Alberti, S.J.M.M. and Hallam, E. (2013) ‘Bodies in museum’, in Medical museums: past, present, future. London: Royal College of Surgeons of England, pp. 1–15. Available at: https://contentstore.cla.co.uk/secure/link?id=ebc46373-2e10-e911-80cd-005056af4099.
Alder, K. (2007) ‘Introduction’, Isis, 98(1), pp. 80–83. Available at: https://doi.org/10.1086/512832.
Arnold, K. (2016) Cabinets for the curious: looking back at early English museums. London: Routledge. Available at: https://www.taylorfrancis.com/books/9781315260952.
BENNETT, J. (2003) ‘Knowing and doing in the sixteenth century: what were instruments for?’, The British Journal for the History of Science, 36(2), pp. 129–150. Available at: https://doi.org/10.1017/S000708740300503X.
Bennett, J. (2005) ‘Museums and the History of Science’, Isis, 96(4), pp. 602–608. Available at: https://doi.org/10.1086/498596.
Bennett, J. (2011) ‘Early Modern Mathematical Instruments’, Isis, 102(4), pp. 697–705. Available at: https://doi.org/10.1086/663607.
Bennett, T. (1995) ‘The Political Rationality of the Museum’, in The birth of the museum: history, theory, politics. London: Routledge, pp. 89–105. Available at: https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1487028.
Boon, T. (2010) ‘Parallax Error? A Participant’s Account of the Science Museum, c.1980-c.2000’, in Science for the nation: perspectives on the history of the Science Museum. Basingstoke: Palgrave Macmillan, pp. 111–136. Available at: https://contentstore.cla.co.uk/secure/link?id=afd2991e-0714-e911-80cd-005056af4099.
Boon, T. et al. (2017) ‘“Organising Sound”: how a research network might help structure an exhibition’, Science Museum Group Journal, 8(8). Available at: https://doi.org/10.15180/170814.
Boon, T. (no date) ‘Music for Spaces: Music for Space - An argument for sound as a component of museum experience by Tim Boon’, Journal of Sonic Studies [Preprint]. Available at: https://www.researchcatalogue.net/view/108934/108935.
Boris, Jardine (2018) ‘Made real: artifice and accuracy in nineteenth-century scientific illustration’, Science Museum Group Journal, 2(2). Available at: https://doi.org/10.15180/140208.
Boyle, A. and Cliff, D.H. (2017) ‘Curating the collider: using place to engage museum visitors with particle physics’, Science Museum Group Journal, 2(2). Available at: https://doi.org/10.15180/140207.
Bud, R. (2010a) ‘Infected by the Bacillus of Science: The Explosion of South Kensington’, in Science for the nation: perspectives on the history of the Science Museum. Basingstoke: Palgrave Macmillan, pp. 11–40. Available at: https://contentstore.cla.co.uk/secure/link?id=238dd844-f713-e911-80cd-005056af4099.
Bud, R. (2010b) ‘Infected by the Bacillus of Science: The Explosion of South Kensington’, in Science for the nation: perspectives on the history of the Science Museum. Basingstoke: Palgrave Macmillan, pp. 11–40. Available at: https://contentstore.cla.co.uk/secure/link?id=238dd844-f713-e911-80cd-005056af4099.
Bud, R. (2013) ‘Medicine at the Science Museum’, in Medical museums: past, present, future. London: Royal College of Surgeons of England, pp. 60–73.
C. Robins (2013) ‘Introduction’, in Curious lessons in the museum: the pedagogic potential of artists’ interventions. Farnham, England: Ashgate, pp. 1–13. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781409436188.
Cornish, C. (2017) ‘Botany Behind Glass: The Vegetable Kingdom on Display at Kew’s Museum of Economic Botany’, in C. Berkowitz and B. Lightman (eds) Science museums in transition: cultures of display in nineteenth-century Britain and America. Pittsburgh, Pennsylvania: University of Pittsburgh Press, pp. 188–213. Available at: https://doi.org/10.2307/j.ctt1r6b0c8.13.
Daston, L. and Park, K. (1998) ‘Wonders of Art, Wonders of Nature’, in Wonders and the order of nature, 1150-1750. New York: Zone Books, pp. 255–301. Available at: http://ucl.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3537121740004761&institutionId=4761&customerId=4760.
David, Pantalony (2011) ‘Biography of an Artifact: The Theratron Junior and Canada’s Atomic Age’, Scientia Canadensis: Canadian Journal of the History of Science, Technology and Medicine, 34(1). Available at: https://doi.org/10.7202/1006928ar.
Deborah Jean Warner (1990) ‘What is a scientific instrument, when did it become one, and why?’, The British Journal for the History of Science, 23(01), pp. 83–93. Available at: https://doi.org/10.1017/S0007087400044460.
DeVorkin, D. (2006) ‘Space Artifacts: Are they Historical Evidence?’, in Critical issues in the history of spaceflight. Washington, DC: National Aeronautics and Space Administration, Office of External Relations, History Division, pp. 573–600. Available at: https://history.nasa.gov/printFriendly/series95.html.
Galison, P. (1997) ‘Material Culture, Theoretical Culture and Delocalization’, in Science in the twentieth century. Amsterdam: Harwood Academic, pp. 669–682. Available at: https://contentstore.cla.co.uk/secure/link?id=4119905a-0b18-e911-80cd-005056af4099.
Gauvin, D.J.-F. (2016) ‘Functionless: science museums and the display of ?pure objects?’, Science Museum Group Journal, 5(5). Available at: https://doi.org/10.15180/160506.
Geoghegan, HilaryHess, Alison (no date) ‘Object-love at the Science Museum: cultural geographies of museum storerooms’, Cultural Geographies, 22(3), pp. 445–465. Available at: http://search.proquest.com/docview/1698487874?OpenUrlRefId=info:xri/sid:primo&accountid=14511.
Gieryn, T.F. (1998) ‘Balancing Acts: Science, Enola Gay and History Wars at the Smithsonian’, in The politics of display: museums, science, culture. London: Routledge, pp. 197–228. Available at: https://www.dawsonera.com/readonline/9780203838600/startPage/184/1.
Gouyon, D.J.-B. (2016) ‘Something simple and striking, if not amusing - the Freedom 7 special exhibition at the Science Museum, 1965’, Science Museum Group Journal, 1(1). Available at: https://doi.org/10.15180/140105.
GRANT, F. (2015) ‘Mechanical experiments as moral exercise in the education of George III’, The British Journal for the History of Science, 48(02), pp. 195–212. Available at: https://doi.org/10.1017/S0007087414000582.
Gunn, S. (2011) ‘The Buchanan Report, Environment and the Problem of Traffic in 1960s Britain’, Twentieth Century British History, 22(4), pp. 521–542. Available at: https://doi.org/10.1093/tcbh/hwq063.
Hamlin, C. (1992) ‘Edwin Chadwick and the Engineers, 1842-1854: Systems and Antisystems in the Pipe-and-Brick Sewers War’, Technology and Culture, 33(4). Available at: https://doi.org/10.2307/3106586.
Hankins, T.L. and Silverman, R.J. (1995) Instruments and the imagination. Princeton, N.J: Princeton University Press.
Harkness, D.E. (2002) ‘”Strange” Ideas and "English” Knowledge: Natural Science Exchange in Elizabethan London’, in Merchants & marvels: commerce, science and art in early modern Europe. New York: Routledge.
Hess, A. (2017) ‘Authenticity, alterations and museum objects: A close encounter with 2LO, the BBC’s first radio transmitter’, Journal of Material Culture, 22(3), pp. 281–298. Available at: https://doi.org/10.1177/1359183517702685.
Hill, J. (2007) ‘The Story of the Amulet: Locating the Enchantment of Collections’, Journal of Material Culture, 12(1), pp. 65–87. Available at: https://doi.org/10.1177/1359183507074562.
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Jackson, M.W. (2006) Harmonious triads: physicists, musicians, and instrument makers in ninteenth-century Germany. Cambridge, Mass: MIT Press. Available at: https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=3338640.
Jackson, M.W. (2011) From Scientific Instruments to Musical Instruments: The Tuning Fork, the Metronome, and the Siren. Oxford University Press. Available at: https://doi.org/10.1093/oxfordhb/9780195388947.013.0056.
Jordanova, L. (2012) ‘Description and evidence’, in The look of the past: visual and material evidence in historical practice. Cambridge: Cambridge University Press, pp. 15–37. Available at: https://contentstore.cla.co.uk/secure/link?id=e129b4ed-2b10-e911-80cd-005056af4099.
Kolkowski, A. and Rabinovici, A. (2013) ‘Bellowphones and Blowed Strings: The Auxeto-Instruments of Horace Short and Charles Algernon Parsons’, in F. Weium and T. Boon (eds) Material culture and electronic sound. Washington, D.C.: Smithsonian Institution Scholarly Press, pp. 1–42. Available at: https://contentstore.cla.co.uk/secure/link?id=c47acf73-3310-e911-80cd-005056af4099.
Larson, F. (2009) ‘Chapter 1 and Chapter 2’, in An infinity of things: how Sir Henry Wellcome collected the world. Oxford: Oxford University Press, pp. 1–26. Available at: https://contentstore.cla.co.uk/secure/link?id=e5b6afd6-9812-e911-80cd-005056af4099.
Liffen, J. (2010) ‘Behind the Scenes: Housing the Collections’, in Science for the nation: perspectives on the history of the Science Museum. Basingstoke: Palgrave Macmillan, pp. 273–293. Available at: https://contentstore.cla.co.uk/secure/link?id=1ef87d6c-0414-e911-80cd-005056af4099.
Mann, P. (1989) ‘Working exhibits and the destruction of evidence in the science museum’, Museum Management and Curatorship, 8(4), pp. 369–387. Available at: https://doi.org/10.1016/0260-4779(89)90004-6.
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Redler, H. (2016) ‘Where are we now? Art, Science and Interdisciplinary Practice (edited transcript) | Silent Signal’. Available at: https://www.silentsignal.org/where-are-we-now-art-science-and-interdisciplinary-practice-edited-transcript/.
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Rooney, D. (2019) ‘Scientists, Sensors, and Surveillance’, in Spaces of congestion and traffic: Politics and technologies in twentieth-century London. London: Routledge, pp. 143–170. Available at: https://contentstore.cla.co.uk/secure/link?id=70dd9086-9412-e911-80cd-005056af4099.
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Winner, L. (1986) ‘Do artifacts have politics?’, in The whale and the reactor: a search for limits in an age of high technology. Chicago: University of Chicago Press, pp. 19–39. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=557593.