Bibliography for BASC0014: Technology in Arts and Cultural Heritage: Mona Hess

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‘The Culture White Paper’. Mar. 2016 [Online]. Available: https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/510798/DCMS_The_Culture_White_Paper__3_.pdf

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G. McCormack, ‘The Truth and Lies of Those Aurora Photos You See - 2016-01-26ReadingThe Truth and Lies of Those Aurora Photos You See.pdf’. [Online]. Available: https://moodle.ucl.ac.uk/pluginfile.php/3262553/mod_resource/content/0/2016-01-26ReadingThe%20Truth%20and%20Lies%20of%20Those%20Aurora%20Photos%20You%20See.pdf

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M. Hess, M. Serpico, and T. Nelson, ‘Interactive apps in the Museum. Petrie Museum of Egyptian Archaeology, London | Museums Association’. [Online]. Available: http://www.museumsassociation.org/museum-practice/3d-technology/15082013-petrie-museum

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T. Nelson, ‘Viral Capacity Building for Innovation’ [Online]. Available: https://moodle.ucl.ac.uk/pluginfile.php/3262547/mod_resource/content/0/Viral%20Capacity%20Building%20for%20Innovation%20FINAL.pdf

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T. Nelson and S. MacDonald, ‘A Space for Innovation and Experimentation: University Museums as Test Beds for New Digital Technologies’, [Online]. Available: http://discovery.ucl.ac.uk/1414997/

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J. Baudrillard, S. F. Glaser, and J. Baudrillard, Simulacra and simulation, vol. The Body, in theory. Ann Arbor: University of Michigan Press, 1994.

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Y. Khan, ‘Museums in the information age: survival of the most digital? | Culture professionals network | The Guardian’. [Online]. Available: https://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2012/dec/05/museums-adapting-digital-age

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‘Van Gogh in 3D? A replica could be yours for Â£22,000 | Art and design | The Guardian’. [Online]. Available: https://www.theguardian.com/artanddesign/2013/aug/24/3d-replicas-van-gogh

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G. Lewis, ‘The history of museums’. [Online]. Available: http://www.muuseum.ee/uploads/files/g._lewis_the_history_of_museums.pdf

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C. Bonacchi and D. Pett, ‘MicroPasts / Conducting, designing and funding research into our human past. Crowdsourcing website’. [Online]. Available: http://micropasts.org/

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‘Crowd-sourcing the British Bronze Age: Initial experiences and results from the MicroPasts Project’ [Online]. Available: http://discovery.ucl.ac.uk/1463401/

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D. Saunders and LACONA (Conference), ‘Re-engineering Watt: A case study and best practice recommendations for 3D colour laser scans and 3D printing in museum artefact documentation. Book: Lasers in the conservation of artworks IX’, in Lasers in the conservation of artworks IX, D. Saunders, Ed. London: Archetype, 2013 [Online]. Available: http://discovery.ucl.ac.uk/1411525/

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M. Hess, S. Robson, M. Serpico, G. Amati, I. Pridden, and T. Nelson, ‘Developing 3D Imaging Programmes--Workflow and Quality Control’, Journal on Computing and Cultural Heritage, vol. 9, no. 1, pp. 1–11, Nov. 2015, doi: 10.1145/2786760.

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E. M. Payne, ‘Imaging Techniques in Conservation’, Journal of Conservation and Museum Studies, vol. 10, no. 2, Feb. 2013, doi: 10.5334/jcms.1021201.

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M. Hess, T. Nelson, and S. Robson, ‘1. Introduction | The Science of 3D (UCL Petrie Museum)’. [Online]. Available: http://www.ucl.ac.uk/museums-static/science-of-3d/

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M. Hess, ‘Online Survey About Current Use Of 3D Imaging And Its User Requirements In Cultural Heritage Institutions’ [Online]. Available: http://discovery.ucl.ac.uk/1471673/

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C. Warwick, M. M. Terras, J. Nyhan, and University College, London. Centre for Digital Humanities, Digital humanities in practice. London: Facet Publishing in association with UCL Centre for Digital Humanities, 2012 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781856049054

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S. MacDonald, M. Hess, S. Robson, and G. Were, ‘Case study from “3D recording and Museums”’. [Online]. Available: http://blogs.ucl.ac.uk/dh-in-practice/chapter-5/

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T. Luhmann, S. Robson, S. Kyle, and J. Boehm, Eds., Close-range photogrammetry and 3D imaging, 2nd edition., vol. De Gruyter textbook. Berlin: De Gruyter, 2014.

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E. Stylianidis and F. Remondino, Eds., 3D recording, documentation and management of cultural heritage. Caithness, Scotland, UK: Whittles Publishing, 2016 [Online]. Available: http://ebookcentral.proquest.com/lib/ucl/detail.action?docID=4710342

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D. Hockney, Secret knowledge: rediscovering the lost techniques of the Old Masters. London: Thames & Hudson, 2001.

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M. Kemp, M. Walker, and Leonardo, Leonardo on painting: an anthology of writings by Leonardo da Vinci with a selection of documents relating to his career as an artist. New Heaven: Yale University Press, 1989.

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M. Kemp, ‘Chapter relevant to Essay 1 : Leonardo on Painting’. [Online]. Available: https://moodle.ucl.ac.uk/pluginfile.php/3264559/mod_resource/content/0/leonardo-on-colour.pdf

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P. Ball, M. Clarke, and C. Parraman, Colour in the making: from old wisdom to new brilliance. London, UK: Black Dog Publishing, 2013.

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P. Ball, M. Clarke, and C. Parraman, Colour in the making: from old wisdom to new brilliance. London, UK: Black Dog Publishing, 2013.

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N. Eastaugh, Pigment compendium: a dictionary and optical microscopy of historical pigments. Oxford: Elsevier, 2008 [Online]. Available: http://www.tandfebooks.com/isbn/9780080943596

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J. G. Hawthorne, C. S. Smith, and Theophilus, On divers arts: the foremost medieval treatise on painting, glassmaking and metalwork. New York: Dover, 1979.

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N. Eastaugh and V. Walsh, The pigment compendium: optical microscopy of historic pigments. Amsterdam: Elsevier Butterworth-Heinemann, 2004 [Online]. Available: http://www.tandfebooks.com/isbn/9780080454573

Bibliography for BASC0014: Technology in Arts and Cultural Heritage: Mona Hess BETA