1.
Khan Academy: Khan Academy Notes on Chemistry, https://www.khanacademy.org/science/chemistry.
2.
Kingery, W.D.: A role for materials science. In: Kingery, W.D. (ed.) Learning from things: method and theory of material culture studies. pp. 175–180. Smithsonian Institution Press, Washington, D.C. (1996).
3.
Kingery, W.D.: Materials science and material culture. In: Kingery, W.D. (ed.) Learning from things: method and theory of material culture studies. pp. 181–203. Smithsonian Institution Press, Washington, D.C. (1996).
4.
Royal Society of Chemistry: Periodic Table – Royal Society of Chemistry, http://www.rsc.org/periodic-table.
5.
Cotterill, R.: From Mine, Quarry, and Well: Minerals. In: The Cambridge guide to the material world. pp. 99–118. Cambridge University Press, Cambridge (1985).
6.
Hodges, H.: 15. Some Other Materials - Part I: Materials and Methods of Working. In: Artifacts: an introduction to early materials and technology. pp. 166–172. Baker, London (1989).
7.
Hodges, H.: 16. General Principles - Part II: The Examination of Artifacts. In: Artifacts: an introduction to early materials and technology. pp. 175–187. Baker, London (1989).
8.
Kingery, W.D.: A role for materials science. In: Learning from things: method and theory of material culture studies. pp. 175–180. Smithsonian Institution Press, Washington, D.C. (1996).
9.
Kingery, W.D.: Materials science and material culture. In: Learning from things: method and theory of material culture studies. pp. 181–203. Smithsonian Institution Press, Washington, D.C. (1996).
10.
Bailão, A., Šustic, S.: Retouching with Mica Pigments. E conservation journal. 45–60 (2013).
11.
Brill, T.B.: Light: its interaction with art and antiquities. Plenum Press, New York (1980).
12.
Cosentino, A.: Identification of pigments by multispectral imaging; a flowchart method. Heritage Science. 2, (2014). https://doi.org/10.1186/2050-7445-2-8.
13.
Costello, K.: Experiment #7: light as a tool spectroscope, http://www.chemistryland.com/CHM107Lab/Exp7/Spectroscope/Spectroscope.html.
14.
Feinberg, G.: Light. Scientific American. 219, 50–75 (1968).
15.
Kuehni, R.G.: Color: An Introduction to Practice and Principles. John Wiley & Sons, Inc., New York (1997).
16.
Nassau, K.: The physics and chemistry of color: the fifteen causes of color. Wiley, New York (2001).
17.
School of Chemistry, T.U. of S.: Colour and light, https://scilearn.sydney.edu.au/fychemistry/calculators/colour_wheel.shtml.
18.
Osmond, G.: Accelerated deterioration of artists’ oil paints: an assessment involving ultraviolet fluorescence microscopy. 10th Triennial Meeting, Washington, DC, USA, 22-27 August 1993: preprints. (1993).
19.
Bemiss, E.: The Dyer’s Companion in two parts. Cady & Fells, London (1806).
20.
BYTESIZESCIENCE: The Chemistry of Natural Dyes - Bytesize Science, https://www.youtube.com/watch?v=Gwk1B66dvAM&feature=youtu.be, (2013).
21.
Cennini, C.D.: Il Libro dell’Arte. Dover Publications, New York (1933).
22.
Douma, M., Lipscher, J.: Pigments through the Ages - detailed pigment histories, recipes, http://www.webexhibits.org/pigments/.
23.
Harley, R.D.: Artists’ pigments c. 1600-1835: a study in English documentary sources. Archetype Publications, London (2001).
24.
Mikropoulou, E., Tsatsaroni, E., Varella, E.A.: Revival of traditional European dyeing techniques yellow and red colorants. Journal of Cultural Heritage. 10, 447–457 (2009). https://doi.org/10.1016/j.culher.2009.02.003.
25.
Price, H.: The Chemistry of Dyes, http://www.chm.bris.ac.uk/webprojects2002/price/first%20page.htm.
26.
Shakhashiri, B.Z.: Chemical of the Week -- Fireworks!, http://scifun.chem.wisc.edu/chemweek/fireworks/fireworks.htm.
27.
Thompson, D.V.: The materials and techniques of medieval painting. Dover Publications, New York (1956).
28.
Berrie, B.H.: Artists’ pigments: a handbook of their history and characteristics, Volume 4. National Gallery of Art, Washington (2007).
29.
Eastaugh, N., Walsh, V., Chaplin, T., Siddall, R.: The pigment compendium: a dictionary and optical microscopy of historical pigments. Elsevier Butterworth-Heinemann, Amsterdam/London (2004).
30.
Feller, R.L.: Artists’ pigments: a handbook of their history and characteristics, Volume 1. National Gallery of Art, Washington (1986).
31.
FitzHugh, E.W.: Artists’ pigments: a handbook of their history and characteristics, Volume 3. National Gallery of Art, Washington (1997).
32.
Hofenk de Graaff, J.H.: The colourful past: origins, chemistry and identification of natural dyestuffs. Abegg-Stiftung, Riggisberg, Switzerland (2004).
33.
Association of Researchers into Dyes in History and Archaeology: Dyes in history and archaeology. (2001).
34.
Leggett, W.F.: Ancient and medieval dyes: William F. Leggett. Coachwhip Publications, Landisville, Penn (2009).
35.
Roy, A.: Artists’ pigments: a handbook of their history and characteristics, Volume 2. National Gallery of Art, Washington (1993).
36.
The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging. Analytical and Bioanalytical Chemistry. 394, (2009).
37.
Boyd, J.E.: Silver and Sunlight: The Science of Early Photography | Chemical Heritage Foundation, http://www.chemheritage.org/discover/media/magazine/articles/28-2-silver-and-sunlight.aspx.
38.
BytesizeScience: A Brief History of Photography: Innovations in Chemistry - Bytesize Science, http://www.youtube.com/watch?v=Mh42xZQL6-k&feature=youtu.be&list=UUeYmwVIKjh29F5WBdhbEZiQ, (2012).
39.
George Eastman House: Making a Tintype, http://www.youtube.com/watch?v=fY5KQQLBbcs&feature=youtu.be, (2011).
40.
Norris, D.H., Gutierrez, J.J.: Issues in the conservation of photographs. Getty Conservation Institute, Los Angeles (2010).
41.
Lavédrine, B., Gandolfo, J.-P., McElhone, J., Monod, S., Getty Conservation Institute: Photographs of the past: process and preservation. Getty Conservation Institute, Los Angeles, Calif (2009).
42.
Stulik, D., Kaplan, A.: Cyanotype, http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/atlas_cyanotype.pdf, (2013).
43.
The Getty Museum: Early Photography: Making Daguerreotypes, http://www.youtube.com/watch?v=N0Ambe4FwQk&feature=youtu.be, (2012).
44.
Ware, M., Science Museum (Great Britain), National Museum of Photography, Film, and Television (Great Britain): Cyanotype: the history, science and art of photographic printing in Prussian blue. Science Museum, London (1999).
45.
Ware, M.: A Blueprint for Conserving Cyanotypes. Topics in Photographic Preservation. 10, (2003).
46.
Freifield, K.: Prussian blue, blue print, cyanotype chemicals are cyanides, says EPA. Arts, Crafts and Theater Safety (ACTS). 18, (2004).
47.
Gervais, C., Languille, M.A., Reguer, S., Gillet, M., Pelletier, S., Garnier, C., Vicenzi, E.P., Bertrandb, L.: Why does Prussian blue fade? Understanding the role(s) of the substrate, http://pubs.rsc.org.libproxy.ucl.ac.uk/en/content/articlepdf/2013/ja/c3ja50025j.
48.
Kingery, W.D., Vandiver, P.B.: Ceramic masterpieces: art, structure, and technology. Free Press, New York (1986).
49.
Koob, S.P., Corning Museum of Glass: Conservation and care of glass objects. Archetype in association with the Corning Museum of Glass, London (2006).
50.
Newton, R.G., Davison, S.: Conservation of glass. Butterworth-Heinemann, London (1996).
51.
Parmelee, C.W., Harman, C.G.: Ceramic glazes. Cahners Books, Boston (1973).
52.
Rye, O.S.: Pottery technology: principles and reconstruction. Taraxacum, Washington, D.C. (1981).
53.
Shepard, A.O.: Ceramics for the Archaeologist. Carnegie Institute of Washington, Washington, D.C. (1980).
54.
Hawthorne, J.G., Smith, C.S., Theophilus: On divers arts: the foremost medieval treatise on painting, glassmaking and metalwork. Dover, New York (1979).
55.
Van Keuren, S., Neff, H., Agostini, M.R.: Glaze-paints, technological knowledge, and ceramic specialization in the fourteenth-century Pueblo Southwest. Journal of Anthropological Archaeology. 32, 675–690 (2013). https://doi.org/10.1016/j.jaa.2013.04.002.
56.
Frood, A.: Riddle of ‘Baghdad’s batteries’, http://news.bbc.co.uk/1/hi/sci/tech/2804257.stm.
57.
Drayman Weisser, T., American Institute for Conservation of Historic and Artistic Works: Gilded metals: history, technology and conservation. Archetype Publications in association with The American Institute for Conservation of Historic and Artistic Works, London (2000).
58.
Gettens, R.J.: Patina nobile and vile. In: Art and technology: a symposium on classical bronzes. pp. 57–72. Published for the Fogg Art Museum, Harvard University and the Dept. of Humanities, M.I.T. by M.I.T. Press, Cambridge (1970).
59.
Mattusch, C.C., Barr-Sharrar, B., Arthur M. Sackler Museum, Toledo Museum of Art, Tampa Museum of Art: The fire of Hephaistos: large classical bronzes from North American collections. Harvard University Art Museums, Cambridge, Mass (1996).
60.
Maryon, H.: Metalwork and enamelling: a practial treatise on gold and silversmiths’ work and their allied crafts. Chapman & Hall, London (1959).
61.
Scott, D.A., Getty Conservation Institute: Copper and bronze in art: corrosion, colorants, conservation. Getty Conservation Institute, Los Angeles (2002).
62.
Scott, D.A., Eggert, G.: Iron and steel in art: corrosion, colorants, conservation. Archetype, London (2009).
63.
Scott, D.A., Podany, J., Considine, B.B. eds: Ancient & Historic Metals: Conservation and Scientific Research. Proceedings of a Symposium on Ancient and Historic Metals organised by the J. Paul Getty Museum and the Getty Conservation Institute. Getty Conservation Institute, Marina del Rey, CA (1994).
64.
Selwyn, L., Canadian Conservation Institute: Metals and corrosion: a handbook for the conservation professional. Canadian Conservation Institute, Ottawa (2004).
65.
University of California Davis: Metallurgy - UC Davis Chemwiki, http://chemwiki.ucdavis.edu/Inorganic_Chemistry/Descriptive_Chemistry/d-Block_Elements/Metallurgy.
66.
Boynton, R.S.: Chemistry and technology of lime and limestone. Wiley, New York (1980).
67.
Cather, S. ed: The Conservation of Wall Paintings (Getty Publications), S. Cather, 1991. The Paul J. Getty Trust, Los Angeles.
68.
Dal, P.H., Berden, W.J.H.: The ageing of Plaster of Paris in relation to its equilibrium water-content. In: Science of ceramics: proceedings of the second conference held under the auspices of the British Ceramic Society and the Nederlandse Keramische Vereniging, at Noordwijk aan Zee, 13-17 May 1963. pp. 95–108. Academic Pr, London (1965).
69.
Gibbons, P., Newsom, S., Whitfield, E., Historic Scotland: Care and conservation of 17th century plasterwork in Scotland. Historic Scotland, Edinburgh (2004).
70.
Kakoulli, I.: Roman wall paintings in Cyprus: a scientific investigation of their technology. In: Roman wall painting: materials, techniques, analysis and conservation : proceedings of the International Workshop, Fribourg 7-9 March 1996. pp. 131–141. Institute of Minerology and Petrography, Fribourg (1997).
71.
University of California Davis: The pH Scale - UC DavisChemwiki, http://chemwiki.ucdavis.edu/Physical_Chemistry/Acids_and_Bases/Aqueous_Solutions/The_pH_Scale#Self-Ionization_of_Water.
72.
Byne, L.S.G.: The corrosion of shells in cabinets. In: Historical perspectives on preventive conservation. Getty Conservation Institute, Los Angeles (2013).
73.
Allen, N.S., Edge, M., Horie, C.V., Manchester Polytechnic, Manchester Museum (University of Manchester), Royal Society of Chemistry (Great Britain): Polymers in conservation. Royal Society of Chemistry, Cambridge (1992).
74.
Gettens, R.J., Stout, G.L.: Painting materials: a short encyclopaedia. Dover Publications, New York (1966).
75.
Horie, C.V.: Materials for conservation: organic consolidants, adhesives and coatings. Butterworth-Heinemann, Amsterdam (2010).
76.
John Mills and Raymond White: Organic Chemistry of Museum Objects. Taylor & Francis eBooks. https://doi.org/10.4324/9780080513355.
77.
Museums and Galleries Commission: Adhesives and coatings. Conservation Unit of the Museums & Galleries Commission in conjunction with Routledge, London (1992).
78.
Shashoua, Y.: Conservation of plastics: materials science, degradation and preservation. Butterworth-Heinemann, Amsterdam (2008).
79.
Horelick, L.A., McHugh, K., Madden, O.: What’s going on with guts: assessing adhesives used to repair cultural objects made of gut skin. In: Adhesives and Consolidants for Conservation: Research and Applications. Symposium 2011. pp. 1–18. Canadian Conservation Institute, Ottawa (2011).
80.
Floor Plans | Natural History Museum, http://www.nhm.ac.uk/visit-us/galleries/floorplans/index.html.
81.
Barański, A., Dutka, D., Dziembaj, R., Konieczna-Molenda, A., Łagan, J.M.: Effect of Relative Humidity on the Degradation Rate of Cellulose. Methodology Studies. Restaurator. 25, 68–74 (2004). https://doi.org/10.1515/REST.2004.68.
82.
Bell, L.A., Morse, M.: Plant fibers for papermaking. Liliaceae, McMinnville, Or (1981).
83.
Dacus Hamm, P.: The history of the manufacture of printing ink from 1500-1900 with notes for the conservator. In: Papers presented at the April 1992 conference, Manchester. pp. 30–35. Institute of Paper Conservation, Worcester (1992).
84.
Hunter, D.: Papermaking: the history and technique of an ancient craft. Dover, New York (1978).
85.
Manso, M., Carvalho, M.L.: Application of spectroscopic techniques for the study of paper documents: A survey. Spectrochimica Acta Part B: Atomic Spectroscopy. 64, 482–490 (2009). https://doi.org/10.1016/j.sab.2009.01.009.
86.
Tsien-Hsuin, T.: Part 1: Paper and Printing. In: Science and civilisation in China: Volume 5: Chemistry and chemical technology. Cambridge University Press, London (1974).
87.
Tumosa, C.S., Erhardt, D., Hufford, K., Quasney, E.: The Deterioration of Newsprint and Implications for Its Preservation. WAAC Newsletter. 30, 21–24 (2008).
88.
Bogaard, J., Morris, H.R., Whitmore, P.M.: A Method for the Aqueous Deacidification of Oxidized Paper. Journal of the American Institute for Conservation. 44, 63–74 (2005).