1.
Miriam Clavir. The Social and Historic Construction of Professional Values in Conservation. Studies in Conservation. Vol. 43(No. 1):1-8.
2.
Oddy WA. Introduction in The art of the conservator. In: The Art of the Conservator. Published for the Trustees of the British Museum by British Museum Press; 1992:7-27.
3.
Philippot P. Historic preservation: philosophy, criteria, guidelines. In: Historical and Philosophical Issues in the Conservation of Cultural Heritage. Vol Readings in conservation. Getty Conservation Institute; 1996:268-274.
4.
Harold J. Plenderleith. A History of Conservation. Studies in Conservation. Vol. 43(No. 3):129-143.
5.
Caple, Chris. Conservation Skills: Judgement, Method and Decision Making. Routledge; 2000. https://doi.org/10.4324/9780203086261
6.
Forbes Prize Lecture. Studies in Conservation. 2007;52(1):69-73. http://www.jstor.org/stable/20619480
7.
Muñoz Viñas S. Contemporary Theory of Conservation. Butterworth Heinemann; 2005.
8.
Peters R, Romanek D. Approaches to access: factors and variables. In: Conservation and Access: Contributions to the London Congress, 15-19 September 2008. International Institute for Conservation of Historic and Artistic Works; 2008:1-6.
9.
Sease C. A short history of archaeological conservation. Studies in Conservation. 1996;41(sup1):157-161. doi:10.1179/sic.1996.41.Supplement-1.157
10.
Avrami E. Heritage, values and sustainability. In: Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:177-183. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080941714
11.
Niccolo Leo Caldararo. An Outline History of Conservation in Archaeology and Anthropology as Presented through Its Publications. Journal of the American Institute for Conservation. Vol. 26(No. 2):85-104.
12.
Caple C. History of conservation: chapter 4. In: Conservation Skills: Judgement, Method and Decision Making. Routledge; 2000:46-58.
13.
Jokilehto J. Conservation principles in the international context. In: Conservation Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:73-83. https://www.dawsonera.com/abstract/9780080941714
14.
Steven W. Dykstra. The Artist’s Intentions and the Intentional Fallacy in Fine Arts Conservation. Journal of the American Institute for Conservation. 1996;Vol. 35(No. 3):197-218.
15.
Lindsay W. Time perspectives: What ‘the future’ means to museum professionals in collections‐care. The Conservator. 2005;29(1):51-61. doi:10.1080/01410096.2005.9995212
16.
Muñoz Viñas S. What is conservation? In: Contemporary Theory of Conservation. Butterworth Heinemann; 2005:1-25.
17.
Muñoz Viñas S. Minimal intervention revisited. In: Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:47-59. https://www.dawsonera.com/abstract/9780080941714
18.
Pye E. The history of conservation. In: Caring for the Past: Issues in Conservation for Archaeology and Museums. James & James; 2001:37-56.
19.
Tubb K. Sacrificing the wood for the trees - should conservation have a role in the antiquities trade? In: Roy et al, ed. Preprints of the Contributions to the Copenhagen Congress, 26-30 August 1996: Archaeological Conservation and Its Consequences. International Institute for Conservation of Historic and Artistic Works; 1996:193-197.
20.
Stanley-Price N. The Reconstruction of Ruins: Principles and Practice. In: Conservation: Principles, Dilemmas and Uncomfortable Truths. Butterworth-Heinemann in association with the Victoria and Albert Museum; 2009:32-46. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080941714
21.
Stanley-Price, Nicholas, Talley, Mansfield Kirby, Melucco Vaccaro, Alessandra, Getty Conservation Institute. Historical and Philosophical Issues in the Conservation of Cultural Heritage. Vol Readings in conservation. Getty Conservation Institute; 1996.
22.
Anyon R, et al. Heritage management by American Indian tribes in the Southwestern United States. In: Cultural Resource Management in Contemporary Society: Perspectives on Managing and Presenting the Past. Vol One world archaeology. Routledge; 2000:120-141.
23.
Clavir, Miriam. Preserving What Is Valued: Museums, Conservation, and First Nations. Vol UBC Museum of Anthropology Research publication. UBC Press; 2002.
24.
Peters R, et al. Traditional use and scholarly investigation: a collaborative project to conserve the Khipu of San Cristobal de Rapaz. In: Preserving Aboriginal Heritage: Technical and Traditional Approaches : Proceedings of a Conference Symposium 2007, Preserving Aboriginal Heritage, Technical and Traditional Approaches, Ottawa, Canada, September 24-28, 2007. Canadian Conservation Institute; 2008:95-100.
25.
Sillar B. Who’s indigenous? Whose archaeology? In: Conservation, Identity and Ownership in Indigenous Archaeology. Vol Public archaeology. James & James; 2005:71-94.
26.
Anyon R. Protecting the past, protecting the present: cultural resources and American Indians. In: Protecting the Past. CRC Press; 1991:215-222.
27.
Brydon-Miller M, Greenwood D, Maguire P. Why Action Research? Action Research. 2003;1(1):9-28. doi:10.1177/14767503030011002
28.
T. J. F, Anyon R, Ladd EJ. Repatriation at the Pueblo of Zuni: diverse solutions to complex problems. In: Repatriation Reader: Who Owns American Indian Remains?. University of Nebraska Press; 2000:239-265.
29.
Forde C. The Dead and Their Possessions. Routledge; 2003. doi:10.4324/9780203165775
30.
Hitchens, Christopher, Browning, Robert, Binns, Graham. The Elgin Marbles: Should They Be Returned to Greece? Verso; 1998.
31.
Native American Graves Protection and Repatriation Act (NAGRA).
32.
Peters R. The brave new world of conservation. In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:185-190. http://dx.doi.org/10.13140/2.1.2900.0961
33.
Thomas, David Hurst. Skull Wars: Kennewick Man, Archaeology, and the Battle for Native American Identity. Basic Books; 2000.
34.
UNESCO convention concerning the protection of the world cultural and natural heritage.
35.
Brooks MM. Talking to ourselves. Why do conservators find it so hard to convince others of the significance of conservation? In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:1135-1140. https://www.icom-cc-publications-online.org/1997/Talking-to-ourselves--why-do-conservators-find-it-so-hard-to-convince-others-of-the-significance-of-conservation
36.
Corfield M. Towards a conservation profession. In: Conservation Today: Papers Presented at the UKIC 30th Anniversity Conference 1988. ; 1988:4-7.
37.
Department of Culture, Media and Sport. Inspiration, Identity, Learning: The Value of Museums.; 2004.
38.
Drago A. ‘I feel included’: the exhibition at the British Museum. Journal of the Institute of Conservation. 2011;34(1):28-38. doi:10.1080/19455224.2011.566473
39.
McCoy R. Collaborating in the Public’s Domain. CeROArt. 2009;3.
40.
Hooper-Greenhill, Eilean. Cultural Diversity: Developing Museum Audiences in Britain. Vol Contemporary issues in museum culture. Leicester University Press; 1997.
41.
Merriman, Nick. Beyond the Glass Case: The Past, the Heritage and the Public. Institute of Archaeology, University College London; 2000.
42.
Great Britain. Ours for Keeps?: A Resource Pack for Raising Awareness of Conservation and Collections Care. Rev. ed. Museum & Galleries Commission; 1998.
43.
Prentice R. Seeking Generic Motivations for Visiting and Not Visiting Museums and Like Cultural Attractions. Museum Management and Curatorship. 1997;16(1):45-70. doi:10.1016/S0260-4779(97)89078-4
44.
Ashbridge R. Planning the packing for a touring exhibition. V & A Conservation Journal. 2006;53(Summer).
45.
MacKay A. A string of beads unbroken: continuity and collaboration in an exhibition of Iroqois beadwork. In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:171-177. https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=bc7b8716-9bd9-429a-b968-4f74e3d33008
46.
Toby J. Raphael. Preventive Conservation and the Exhibition Process: Development of Exhibit Guidelines and Standards for Conservation. Journal of the American Institute for Conservation. Vol. 44(No. 3):245-257.
47.
Ashley-Smith J. Introduction: lighting. Museum Practice. 2000;14:46-48.
48.
Bendix C, Calnan C, Hickey S. An unfolding exhibition—conservation and registrar perspectives. The Paper Conservator. 2003;27(1):87-95. doi:10.1080/03094227.2003.9638634
49.
Brown H, Lambeth R. Mount making for the Medieval and Renaissance exhibition tour. V & A conservation journal. 2008;56(Spring).
50.
Dawson J. Conserving Ancient Egypt in Cambridge. ICON news: magazine of the Institute of Conservation. 2006;7:30-34.
51.
Jackson K. New views at the Pitt Rivers Museum. ICON news: magazine of the Institute of Conservation. 2009;22(May):17-20.
52.
Josephson D. Mounting exhibitions at the Bodleian Library. Part 1. Paper conservation news. 1999;89:8-9.
53.
Josephson D. Mounting exhibitions at the Bodleian Library. Part 2. Paper conservation news. 1999;90:10-11.
54.
Josephson D. Mounting exhibitions at the Bodleian Library. Part 3. Paper conservation news. 1999;91:10-11.
55.
Thickett, D, Lee, L. R., British Museum. Selection of Materials for the Storage or Display of Museum Objects. Vol Occasional paper / British Museum. Department of Conservation [British Museum]; 1996.
56.
McCormick S, Whitford R. The Story of Time’: Managing a major loans-in exhibition at the National Maritime Museum. The Paper Conservator. 2003;27(1):79-86. doi:10.1080/03094227.2003.9638633
57.
Nightingale C. Designing an Exhibition to Minimise Risks to Costume on Open Display. The Conservator. 2005;29(1):35-49. doi:10.1080/01410096.2005.9995211
58.
Reuss M, Scott G, MacKinnon F. Conservation of exhibitions: making a maintenance programme work. In: ICOM Committee for Conservation: 14th Triennial Meeting, The Hague, 12-16 September 2005 ; Preprints. James & James, Earthscan; 2005:693-699. https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=dc6877e7-22fa-4966-b490-1f4371f4fcea
59.
Sixsmith, Mike. Touring Exhibitions: The Touring Exhibition Group’s Manual of Good Practice. Butterworth-Heinemann; 1995.
60.
Swain, Hedley. An Introduction to Museum Archaeology. Cambridge University Press; 2007.
61.
Thompson C. Developing the Islamic Middle East gallery and touring exhibition. V & A conservation journal. 2006;53(Summer).
62.
Tsang MJ. A practical collaborative approach for long term displays. In: 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints. Allied Publishers; 2008:791-797.
63.
AIC (American Institute for Conservation of Historic and Artistic Works) - Code of Ethics.
64.
ICOMOS. The Athens Charter for the Restoration of Historic Monuments - 1931. Published online 2011.
65.
The Australia ICOMOS charter for the conservation of places of cultural significance (the Burra charter).
66.
ECCO. Competences for access to the conservation-restoration profession.
67.
ICOM-CC Resolution Terminology English - ICOM-CC.
68.
ICOM-CC Resolution on Terminology Commentary - ICOM-CC.
69.
IfA Codes, Standards and Guidelines | The Institute for Archaeologists.
70.
International Charter for the Conservation and Restoration of Monuments and Sites (The Venice Charter).
71.
Native American Graves Protection and Repatriation Act (NAGRA).
72.
The Vermillion Accord on Human Remains.
73.
UNESCO. Convention on the means of prohibiting and preventing the illicit import, export and transfer of ownership of cultural property. Published online 1970.
74.
UNESCO. Convention concerning the protection of the world cultural and natural heritage. Published online 1972.
75.
UNIDROIT. International Institute for the Unification of Private Law. Published online 1993.
76.
The Anti-Graffiti Association -.
77.
British Council. Street Art: from the Victoria and Albert Museum, London and Libya.
78.
2018 EH. Heritage Crime Prevention: A Guide for Owners, Tenants and Managers of Heritage Assets.
79.
González‐Ruibal A. Time to Destroy: An Archaeology of Supermodernity. Current Anthropology. 2008;49(2):247-279. doi:10.1086/526099
81.
Rebecca R. Benefiel. Dialogues of Ancient Graffiti in the House of Maius Castricius in Pompeii. American Journal of Archaeology. Vol. 114(No. 1):59-101.
82.
Casa Arabe. Revolution paintings. Graffiti and Arab public spaces.
83.
Cork, Richard. Jacob Epstein. Vol British artists. Tate Gallery; 1999.
84.
Dolff-Bonekamper G. The Berlin Wall: an archaeological site in progress. In: Matériel Culture: The Archaeology of Twentieth-Century Conflict. Vol One world archaeology. Routledge; 2002:236-248.
85.
Feversham P, Schmidt L. The Berlin Wall: border, fragment, world heritage? In: A Fearsome Heritage: Diverse Legacies of the Cold War. Vol One world archaeology series. Left Coast Press; 2007:193-209. https://contentstore.cla.co.uk/secure/link?id=e03a025d-989a-ef11-88d0-cfb690c94b6c
86.
Graves-Brown P, Schofield J. The filth and the fury: 6 Denmark Street (London) and the Sex Pistols. Antiquity. 2011;85(330):1385-1401. doi:10.1017/S0003598X00062128
87.
2010 P R. Conversations on conservation of cultural heritage: Graffiti around UCL campus.
88.
Schauer C. Berlin’s Invisible Wall: Little Is Left Today of the Cold War’s Most Famous Monument. Spiegel Online. Published online 16 July 2009.
89.
Getty Conservation Institute. Conservation of Modern and Contemporary Art. Getty Conservation Institute Newsletter. 2009;24(2).
90.
Lodder C. Naum Gabo and the Quandaries of the Replica. Tate papers. 2007;8(Autumn).
91.
Van de Vall R. Painful decisions: philosophical considerations on a decision-making model. In: Modern Art: Who Cares? : An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. Archetype; 2005:196-200. https://contentstore.cla.co.uk/secure/link?id=85175558-ce35-e911-80cd-005056af4099
92.
Stallabrass J. Inherent Vice: the replica and its implications in modern sculpture. Tate Papers. 2007;8(Autumn).
93.
SBMK. The Decision-Making Model for the Conservation and Restoration of Modern and Contemporary Art. Netherlands Institute for Cultural Heritage F for the C of MA, ed. Published online 1997. https://sbmk.nl/source/documents/decision-making-model.pdf
94.
Sillé, Dionne, Hummelen, IJsbrand M. C. Modern Art: Who Cares? An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. Archetype; 2005.
95.
Sease, Catherine. A Conservation Manual for the Field Archaeologist. Vol Archaeological research tools. 2nd ed. Institute of Archaeology, University of California; 1992. http://www.ioa.ucla.edu/publications/pdfs/Conservation%20Manual.pdf
96.
Dignard, C., Mason, J., Nanonwick, K., Stone, T. Symposium 2007: Preserving Aboriginal Heritage - Technical and Traditional Approaches. Canadian Conservation Institute; 2008. http://publications.gc.ca/collections/collection_2015/pc-ch/CH57-4-1-2008.pdf
97.
Forrester J. Coming out. Museums journal. 97(6).
98.
Stable, C. Maximum conservation: renewal of a Maori Waka by George Nuku and National Museums Scotland. Journal of Conservation and Museum Studies. 2012;(10 (1)). http://www.jcms-journal.com/article/view/jcms.1011202
99.
Clavir, M. Preserving What Is Valued: Museums, Conservation and First Nations. UBC Press; 2002.
100.
de Guichen G. Scientists and the preservation of cultural heritage. In: Science, Technology and European Cultural Heritage : Proceedings of the European Symposium, Bologna, Italy, 13-16 June 1989 ’ | Copac. Commission of the European Communities by Butterworth-Heinemann Publishers; 1991:17-26.
101.
Hancock M. The OCEAN (Object Centred Environmental Analysis Network) at the V & A. V & A conservation journal. 2005;46(Spring).
102.
McCrady ER. Can scientists and conservators work together? In: The Interface between Science and Conservation. Vol Occasional paper / British Museum. British Museum; 1997:243-247.
103.
Webber P. Rising damp - a history of the Conservation department. V & A conservation journal. 2005;50(Summer).
104.
Ambers J, et al. A new look at an old cat: a technical investigation of the Gayer-Anderson cat. British Museum Technical Research Bulletin. 2008;2:1-13.
105.
Bellegem M, et al. The black bronzes of Burma. British Museum Technical Research Bulletin. 2007;1:55-63.
106.
Dacombe L, Peters R. Fabricating the body: the anatomical machines of the Prince of Sansevero. Objects Specialty Group Postprints. 2007;14:161-177.
107.
Podany J, Scott D. Looking through both sides of the lens: why scientists and conservators should know each other’s business. In: The Interface between Science and Conservation. Vol Occasional paper / British Museum. British Museum; 1997:211-220.
108.
Price CA. Are conservation scientists real scientists? In: University Postgraduate Curricula for Conservation Scientists: Proceedings of the International Seminar, Bologna, Italy, 26- 27 November 1999. ICCROM; 2000:5-80. http://ls-tlss.ucl.ac.uk/course-materials/ARCLG141_66213.pdf
109.
Tennent N. Conservation science: a view from four perspectives. In: The Interface between Science and Conservation. Vol Occasional paper / British Museum. British Museum; 1997:15-24.
110.
Townsend, Joyce, Eremin, Katherine, Adriaens, A. Conservation Science 2002: Papers from the Conference Held in Edinburgh, Scotland, 22-24 May 2002. Archetype; 2003.
111.
Matthew Bogdanos. The Casualities of War: The Truth about the Iraq Museum. American Journal of Archaeology. Vol. 109(No. 3):477-526.
112.
Bogdanos, Matthew, Patrick, William. Thieves of Baghdad: One Marine’s Passion to Recover the World’s Greatest Stolen Treasures. Bloomsbury Pub; 2006.
113.
Tubb KW. Irreconcilable differences? Problems with unprovenanced antiquities. Papers from the Institute of Archaeology: PIA. 2007;18:1-23. http://pia-journal.co.uk/22/volume/18/issue/0/
114.
Stone, Peter G., Farchakh Bajjaly, Joanne. The Destruction of Cultural Heritage in Iraq. Vol Heritage matters series. Boydell Press; 2008.
115.
Tubb, Kathryn Walker, United Kingdom Institute for Conservation of Historic and Artistic Works. Antiquities: Trade or Betrayed : Legal, Ethical and Conservation Issues. Archetype in conjunction with UKIC Archaeology Section; 1995.
116.
Brodie, Neil, Doole, Jennifer, Watson, Peter, International Council of Museums, Museums Association. Stealing History: The Illicit Trade in Cultural Material. McDonald Institute for Archaeological Research; 2000.
117.
Emberling, Geoff, Gibson, McGuire, Hanson, Katharine, University of Chicago. Catastrophe!: The Looting and Destruction of Iraq’s Past. The Oriental Institute Museum of the University of Chicago; 2008.
118.
Foster, Benjamin R., Gerstenblith, Patty, Foster, Karen Polinger. Iraq beyond the Headlines: History, Archaeology and War. Vol Series on the Iraq war and its consequences. World Scientific Publishing; 2005.
119.
Schuster, Angela M. H., Polk, Milbry. The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Ancient Mesopotamia. Abrams; 2005.
120.
Sease C. Codes of ethics for conservation. International Journal of Cultural Property. 2005;7(01). doi:10.1017/S0940739198770092
121.
Tubb KW. Sacrificing the wood for the trees - should conservation have a role in the antiquities trade? In: Preprints of the Contributions to the Copenhagen Congress, 26-30 August 1996: Archaeological Conservation and Its Consequences. International Institute for Conservation of Historic and Artistic Works; 1996:193-197.
122.
De Guichen G. Forbes prize lecture. Studies in Conservation. 2007;52(1):69-73.
123.
Muñoz Viñas, Salvador. Contemporary Theory of Conservation. Butterworth Heinemann; 2005.
124.
Philippot P. Historica preservation: philosophy, criteria, guidelines. In: Historical and Philosophical Issues in the Conservation of Cultural Heritage. Vol Readings in conservation. Getty Conservation Institute; 1996:268-274.
125.
Patrimony and partnership: conserving the khipu legacy of Rapaz, Peru | Peters | Archaeology International. doi:10.5334/ai.v10i0.42
126.
Lidington H. The role of the internet in removing the ‘shackles of the saleroom’: Anytime, anyplace, anything, anywhere. Public Archaeology. 2002;2(2):67-84. doi:10.1179/146551802793157051
127.
Eisenberg JM. Mesopotamia - Masterworks and Minor Works from the Iraq Museum. Minerva. 2003;14(4):9-40. http://minervamagazine.co.uk/archive_pdfs/2003_Vol_14_04.pdf
