[1]
B. M. Ejxenbaum, ‘Literary environment’, in Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions, Ann Arbor: Michigan Slavic Publications, 1978, pp. 56–65.
[2]
B. Eichenbaum, ‘How Gogol’s “Overcoat” is made’, in Gogol from the twentieth century: eleven essays, Princeton, N.J.: Princeton University Press, 1974, pp. 269–291.
[3]
S. Fish, ‘Interpreting the variorum’, in Is there a text in this class?: the authority of interpretive communities, Cambridge, Mass: Harvard University Press, 1980, pp. 147–173.
[4]
H.-G. Gadamer, ‘The logic of question and answer’, in Truth and method, 2nd rev. ed., New York: Continuum, 2003, pp. 363–371.
[5]
S. Greenblatt and C. Gallagher, ‘The touch of the real’, in Practicing new historicism, Chicago: University of Chicago Press, 2001, pp. 20–48.
[6]
S. Greenblatt, ‘Towards a poetics of culture’, in The New historicism, London: Routledge, 1989, pp. 1–13.
[7]
W. Iser, ‘Indeterminacy and the reader’s response in prose fiction’, in Prospecting: from reader response to literary anthropology, Baltimore, Md: Johns Hopkins University Press, 1989, pp. 3–30.
[8]
R. Jakobson, ‘The dominant’, in Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions, Ann Arbor: Michigan Slavic Publications, 1978, pp. 82–87.
[9]
V. Shklovsky, ‘The resurrection of the word (1914)’, in Russian formalism: a collection of articles and texts in translation, vol. 20th century studies, Edinburgh ; London: Scottish Academic Press, 1973, pp. 41–47.
[10]
V. Shklovsky, ‘Art as technique’, in Russian formalist criticism: four essays, vol. Regents critics series, Lincoln, Neb. ; London: University of Nebraska Press, 1965, pp. 3–24.
[11]
G. T. Spivak, ‘Three women’s texts and a critique of imperialism’, in The Post-colonial studies reader, London: Routledge, 1995, pp. 269–272.
[12]
J. Tynjanov, ‘On literary evolution’, in Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions, Ann Arbor: Michigan Slavic Publications, 1978, pp. 66–78.
[13]
S. Greenblatt, ‘Culture’, in Critical terms for literary study, 2nd ed., Chicago ; London: University of Chicago Press, 1995, pp. 225–232 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=1db74919-e058-f011-9fa6-a60955da7045
[14]
S. Greenblatt, ‘Introduction to “Renaissance self-fashioning”’, in Renaissance self-fashioning: from More to Shakespeare, Chicago: University of Chicago Press, 2005, pp. 1–9 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=a4bdb771-be13-f011-81a2-842121568115
[15]
Eagleton, Terry, Literary theory: an introduction, Anniversary ed. Oxford: Blackwell, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=7103509
[16]
Iser, Wolfgang, How to do theory, vol. How to study literature. Malden, Mass: Blackwell Pub, 2006.
[17]
Waugh, Patricia, Literary theory and criticism: an Oxford guide. Oxford: Oxford University Press, 2006.
[18]
Norris, Christopher, Knellwolf, Christa, and Osborn, Jessica, The Cambridge history of literary criticism: Vol. 9: Twentieth-century historical, philosophical and pychological perspectives. Cambridge: Cambridge University Press, 2001 [Online]. Available: https://www.cambridge.org/core/books/cambridge-history-of-literary-criticism/1D1545A0356AEA0FFAF46CB312D2AB33
[19]
Selden, Raman, Cambridge history of literary criticism: Vol.8: From formalism to poststructuralism. Cambridge: Cambridge U.P., 1995 [Online]. Available: https://www.cambridge.org/core/books/cambridge-history-of-literary-criticism/9932CAF4FD6509CBDA15CD8537456320
[20]
Birns, Nicholas, Theory after theory: an intellectual history of literary theory from 1950 to the early twenty-first century. Peterborough, Ont: Broadview, 2010.
[21]
Cusset, François, French theory: how Foucault, Derrida, Deleuze, & Co. transformed the intellectual life of the United States. London: University of Minnesota Press, 2008.
[22]
Sedgewick, Peter and Edgar, Andrew, Key concepts in cultural theory, vol. Key concepts series. London: Routledge, 1999.
[23]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[24]
Bowlt, John E. and Bann, Stephen, Russian formalism: a collection of articles and texts in translation, vol. 20th century studies. Edinburgh ; London: Distributed by Chatto and Windus, 1973.
[25]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[26]
Bowlt, John E. and Bann, Stephen, Russian formalism: a collection of articles and texts in translation, vol. 20th century studies. Edinburgh ; London: Distributed by Chatto and Windus, 1973.
[27]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[28]
‘Russian literature triquarterly’, 1971.
[29]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[30]
Trahan, Elizabeth Welt, Gogol’s ‘Overcoat’: an anthology of critical essays. Ann Arbor, Mich: Ardis.
[31]
Maguire, Robert A., Gogol from the twentieth century: eleven essays. Princeton, N.J.: Princeton University Press, 1974.
[32]
Rudy, Stephen and Meyer, Priscilla, Dostoevsky & Gogol: texts and criticism. Ann Arbor: Ardis, 1979.
[33]
Maguire, Robert A., Gogol from the twentieth century: eleven essays. Princeton, N.J.: Princeton University Press, 1974.
[34]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[35]
Matejka, Ladislav and Pomorska, Krystyna, Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions. Ann Arbor: Michigan Slavic Publications, 1978.
[36]
Chernov, I. A. and Tartu Riiklik Ülikool, Khrestomatii͡a po teoreticheskomu literaturovedenii͡u: [V 5-ti vyp.]. Tartu: TGU, 1976.
[37]
Matejka, Ladislav and Pomorska, Krystyna, Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions. Ann Arbor: Michigan Slavic Publications, 1978.
[38]
Matejka, Ladislav and Pomorska, Krystyna, Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions. Ann Arbor: Michigan Slavic Publications, 1978.
[39]
‘Russian poetics in translation’.
[40]
Chernov, I. A. and Tartu Riiklik Ülikool, Khrestomatii͡a po teoreticheskomu literaturovedenii͡u: [V 5-ti vyp.]. Tartu: TGU, 1976.
[41]
Matejka, Ladislav and Pomorska, Krystyna, Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions. Ann Arbor: Michigan Slavic Publications, 1978.
[42]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[43]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[44]
Matejka, Ladislav and Pomorska, Krystyna, Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions. Ann Arbor: Michigan Slavic Publications, 1978.
[45]
Shklovskiĭ, Viktor Borisovich, O teorii prozy. Ann Arbor: Ardis, 1985.
[46]
Bowlt, John E. and Bann, Stephen, Russian formalism: a collection of articles and texts in translation, vol. 20th century studies. Edinburgh ; London: Distributed by Chatto and Windus, 1973.
[47]
Ėĭkhenbaum, Boris Mikhaĭlovich, Toddes, E. A., Ėĭkhenbaum, Boris Mikhaĭlovich, Ėĭkhenbaum, Boris Mikhaĭlovich, and Ėĭkhenbaum, O., O literature: raboty raznykh let. Moskva: Sovetskiĭ pisatelʹ, 1987.
[48]
Matejka, Ladislav and Pomorska, Krystyna, Readings in Russian poetics: formalist and structuralist views, vol. Michigan Slavic contributions. Ann Arbor: Michigan Slavic Publications, 1978.
[49]
Tyni͡anov, I͡Uriĭ Nikolaevich, Poėtika, istorii͡a literatury, kino. Moskva: Nauka, 1977.
[50]
Erlich, Victor, Twentieth-century Russian literary criticism. London: Yale University Press, 1975.
[51]
Striedter, Jurij and Kośny, Witold, Texte der russischen Formalisten, vol. Theorie und Geschichte der Literatur und der schönen Künste; Texte und Abhandlungen, Bd. 6. München: W. Fink, 72AD.
[52]
Chernov, I. A. and Tartu Riiklik Ülikool, Khrestomatii͡a po teoreticheskomu literaturovedenii͡u: [V 5-ti vyp.]. Tartu: TGU, 1976.
[53]
‘Russian poetics in translation’.
[54]
Bakhtin, M. M. and Bakhtin, M. M., The dialogic imagination: four essays, vol. University of Texas Press Slavic series. Austin: University of Texas Press, 1981.
[55]
Bakhtin, M. M., Problems of Dostoevsky’s poetics. Ann Arbor, Mich.]: Ardis.
[56]
Bakhtin, M. M., Liapunov, Vadim, Brostrom, Kenneth, and Holquist, Michael, Art and answerability: early philosophical essays, vol. University of Texas Press Slavic series. Austin: University of Texas Press, 1990.
[57]
Bakhtin, M. M., Liapunov, Vadim, and Holquist, Michael, Toward a philosophy of the act, 1st ed., vol. University of Texas Press Slavic series. Austin: University of Texas Press, 1993.
[58]
Bakhtin, M. M., Rabelais and his world. Bloomington, Ind: Indiana University Press, 1984.
[59]
Bakhtin, M. M., McGee, Vern, Emerson, Caryl, Holquist, Michael, Holquist, Michael, and Emerson, Caryl, Speech genres and other late essays, 1st ed., vol. University of Texas Press Slavic series. Austin: University of Texas Press, 1986.
[60]
Medvedev, P. N., Bakhtin, M. M., and Wehrle, Albert J., The formal method in literary scholarship: a critical introduction to sociological poetics, vol. Goucher College series. Baltimore ; London: Johns Hopkins University Press, 1978.
[61]
Voloshinov, V. N., Matejka, Ladislav, and Titunik, I. R., Marxism and the philosophy of language. Cambridge, Mass: Harvard University Press, 1986.
[62]
Saussure, Ferdinand de, Sechehaye, Albert, Riedlinger, Albert, Baskin, Wade, and Bally, Charles, Course in general linguistics. New York ; London: McGraw-Hill Book Co, 1966.
[63]
Culler, Jonathan D., Saussure, vol. Fontana modern masters. [London]: Fontana-Collins, 1976.
[64]
Holdcroft, David, Saussure: signs, system, and arbitrariness, vol. Modern European philosophy. Cambridge [England]: Cambridge University Press, 1991.
[65]
J. E. Joseph, Saussure. Oxford: Oxford University Press, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/UCL/detail.action?pq-origsite=primo&docID=886547
[66]
Sanders, Carol, The Cambridge companion to Saussure. Cambridge: Cambridge University Press, 2004 [Online]. Available: https://doi.org/10.1017/CCOL052180051X
[67]
Mukařovský, Jan, Aesthetic function, norm and value as social facts, vol. Michigan Slavic contributions. Ann Arbor: Dept. of Slavic Languages and Literature, University of Michigan, 1970.
[68]
Mukařovský, Jan, Steiner, P., and Burbank, John, Structure, sign, and function: selected essays, vol. Yale Russian and East European studies. London: Yale University Press, 1977.
[69]
Mukařovský, Jan, Burbank, John, and Steiner, P., The word and verbal art: selected essays, vol. Yale Russian and East European studies. New Haven ; London: Yale University Press, 1977.
[70]
Galan, F. W., Historic structures: the Prague School project, 1928-1946. London: Croom Helm, 1985.
[71]
Steiner, P., The Prague School: selected writings, 1929-1946, 1st ed., vol. University of Texas Press Slavic series. Austin: University of Texas Press, 1982.
[72]
Striedter, Jurij, Literary structure, evolution, and value: Russian formalism and Czech structuralism reconsidered, vol. Harvard studies in comparative literature. Cambridge, Mass. ; London: Harvard University Press, 1989.
[73]
Roland Barthes and Lionel Duisit, ‘An Introduction to the Structural Analysis of Narrative’, New Literary History, vol. Vol. 6, no. No. 2, pp. 237–272.
[74]
Barthes, Roland and Heath, Stephen, Image music text. London: Fontana, 1977.
[75]
Barthes, Roland and Heath, Stephen, Image music text. London: Fontana, 1977.
[76]
Barthes, Roland, The pleasure of the text. Oxford: Basil Blackwell, 1990.
[77]
Barthes, Roland, Howard, Richard, and Miller, Richard, S/Z. Oxford: Blackwell, 1990.
[78]
G. Allen, Roland Barthes. Routledge, 2004 [Online]. Available: https://www.taylorfrancis.com/books/9781134503414
[79]
Culler, Jonathan D., Barthes, With amendments., vol. Fontana modern masters. London: Fontana, 1990.
[80]
Paul De Man, ‘Roland Barthes and the Limits of Structuralism’, Yale French Studies, no. No. 77, pp. 177–190.
[81]
Moriarty, Michael, Roland Barthes, vol. Key contemporary thinkers. Stanford, CA: Stanford University Press, 1991.
[82]
Barthes, Roland and Sontag, Susan, A Barthes reader. London: Vintage, 1993.
[83]
Onega Jaén, Susana and García Landa, José Angel, Narratology: an introduction, vol. Longman critical readers. London: Longman, 1996.
[84]
Genette, Gérard, Narrative discourse. Oxford: Blackwell, 1980.
[85]
Genette, Gérard, Narrative discourse. Oxford: Blackwell, 1980.
[86]
Marx, Karl, Arthur, C. J., and Engels, Friedrich, The German ideology by Karl Marx and Frederick Engels. Part one, with selections from parts two and three, together with Marx’s ‘Introduction to a critique of political economy’. London: Lawrence & Wishart, 1970.
[87]
‘Manifesto of the Communist Party’. .
[88]
Marx, Karl, Cole, G. D. H., Wolfson, Murray, and Paul, Eden, Capital: Vol.1: Der Produktionprozess des Kapitals, Everyman ed., vol. Everyman’s library. London: Dent, 1974.
[89]
Lukács, György, History and class consciousness: studies in Marxist dialectics. London: Merlin Press, 1971.
[90]
Althusser, Louis, For Marx, vol. A Verso modern classic. London: Verso, 1990.
[91]
Foucault, Michel and Bouchard, Donald F., Language, counter-memory, practice: selected essays and interviews. Ithaca: Cornell University Press, 1977.
[92]
Foucault, Michel, The history of sexuality: Vol. 2: The use of pleasure, vol. Penguin history. London: Penguin Books, 1985.
[93]
McLaughlin, Thomas and Lentricchia, Frank, Critical terms for literary study, 2nd ed. Chicago ; London: University of Chicago Press, 1995 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=1db74919-e058-f011-9fa6-a60955da7045
[94]
Gallagher, Catherine and Greenblatt, Stephen, Practicing new historicism. Chicago: University of Chicago Press, 2001.
[95]
Ingarden, Roman, The cognition of the literary work of art, vol. Northwestern University studies in phenomenology&existential philosophy. Evanston [Ill.]: Northwestern University Press, 1973.
[96]
Gadamer, Hans Georg, Gadamer in conversation: reflections and commentary, vol. Yale studies in hermeneutics. London: Yale University Press, 2001.
[97]
Gadamer, Hans Georg, Truth and method, 2nd rev. ed. New York: Continuum, 2003.
[98]
Miller, J. Hillis and English Institute, Aspects of narrative: selected papers from the English Institute. New York: Columbia University Press, 1971 [Online]. Available: https://hdl.handle.net/2027/heb06537
[99]
Stanley Fish, ‘Interpreting the Variorum’, in Is there a text in this class?: the authority of interpretive communities, Cambridge, Mass: Harvard University Press, 1980 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=ba08731d-b638-e811-80cd-005056af4099
[100]
Derrida, Jacques and Bass, Alan, Writing and difference. Chicago: University of Chicago Press, 1978.
[101]
Derrida, Jacques, Margins of philosophy. Chicago: University of Chicago Press, 1982.
[102]
De Man, Paul and Godzich, Wlad, Blindness and insight: essays in the rhetoric of contemporary criticism, 2nd ed., Rev., vol. University paperbacks. London: Routledge, 1989.
[103]
De Man, Paul and Godzich, Wlad, Blindness and insight: essays in the rhetoric of contemporary criticism, 2nd ed., Rev., vol. University paperbacks. London: Routledge, 1989.
[104]
Johnson, Barbara, A world of difference. Baltimore, Md: John Hopkins University Press, 1987 [Online]. Available: https://hdl.handle.net/2027/heb31761.0001.001
[105]
Critchley, Simon, The ethics of deconstruction: Derrida and Levinas, 2nd ed. Edinburgh: Edinburgh University Library, 1999.
[106]
Said, Edward W., Orientalism, 1st Vintage Books ed. New York: Vintage Books, 1979.
[107]
Ashcroft, Bill, Tiffin, Helen, and Griffiths, Gareth, The Post-colonial studies reader. London: Routledge, 1995.
[108]
Mulvey, Laura, Teaching Collection (Slade / Aesthetics & Politics ): Visual pleasure and narrative cinema. 1989.
[109]
Zima, P. V., The philosophy of modern literary theory, vol. Continuum studies in critical theory. [New York]: Continuum.
[110]
Wolfreys, Julian, Literary theories: a reader and guide. Edinburgh: Edinburgh University Press, 1999 [Online]. Available: https://www.jstor.org/stable/10.3366/j.ctvxcrcgh
[111]
Ryan, Michael and Rivkin, Julie, Literary theory: an anthology, 2nd ed. Malden, Mass: Blackwell, 2004.
[112]
Macksey, Richard and Donato, Eugenio, The structuralist controversy: the languages of criticism and the sciences of man. Baltimore: The Johns Hopkins University Press, 1972.
[113]
De Man, Paul, Allegories of reading: figural language in Rousseau, Nietzsche, Rilke, and Proust, New Ed. New Haven: Yale U. Press, 1979.
[114]
Greenblatt, Stephen, Shakespearean negotiations: the circulation of social energy in Renaissance England, vol. The New historicism : studies in cultural poetics. Berkeley: University of California Press, 1988 [Online]. Available: https://hdl.handle.net/2027/heb09132
[115]
Bhabha, Homi K., The location of culture. London: Routledge, 2004 [Online]. Available: https://doi-org.libproxy.ucl.ac.uk/10.4324/9780203820551
[116]
Moore-Gilbert, B. J., Postcolonial theory: contexts, practices, politics. London: Verso, 1997.
[117]
Payne, Michael and Barbera, Jessica Rae, A dictionary of cultural and critical theory, 2nd ed. Oxford: Wiley-Blackwell, 2010.
[118]
Elliott, Jane and Attridge, Derek, Theory after ‘theory’. London: Routledge, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/UCL/detail.action?pq-origsite=primo&docID=683956
[119]
Lemon, Lee T. and Reis, Marion J., Russian formalist criticism: four essays, vol. Regents critics series. Lincoln, Neb. ; London: University of Nebraska Press, 1965.
[120]
Boris Eichenbaum, Beth Paul and Muriel Nesbitt, ‘The Structure of Gogol’s “The Overcoat”’, Russian Review, vol. Vol. 22, no. No. 4, pp. 377–399.
[121]
Mukařovský, Jan, Aesthetic function, norm and value as social facts, vol. Michigan Slavic contributions. Ann Arbor: Dept. of Slavic Languages and Literature, University of Michigan, 1970.
[122]
Mukařovský, Jan, Steiner, P., and Burbank, John, Structure, sign, and function: selected essays, vol. Yale Russian and East European studies. London: Yale University Press, 1977.
[123]
Harari, Josué V., Textual strategies: perspectives in post-structuralist criticism. London: Methuen, 1980.
[124]
Bakhtin, M. M. and Emerson, Caryl, Problems of Dostoevsky’s poetics, vol. Theory and history of literature. Minneapolis: University of Minnesota Press, 1984 [Online]. Available: https://www.jstor.org/stable/10.5749/j.ctt22727z1
[125]
Bakhtin, M. M., Emerson, Caryl, and Holquist, Michael, Speech genres and other late essays, vol. University of Texas Press Slavic series. Austin: University of Texas Press, 1986.
[126]
J. Lacan, ‘Seminar on ’ the Purloined letter’’, Yale French Studies, vol. 48, 1972.
[127]
Jameson, Fredric, The political unconscious: narrative as a socially symbolic act, vol. Routledge classics. London: Routledge, 2002.