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Alison, Wright, ‘Crivelli’s Divine Materials’, in Ornament & Illusion: Carlo Crivelli of Venice, ed. by Stephen J. Campbell (Paul Holberton Publishing, 2015), pp. 57–77 <https://contentstore.cla.co.uk/secure/link?id=0ff2e0e2-a5a2-e711-80cb-005056af4099>
Amanda, Lillie, ‘Sculpting the Air: Donatello’s Narratives of the Environment’, in Depth of Field: Relief Sculpture in Renaissance Italy (Peter Lang, 2007), pp. 97–124 <https://contentstore.cla.co.uk/secure/link?id=74cfc804-00c6-e711-80cd-005056af4099>
Anne, Dunlop, ‘On the Origins of European Painting Materials, Real and Imagined’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester University Press, 2015), Studies in design, pp. 68–96
Anne-Sophie Lehman, ‘The Matter of Medium: Some Tools for an Art-Theoretical Interpretation of Materials’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester University Press, 2015), Studies in design, pp. 21–41 <https://contentstore.cla.co.uk/secure/link?id=51ed7412-149d-e711-80cb-005056af4099>
——, ‘The Matter of Medium: Some Tools for an Art-Theoretical Interpretation of Materials’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester University Press, 2015), Studies in design, pp. 21–41 <https://contentstore.cla.co.uk/secure/link?id=51ed7412-149d-e711-80cb-005056af4099>
Arthur Lucas and Joyce Plesters, ‘Titian’s “Bacchus and Ariadne”’, National Gallery Technical Bulletin, 2 (1978), pp. 25–47 <http://www.jstor.org/stable/42616250>
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Belozerskaya, Marina, ‘The Powers of Gold and Precious Stones’, in Luxury Arts of the Renaissance (Thames & Hudson, 2005), pp. 47–87 <https://contentstore.cla.co.uk/secure/link?id=980191b2-1f9d-e711-80cb-005056af4099>
Bucklow, Spike, ‘Lead White’s Mysteries’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester University Press, 2015), Studies in design, pp. 141–59
Campbell, Lorne, Rogier van Der Weyden in Context: Papers Presented at the Seventeenth Symposium for the Study of Underdrawing and Technology in Painting, Held in Leuven, 22-24 October 2009 (Peeters, 2012), Underdrawing and technology in painting
Caroline, Walker Bynum, ‘The Power of Objects’, in Christian Materiality: An Essay on Religion in Late Medieval Europe (Zone Books, 2011), pp. 125–76
Caroline, Walker, Bynum, ‘Visual Matter’, in Christian Materiality: An Essay on Religion in Late Medieval Europe (Zone Books, 2011), pp. 37–123 <https://contentstore.cla.co.uk/secure/link?id=b3ff84dd-109a-e711-80cb-005056af4099>
Cennini, Cennino, and Lara Broecke, Cennino Cennini’s Il Libro Dell’arte: A New English Translation and Commentary with Italian Transcription (Archetype Publications Ltd, 2015)
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Christy Anderson, Anne Dunlop and Pamela H. Smith, ‘Introduction’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester University Press, 2015), Studies in design, pp. 1–17
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Conforti, Michael, ‘The Idealist Enterprise and the Applied Arts’, in A Grand Design: The Art of the Victoria and Albert Museum (V & A with The Baltimore Museum of Art, 1997), pp. 23–47 <https://contentstore.cla.co.uk/secure/link?id=dc228003-259d-e711-80cb-005056af4099>
Cynthia, Hahn, ‘Visio Dei: Changes in Medieval Visuality’, in Visuality before and beyond the Renaissance: Seeing as Others Saw (Cambridge University Press, 2000), Cambridge studies in new art history and criticism, pp. 169–96
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Elkins, James, ‘Curved Foundations: Complexity in Italian Intarsia’, in The Poetics of Perspective (Cornell University Press, 1994), pp. 128–33 <https://contentstore.cla.co.uk/secure/link?id=fe049748-9ba2-e711-80cb-005056af4099>
Fabio Barry, ‘Walking on Water: Cosmic Floors in Antiquity and the Middle Ages’, The Art Bulletin, 89.4 (2007), pp. 627–56 <http://www.jstor.org/stable/25067354>
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Georges Didi-Huberman, ‘Introduction’, in Fra Angelico: Dissemblance & Figuration (University of Chicago Press, 1995), pp. 1–12 <https://contentstore.cla.co.uk/secure/link?id=dca97a11-a75a-e811-80cd-005056af4099>
——, ‘The Colours of Mystery’, in Fra Angelico: Dissemblance & Figuration (University of Chicago Press, 1995), pp. 13–101
Heidi C. Gearhart, ‘Introduction: Theophilus, On Diverse Arts, Prologue 1’, in Theophilus and the Theory and Practice of Medieval Art (The Pennsylvania State University Press, 2017), pp. 1–13 <https://contentstore.cla.co.uk/secure/link?id=51788ec7-03c6-e711-80cd-005056af4099>
Hills, Paul, Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550 (Yale University Press, 1999)
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Jill, Dunkerton, ‘North and South: Painting Techniques in Renaissance Venice’, in Renaissance Venice and the North: Crosscurrents in the Time of Dürer, Bellini and Titian (Thames & Hudson, 1999), pp. 92–103 <https://contentstore.cla.co.uk/secure/link?id=38bf55c5-a9a2-e711-80cb-005056af4099>
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John G. Hawthorne, Cyril Stanley Smith, ‘The Second Book: The Art of the Worker in Glass’, in On Divers Arts: The Foremost Medieval Treatise on Painting, Glassmaking and Metalwork (Dover, 1979), pp. 45–74
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Lorenzo, Lazzarini, ‘The Use of Color by Venetian Painters, 1488-1580: Materials and Technique’, in Color and Technique in Renaissance Painting: Italy and the North (Augustin, 1987), pp. 115–36
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Nader El-Bizri, ‘Classical Optics and the Perspectivae Traditions Leading to the Renaissance’, in Renaissance Theories of Vision (Ashgate, 2010), Visual culture in early modernity, pp. 11–30 <https://contentstore.cla.co.uk/secure/link?id=4884c8d5-f9a1-e711-80cb-005056af4099>
Pamela. H. Smith, ‘What Is a Secret? Secrets and Craft Knowledge in Early Modern Europe’, in Secrets and Knowledge in Medicine and Science, 1500-1800 (Ashgate, 2011), The history of medicine in context, pp. 47–66 <https://contentstore.cla.co.uk/secure/link?id=aa77ca73-f9a1-e711-80cb-005056af4099>
Patricia Allerston, ‘Consuming Problems : Worldly Goods in Renaissance Venice’, in The Material Renaissance (Manchester University Press, 2007), Studies in design, pp. 11–46 <https://contentstore.cla.co.uk/secure/link?id=d05e8cb5-edb7-e711-80cb-005056af4099>
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Philip, Ball, ‘Time as Painter: The Ever-Changing Canvas’, in Bright Earth: Art and the Invention of Color, 1st American ed (Farrar, Straus and Giroux, 2002), pp. 283–305 <https://contentstore.cla.co.uk/secure/link?id=560dd6e5-a7a2-e711-80cb-005056af4099>
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Roy, Ashok, and Raymond White, ‘Van Eyck’s Technique: The Myth and the Reality, I and II’, in Investigating Jan van Eyck (Brepols, 2000), pp. 97–105 <https://contentstore.cla.co.uk/secure/link?id=7ab5ef4a-df56-e911-80cd-005056af4099>
——, and Raymond White, ‘Van Eyck’s Technique: The Myth and the Reality, I and II’, in Investigating Jan van Eyck (Brepols, 2000), pp. 97–105 <https://contentstore.cla.co.uk/secure/link?id=7ab5ef4a-df56-e911-80cd-005056af4099>
Ruskin, John, and Jan Morris, The Stones of Venice (Faber, 1981)
Sassi, Luca, and Marguerite Shore, Renaissance Intarsia: Masterpieces of Wood Inlay, ed. by Luca Trevisan, First edition (Abbeville Press Publishers, 2012)
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Wright, Alison, ‘Tabernacle and Sacrament in Fifteenth-Century Tuscany’, in Carvings, Casts & Collectors: The Art of Renaissance Sculpture (V&A, 2013), pp. 42–57 <https://contentstore.cla.co.uk/secure/link?id=fc64b864-faa1-e711-80cb-005056af4099>
——, ‘“Touch the Truth”? Desiderio Da Settignano, Renaissance Relief and the Body of Christ’, Sculpture Journal, 21.1 (2012), pp. 7–26 <https://search.proquest.com/docview/1027116269/fulltext/E33A5129F2D44C5FPQ/2?accountid=14511>
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