Aaron N. Shugar, et al. (2012). Handheld XRF for Art and Archaeology on JSTOR. Leuven University Press. https://www.jstor.org/stable/j.ctt9qdzfs
Aaron N. Shugar; Jennifer L. Mass. (2012a). Introduction: Handheld XRF for Art and Archaeology. In Handheld XRF for Art and Archaeology. Leuven University Press. http://www.jstor.org/stable/j.ctt9qdzfs
Abd El Salam, S. A. (2004). Egyptian and Graeco-Roman wall plasters and mortars: A comparative scientific study: Vol. BAR international series. Hedges. https://doi.org/https://doi.org/10.30861/9781841713885
Abrams, E. M., Parhamovich, J., Butcher, J. A., & McCord, B. (2012). Chemical composition of architectural plaster at the Classic Maya kingdom of Piedras Negras, Guatemala. Journal of Archaeological Science, 39(5), 1648–1654. https://doi.org/10.1016/j.jas.2012.01.002
Appleyard, H. M. & Wira. (1978). Guide to the identification of animal fibres (2nd ed). Wira.
Arnold, D. E. (1985). Ceramic theory and cultural process: Vol. New studies in archaeology. Cambridge University Press.
Arnold, D. E. (2009). Joining clay: a comparison of modern and ancient techniques. In Holding it all together: ancient and modern approaches to joining, repair and consolidation. Archetype Publications in association with the British Museum.
Artioli, G., & Angelini, I. (2010a). Scientific methods and cultural heritage: an introduction to the application of materials science to archaeometry and conservation science. Oxford University Press. http://UCL.eblib.com/patron/FullRecord.aspx?p=618614
Artioli, G., & Angelini, I. (2010b). Scientific methods and cultural heritage: an introduction to the application of materials science to archaeometry and conservation science. Oxford University Press. http://UCL.eblib.com/patron/FullRecord.aspx?p=618614
Artioli, G., & Angelini, I. (2010c). Scientific methods and cultural heritage: an introduction to the application of materials science to archaeometry and conservation science. Oxford University Press. http://UCL.eblib.com/patron/FullRecord.aspx?p=618614
Ashurst, J., & Dimes, F. G. (1998). Conservation of building and decorative stone: Vol. Butterworth-Heinemann series in conservation and museology (Paperback ed). Butterworth-Heinemann. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080502908
Barclay, K. (2001). Scientific analysis of archaeological ceramics: a handbook of resources. Oxbow.
Biswas, A. K., & Davenport, W. G. (2002). Extractive metallurgy of copper (4th ed). Pergamon.
Boersma, F., Brokerhof, A. W., van den Berg, S., & Tegelaers, J. (2007). Unravelling textiles: A handbook for the preservation of textile collections. Archetype.
Bradley, S. M., & Middleton, A. P. (1988). A study of the deterioration of Egyptian limestone sculpture. Journal of the American Institute for Conservation, 27(2), 64–86. http://www.jstor.org/stable/3179403
Bray, C. & Society of Glass Technology. (2000a). Ceramics and glass: a basic technology. Society of Glass Technology.
Bray, C. & Society of Glass Technology. (2000b). Ceramics and glass: A basic technology. Society of Glass Technology.
Bregnhøi, L. & Nationalmuseet (Denmark). (2006). Paint research in building conservation. Archetype.
Brill, R. H., Rising, B. A., Stapleton, C. P., & Bakowska, E. (1999). Chemical analyses of early glasses. Corning Museum of Glass.
Buchwald, V. F. & Kongelige Danske videnskabernes selskab. (2005). Iron and steel in ancient times: Vol. Historisk-filosofiske skrifter. Det Kongelige Danske Videnskabernes Selskab.
Calnan, C. N., Haines, B., & Leather Conservation Centre. (1991). Leather: Its composition and changes with time. Leather Conservation Centre.
Calvini, P., & Gorassini, A. (2006). On the rate of paper degradation: Lessons from the past. Restaurator: International Journal for the Preservation of Library and Archival Material, 27(4). https://doi.org/10.1515/REST.2006.275
Cameron, E. (1991). Identification of skin and leather preserved by iron corrosion products. Journal of Archaeological Science, 18(1), 25–33. https://doi.org/10.1016/0305-4403(91)90077-3
Caneva, G., Nugari, M. P., Salvadori, O., & Getty Conservation Institute. (2008). Plant biology for cultural heritage: biodeterioration and conservation. Getty Conservation Institute.
Cartwright, C., & King, J. C. H. (2012). Identification of hairs and fibres in Great Lakes objects from the eighteenth and nineteenth centuries using variable pressure scanning electron microscopy. British Museum Technical Research Bulletin, 6. http://www.britishmuseum.org/pdf/BMTRB_6_Cartwright-and-King.pdf
Cassman, V., & Odegaard, N. (2007). Condition assessment of osteological collections. In Human remains: guide for museums and academic institutions. AltaMira Press.
Catling, D., & Grayson, J. E. (1982). Identification of vegetable fibres. Chapman & Hall.
Centeno, S. A., Williams, V. I., Little, N. C., & Speakman, R. J. (2012). Characterization of surface decorations in Prehispanic archaeological ceramics by Raman spectroscopy, FTIR, XRD and XRF. Vibrational Spectroscopy, 58, 119–124. https://doi.org/10.1016/j.vibspec.2011.11.004
Chandler, H. (1998). Metallurgy for the non-metallurgist. ASM International.
Charola, A. E. (2000). Salts in the deterioration of porous materials: An overview. Journal of the American Institute for Conservation, 39(3), 327–343. http://www.jstor.org/stable/3179977
Child, A. M. (1995). Towards an understanding of the microbial decomposition of archaeological bone in the burial environment. Journal of Archaeological Science, 22(2), 165–174. https://doi.org/10.1006/jasc.1995.0018
Conservation Unit Museums and Gall. (1992). The Science For Conservators Series: Volume 3: Adhesives and Coatings. Taylor & Francis Group. https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1143796
Corti, G., Costagliola, P., Bonini, M., Benvenuti, M., Pecchioni, E., Vaiani, A., & Landucci, F. (2015). Modelling the failure mechanisms of Michelangelo’s David through small-scale centrifuge experiments. Journal of Cultural Heritage, 16(1), 26–31. https://doi.org/10.1016/j.culher.2014.03.001
Covington, T. (2009). Tanning chemistry - The science of leather. http://app.knovel.com/web/toc.v/cid:kpTCTSL002/viewerType:toc/root_slug:tanning-chemistry-science/url_slug:tanning-chemistry-science/?
Craddock, P. T., & La Niece, S. (1993). Metal plating and patination: Cultural, technical and historical developments. Butterworth-Heinemann.
Cullity, B. D., & Stock, S. R. (2001). Elements of X-ray diffraction (3rd ed). Prentice Hall.
Daniels, V. (2006). Paper. In Conservation science: Heritage materials (pp. 32–55). RSC Publishing. https://doi.org/10.1039/9781847557629
Daniels, V., Donnithorne, A., Smith, P., & International Institute for Conservation of Historic and Artistic Works. (2002). Works of art on paper, books, documents and photographs: Techniques and conservation. International Institute for Conservation.
Dawson, J., Wright, M. M., Rozeik, C., Fitzwilliam Museum, & Icon Archaeology Group. (2010). Decorated surfaces on ancient Egyptian objects: Technology, deterioration and conservation : Proceedings of a conference held in Cambridge, UK on 7-8 September 2007. Archetype in association with the Fitzwilliam Museum and Icon Archaeology Group.
Delamare, F. (2000). Colour: making and using dyes and pigments: Vol. New horizons. Thames & Hudson.
Derrick, M. R., Landry, J. M., & Stulik, D. (1999). Infrared spectroscopy in conservation science: Vol. Scientific tools for conservation. Getty Conservation Institute. https://www.getty.edu/publications/virtuallibrary/0892364696.html
Derrick, M. R., Stulik, D., & Landry, J. M. (1999). Chapter 5: spectral interpretation. In Infrared spectroscopy in conservation science. J. Paul Getty Trust. http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/infrared_spectroscopy.pdf
Derrick, M., Souza, L., Kieslich, T., Florsheim, H., & Stulik, D. (1994). Embedding paint cross-section samples in polyester resins: Problems and solutions. Journal of the American Institute for Conservation, 33(3), 227–245. http://www.jstor.org.libproxy.ucl.ac.uk/stable/3179635?origin=crossref&seq=1#page_scan_tab_contents
Dorge, V., Howlett, F. C., & American Institute for Conservation of Historic and Artistic Works. (1998). Painted wood: History and conservation. Getty Conservation Institute.
Drayman-Weisser, T. & American Institute for Conservation of Historic and Artistic Works. (2000). Gilded metals: History, technology and conservation. Archetype Publications in association with The American Institute for Conservation of Historic and Artistic Works.
Drennan, R. D. (1996). Statistics for archaeologists – A commonsense approach. https://link-springer-com.libproxy.ucl.ac.uk/book/10.1007%2F978-1-4419-0413-3
Drummond, G. (2012). Statistics: A journey that needs a guide. In P. Langton (Ed.), Essential guide to reading biomedical papers: Recognising and interpreting best practice. https://onlinelibrary-wiley-com.libproxy.ucl.ac.uk/doi/book/10.1002/9781118402184
Dylan Smith. (2012b). Ch. 2: Handheld X-ray fluorescence analysis of Renaissance bronzes: Practical approaches to quantification and acquisition. In Handheld XRF for Art and Archaeology (pp. 37–74). Leuven University Press. https://www.jstor.org/stable/j.ctt9qdzfs.6
Eaton, R. A. & Hale, M. D. C. (1993). Wood: Decay, pests, and protection (1st ed). Chapman & Hall.
Ebel, H. F., Bliefert, C., & Russey, W. E. (2004). The art of scientific writing: From student reports to professional publications in chemistry and related fields (2nd ed). Wiley-VCH.
Eckel, E. C. (2005). Cements, limes and plasters: Their materials, manufacture and properties. Donhead.
Edwards, H. G. M., Chalmers, J. M., & Royal Society of Chemistry (Great Britain). (2005). Raman spectroscopy in archaeology and art history: Vol. RSC analytical spectroscopy monographs. Royal Society of Chemistry.
Espinoza, E. O., Baker, B. W., & Berry, C. A. (2007). The analysis of sea turtle and bovid keratin artefacts using drift spectroscopy and discriminant analysis. Archaeometry, 49(4). http://onlinelibrary.wiley.com.libproxy.ucl.ac.uk/doi/10.1111/j.1475-4754.2007.00328.x/epdf
Feller, R. L., Roy, A., FitzHugh, E. W., & Berrie, B. H. (2007). Artists’ pigments: A handbook of their history and characteristics. National Gallery of Art.
Fenn, J. (2011). Adhesion without adhesives: gecko-like adhesives. In Symposium 2011: Adhesives and Consolidants for Conservation: research and applications: proceedings. https://www.cci-icc.gc.ca/discovercci-decouvriricc/PDFs/Paper%2010%20-%20Fenn%20-%20English.pdf
Florian, M. E., Kronkright, D. P., & Norton, R. E. (1990). The conservation of artifacts made from plant materials. Getty Conservation Institute. http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/cons_artifacts.pdf
Florian, M.-L. E. (2007). Protein facts: Fibrous proteins in cultural and natural history artifacts. Archetype Publications.
Freestone, I. (2001). Post-depositional changes in archaeological ceramics and glasses. In Handbook of archaeological sciences (pp. 615–625). John Wiley. https://contentstore.cla.co.uk/secure/link?id=97a2cea4-73f4-4a0c-8a4c-22641705ce36
Freestone, I., & Gaimster, D. R. M. (1997). Pottery in the making: world ceramic traditions. British Museum Press.
Gale, R., & Cutler, D. (2000). Plants in archaeology: Identification manual of vegetative plant manterials used in Europe and the southern Mediterranean to c. 1500. Westbury and Royal Botanic Gardens, Kew.
Garland, K. M., Bernstein, J., & Rogers, J. (2015). RAISING MERET-IT-ES: EXAMINING AND CONSERVING AN EGYPTIAN ANTHROPOID COFFIN FROM 380–250 BCE. Journal of the American Institute for Conservation, 54(2), 102–113. https://doi.org/10.1179/1945233015Y.0000000003
Gill, R. (2015). Chemical fundamentals of geology and environmental geoscience (Third edition). Wiley Blackwell. http://UCL.eblib.com/patron/FullRecord.aspx?p=1879373
Glinsman, L. (2004). The application of X-ray fluorescence spectrometry to the study of museum objects. s.n.].
Goldstein, J. (2003). Scanning electron microscopy and x-ray microanalysis (3rd ed). Kluwer Academic/Plenum Publishers.
Gowing, R., Pender, R., Secular Wall Paintings Symposia, English Heritage, & Institute of Conservation. (2007). All manner of murals: The history, techniques and conservation of secular wall paintings (Proceedings of the Secular Wall Paintings Symposia, London 2004-5). Archetype.
Graziani, G., Sassoni, E., & Franzoni, E. (2015). Consolidation of porous carbonate stones by an innovative phosphate treatment: mechanical strengthening and physical-microstructural compatibility in comparison with TEOS-based treatments. Heritage Science, 3(1). https://doi.org/10.1186/s40494-014-0031-0
Greaves, P. H., Saville, B. P., & Royal Microscopical Society (Great Britain). (1995). Microscopy of textile fibres: Vol. Microscopy handbooks. BIOS Scientific in association with the Royal Microscopical Society.
Gribble, C. D., & Hall, A. J. (1985a). A practical introduction to optical mineralogy. George Allen & Unwin. https://link-springer-com.libproxy.ucl.ac.uk/book/10.1007%2F978-94-011-7804-4
Gribble, C. D., & Hall, A. J. (1985b). A practical introduction to optical mineralogy. George Allen & Unwin. https://link-springer-com.libproxy.ucl.ac.uk/book/10.1007%2F978-94-011-7804-4
Haines, B. & Leather Conservation Centre. (1999). Parchment: The physical and chemical characteristics of parchment and the materials used in its conservation. Leather Conservation Centre.
Hamer, F., & Hamer, J. (1991). The potter’s dictionary of materials and techniques (3rd ed). A & C Black.
Harley, R. D. (2001). Artists’ pigments c. 1600-1835: A study in English documentary sources (2nd. rev. ed). Archetype Publications.
Hather, J. G. (2000a). The identification of northern European woods: A guide for archaeologists and conservators. Archetype.
Hather, J. G. (2000b). The identification of northern European woods: A guide for archaeologists and conservators. Archetype.
Havlínová, B., Katuščák, S., Petrovičová, M., Maková, A., & Brezová, V. (2009). A study of mechanical properties of papers exposed to various methods of accelerated ageing. Part I. The effect of heat and humidity on original wood-pulp papers. Journal of Cultural Heritage, 10(2), 222–231. https://doi.org/10.1016/j.culher.2008.07.009
Hayman, R. (2005). Ironmaking: The history and archaeology of the iron industry. Tempus.
Heck, M., & Hoffmann, P. (2002). Analysis of early medieval glass beads - The raw materials to produce green,orange and brown colours. Mikrochimica Acta, 139, 71–76.
Henderson, J. (2000). The science and archaeology of materials: an investigation of inorganic materials [Electronic resource]. Routledge. http://UCL.eblib.com/patron/FullRecord.aspx?p=1144554
Henry, A. (2006). Stone conservation: principles and practice [Electronic resource]. Taylor and Francis. http://UCL.eblib.com/patron/FullRecord.aspx?p=4186381
Henry, A., Stewart, J., & English Heritage. (2011). Practical building conservation: Mortars, renders & plasters. Ashgate.
Hill Stoner, J. (2005). Changing approaches in art conservation: 1925 to the present. In Scientific examination of art: modern techniques in conservation and analysis (pp. 40–57). The National Academies Press. http://www.nap.edu/catalog.php?record_id=11413
Hoadley, R. B. (1990a). Identifying wood: Accurate results with simple tools. Taunton Press.
Hoadley, R. B. (1990b). Identifying wood: Accurate results with simple tools. Taunton Press.
Hodges, H. (1989). Artifacts: an introduction to early materials and technology. Duckworth.
Holztapffel, C. H. (2000). Working horn, ivory & tortoishell. Caber Press.
Horie, C. V. (1990). Deterioration of skin in museum collections. Polymer Degradation and Stability, 29(1), 109–133. https://doi.org/10.1016/0141-3910(90)90025-3
Horie, C. V. (2010a). Materials for conservation: organic consolidants, adhesives and coatings (2nd ed). Butterworth-Heinemann. https://doi.org/https://doi.org/10.4324/9780080940885
Horie, C. V. (2010b). Materials for conservation: Organic consolidants, adhesives and coatings (2nd ed). Butterworth-Heinemann.
Horie, V. (2011). Does what we want exist? Adhesives and Consolidants for Conservation: Research and Applications Symposium Proceedings / Adhésifs et Consolidants Pour La Conservation: Recherche et Applications: Les Actes. http://www.cci-icc.gc.ca/discovercci-decouvriricc/Symposium/2011Symposium-eng.aspx
Ian M. Watt. (1997). The Principles and Practice of Electron Microscopy -. Cambridge Books Online - Cambridge University Press. https://doi.org/http://dx.doi.org/10.1017/CBO9781139170529
Igneous Rocks Home Page. (n.d.). http://csmres.jmu.edu/geollab/Fichter/IgnRx/Ighome.html
Janaway, R. C., Scott, B. G., United Kingdom Institute for Conservation of Historic and Artistic Works, & Council for British Archaeology. (1989). Evidence preserved in corrosion products: New fields in artifact studies: Vol. Occasional papers. United Kingdom Institute for Conservation.
Janaway, R. C., Wyeth, P., & AHRC Research Centre for Textile Conservation and Textile Studies. (2005). Scientific analysis of ancient and historic textiles: Informing preservation, display and interpretation: Postprints. Archetype.
Janssens, K. H. A., & Grieken, R. van. (2004). Non-destructive microanalysis of cultural heritage materials: Vol. Comprehensive analytical chemistry. Elsevier.
John Mills, Raymond White. (2011a). Organic Chemistry of Museum Objects. Taylor & Francis online. http://www.tandfebooks.com/ISBN/9780080513355
John Mills, Raymond White. (2011b). Organic Chemistry of Museum Objects. Taylor & Francis online. http://www.tandfebooks.com/ISBN/9780080513355
John Mills, Raymond White. (2011c). Organic Chemistry of Museum Objects. Taylor & Francis online. http://www.tandfebooks.com/ISBN/9780080513355
John Mills, & Raymond White. (2012c). Organic Chemistry of Museum Objects. https://doi.org/10.4324/9780080513355
John Mills, & Raymond White. (2012d). Organic Chemistry of Museum Objects. https://doi.org/10.4324/9780080513355
Jones, A. V. (1999). Access to chemistry. Royal Society of Chemistry.
Jones, D. A. (1996). Principles and prevention of corrosion (2nd ed). Prentice Hall.
Jones, M., & May, E. (2006a). Conservation science: heritage materials. RSC Publishing. https://doi.org/10.1039/9781847557629
Jones, M., & May, E. (2006b). Conservation science: heritage materials. RSC Publishing. https://doi.org/10.1039/9781847557629
Jorjani, M., Wheeler, G., Riccardelli, C., Soboyejo, W., & Rahbar, N. (2009). An evaluation of potential adhesives for marble repair. In Holding it all together: ancient and modern approaches to joining, repair and consolidation. Archetype Publications in association with the British Museum.
Juleff, G. (1996). An ancient wind-powered iron smelting technology in Sri Lanka. Nature, 379(6560), 60–66. http://www.nature.com.libproxy.ucl.ac.uk/nature/journal/v379/n6560/pdf/379060a0.pdf
Kingery, W. D. (1996a). A role for materials science. In Learning from things: method and theory of material culture studies (pp. 175–180). Smithsonian Institution Press.
Kingery, W. D. (1996b). Materials science and material culture. In Learning from things: method and theory of material culture studies (pp. 181–203). Smithsonian Institution Press.
Kingery, W. D., & Vandiver, P. B. (1986). Ceramic masterpieces: art, structure, and technology. Free Press.
Kite, M., & Thomson, R. (2006). Conservation of leather and related materials: Vol. Butterworth-Heinemann series in conservation and museology. Butterworth-Heinemann. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080454665
Koob, S. P. & Corning Museum of Glass. (2006). Conservation and care of glass objects. Archetype in association with the Corning Museum of Glass.
Koochakzaei, A., & Achachluei, M. M. (2015). RED STAINS ON ARCHAEOLOGICAL LEATHER: DEGRADATION CHARACTERISTICS OF A SHOE FROM THE 11TH–13TH CENTURIES (SELJUK PERIOD, IRAN). Journal of the American Institute for Conservation, 54(1), 45–56. https://doi.org/10.1179/1945233014Y.0000000033
Kunicki-Goldfinger, J. J. (2008). Unstable historic glass: symptoms, causes, mechanisms and conservation. Studies in Conservation, 53(sup2), 47–60. https://doi.org/10.1179/sic.2008.53.Supplement-2.47
Lang, J., & Craddock, P. T. (2003a). Mining and metal production through the ages. British Museum.
Lang, J., & Craddock, P. T. (2003b). Mining and metal production through the ages. British Museum.
Larsen, R. (2002). Microanalysis of parchment. Archetype.
Lennard, F., & Dulieu-Barton, J. M. (2014). Quantifying and visualizing change: Strain monitoring of tapestries with digital image correlation. Studies in Conservation, 59(4), 241–255. https://doi.org/10.1179/2047058413Y.0000000097
M. J. Drews. (2013). The application of subcritical fluids for the stabilization of marine archaeological iron. Studies in Conservation, 58(4), 314–325. http://www.jstor.org/stable/42751834
MacGregor, A. (1985). Bone, antler, ivory & horn: The technology of skeletal materials since the Roman period. Barnes & Noble Books.
Maria Perla Colombini, & Francesca Modugno. (2009). Organic Mass Spectrometry in Art and Archaeology. John Wiley & Sons, Ltd. https://doi.org/10.1002/9780470741917
Marte, Fernando. (2006). Arsenic in Taxidermy Collections: History, Detection, and Management. http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_sro10088%2f8134&indx=1&recIds=TN_sro10088%2f8134&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=Arsenic%20in%20taxidermy%20collections%3A%20history%2C%20detection%20and%20management&dstmp=1474123526335
Mattusch, C. C., Barr-Sharrar, B., Arthur M. Sackler Museum, Toledo Museum of Art, & Tampa Museum of Art. (1996). The fire of Hephaistos: Large classical bronzes from North American collections. Harvard University Art Museums.
McCrone, W. C. (1990). The Shroud of Turin: blood or artist’s pigment? Accounts of Chemical Research, 23(3), 77–83. https://doi.org/10.1021/ar00171a004
McCrone, W. C., Delly, J. G., & McCrone, L. B. (1978). Polarized light microscopy. Ann Arbor Science.
Mesbahinia, A., Rashidi-Huyeh, M., & Shafiee Afarani, M. (2015). Persian turquoise glazed bodies: reproduction and optical properties. Applied Physics A, 118(4), 1183–1188. https://doi.org/10.1007/s00339-014-8857-6
Metal 2010, Proceedings of the Interim Meeting of the ICOM-CC Metal Working Group, Charleston, South Carolina, USA,11-15 October 2010 (digital version) by Clemson University (eBook) � Lulu GB. (n.d.). http://www.lulu.com/shop/clemson-university/metal-2010-proceedings-of-the-interim-meeting-of-the-icom-cc-metal-working-group-charleston-south-carolina-usa11-15-october-2010-digital-version/ebook/product-18691539.html
Metamorphic Rocks Home Page. (n.d.). http://csmres.jmu.edu/geollab/Fichter/MetaRx/index.html
Middleton, A. P., & Bradley, S. M. (1989). Provenancing of Egyptian limestone sculpture. Journal of Archaeological Science, 16(5), 475–488. https://doi.org/10.1016/0305-4403(89)90069-1
Mogk, D. W. (n.d.). Optical mineralogy and petrography. http://serc.carleton.edu/NAGTWorkshops/mineralogy/optical_mineralogy_petrography.html
Mogk, D. W. (2013). Optical mineralogy and petrography. http://serc.carleton.edu/NAGTWorkshops/mineralogy/optical_mineralogy_petrography.html
Namowicz, C., Trentelman, K., & McGlinchey, C. (2009). XRF of cultural heritage materials: Round-robin IV – paint on canvas. https://www-cambridge-org.libproxy.ucl.ac.uk/core/services/aop-cambridge-core/content/view/5DB13489C851D1FD881902B32D2AA115/S0885715600032814a.pdf/xrf-of-cultural-heritage-materials-round-robin-iv-paint-on-canvas.pdf
Newton, R. G., & Davison, S. (1996). Conservation of glass: Vol. Butterworths series in conservation and museology (Rev. ed). Butterworth-Heinemann.
Nicholas Eastaugh. (2004). The pigment compendium: Optical microscopy of historical pigments. Taylor & Francis. http://www.tandfebooks.com/ISBN/9780080943596
Oakley, V. (1992). The deterioration of the glass vessel. In Glass and enamel conservation: collected papers from a one-day meeting on the conservation of glass and enamels held on 11 November 1989: Vol. Occasional papers / United Kingdom Institute for Conservation of Historic and Artistic Works of Art (pp. 18–22). United Kingdom Institute for Conservation of Historic and Artistic Works of Art.
O’Connor, S. A., & Brooks, M. M. (2007). X-radiography of textiles, dress and related objects: Vol. Butterworth-Heinemann series in conservation and museology. Elsevier/Butterworth-Heinemann. https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780080550206
Odegaard, N., Carroll, S., Zimmt, W. S., Spurgeon, D., & Lane, S. K. (2005). Material characterization tests for objects of art and archaeology (2nd ed). Archetype.
Orsini, S., Ribechini, E., Modugno, F., Klügl, J., Di Pietro, G., & Colombini, M. (2015). Micromorphological and chemical elucidation of the degradation mechanisms of birch bark archaeological artefacts. Heritage Science, 3(1). https://doi.org/10.1186/s40494-015-0032-7
Orton, C., & Hughes, M. (2013). Pottery in Archaeology. Cambridge University Press. https://doi.org/10.1017/CBO9780511920066
Ottaway, B. S., & Wang, Q. (2004). Casting experiments and microstructure of archaeologically relevant bronzes: Vol. BAR international series. Archaeopress. https://doi.org/https://doi.org/10.30861/9781841716763
Paris, C., Lecomte, S., & Coupry, C. (2005). ATR-FTIR spectroscopy as a way to identify natural protein-based materials, tortoiseshell and horn, from their protein-based imitation, galalith. Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 62(1–3), 532–538. https://doi.org/10.1016/j.saa.2005.01.023
Passmore, E. & et al. (2012). Hidden, looted, saved: The scientific research and conservation of a group of Begram Ivories from the National Museum of Afghanistan. http://www.britishmuseum.org/pdf/BMTRB_6_Passmore-et-al.pdf
Plesters, J. (1956). Cross-sections and chemical analysis of paint samples. Studies in Conservation, 2(3), 110–157. http://www.jstor.org.libproxy.ucl.ac.uk/stable/1505000?origin=crossref&seq=1#page_scan_tab_contents
Pollard, A. M., Batt, C., Young, S., & Stern, B. (2007). Analytical chemistry in archaeology. Cambridge University Press.
Pollard, A. M., Heron, C., & Royal Society of Chemistry (Great Britain). (2008a). Archaeological chemistry (2nd ed). Royal Society of Chemistry. http://UCL.eblib.com/patron/FullRecord.aspx?p=1185179
Pollard, A. M., Heron, C., & Royal Society of Chemistry (Great Britain). (2008b). Archaeological chemistry (2nd ed). Royal Society of Chemistry. https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1185179
Potts, P. J. (1992). A handbook of silicate rock analysis (New ed). Blackie Academic & Professional.
Potts, P. J., & West, M. (Eds). (2008). Portable X-ray Fluorescence Spectrometry. Royal Society of Chemistry. https://doi.org/10.1039/9781847558640
Price, C. A. (1996). Stone Conservation: An Overview of Current Research. http://www.getty.edu/publications/virtuallibrary/0892363894.html?imprint=gtcn&pg=2&res=20?imprint=gtcn&pg=4&res=20?imprint=gtcn&pg=7&res=20?imprint=gtcn
Price, T. Douglas & Burton, James H. (2011). An introduction to archaeological chemistry. Springer.
Přikryl, R., Smith, B. J., European Geosciences Union, & Geological Society of London. (2007). Building stone decay: from diagnosis to conservation: Vol. Geological Society special publication. Geological Society. https://app-knovel-com.libproxy.ucl.ac.uk/web/toc.v/cid:kpBSDFDC01/viewerType:toc//root_slug:building-stone-decay?kpromoter=marc
Rauch, I. (n.d.). The Conservation and Restoration of Historical Stained and Painted Glass: An Introduction to the Problems. http://www.cvma.ac.uk/conserv/rauch.html
Reedy, C. L. (2008). Thin-section petrography of stone and ceramic cultural materials. Archetype.
Reedy, T. J., & Reedy, C. L. (1992). Principles of experimental design for art conservation research. Stat/Consul, University of Delaware; Getty Conservation Institute. http://hdl.handle.net/10020/gci_pubs/principles_experimental_design
Ricciardi, P., Colomban, P., Tournié, A., & Milande, V. (2009). Nondestructive on-site identification of ancient glasses: genuine artefacts, embellished pieces or forgeries? Journal of Raman Spectroscopy, 40(6), 604–617. https://doi.org/10.1002/jrs.2165
Rice, P. M. (1987). Pottery analysis: a sourcebook. University of Chicago Press.
Rice, P. M. (1996a). Recent ceramic analysis: 1. Function, style, and origins. Journal of Archaeological Research, 4(2), 133–163. http://www.jstor.org/stable/41053114
Rice, P. M. (1996b). Recent ceramic analysis: 2. Composition, production, and theory. Journal of Archaeological Research, 4(3), 165–202. http://www.jstor.org/stable/41053131
Richards, M. (2004). Deerskins into buckskins: How to tan with brains, soap or eggs (2nd ed., rev.updated). Backcountry Pub.
Rivers, S., & Umney, N. (2003). Conservation of furniture: Vol. Butterworth-Heinemann series in conservation and museology. Butterworth-Heinemann.
Robinson, P. C., Bradbury, S., & Royal Microscopical Society (Great Britain). (1992). Qualitative polarized-light microscopy: Vol. Microscopy handbooks. Oxford University Press.
Robinson, P. C., Bradbury, Savile, & Royal Microscopical Society (Great Britain). (1992). Qualitative polarized-light microscopy: Vol. Microscopy handbooks. Royal Microscopical Society.
Rodriguez-Navarro, C., Hansen, E., Sebastian, E., & Ginell, W. S. (1997). The role of clays in the deterioration of ancient Egyptian limestone sculptures. Journal of the American Institute for Conservation, 36(2), 151–163. http://www.jstor.org/stable/3179829
Roemich, H. (1999). Historic glass and its interaction with the environment. In The conservation of glass and ceramics: research, practice and training (pp. 5–14). James & James. https://contentstore.cla.co.uk/secure/link?id=2d10d742-e34d-ec11-981f-0050f2f09783
Rougier, N. P., Droettboom, M., & Bourne, P. E. (2014). Ten Simple Rules for Better Figures. PLoS Computational Biology, 10(9). https://doi.org/10.1371/journal.pcbi.1003833
Rowe, S., & Rozeik, C. (2008). The uses of cyclododecane in conservation. Reviews in Conservation - Studies in Conservation: Vol 53, No Supplement-2, 9, 17–31. http://www.maneyonline.com/doi/pdfplus/10.1179/sic.2008.53.Supplement-2.17
Ruth Siddal, Nicholas Eastaugh, Valentine Walsh, & Tracey Chaplin. (n.d.). Pigment Compendium. Taylor & Francis e-books. http://www.tandfebooks.com/ISBN/9780080943596
Rye, O. S. (1981). Pottery technology: principles and reconstruction: Vol. Manuals on archeology. Taraxacum.
Ryndina, N. (2009). The potential of metallography in investigations of early objects made of copper and copper-based alloys. Historical Metallurgy: Journal of the Historical Metallurgy Society.
Samanian, K. (2015). Identification of Green Pigment Used in Persian Wall Paintings ( 1501-1736) Using PLM, FT-IR, SEM/EDX and GC-MS Techniques. Archaeometry, 57(4), 740–758. https://doi.org/10.1111/arcm.12102
Sands, R. (1997). Prehistoric woodworking: The analysis and interpretation of Bronze and Iron Age toolmarks: Vol. Wood in archaeology. UCL Institute of Archaeology. https://doi.org/https://doi.org/10.4324/9781315422053
Schoeser, M. (2003). World textiles: A concise history: Vol. World of art. Thames & Hudson.
Scott, D. A. (1991a). Metallography and microstructure of ancient and historic metals. http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/metallography.pdf
Scott, D. A. (1991b). Metallography and microstructure of ancient and historic metals. Getty Conservation Institute in association with Archetype Books. http://hdl.handle.net/10020/gci_pubs/metallography_microstructure
Scott, D. A. (1991c). Metallography and microstructure of ancient and historic metals. Getty Conservation Institute in association with Archetype Books. http://hdl.handle.net/10020/gci_pubs/metallography_microstructure
Scott, D. A., & Eggert, G. (2009). Iron and steel in art: Corrosion, colorants, conservation. Archetype.
Scott, D. A. & Getty Conservation Institute. (2002). Copper and bronze in art: Corrosion, colorants, conservation. Getty Conservation Institute.
Scott, D. A., Podany, J., Considine, B. B., J. Paul Getty Museum, & Getty Center for the History of Art and the Humanities. (1994). Ancient & historic metals: Conservation and scientific research. Proceedings of a symposium organized by the J. Paul Getty Museum and the Getty Conservation Institute, November 1991. Getty Conservation Institute. http://www.getty.edu/conservation/publications_resources/pdf_publications/ancientmetals.html#download
Sedimentary Rocks Home Page. (n.d.). http://csmres.jmu.edu/geollab/Fichter/SedRx/
Seery, M. (Ed.). (2013). Paper Conservation. http://www.rsc.org/education/eic/issues/2013March/paper-conservation-cellulose-acid-hydrolysis.asp
Seiler-Baldinger, A. (1994). Textiles: A classification of techniques. Smithsonian Institution Press.
Selwyn, L. & Canadian Conservation Institute. (2004a). Metals and corrosion: A handbook for the conservation professional. Canadian Conservation Institute.
Selwyn, L. & Canadian Conservation Institute. (2004b). Metals and corrosion: A handbook for the conservation professional. Canadian Conservation Institute.
Shashoua, Y. (2008). Conservation of plastics: Materials science, degradation and preservation. Butterworth-Heinemann.
Shelton, S. Y. (2008). Byne’s "disease;” how to recognize, handle and store affected shells and related collections. Conserve O Gram, 11/15, 1–4. https://www.nps.gov/museum/publications/conserveogram/cons_toc.html
Shepard, A. O. (1956). Ceramics for the archaeologist: Vol. Publication / Carnegie Institution of Washington. Carnegie Institution of Washington. http://publicationsonline.carnegiescience.edu/publications_online/ceramics_archaeologist/
Smith, G. D., & Clark, R. J. H. (2001). Raman spectroscopy in art history and conservation science. Reviews in Conservation Studies in Conservation: Vol 46, No Supplement-1, 96–110. http://www.maneyonline.com/doi/abs/10.1179/sic.2001.46.Supplement-1.92
Starling, K., Watkinson, D., & United Kingdom Institute for Conservation of Historic and Artistic Works. (1987). Archaeological bone, antler and ivory: Vol. Occasional papers / United Kingdom Institute for Conservation of Historic and Artistic Works. United Kingdom Institute for Conservation.
Stavroudis, C., & Blank, S. (1989). Solvents & Sensibility. http://cool.conservation-us.org/waac/wn/wn11/wn11-2/wn11-202.html
Strand, Eva B. Andersson & North European Symposium for Archaeological Textiles. (2009). North European Symposium for Archaeological Textiles X: Vol. Ancient textiles series. Oxbow Books.
Strlič, M., Kolar, J., & Scholten, S. (2004). Paper and durability. In M. Strlič & J. Kolar (Eds), Ageing and stabilisation of paper. National and University Library. https://contentstore.cla.co.uk/secure/link?id=c3a661a8-a23f-4b4e-93f5-2ac0cfd8c887
T. J., R., & C. L., R. (n.d.). Principles of experimental design for art conservation research. http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/principles_experiment.pdf
The GCI Newsletter, Conservation Perspectives Spring 2014. (n.d.). http://www.getty.edu/conservation/publications_resources/newsletters/29_1/index.html
Tsang, Jia-Sun ; Madden, Odile ; Coughlin, Mary ; Maiorana, Anthony ; Watson, Judy ; Little, Nicole C. ; Speakman, Robert J. ; Jia-Sun Tsang ; Odile Madden ; Mary Coughlin ; Anthony Maiorana ; Judy Watson ; Nicole C. Little ; Robert J. Speakman. (n.d.). Degradation of ‘Lumarith’ Cellulose Acetate: EXAMINATION AND CHEMICAL ANALYSIS OF A SALESMAN’S SAMPLE KIT. http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=4&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_327867074&indx=1&recIds=TN_jstor_archive_327867074&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=4&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=Degradation%20of%20%E2%80%98lumarith%E2%80%99%20cellulose%20acetate&dstmp=1474124372320
United Kingdom Institute for Conservation of Historic and Artistic Works. (1998). Analysis of pigments and plasters: its relevance to current wall painting and stone conservation practice : post prints of a day conference of the Wall Paintings Section of the United Kingdom Institute for Conservation of Historic and Artistic Works held 22 February 1997. United Kingdom Institute for Conservation of Historic and Artistic Works.
Valiela, I. (2001). Doing science: Design, analysis, and communication of scientific research. Oxford University Press.
van Hoek, C. J. G., de Roo, M., van der Veer, G., & van der Laan, S. R. (2011). A SEM-EDS study of cultural heritage objects with interpretation of constituents and their distribution using PARC data analysis. Microscopy and Microanalysis, 17. http://journals.cambridge.org/action/displayFulltext?type=1&fid=8386387&jid=MAM&volumeId=17&issueId=05&aid=8386385&bodyId=&membershipNumber=&societyETOCSession=
van Oosten, T., Shashoua, Y., Waentig, F., Fachhochschule Köln, & ICOM Committee for Conservation. (2002). Plastics in art: History, technology, preservation: Vol. Kölner Beiträge zur Restaurierung und Konservierung von Kunst-und Kulturgut. Siegl.
Vandiver, P. B., Soffer, O., Klima, B., & Svoboda, J. (1989). The origins of ceramic technology at Dolni Vĕstonice, Czechoslovakia. Science, 246(4933), 1002–1008. http://www.jstor.org/stable/1704937
Verkade, P. (2012). Electron microscopy (TEM and SEM). Essential Guide to Reading Biomedical Papers: Recognising and Interpreting Best Practice. http://onlinelibrary.wiley.com/store/10.1002/9781118402184.ch7/asset/ch7.pdf?v=1&t=if6m013e&s=2f650e160edfc75f4bfcb8abcca8b62f2e048b39
Walsh, J. J. (2007). Petrography: Distinguishing natural cement from other binders in historical masonry construction using forensic microscopy techniques. Journal of ASTM International, 4(1). http://enterprise.astm.org/DIGITAL_LIBRARY/JOURNALS/JAI/PAGES/JAI100674.htm
Watkins, S. M. (1984). Clothing: The portable environment. Iowa State University Press.
Welcomme, E., Walter, P., van Elslande, E., & Tsoucaris, G. (2006). Investigation of white pigments used as make-up during the Greco-Roman period. Applied Physics A, 83(4), 551–556. https://doi.org/10.1007/s00339-006-3559-3
Wildman, A. B. (1954). The microscopy of animal textile fibres: Including methods for the complete analysis of fibre blends. Wool Industries Research Association.
Wright, M. M. & Conservators of Ethnographic Artefacts. (2002). The conservation of fur, feather and skin: Seminar organised by the Conservators of Ethnographic Artefacts at the Museum of London on 11 December 2000: Vol. Conservators of Ethnographic Artefacts. Archetype.
