. J. Knell, ‘National museums and the national imagination’, in National museums: new studies from around the world, London: Routledge, 2011. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781315787312/startPage/3
[273]
D. Preziosi, ‘Myths of nationality’, in National museums : new studies from around the world, S. J. Knell, Ed., London: Routledge, 2010, pp. 55–66. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781315787312/startPage/55
[274]
M. Cooke, ‘Building the brand’, in Tribal modern: branding new nations in the Arab Gulf, Berkeley: University of California Press, 2014. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780520957268/startPage/77
[275]
Qatar Museums, ‘National museum of Qatar’. Available: http://www.qm.org.qa/en/project/national-museum-qatar
[276]
M. Rice, ‘National museum of Qatar, Doha’, Museum International, vol. 29, no. 2–3, pp. 78–87, 1977, doi: 10.1111/j.1468-0033.1977.tb02077.x
[277]
A. Adedze, ‘Symbols of triumph: IFAN and the colonial museum complex in French West Africa (1938-1960)’, Museum Anthropology, vol. 25, no. 2, pp. 50–60, 2002, doi: 10.1525/mua.2002.25.2.50
[278]
R. D. Altick, ‘National monuments’, in Representing the nation: a reader : histories, heritage and museums, D. Boswell and J. Evans, Eds, London: Routledge in association with the Open University, 1999, pp. 240–258.
[279]
M. M. Ames, ‘How to decorate a house: the re-negotiation of cultural representations at the University of British Columbia Museum of Anthropology’, Museum Anthropology, vol. 22, no. 3, pp. 41–51, 1999, doi: 10.1525/mua.1999.22.3.41
[280]
A. Appadurai, Modernity at large: cultural dimensions of globalization, vol. Public worlds. London: University of Minnesota Press, 1996. Available: http://quod.lib.umich.edu.libproxy.ucl.ac.uk/cgi/t/text/text-idx?c=acls;cc=acls;view=toc;idno=heb06472.0001.001
[281]
J. Barrett, Museums and the public sphere. Chichester: Wiley, 2011. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781444327939
[282]
M. T. Bernhardsson, Reclaiming a plundered past: archaeology and nation building in modern Iraq. Austin: University of Texas Press, 2005.
[283]
C. Bilsel, Antiquity on display: regimes of the authentic in Berlin’s Pergamon Museum, vol. Classical presences. New York: Oxford University Press, 2012.
[284]
B. Butler, Return to Alexandria: an ethnography of cultural heritage, revivalism, and museum memory, vol. Publications of the Institute of Archaeology, University College London. Walnut Creek, Calif: Left Coast Press, 2007.
[285]
C. Duncan, ‘From the princely gallery to the public art museum; the Louvre Museum and the National Gallery’, in Grasping the world : the idea of the museum, D. Preziosi and C. Farago, Eds, Aldershot: Ashgate, 2004.
[286]
B. S. Cohn, ‘The transformation of objects into artefacts, antiquities and art in nineteenth-century India’, in Colonialism and its forms of knowledge: the British in India, Princeton, N.J: Princeton University Press, 1996, pp. 76–105. Available: http://quod.lib.umich.edu.libproxy.ucl.ac.uk/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb01826.0001.001;didno=heb01826.0001.001;view=image;seq=00000096;node=heb01826.0001.001%3A7
[287]
E. Colla, Conflicted antiquities: Egyptology, Egyptomania, Egyptian modernity. Durham, [N.C.]: Duke University Press, 2007.
[288]
A. E. Coombes, Reinventing Africa: museums, material culture and popular imagination in late Victorian and Edwardian England. London: Yale University Press, 1994.
[289]
M. Crinson, ‘Nation-building, collecting and the politics of display: the National Museum, Ghana’, Journal of the History of Collections, vol. 13, no. 2, pp. 231–250, 2001, doi: 10.1093/jhc/13.2.231
[290]
D. J. Timothy and B. Prideaux, ‘Issues in heritage and culture in the asia pacific region’, Asia Pacific Journal of Tourism Research, vol. 9, no. 3, pp. 213–223, 2004, doi: 10.1080/1094166042000290628
[291]
N. Dias, ‘Cultural difference and cultural diversity: the case of the Musée du Quai Branly’, in Museums and difference, D. J. Sherman, Ed., Bloomington: Indiana University Press, 2008, pp. 124–154.
[292]
T. Fibiger, ‘Global display—local dismay. Debating "globalized heritage” in Bahrain’, History and Anthropology, vol. 22, no. 2, pp. 187–202, 2011, doi: 10.1080/02757206.2011.558582. Available: http://www-tandfonline-com.libproxy.ucl.ac.uk/doi/abs/10.1080/02757206.2011.558582
[293]
J. M. Fladmark, Ed., Heritage and museums : shaping national identity : papers presented at The Robert Gordon University Heritage Convention 1999. Shaftesbury: Donhead, 2000.
[294]
J. F. Goode, Negotiating for the past : archaeology, nationalism, and diplomacy in the Middle East, 1919-1941. Austin: University of Texas Press, 2007, pp. 1–18.
[295]
edited by Rodney Harrison, Understanding the politics of heritage, vol. Understanding global heritage. Manchester: Manchester University Press in association with the Open University, 2010.
[296]
A. J. M. Henare, Museums, anthropology and imperial exchange. New York: Cambridge University Press, 2005.
[297]
A. Henderson and A. L. Kaeppler, Eds, Exhibiting dilemmas: issues of representation at the Smithsonian. London: Smithsonian Institution Press, 1997. Available: http://search.ebscohost.com.libproxy.ucl.ac.uk/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1219159&site=ehost-live&scope=site
[298]
H. Michael, ‘The Indonesian cultural village museum and its forebears.’, Journal of Museum Ethnography, no. 7, pp. 17–24, 1995.
[299]
F. E. S. Kaplan, Ed., Museums and the making of ‘ourselves’: the role of objects in national identity. London: Leicester University Press, 1994.
[300]
I. Karp, Ed., Museum frictions: public cultures/global transformations. Durham: Duke University Press, 2006. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780822388296
[301]
R. G. Kennedy, ‘Some thoughts about national museums at the end of the century’, in The formation of national collections of art and archaeology, G. Wright, Ed., Hanover, N.H: National Gallery of Art, 1996, pp. 159–163.
[302]
C. F. Kreps, ‘The eurocentric museum model in the non-European world’, in Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, London: Routledge, 2003, pp. 20–45. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203389980/startPage/20
[303]
C. F. Kreps, Liberating culture: cross-cultural perspectives on museums, curation, and heritage preservation, vol. Museum meanings. London: Routledge, 2003. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203389980
[304]
C. Kreps, ‘The paradox of cultural preservation in museums’, The Journal of Arts Management, Law, and Society, vol. 23, no. 4, pp. 291–306, 1994, doi: 10.1080/10632921.1994.9942941
[305]
C. Kreps, ‘Non-western models of museums and curation in cross-cultural perspective’, in A companion to museum studies, S. Macdonald, Ed., Malden, MA: Blackwell, 2006, pp. 457–476. doi: 10.1002/9780470996836
[306]
H. Lidchi, ‘The poetics and politics of exhibiting other cultures’, in Representation : cultural representations and signifying practices, S. Hall, Ed., London: SAGE, 1997, pp. 199–219.
[307]
C. McCarthy, Exhibiting Māori: a history of colonial cultures of display. Oxford: Berg, 2007.
[308]
S. J. MacDonald, ‘Museums, national, postnational and transcultural identities.’, Museum and society, vol. 1, no. 1, pp. 1–16, 2003.
[309]
J. M. MacKenzie, Museums and empire: natural history, human cultures and colonial identities, vol. Studies in imperialism. Manchester: Manchester University Press, 2009.
[310]
A. McClellan, ‘Nationalism and the origins of the museum in France’, in The formation of national collections of art and archaeology, Hanover, N.H: Distributed by the University Press of New England, 1996, pp. 29–39.
[311]
L. Meskell, Ed., Archaeology under fire: nationalism, politics and heritage in the Eastern Mediterranean and Middle East. London: Routledge, 1998.
[312]
T. Mitchell, ‘Orientalism and the exhibitionary order’, in Colonialism and culture, N. B. Dirks, Ed., Ann Arbor, MI: University of Michigan Press, 1992, pp. 289–318.
[313]
S. Price, Paris primitive: Jacques Chirac’s Museum on the Quai Branly. Chicago: University of Chicago Press, 2007.
[314]
M. W. Rectanus, ‘Globalization: incorporating the museum’, in A companion to museum studies, S. Macdonald, Ed., Malden, Mass: Blackwell, 2006, pp. 381–397. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9781405157292/startPage/381
[315]
E. W. Said, Culture and imperialism. New York: Knopf, 1994.
[316]
D. J. Sherman, Ed., Museums and difference, vol. 21st Century studies. Bloomington: Indiana University Press, 2008.
[317]
S. Smiles and S. Moser, Eds, Envisioning the past: archaeology and the image, vol. New interventions in art history. Malden, Mass: Blackwell, 2005.
[318]
N. Stanley, Ed., The future of indigenous museums: perspectives from the southwest Pacific, vol. Museums and collections. New York: Berghahn Books, 2007.
[319]
C. B. Steiner, ‘Museums and the politics of nationalism’, Museum Anthropology, vol. 19, no. 2, pp. 3–6, 1995, doi: 10.1525/mua.1995.19.2.3
[320]
B. S. Turner, Orientalism, postmodernism, and globalism. London: Routledge, 1994.
[321]
G. M. White, Ed., ‘Public history and national narrative [Museum anthropology - special issue]’, Museum anthropology, vol. 21, no. 1, 1997, Available: http://anthrosource.onlinelibrary.wiley.com.libproxy.ucl.ac.uk/hub/issue/10.1111/muan.1997.21.issue-1/
[322]
M. Wood, ‘The use of the Pharaonic past in modern Egyptian nationalism’, Journal of the American Research Center in Egypt, vol. 35, pp. 179–196, 1998.
[323]
J. Dodd and C. Jones, Mind, body, spirit: how museums impact health and wellbeing. Leicester: Research Centre for Museums and Galleries (RCMG), School of Museum Studies, University of Leicester, 2014. Available: http://www2.le.ac.uk/departments/museumstudies/rcmg/publications/mind-body-spirit-report
[324]
K. O. Matthews, ‘Art is therapy: a discussion with Alain de Botton’, TEDxAmsterdam, 2014, Available: http://tedx.amsterdam/2014/06/art-therapy-discussion-alain-de-botton/
[325]
A. Searle, ‘Art is Therapy review – de Botton as doorstepping sefl-help evangelist’, The Guardian, 2014, Available: http://www.theguardian.com/artanddesign/2014/apr/25/art-is-therapy-alain-de-botton-rijksmuseum-amsterdam-review
[326]
J. Morgan, ‘Examining the “flexible museum”: exhibition process, a project approach, and the creative element’, Museum and society, vol. 11, no. 2, 2013, Available: http://www2.le.ac.uk/departments/museumstudies/museumsociety/documents/volumes/morgan
[327]
A. De Botton, ‘Art Is therapy exhibition lecture’, Rijksmuseum. 2014. Available: https://www.rijksmuseum.nl/en/art-is-therapy
[328]
K. Singh, ‘The future of the museum is ethnographic’, The future of ethnographic museums. Pitt Rivers Museum, Oxford, 2013. Available: http://www.prm.ox.ac.uk/PRMconference_lectures.html
[329]
‘Assembling alternative futures for heritage’, UCL Institute of Archaeology. Available: http://www.ucl.ac.uk/archaeology/research/directory/assembling-alternative-futures-heritage