@inbook{Alexander, Nagel and Christopher, S. Wood_2010, address={New York}, title={Plural Temporality of the Work of Art}, url={https://contentstore.cla.co.uk/secure/link?id=411eec44-1a9d-e711-80cb-005056af4099}, booktitle={Anachronic Renaissance}, publisher={Zone Books}, author={Alexander, Nagel and Christopher, S. Wood}, year={2010}, pages={7–19} }
@inbook{Alexander, Nagel and Christopher S. Wood_2010, address={New York}, title={Neo-Cosmatesque}, url={https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctv1453n0p}, booktitle={Anachronic Renaissance}, publisher={Zone Books}, author={Alexander, Nagel and Christopher S. Wood}, year={2010}, pages={185–194} }
@inbook{Alison, Wright_2015, address={London}, title={Crivelli’s Divine Materials}, url={https://contentstore.cla.co.uk/secure/link?id=0ff2e0e2-a5a2-e711-80cb-005056af4099}, booktitle={Ornament & illusion: Carlo Crivelli of Venice}, publisher={Paul Holberton Publishing}, author={Alison, Wright}, editor={Campbell, Stephen J.}, year={2015}, pages={57–77} }
@inbook{Amanda, Lillie_2007, address={Bern}, title={Sculpting the Air: Donatello’s Narratives of the Environment}, url={https://contentstore.cla.co.uk/secure/link?id=74cfc804-00c6-e711-80cd-005056af4099}, booktitle={Depth of field: relief sculpture in Renaissance Italy}, publisher={Peter Lang}, author={Amanda, Lillie}, year={2007}, pages={97–124} }
@inbook{Anne, Dunlop_2015, address={Manchester}, title={On the origins of European painting materials, real and imagined}, volume={Studies in design}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Anne, Dunlop}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={68–96} }
@inbook{Anne-Sophie Lehman_2015a, address={Manchester}, title={The matter of medium: some tools for an art-theoretical interpretation of materials}, volume={Studies in design}, url={https://contentstore.cla.co.uk/secure/link?id=51ed7412-149d-e711-80cb-005056af4099}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Anne-Sophie Lehman}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={21–41} }
@inbook{Anne-Sophie Lehman_2015b, address={Manchester}, title={The matter of medium: some tools for an art-theoretical interpretation of materials}, volume={Studies in design}, url={https://contentstore.cla.co.uk/secure/link?id=51ed7412-149d-e711-80cb-005056af4099}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Anne-Sophie Lehman}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={21–41} }
@article{Arthur Lucas and Joyce Plesters_1978, title={Titian’s ‘Bacchus and Ariadne’}, volume={2}, url={http://www.jstor.org/stable/42616250}, journal={National Gallery Technical Bulletin}, publisher={National Gallery Company Limited}, author={Arthur Lucas and Joyce Plesters}, year={1978}, pages={25–47} }
@inbook{Belozerskaya_2005, address={London}, title={The powers of gold and precious stones}, url={https://contentstore.cla.co.uk/secure/link?id=980191b2-1f9d-e711-80cb-005056af4099}, booktitle={Luxury arts of the Renaissance}, publisher={Thames & Hudson}, author={Belozerskaya, Marina}, year={2005}, pages={47–87} }
@inbook{Bucklow_2015, address={Manchester}, title={Lead white’s mysteries}, volume={Studies in design}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Bucklow, Spike}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={141–159} }
@book{Campbell_2012, address={Paris}, title={Rogier van der Weyden in context: papers presented at the Seventeenth Symposium for the Study of Underdrawing and Technology in Painting, held in Leuven, 22-24 October 2009}, volume={Underdrawing and technology in painting}, publisher={Peeters}, author={Campbell, Lorne}, year={2012} }
@inbook{Caroline, Walker, Bynum_2011, address={New York}, title={Visual Matter}, url={https://contentstore.cla.co.uk/secure/link?id=b3ff84dd-109a-e711-80cb-005056af4099}, booktitle={Christian materiality: an essay on religion in late medieval Europe}, publisher={Zone Books}, author={Caroline, Walker, Bynum}, year={2011}, pages={37–123} }
@inbook{Caroline, Walker Bynum_2011, address={New York}, title={The power of objects}, booktitle={Christian materiality: an essay on religion in late medieval Europe}, publisher={Zone Books}, author={Caroline, Walker Bynum}, year={2011}, pages={125–176} }
@book{Cennini_Broecke_2015, address={London}, title={Cennino Cennini’s Il libro dell’arte: a new English translation and commentary with Italian transcription}, publisher={Archetype Publications Ltd}, author={Cennini, Cennino and Broecke, Lara}, year={2015} }
@book{Cennini_Herringham_1899, address={London}, title={The book of the art of Cennino Cennini: a contemporary practical treatise on quattrocento painting}, publisher={G. Allen & Unwin}, author={Cennini, Cennino and Herringham, Christiana Jane Powell}, year={1899} }
@inbook{Christina, Neilson_2015, address={Manchester}, title={The Meaning of Wood in Early Modern European Sculpture}, volume={Studies in design}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Christina, Neilson}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={223–239} }
@inbook{Christy Anderson, Anne Dunlop and Pamela H. Smith_2015, address={Manchester}, title={Introduction}, volume={Studies in design}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Christy Anderson, Anne Dunlop and Pamela H. Smith}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={1–17} }
@book{Colonna_Godwin_2005, address={London}, edition={[2nd ed.]}, title={Hypnerotomachia Poliphili: the strife of love in a dream}, publisher={Thames & Hudson}, author={Colonna, Francesco and Godwin, Joscelyn}, year={2005} }
@inbook{Conforti_1997, address={London}, title={The idealist enterprise and the applied arts}, url={https://contentstore.cla.co.uk/secure/link?id=dc228003-259d-e711-80cb-005056af4099}, booktitle={A grand design: the art of the Victoria and Albert Museum}, publisher={V & A with The Baltimore Museum of Art}, author={Conforti, Michael}, year={1997}, pages={23–47} }
@inbook{Cynthia, Hahn_2000, address={Cambridge, U.K.}, title={Visio dei: Changes in Medieval Visuality}, volume={Cambridge studies in new art history and criticism}, booktitle={Visuality before and beyond the Renaissance: seeing as others saw}, publisher={Cambridge University Press}, author={Cynthia, Hahn}, year={2000}, pages={169–196} }
@inbook{D. Allen_2011, address={Washington [D.C.]}, title={Gold, Silver and the Colors of Bronze: Antico’s Language of Materials in Statuettes and Reliefs}, booktitle={Antico: the golden age of Renaissance bronzes}, publisher={National Gallery of Art}, author={D. Allen}, year={2011}, pages={139–156} }
@book{Damisch_1994, address={Cambridge, Mass}, title={The origin of perspective}, publisher={MIT Press}, author={Damisch, Hubert}, year={1994} }
@inbook{Daniel Arasse_1999a, address={[Paris]}, title={Crivelli}, booktitle={L’Annonciation italienne: une histoire de perspective}, publisher={Hazan}, author={Daniel Arasse}, year={1999}, pages={188–195} }
@inbook{Daniel Arasse_1999b, address={[Paris]}, title={intarsia Annunciation in the Sacristy of Florence cathedral}, booktitle={L’Annonciation italienne: une histoire de perspective}, publisher={Hazan}, author={Daniel Arasse}, year={1999}, pages={168–172} }
@inbook{Elkins_1994, address={Ithaca}, title={Curved Foundations: Complexity in Italian Intarsia}, url={https://contentstore.cla.co.uk/secure/link?id=fe049748-9ba2-e711-80cb-005056af4099}, booktitle={The poetics of perspective}, publisher={Cornell University Press}, author={Elkins, James}, year={1994}, pages={128–133} }
@article{Fabio Barry_2007, title={Walking on Water: Cosmic Floors in Antiquity and the Middle Ages}, volume={89}, url={http://www.jstor.org/stable/25067354}, number={4}, journal={The Art Bulletin}, publisher={College Art Association}, author={Fabio Barry}, year={2007}, pages={627–656} }
@inbook{Faye Tudor_2010, address={Farnham}, title={"All in him selfe as in a glass he sees”: Mirrors and vision in the Renaissance}, volume={Visual culture in early modernity}, url={https://www.taylorfrancis.com/books/e/9781317066408/chapters/10.4324%2F9781315605319-15}, booktitle={Renaissance theories of vision}, publisher={Ashgate}, author={Faye Tudor}, year={2010}, pages={171–186} }
@inbook{Georges Didi-Huberman_1995a, address={Chicago}, title={Introduction}, url={https://contentstore.cla.co.uk/secure/link?id=dca97a11-a75a-e811-80cd-005056af4099}, booktitle={Fra Angelico: dissemblance & figuration}, publisher={University of Chicago Press}, author={Georges Didi-Huberman}, year={1995}, pages={1–12} }
@inbook{Georges Didi-Huberman_1995b, address={Chicago}, title={The Colours of Mystery}, booktitle={Fra Angelico: dissemblance & figuration}, publisher={University of Chicago Press}, author={Georges Didi-Huberman}, year={1995}, pages={13–101} }
@inbook{Heidi C. Gearhart_2017, address={University Park, Pennsylvania}, title={Introduction: Theophilus, On Diverse Arts, prologue 1}, url={https://contentstore.cla.co.uk/secure/link?id=51788ec7-03c6-e711-80cd-005056af4099}, booktitle={Theophilus and the theory and practice of medieval art}, publisher={The Pennsylvania State University Press}, author={Heidi C. Gearhart}, year={2017}, pages={1–13} }
@book{Hills_1999, address={New Haven, Conn}, title={Venetian colour: marble, mosaic, painting and glass, 1250-1550}, publisher={Yale University Press}, author={Hills, Paul}, year={1999} }
@article{Ilya Kabakov, title={About Installation}, url={http://www.tandfonline.com/doi/abs/10.1080/00043249.1999.10791966}, journal={Art Journal}, publisher={Taylor & Francis}, author={Ilya Kabakov} }
@inbook{Jill, Dunkerton_1999a, address={London}, title={North and South: Painting Techniques in Renaissance Venice}, url={https://contentstore.cla.co.uk/secure/link?id=38bf55c5-a9a2-e711-80cb-005056af4099}, booktitle={Renaissance Venice and the North: crosscurrents in the time of Dürer, Bellini and Titian}, publisher={Thames & Hudson}, author={Jill, Dunkerton}, year={1999}, pages={92–103} }
@inbook{Jill, Dunkerton_1999b, address={London}, title={North and South: Painting Techniques in Renaissance Venice}, url={https://contentstore.cla.co.uk/secure/link?id=38bf55c5-a9a2-e711-80cb-005056af4099}, booktitle={Renaissance Venice and the North: crosscurrents in the time of Dürer, Bellini and Titian}, publisher={Thames & Hudson}, author={Jill, Dunkerton}, year={1999}, pages={92–103} }
@inbook{John G. Hawthorne, Cyril Stanley Smith_1979, address={New York}, title={The Second Book: The Art of the Worker in Glass}, booktitle={On divers arts: the foremost medieval treatise on painting, glassmaking and metalwork}, publisher={Dover}, author={John G. Hawthorne, Cyril Stanley Smith}, year={1979}, pages={45–74} }
@inbook{Klaus Krüger, address={Turnhout, Belgium}, title={Authenticity and Fiction: On the Pictorial Construction of Inner Presence in Early Modern Italy}, volume={Proteus : studies in early-modern identity formation}, booktitle={Image and imagination of the religious self in late medieval and early modern Europe}, publisher={Brepols}, author={Klaus Krüger}, pages={37–69} }
@inbook{Lehman_2015, address={Manchester}, title={The matter of the medium: some tools for an art-theoretical interpretation of materials}, volume={Studies in design}, url={https://contentstore.cla.co.uk/secure/link?id=51ed7412-149d-e711-80cb-005056af4099}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Lehman, Anne-Sophie}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={21–41} }
@inbook{Lorenzo, Lazzarini_1987a, address={New York}, title={The Use of Color by Venetian Painters, 1488-1580: Materials and Technique}, booktitle={Color and technique in Renaissance painting: Italy and the North}, publisher={Augustin}, author={Lorenzo, Lazzarini}, year={1987}, pages={115–136} }
@inbook{Lorenzo, Lazzarini_1987b, address={New York}, title={The Use of Color by Venetian Painters, 1488-1580: Materials and Technique}, booktitle={Color and technique in Renaissance painting: Italy and the North}, publisher={Augustin}, author={Lorenzo, Lazzarini}, year={1987}, pages={115–136} }
@inbook{Louis, Marin_2001, address={Stanford, Calif}, title={Depositing time in Painted Representation}, volume={Meridian}, url={https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=14758592270004761&institutionId=4761&customerId=4760&VE=true}, booktitle={On representation}, publisher={Stanford University Press}, author={Louis, Marin}, year={2001}, pages={285–308} }
@inbook{Margaret, Haines & Giuseppe, Marchini_1983, address={[Firenze]}, title={Archaeology and analysis of the side wall revetments}, booktitle={The ‘Sacrestia delle Messe’ of the Florentine Cathedral}, publisher={Cassa di Risparmio di Firenze}, author={Margaret, Haines & Giuseppe, Marchini}, year={1983}, pages={81–97} }
@article{Meiss_1945, title={Light as Form and Symbol in Some Fifteenth-Century Paintings}, volume={27}, DOI={10.2307/3047010}, number={3}, journal={The Art Bulletin}, author={Meiss, Millard}, year={1945}, month={Sep} }
@inbook{Michael, Podro_1998, address={New Haven [Conn.]}, title={Donatello and the Planes of Relief}, url={https://contentstore.cla.co.uk/secure/link?id=080722e6-37ba-e711-80cb-005056af4099}, booktitle={Depiction}, publisher={Yale University Press}, author={Michael, Podro}, year={1998}, pages={29–60} }
@inbook{Nader El-Bizri_2010, address={Farnham}, title={Classical optics and the perspectivae traditions leading to the Renaissance}, volume={Visual culture in early modernity}, url={https://contentstore.cla.co.uk/secure/link?id=4884c8d5-f9a1-e711-80cb-005056af4099}, booktitle={Renaissance theories of vision}, publisher={Ashgate}, author={Nader El-Bizri}, year={2010}, pages={11–30} }
@inbook{Pamela. H. Smith_2011, address={Farnham}, title={What is a Secret? Secrets and Craft Knowledge in Early Modern Europe}, volume={The history of medicine in context}, url={https://contentstore.cla.co.uk/secure/link?id=aa77ca73-f9a1-e711-80cb-005056af4099}, booktitle={Secrets and knowledge in medicine and science, 1500-1800}, publisher={Ashgate}, author={Pamela. H. Smith}, year={2011}, pages={47–66} }
@inbook{Patricia Allerston_2007, address={Manchester}, title={Consuming problems : worldly goods in Renaissance Venice}, volume={Studies in design}, url={https://contentstore.cla.co.uk/secure/link?id=d05e8cb5-edb7-e711-80cb-005056af4099}, booktitle={The Material Renaissance}, publisher={Manchester University Press}, author={Patricia Allerston}, year={2007}, pages={11–46} }
@book{Pentcheva_2010, address={University Park, Pa}, title={The sensual icon: space, ritual, and the senses in Byzantium}, publisher={Pennsylvania State University Press}, author={Pentcheva, Bissera V.}, year={2010} }
@inbook{Philip, Ball_2002, address={New York}, edition={1st American ed}, title={Time as Painter: The Ever-changing canvas}, url={https://contentstore.cla.co.uk/secure/link?id=560dd6e5-a7a2-e711-80cb-005056af4099}, booktitle={Bright earth: art and the invention of color}, publisher={Farrar, Straus and Giroux}, author={Philip, Ball}, year={2002}, pages={283–305} }
@inbook{Philip, Ball_2008, address={London}, title={Time as Painter: The Ever-changing canvas}, url={https://contentstore.cla.co.uk/secure/link?id=560dd6e5-a7a2-e711-80cb-005056af4099}, booktitle={Bright earth: the invention of colour}, publisher={Vintage}, author={Philip, Ball}, year={2008}, pages={283–305} }
@inbook{Rab, Hatfield_1990, address={New York}, title={The Tree of Life and the Holy Cross: Franciscan Spirituality in the Trecento and the Quattrocento}, booktitle={Christianity and the Renaissance: image and religious imagination in the Quattrocento}, publisher={Syracuse University Press}, author={Rab, Hatfield}, year={1990}, pages={132–160} }
@article{Rayna Kalas_2002, title={The Technology of Reflection: Renaissance Mirrors of Steel and Glass}, volume={32}, url={https://muse.jhu.edu/article/16519}, number={3}, journal={Journal of Medieval and Early Modern Studies}, publisher={Duke University Press}, author={Rayna Kalas}, year={2002}, month={Autumn}, pages={519–542} }
@article{Rebecca Zorach_1999, title={Everything Swims with Excess: Gold and Its Fashioning in Sixteenth-Century France}, url={http://www.jstor.org/stable/20167479}, number={36}, journal={RES: Anthropology and Aesthetics}, publisher={Peabody Museum of Archaeology and Ethnology}, author={Rebecca Zorach}, year={1999}, pages={125–137} }
@inbook{Roy_White_2000a, address={Turnhout}, title={Van Eyck’s technique: The myth and the reality, I and II}, url={https://contentstore.cla.co.uk/secure/link?id=7ab5ef4a-df56-e911-80cd-005056af4099}, booktitle={Investigating Jan van Eyck}, publisher={Brepols}, author={Roy, Ashok and White, Raymond}, year={2000}, pages={97–105} }
@inbook{Roy_White_2000b, address={Turnhout}, title={Van Eyck’s technique: The myth and the reality, I and II}, url={https://contentstore.cla.co.uk/secure/link?id=7ab5ef4a-df56-e911-80cd-005056af4099}, booktitle={Investigating Jan van Eyck}, publisher={Brepols}, author={Roy, Ashok and White, Raymond}, year={2000}, pages={97–105} }
@book{Ruskin_Morris_1981, address={London}, title={The stones of Venice}, publisher={Faber}, author={Ruskin, John and Morris, Jan}, year={1981} }
@book{Sassi_Shore_2012, address={New York}, edition={First edition}, title={Renaissance intarsia: masterpieces of wood inlay}, publisher={Abbeville Press Publishers}, author={Sassi, Luca and Shore, Marguerite}, editor={Trevisan, Luca}, year={2012} }
@inbook{Simons_2015, title={Salience and the Snail: Liminality and Incarnation in Francesco del Cossa’s Annunciation (c. 1470)}, url={https://brill.com/view/book/9789004299016/B9789004299016_016.xml}, DOI={10.1163/9789004299016_016}, booktitle={Religion, the Supernatural and Visual Culture in Early Modern Europe}, publisher={Brill}, author={Simons, Patricia}, year={2015}, month={Jul}, pages={303–329} }
@inbook{Smith, Pamela H_2004, title={The Body of the Artisan.}, url={https://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb06680.0001.001;didno=heb06680.0001.001;view=image;seq=00000105;node=heb06680.0001.001%3A5.2}, booktitle={The body of the artisan: art and experience in the scientific revolution}, author={Smith, Pamela H}, year={2004}, pages={95–128} }
@book{Smith_2004, address={Chicago}, title={The body of the artisan: art and experience in the scientific revolution}, publisher={University of Chicago Press}, author={Smith, Pamela H.}, year={2004} }
@inbook{Smith_2015, address={Manchester}, title={The matter of ideas in the working of metals in early modern Europe}, volume={Studies in design}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Smith, Pamela H.}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={42–67} }
@article{Smith_2016, title={Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project}, volume={39}, DOI={10.1111/1467-8365.12235}, number={2}, journal={Art History}, author={Smith, Pamela H.}, year={2016}, month={Apr}, pages={210–233} }
@book{Stokes_1972, address={New York}, edition={First U.S. edition}, title={The image in form: selected writings of Adrian Stokes}, volume={Icon editions}, publisher={Harper & Row, Publishers}, author={Stokes, Adrian}, editor={Wollheim, Richard}, year={1972} }
@article{Thomas Golsenne, title={L’Annonciation de Carlo Crivelli et le problème de l’ornement}, url={http://www.academia.edu/23687905/LAnnonciation_de_Carlo_Crivelli_et_le_probl%C3%A8me_de_lornement}, journal={Studiolo, 1, 2002, p. 149-176}, author={Thomas Golsenne} }
@article{Thompson_2004, title={The Franciscans and the True Cross: The Decoration of the Cappella Maggiore of Santa Croce in Florence}, volume={43}, url={http://www.jstor.org/stable/25067092}, number={1}, journal={Gesta}, author={Thompson, Nancy M.}, year={2004}, month={Jan}, pages={61–79} }
@inbook{Virma, Passeri_2015, address={Manchester}, title={Gold coins and gold leaf in early Italian Paintings}, volume={Studies in design}, booktitle={The matter of art: materials, practices, cultural logics, c. 1250-1750}, publisher={Manchester University Press}, author={Virma, Passeri}, editor={Anderson, Christy and Dunlop, Anne and Smith, Pamela H.}, year={2015}, pages={97–115} }
@inbook{Walter S. Melion, address={Turnhout, Belgium}, title={Introduction: Meditative Images and the Psychology of Soul}, volume={Proteus : studies in early-modern identity formation}, url={https://contentstore.cla.co.uk/secure/link?id=46fd2b57-2800-e811-80cd-005056af4099}, booktitle={Image and imagination of the religious self in late medieval and early modern Europe}, publisher={Brepols}, author={Walter S. Melion}, pages={1–36} }
@article{Wright_2012, title={‘Touch the truth’? Desiderio da Settignano, Renaissance relief and the body of Christ}, volume={21}, url={https://search.proquest.com/docview/1027116269/fulltext/E33A5129F2D44C5FPQ/2?accountid=14511}, number={1}, journal={Sculpture Journal}, author={Wright, Alison}, year={2012}, month={Jan}, pages={7–26} }
@inbook{Wright_2013, address={London}, title={Tabernacle and Sacrament in fifteenth-century Tuscany}, url={https://contentstore.cla.co.uk/secure/link?id=fc64b864-faa1-e711-80cb-005056af4099}, booktitle={Carvings, casts & collectors: the art of Renaissance sculpture}, publisher={V&A}, author={Wright, Alison}, year={2013}, pages={42–57} }
@book{Zorach_2011, address={Chicago}, title={The passionate triangle}, publisher={University of Chicago Press}, author={Zorach, Rebecca}, year={2011} }
@book{Baum_Bayer_Wagstaff_2016, address={New York}, title={Unfinished: thoughts left visible}, publisher={The Metropolitan Museum of Art}, year={2016} }
@misc{Medieval & Renaissance Galleries - Victoria and Albert Museum, url={http://www.vam.ac.uk/page/m/medieval-and-renaissance-galleries/} }
@misc{Taking the Measure of Relics of the True Cross, url={http://www.catholiceducation.org/en/controversy/common-misconceptions/taking-the-measure-of-relics-of-the-true-cross.html} }
@misc{The National Gallery, London, url={https://www.nationalgallery.org.uk/} }
@misc{The National Gallery, London, url={https://www.nationalgallery.org.uk/} }
@misc{History of Art Portal, url={https://hoaportal.york.ac.uk/hoaportal/medievalToModern.jsp} }
@misc{The National Gallery, London, url={https://www.nationalgallery.org.uk/} }
@misc{The Infra-red Reflectograms of Jan van Eyck’s Portrait of Giovanni Arnolfini and his Wife Giovanna Cenami. Technical Bulletin. National Gallery, London, url={http://www.nationalgallery.org.uk/technical-bulletin/billinge_campbell1995} }
@misc{Recovering Titian: The Cleaning and Restoration of Three Overlooked Canvas Paintings | Technical Bulletin Vol 34 | National Gallery, London, url={https://www.nationalgallery.org.uk/technical-bulletin/vol-34-essay-2-2013} }
@misc{Sebastiano del Piombo’s ‘Raising of Lazarus’: A History of Change | Technical Bulletin | National Gallery, London, url={http://www.nationalgallery.org.uk/technical-bulletin/dunkerton_howard2009} }
