[1]
Khan Academy, ‘Khan Academy Notes on Chemistry’, 2014. Available: https://www.khanacademy.org/science/chemistry
[2]
W. D. Kingery, ‘A role for materials science’, in Learning from things: method and theory of material culture studies, W. D. Kingery, Ed., Washington, D.C.: Smithsonian Institution Press, 1996, pp. 175–180.
[3]
W. D. Kingery, ‘Materials science and material culture’, in Learning from things: method and theory of material culture studies, W. D. Kingery, Ed., Washington, D.C.: Smithsonian Institution Press, 1996, pp. 181–203.
[4]
Royal Society of Chemistry, ‘Periodic Table – Royal Society of Chemistry’. Available: http://www.rsc.org/periodic-table
[5]
R. Cotterill, ‘From Mine, Quarry, and Well: Minerals’, in The Cambridge guide to the material world, Cambridge: Cambridge University Press, 1985, pp. 99–118.
[6]
H. Hodges, ‘15. Some Other Materials - Part I: Materials and Methods of Working’, in Artifacts: an introduction to early materials and technology, London: Baker, 1989, pp. 166–172.
[7]
H. Hodges, ‘16. General Principles - Part II: The Examination of Artifacts’, in Artifacts: an introduction to early materials and technology, London: Baker, 1989, pp. 175–187.
[8]
W. D. Kingery, ‘A role for materials science’, in Learning from things: method and theory of material culture studies, Washington, D.C.: Smithsonian Institution Press, 1996, pp. 175–180.
[9]
W. D. Kingery, ‘Materials science and material culture’, in Learning from things: method and theory of material culture studies, Washington, D.C.: Smithsonian Institution Press, 1996, pp. 181–203.
[10]
A. Bailão and S. Šustic, ‘Retouching with Mica Pigments’, E conservation journal, no. 1, pp. 45–60, 2013, Available: http://www.e-conservation.org/issue-1/18-retouching-with-mica-pigments
[11]
T. B. Brill, Light: its interaction with art and antiquities. New York: Plenum Press, 1980.
[12]
A. Cosentino, ‘Identification of pigments by multispectral imaging; a flowchart method’, Heritage Science, vol. 2, no. 1, 2014, doi: 10.1186/2050-7445-2-8
[13]
K. Costello, ‘Experiment #7: light as a tool spectroscope’, 2008. Available: http://www.chemistryland.com/CHM107Lab/Exp7/Spectroscope/Spectroscope.html
[14]
G. Feinberg, ‘Light’, Scientific American, vol. 219, no. 3, pp. 50–75, 1968, Available: http://www.nature.com.libproxy.ucl.ac.uk/scientificamerican/journal/v219/n3/pdf/scientificamerican0968-50.pdf
[15]
R. G. Kuehni, Color: An Introduction to Practice and Principles, 2nd edn. New York: John Wiley & Sons, Inc., 1997. Available: http://onlinelibrary.wiley.com.libproxy.ucl.ac.uk/book/10.1002/0471687448
[16]
K. Nassau, The physics and chemistry of color: the fifteen causes of color, 2nd ed., vol. Wiley series in pure and applied optics. New York: Wiley, 2001.
[17]
T. U. of S. School of Chemistry, ‘Colour and light’, 2008. Available: https://scilearn.sydney.edu.au/fychemistry/calculators/colour_wheel.shtml
[18]
G. Osmond, ‘Accelerated deterioration of artists’ oil paints: an assessment involving ultraviolet fluorescence microscopy’, 10th Triennial Meeting, Washington, DC, USA, 22-27 August 1993: preprints, 1993.
[19]
E. Bemiss, The Dyer’s Companion in two parts. London: Cady & Fells, 1806. Available: https://archive.org/details/dyerscompanion00bemi
[20]
BYTESIZESCIENCE, ‘The Chemistry of Natural Dyes - Bytesize Science’. Oct. 15, 2013. Available: https://www.youtube.com/watch?v=Gwk1B66dvAM&feature=youtu.be
[21]
C. D. Cennini, Il Libro dell’Arte. New York: Dover Publications, 1933. Available: http://www.noteaccess.com/Texts/Cennini/
[22]
M. Douma and J. Lipscher, ‘Pigments through the Ages - detailed pigment histories, recipes’, 2014. Available: http://www.webexhibits.org/pigments/
[23]
R. D. Harley, Artists’ pigments c. 1600-1835: a study in English documentary sources, 2nd. rev. ed. London: Archetype Publications, 2001.
[24]
E. Mikropoulou, E. Tsatsaroni, and E. A. Varella, ‘Revival of traditional European dyeing techniques yellow and red colorants’, Journal of Cultural Heritage, vol. 10, no. 4, pp. 447–457, 2009, doi: 10.1016/j.culher.2009.02.003
[25]
H. Price, ‘The Chemistry of Dyes’, 2002. Available: http://www.chm.bris.ac.uk/webprojects2002/price/first%20page.htm
[26]
B. Z. Shakhashiri, ‘Chemical of the Week -- Fireworks!’, 2012. Available: http://scifun.chem.wisc.edu/chemweek/fireworks/fireworks.htm
[27]
D. V. Thompson, The materials and techniques of medieval painting, vol. Dover books on art. New York: Dover Publications, 1956.
[28]
B. H. Berrie, Artists’ pigments: a handbook of their history and characteristics, Volume 4. Washington: National Gallery of Art, 2007.
[29]
N. Eastaugh, V. Walsh, T. Chaplin, and R. Siddall, The pigment compendium: a dictionary and optical microscopy of historical pigments. Amsterdam/London: Elsevier Butterworth-Heinemann, 2004. Available: https://doi.org/10.4324/9780080473765
[30]
R. L. Feller, Artists’ pigments: a handbook of their history and characteristics, Volume 1. Washington: National Gallery of Art, 1986.
[31]
E. W. FitzHugh, Artists’ pigments: a handbook of their history and characteristics, Volume 3. Washington: National Gallery of Art, 1997.
[32]
J. H. Hofenk de Graaff, The colourful past: origins, chemistry and identification of natural dyestuffs. Riggisberg, Switzerland: Abegg-Stiftung, 2004.
[33]
Association of Researchers into Dyes in History and Archaeology, ‘Dyes in history and archaeology’, 2001.
[34]
W. F. Leggett, Ancient and medieval dyes: William F. Leggett. Landisville, Penn: Coachwhip Publications, 2009.
[35]
A. Roy, Artists’ pigments: a handbook of their history and characteristics, Volume 2. Washington: National Gallery of Art, 1993.
[36]
‘The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging’, Analytical and Bioanalytical Chemistry, vol. 394, no. 4, 2009, Available: http://download.springer.com/static/pdf/518/art%253A10.1007%252Fs00216-009-2693-0.pdf?originUrl=http%3A%2F%2Flink.springer.com%2Farticle%2F10.1007%2Fs00216-009-2693-0&token2=exp=1444004803~acl=%2Fstatic%2Fpdf%2F518%2Fart%25253A10.1007%25252Fs00216-009-2693-0.pdf%3ForiginUrl%3Dhttp%253A%252F%252Flink.springer.com%252Farticle%252F10.1007%252Fs00216-009-2693-0*~hmac=239aa6f1affaa2d0502fed4460979ea452b64dcb613df02375fe732b2b3c43c3
[37]
J. E. Boyd, ‘Silver and Sunlight: The Science of Early Photography | Chemical Heritage Foundation’, Chemical Heritage Magazine, 2010. Available: http://www.chemheritage.org/discover/media/magazine/articles/28-2-silver-and-sunlight.aspx
[38]
BytesizeScience, ‘A Brief History of Photography: Innovations in Chemistry - Bytesize Science’. 2012. Available: http://www.youtube.com/watch?v=Mh42xZQL6-k&feature=youtu.be&list=UUeYmwVIKjh29F5WBdhbEZiQ
[39]
George Eastman House, ‘Making a Tintype’. 2011. Available: http://www.youtube.com/watch?v=fY5KQQLBbcs&feature=youtu.be
[40]
D. H. Norris and J. J. Gutierrez, Issues in the conservation of photographs, vol. Readings in conservation. Los Angeles: Getty Conservation Institute, 2010.
[41]
B. Lavédrine, J.-P. Gandolfo, J. McElhone, S. Monod, and Getty Conservation Institute, Photographs of the past: process and preservation. Los Angeles, Calif: Getty Conservation Institute, 2009.
[42]
D. Stulik and A. Kaplan, ‘Cyanotype’, The Atlas of Analytical Signatures of Photographic Processes. 2013. Available: http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/atlas_cyanotype.pdf
[43]
The Getty Museum, ‘Early Photography: Making Daguerreotypes’. 2012. Available: http://www.youtube.com/watch?v=N0Ambe4FwQk&feature=youtu.be
[44]
M. Ware, Science Museum (Great Britain), and National Museum of Photography, Film, and Television (Great Britain), Cyanotype: the history, science and art of photographic printing in Prussian blue. London: Science Museum, 1999.
[45]
M. Ware, ‘A Blueprint for Conserving Cyanotypes’, Topics in Photographic Preservation, vol. 10, 2003, Available: http://cool.conservation-us.org/coolaic/sg/topics/v10/pmgt10-004.pdf
[46]
K. Freifield, ‘Prussian blue, blue print, cyanotype chemicals are cyanides, says EPA’, Arts, Crafts and Theater Safety (ACTS), vol. 18, no. 2, 2004, Available: http://www.conservation-us.org/docs/default-source/periodicals/acts_facts_2004_vol18.pdf?sfvrsn=2
[47]
C. Gervais et al., ‘Why does Prussian blue fade? Understanding the role(s) of the substrate’, Journal of Analytical Atomic Spectrometry, 2013. Available: http://pubs.rsc.org.libproxy.ucl.ac.uk/en/content/articlepdf/2013/ja/c3ja50025j
[48]
W. D. Kingery and P. B. Vandiver, Ceramic masterpieces: art, structure, and technology. New York: Free Press, 1986.
[49]
S. P. Koob and Corning Museum of Glass, Conservation and care of glass objects. London: Archetype in association with the Corning Museum of Glass, 2006.
[50]
R. G. Newton and S. Davison, Conservation of glass, Rev. ed., vol. Butterworths series in conservation and museology. London: Butterworth-Heinemann, 1996.
[51]
C. W. Parmelee and C. G. Harman, Ceramic glazes, 3d ed., Completely rev. and Enl. Boston: Cahners Books, 1973.
[52]
O. S. Rye, Pottery technology: principles and reconstruction, vol. Manuals on archeology. Washington, D.C.: Taraxacum, 1981.
[53]
A. O. Shepard, Ceramics for the Archaeologist. Washington, D.C.: Carnegie Institute of Washington, 1980. Available: http://publicationsonline.carnegiescience.edu/publications_online/ceramics_archaeologist/default.html
[54]
J. G. Hawthorne, C. S. Smith, and Theophilus, On divers arts: the foremost medieval treatise on painting, glassmaking and metalwork. New York: Dover, 1979.
[55]
S. Van Keuren, H. Neff, and M. R. Agostini, ‘Glaze-paints, technological knowledge, and ceramic specialization in the fourteenth-century Pueblo Southwest’, Journal of Anthropological Archaeology, vol. 32, no. 4, pp. 675–690, 2013, doi: 10.1016/j.jaa.2013.04.002
[56]
A. Frood, ‘Riddle of “Baghdad’s batteries”’, 2003. Available: http://news.bbc.co.uk/1/hi/sci/tech/2804257.stm
[57]
T. Drayman Weisser and American Institute for Conservation of Historic and Artistic Works, Gilded metals: history, technology and conservation. London: Archetype Publications in association with The American Institute for Conservation of Historic and Artistic Works, 2000.
[58]
R. J. Gettens, ‘Patina nobile and vile’, in Art and technology: a symposium on classical bronzes, Cambridge: Published for the Fogg Art Museum, Harvard University and the Dept. of Humanities, M.I.T. by M.I.T. Press, 1970, pp. 57–72.
[59]
C. C. Mattusch, B. Barr-Sharrar, Arthur M. Sackler Museum, Toledo Museum of Art, and Tampa Museum of Art, The fire of Hephaistos: large classical bronzes from North American collections. Cambridge, Mass: Harvard University Art Museums, 1996.
[60]
H. Maryon, Metalwork and enamelling: a practial treatise on gold and silversmiths’ work and their allied crafts, 4th ed. rev. London: Chapman & Hall, 1959.
[61]
D. A. Scott and Getty Conservation Institute, Copper and bronze in art: corrosion, colorants, conservation. Los Angeles: Getty Conservation Institute, 2002.
[62]
D. A. Scott and G. Eggert, Iron and steel in art: corrosion, colorants, conservation. London: Archetype, 2009.
[63]
D. A. Scott, J. Podany, and B. B. Considine, Eds, Ancient & Historic Metals: Conservation and Scientific Research. Proceedings of a Symposium on Ancient and Historic Metals organised by the J. Paul Getty Museum and the Getty Conservation Institute. Marina del Rey, CA: Getty Conservation Institute, 1994. Available: http://www.getty.edu/conservation/publications_resources/pdf_publications/ancientmetals.html
[64]
L. Selwyn and Canadian Conservation Institute, Metals and corrosion: a handbook for the conservation professional. Ottawa: Canadian Conservation Institute, 2004.
[65]
University of California Davis, ‘Metallurgy - UC Davis Chemwiki’, 2014. Available: http://chemwiki.ucdavis.edu/Inorganic_Chemistry/Descriptive_Chemistry/d-Block_Elements/Metallurgy
[66]
R. S. Boynton, Chemistry and technology of lime and limestone, 2nd ed. New York: Wiley, 1980.
[67]
S. Cather, Ed., The Conservation of Wall Paintings (Getty Publications), S. Cather, 1991. Los Angeles: The Paul J. Getty Trust. Available: http://www.getty.edu/publications/virtuallibrary/089236162X.html
[68]
P. H. Dal and W. J. H. Berden, ‘The ageing of Plaster of Paris in relation to its equilibrium water-content’, in Science of ceramics: proceedings of the second conference held under the auspices of the British Ceramic Society and the Nederlandse Keramische Vereniging, at Noordwijk aan Zee, 13-17 May 1963, London: Academic Pr, 1965, pp. 95–108.
[69]
P. Gibbons, S. Newsom, E. Whitfield, and Historic Scotland, Care and conservation of 17th century plasterwork in Scotland, vol. Technical advice note. Edinburgh: Historic Scotland, 2004.
[70]
I. Kakoulli, ‘Roman wall paintings in Cyprus: a scientific investigation of their technology’, in Roman wall painting: materials, techniques, analysis and conservation : proceedings of the International Workshop, Fribourg 7-9 March 1996, Fribourg: Institute of Minerology and Petrography, 1997, pp. 131–141.
[71]
University of California Davis, ‘The pH Scale - UC DavisChemwiki’, 2014. Available: http://chemwiki.ucdavis.edu/Physical_Chemistry/Acids_and_Bases/Aqueous_Solutions/The_pH_Scale#Self-Ionization_of_Water
[72]
L. S. G. Byne, ‘The corrosion of shells in cabinets’, in Historical perspectives on preventive conservation, Los Angeles: Getty Conservation Institute, 2013.
[73]
N. S. Allen, M. Edge, C. V. Horie, Manchester Polytechnic, Manchester Museum (University of Manchester), and Royal Society of Chemistry (Great Britain), Polymers in conservation, vol. Special publication / Royal Society of Chemistry. Cambridge: Royal Society of Chemistry, 1992.
[74]
R. J. Gettens and G. L. Stout, Painting materials: a short encyclopaedia. New York: Dover Publications, 1966.
[75]
C. V. Horie, Materials for conservation: organic consolidants, adhesives and coatings, 2nd ed. Amsterdam: Butterworth-Heinemann, 2010.
[76]
John Mills and Raymond White, Organic Chemistry of Museum Objects. Taylor & Francis eBooks. doi: 10.4324/9780080513355. Available: http://www.tandfebooks.com/ISBN/9780080513355
[77]
Museums and Galleries Commission, Adhesives and coatings, vol. Science for conservators. London: Conservation Unit of the Museums & Galleries Commission in conjunction with Routledge, 1992.
[78]
Y. Shashoua, Conservation of plastics: materials science, degradation and preservation. Amsterdam: Butterworth-Heinemann, 2008.
[79]
L. A. Horelick, K. McHugh, and O. Madden, ‘What’s going on with guts: assessing adhesives used to repair cultural objects made of gut skin’, in Adhesives and Consolidants for Conservation: Research and Applications. Symposium 2011, Ottawa: Canadian Conservation Institute, 2011, pp. 1–18. Available: https://repository.si.edu/handle/10088/83342
[80]
‘Floor Plans | Natural History Museum’, 2014. Available: http://www.nhm.ac.uk/visit-us/galleries/floorplans/index.html
[81]
A. Barański, D. Dutka, R. Dziembaj, A. Konieczna-Molenda, and J. M. Łagan, ‘Effect of Relative Humidity on the Degradation Rate of Cellulose. Methodology Studies’, Restaurator, vol. 25, no. 1, pp. 68–74, 2004, doi: 10.1515/REST.2004.68
[82]
L. A. Bell and M. Morse, Plant fibers for papermaking, 2nd rev. ed. McMinnville, Or: Liliaceae, 1981.
[83]
P. Dacus Hamm, ‘The history of the manufacture of printing ink from 1500-1900 with notes for the conservator’, in Papers presented at the April 1992 conference, Manchester, Worcester: Institute of Paper Conservation, 1992, pp. 30–35.
[84]
D. Hunter, Papermaking: the history and technique of an ancient craft. New York: Dover, 1978.
[85]
M. Manso and M. L. Carvalho, ‘Application of spectroscopic techniques for the study of paper documents: A survey’, Spectrochimica Acta Part B: Atomic Spectroscopy, vol. 64, no. 6, pp. 482–490, 2009, doi: 10.1016/j.sab.2009.01.009
[86]
T. Tsien-Hsuin, ‘Part 1: Paper and Printing’, in Science and civilisation in China: Volume 5: Chemistry and chemical technology, London: Cambridge University Press, 1974.
[87]
C. S. Tumosa, D. Erhardt, K. Hufford, and E. Quasney, ‘The Deterioration of Newsprint and Implications for Its Preservation’, WAAC Newsletter, vol. 30, no. 2, pp. 21–24, 2008, Available: http://cool.conservation-us.org/waac/wn/wn30/wn30-3/
[88]
J. Bogaard, H. R. Morris, and P. M. Whitmore, ‘A Method for the Aqueous Deacidification of Oxidized Paper’, Journal of the American Institute for Conservation, vol. 44, no. 2, pp. 63–74, 2005, Available: http://www.jstor.org.libproxy.ucl.ac.uk/stable/40025134?seq=1#page_scan_tab_contents