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Caroline, Walker, Bynum. Visual Matter. In: Christian materiality: an essay on religion in late medieval Europe. New York: : Zone Books 2011. 37–123.https://contentstore.cla.co.uk/secure/link?id=b3ff84dd-109a-e711-80cb-005056af4099
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Alexander, Nagel and Christopher, S. Wood. Plural Temporality of the Work of Art. In: Anachronic Renaissance. New York: : Zone Books 2010. 7–19.https://contentstore.cla.co.uk/secure/link?id=411eec44-1a9d-e711-80cb-005056af4099
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Patricia Allerston. Consuming problems : worldly goods in Renaissance Venice. In: The Material Renaissance. Manchester: : Manchester University Press 2007. 11–46.https://contentstore.cla.co.uk/secure/link?id=d05e8cb5-edb7-e711-80cb-005056af4099
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Pamela. H. Smith. What is a Secret? Secrets and Craft Knowledge in Early Modern Europe. In: Secrets and knowledge in medicine and science, 1500-1800. Farnham: : Ashgate 2011. 47–66.https://contentstore.cla.co.uk/secure/link?id=aa77ca73-f9a1-e711-80cb-005056af4099
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Nader El-Bizri. Classical optics and the perspectivae traditions leading to the Renaissance. In: Renaissance theories of vision. Farnham: : Ashgate 2010. 11–30.https://contentstore.cla.co.uk/secure/link?id=4884c8d5-f9a1-e711-80cb-005056af4099
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Walter S. Melion. Introduction: Meditative Images and the Psychology of Soul. In: Image and imagination of the religious self in late medieval and early modern Europe. Turnhout, Belgium: : Brepols 1–36.https://contentstore.cla.co.uk/secure/link?id=46fd2b57-2800-e811-80cd-005056af4099
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Klaus Krüger. Authenticity and Fiction: On the Pictorial Construction of Inner Presence in Early Modern Italy. In: Image and imagination of the religious self in late medieval and early modern Europe. Turnhout, Belgium: : Brepols 37–69.
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Faye Tudor. "All in him selfe as in a glass he sees”: Mirrors and vision in the Renaissance. In: Renaissance theories of vision. Farnham: : Ashgate 2010. 171–86.https://www.taylorfrancis.com/books/e/9781317066408/chapters/10.4324%2F9781315605319-15
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The Infra-red Reflectograms of Jan van Eyck’s Portrait of Giovanni Arnolfini and his Wife Giovanna Cenami. Technical Bulletin. National Gallery, London. http://www.nationalgallery.org.uk/technical-bulletin/billinge_campbell1995
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