Allen, E., & Triantaphillidou, S. (Eds.). (2011). The manual of photography (Tenth edition). Focal Press. https://learning.oreilly.com/library/view/the-manual-of/9780240520377/?sso_link=yes&sso_link_from=university-college-london
Ball, P., Clarke, M., & Parraman, C. (2013a). Colour in the making: from old wisdom to new brilliance (P. Stubbs, A. Hidalgo, P. Adler, & L. Hayman, Eds.). Black Dog Publishing.
Ball, P., Clarke, M., & Parraman, C. (2013b). Colour in the making: from old wisdom to new brilliance (P. Stubbs, A. Hidalgo, P. Adler, & L. Hayman, Eds.). Black Dog Publishing.
Barracough, A. (n.d.). Seen to be believed? https://moodle.ucl.ac.uk/pluginfile.php/3856313/mod_resource/content/0/Art%20Guide0516.p2-3.pdf
Baudrillard, J., Glaser, S. F., & Baudrillard, J. (1994). Simulacra and simulation: Vol. The Body, in theory. University of Michigan Press.
Benjamin, W. (1999). Teaching Collection (Archaeology / ARCLG057): Work of art in the age of mechanical reproduction.
Bevan, A., Daniel, P., Chiara, B., Keinan-Schoonbaert, A., Lombraña González, D., Sparks, R., Wexler, J., & Wilkin, N. (2014). Citizen archaeologists. Online collaborative research about the human past. Human Computation, 1(2). https://doi.org/10.15346/hc.v1i2.9
Bonacchi, C., & Pett, D. (n.d.). MicroPasts / Conducting, designing and funding research into our human past. Crowdsourcing website. http://micropasts.org/
Crowd-sourcing the British Bronze Age: Initial experiences and results from the MicroPasts Project. (n.d.). http://discovery.ucl.ac.uk/1463401/
Eastaugh, N. (2008). Pigment compendium: a dictionary and optical microscopy of historical pigments. Elsevier. http://www.tandfebooks.com/isbn/9780080943596
Eastaugh, N., & Walsh, V. (2004). The pigment compendium: optical microscopy of historic pigments. Elsevier Butterworth-Heinemann. http://www.tandfebooks.com/isbn/9780080454573
Hawthorne, J. G., Smith, C. S., & Theophilus. (1979). On divers arts: the foremost medieval treatise on painting, glassmaking and metalwork. Dover.
Hess, M. (n.d.). Online Survey About Current Use Of 3D Imaging And Its User Requirements In Cultural Heritage Institutions. http://discovery.ucl.ac.uk/1471673/
Hess, M., Nelson, T., & Robson, S. (n.d.). 1. Introduction | The Science of 3D (UCL Petrie Museum). http://www.ucl.ac.uk/museums-static/science-of-3d/
Hess, M., Robson, S., Serpico, M., Amati, G., Pridden, I., & Nelson, T. (2015). Developing 3D Imaging Programmes--Workflow and Quality Control. Journal on Computing and Cultural Heritage, 9(1), 1–11. https://doi.org/10.1145/2786760
Hess, M., Serpico, M., & Nelson, T. (n.d.). Interactive apps in the Museum. Petrie Museum of Egyptian Archaeology, London | Museums Association. http://www.museumsassociation.org/museum-practice/3d-technology/15082013-petrie-museum
Hockney, D. (2001). Secret knowledge: rediscovering the lost techniques of the Old Masters. Thames & Hudson.
Jenison, T., Jillette, P., Ziegler, F., Sheffield, P., Kelly, S. F., Pope, C., Steadman, P., Mull, M., Hockney, D., & Teller. (2014). Tim’s Vermeer. Sony Pictures Home Entertainment. http://www.imdb.com/title/tt3089388/
Kemp, M. (n.d.). Chapter relevant to Essay 1 : Leonardo on Painting. https://moodle.ucl.ac.uk/pluginfile.php/3264559/mod_resource/content/0/leonardo-on-colour.pdf
Kemp, M., Walker, M., & Leonardo. (1989). Leonardo on painting: an anthology of writings by Leonardo da Vinci with a selection of documents relating to his career as an artist. Yale University Press.
Khan, Y. (n.d.). Museums in the information age: survival of the most digital? | Culture professionals network | The Guardian. https://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2012/dec/05/museums-adapting-digital-age
Lewis, G. (n.d.). The history of museums. http://www.muuseum.ee/uploads/files/g._lewis_the_history_of_museums.pdf
Luhmann, T., Robson, S., Kyle, S., & Boehm, J. (Eds.). (2014). Close-range photogrammetry and 3D imaging: Vol. De Gruyter textbook (2nd edition). De Gruyter.
MacDonald, S., Hess, M., Robson, S., & Were, G. (n.d.). Case study from ‘3D recording and Museums’. http://blogs.ucl.ac.uk/dh-in-practice/chapter-5/
McCormack, G. (n.d.). The Truth and Lies of Those Aurora Photos You See - 2016-01-26ReadingThe Truth and Lies of Those Aurora Photos You See.pdf. https://moodle.ucl.ac.uk/pluginfile.php/3262553/mod_resource/content/0/2016-01-26ReadingThe%20Truth%20and%20Lies%20of%20Those%20Aurora%20Photos%20You%20See.pdf
Nelson, T. (n.d.). Viral Capacity Building for Innovation. https://moodle.ucl.ac.uk/pluginfile.php/3262547/mod_resource/content/0/Viral%20Capacity%20Building%20for%20Innovation%20FINAL.pdf
Nelson, T., Amati, G., & Petrie Museum. (n.d.). 3D Petrie Museum. http://www.ucl.ac.uk/3dpetriemuseum
Nelson, T., & MacDonald, S. (n.d.). A Space for Innovation and Experimentation: University Museums as Test Beds for New Digital Technologies. http://discovery.ucl.ac.uk/1414997/
Payne, E. M. (2013). Imaging Techniques in Conservation. Journal of Conservation and Museum Studies, 10(2). https://doi.org/10.5334/jcms.1021201
Perkins, C., & Brizee, A. (n.d.). Audience and Purpose - Writing a business Memo. https://owl.english.purdue.edu/owl/search2.php
Saunders, D. & LACONA (Conference). (2013). Re-engineering Watt: A case study and best practice recommendations for 3D colour laser scans and 3D printing in museum artefact documentation. Book: Lasers in the conservation of artworks IX. In D. Saunders (Ed.), Lasers in the conservation of artworks IX. Archetype. http://discovery.ucl.ac.uk/1411525/
Stylianidis, E., & Remondino, F. (Eds.). (2016). 3D recording, documentation and management of cultural heritage. Whittles Publishing. http://ebookcentral.proquest.com/lib/ucl/detail.action?docID=4710342
The Culture White Paper. (2016). https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/510798/DCMS_The_Culture_White_Paper__3_.pdf
Van Gogh in 3D? A replica could be yours for £22,000 | Art and design | The Guardian. (n.d.). https://www.theguardian.com/artanddesign/2013/aug/24/3d-replicas-van-gogh
Warwick, C., Terras, M. M., Nyhan, J., & University College, London. Centre for Digital Humanities. (2012). Digital humanities in practice. Facet Publishing in association with UCL Centre for Digital Humanities. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781856049054
William Henry Fox Talbot (1800 - 1877) and the Invention of Photography | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art. (n.d.). http://www.metmuseum.org/toah/hd/tlbt/hd_tlbt.htm
