@article{Alasuutari_Luomanen_Peteri_2013, title={Hobbies and Vices, Book Lovers and Nerds: Discursive Management of the Digital Media Environment}, volume={14}, DOI={10.1177/1527476412446088}, number={5}, journal={Television & New Media}, author={Alasuutari, P. and Luomanen, J. and Peteri, V.}, year={2013}, month=sept, pages={457–475} }
@book{Auerbach_2007, address={Berkeley}, title={Body shots: early cinema’s incarnations}, url={https://hdl.handle.net/2027/heb08028.0001.001}, publisher={University of California Press}, author={Auerbach, Jonathan}, year={2007} }
@book{Barker_2009, address={Berkeley}, title={The tactile eye: touch and the cinematic experience}, url={https://hdl-handle-net.libproxy.ucl.ac.uk/2027/heb08197.0001.001}, publisher={University of California Press}, author={Barker, Jennifer M.}, year={2009} }
@book{Barthes_Howard_1993a, address={London}, title={Camera lucida: reflections on photography}, volume={Vintage classics}, publisher={Vintage}, author={Barthes, Roland and Howard, Richard}, year={1993} }
@book{Barthes_Howard_1993b, address={London}, title={Camera lucida: reflections on photography}, volume={Vintage classics}, publisher={Vintage}, author={Barthes, Roland and Howard, Richard}, year={1993} }
@book{Bazin_1958, address={Paris}, title={Qu’est-ce que le cinéma?: 1: Ontologie et langage}, volume={7ème art}, publisher={Éditions du Cerf}, author={Bazin, André}, year={1958} }
@book{Bazin_Renoir_Truffaut_Andrew_Gray_2005, address={Berkeley}, title={What is cinema?}, url={http://hdl.handle.net/2027/heb.08209}, publisher={University of California Press}, author={Bazin, André and Renoir, Jean and Truffaut, François and Andrew, Dudley and Gray, Hugh}, year={2005} }
@article{Bazin, André ; Gray, Hugh_1 AD, title={The Ontology of the Photographic Image}, volume={13}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive1210183&indx=3&recIds=TN_jstor_archive1210183&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=%20Bazin%20ontology%20photographic%20image&dstmp=1452649221897}, number={4}, journal={Film Quarterly}, author={Bazin, André ; Gray, Hugh}, year={1 AD} }
@book{Bennett_2010, address={Durham [N.C.]}, title={Vibrant matter: a political ecology of things}, url={https://doi-org.libproxy.ucl.ac.uk/10.1215/9780822391623}, publisher={Duke University Press}, author={Bennett, Jane}, year={2010} }
@book{Bolter_Grusin_1999, address={Cambridge, Mass}, title={Remediation: understanding new media}, url={https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=9351&site=ehost-live&scope=site&custid=s8454451}, publisher={MIT Press}, author={Bolter, J. David and Grusin, Richard A.}, year={1999} }
@book{Boym_2001, address={New York}, title={The future of nostalgia}, publisher={BasicBooks}, author={Boym, Svetlana}, year={2001} }
@misc{Boym, title={The Off-Modern Mirror | e-flux}, url={http://www.e-flux.com/journal/the-off-modern-mirror/}, author={Boym, Svetlana} }
@article{Boym, Svetlana Boym, Svetlana (correspondence author), title={Nostalgic technologies: multitasking with clouds.}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1320391239&indx=9&recIds=TN_proquest1320391239&recIdxs=8&elementId=8&renderMode=poppedOut&displayMode=full&frbrVersion=&vid=UCL_VU1&mode=Basic&tab=local&vl(29953578UI1)=all_items&vl(2235343UI0)=creator&dscnt=0&vl(freeText0)=Boym%2C%20Svetlana&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&dstmp=1452645272549}, author={Boym, Svetlana Boym, Svetlana (correspondence author)} }
@article{Bracha_2013, title={Artists and the film archive: re-creation—or archival replay}, volume={13}, DOI={10.1007/s10502-012-9181-6}, number={2–3}, journal={Archival Science}, author={Bracha, Rachel}, year={2013}, month=june, pages={133–141} }
@article{Brighenti_2012, title={New Media and Urban Motilities: A Territoriologic Point of View}, volume={49}, DOI={10.1177/0042098011400771}, number={2}, journal={Urban Studies}, author={Brighenti, A. M.}, year={2012}, month=feb, pages={399–414} }
@book{Bruno_2002, address={New York}, title={Atlas of emotion: journeys in art, architecture, and film}, publisher={Verso}, author={Bruno, Giuliana}, year={2002} }
@book{Bruno_2007, address={Cambridge, Mass}, title={Public intimacy: architecture and the visual arts}, volume={Writing architecture series}, publisher={MIT Press}, author={Bruno, Giuliana}, year={2007} }
@book{Bruno_2014, address={Chicago}, title={Surface: matters of aesthetics, materiality, and media}, publisher={The University of Chicago Press}, author={Bruno, Giuliana}, year={2014} }
@article{Carruthers, Lee_2011, title={M. Bazing et le Temps: Reclaiming the Timeliness of Cinematic Time}, volume={52}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest868599338&indx=8&recIds=TN_proquest868599338&recIdxs=7&elementId=7&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=%20Bazin%20ontology&dstmp=1452649106520}, number={1}, journal={Screen}, author={Carruthers, Lee}, year={2011} }
@book{Centre national de la cinématographie (France). Service des archives du film_2009, address={Paris}, title={1969-2009, les archives françaises du film: histoire, collections, restaurations}, publisher={CNC}, author={Centre national de la cinématographie (France). Service des archives du film}, year={2009} }
@book{Cherchi Usai_2001, address={London}, title={The death of cinema: history, cultural memory and the digital dark age}, publisher={British Film Institute}, author={Cherchi Usai, Paolo}, year={2001} }
@book{Classen_Howes_Synnott_1994, address={London}, title={Aroma: the cultural history of smell}, url={https://www.taylorfrancis.com/books/9781134822409}, publisher={Routledge}, author={Classen, Constance and Howes, David and Synnott, Anthony}, year={1994} }
@book{Clough_Halley_2007, address={Durham}, title={The affective turn: theorizing the social}, url={https://doi-org.libproxy.ucl.ac.uk/10.1215/9780822389606}, publisher={Duke University Press}, author={Clough, Patricia Ticineto and Halley, Jean O’Malley}, year={2007} }
@book{De Landa_1997, address={New York}, title={A thousand years of nonlinear history}, url={https://www.jstor.org/stable/10.2307/j.ctv1qgnqhr}, publisher={Zone Books}, author={De Landa, Manuel}, year={1997} }
@book{De Landa_2006, address={London}, title={A new philosophy of society: assemblage theory and social complexity}, publisher={Continuum}, author={De Landa, Manuel}, year={2006} }
@article{Doane_2007a, title={The Indexical and the Concept of Medium Specificity}, volume={18}, DOI={10.1215/10407391-2006-025}, number={1}, journal={differences}, author={Doane, M. A.}, year={2007}, month=jan, pages={128–152} }
@article{Doane_2007b, title={Indexicality: Trace and Sign: Introduction}, volume={18}, DOI={10.1215/10407391-2006-020}, number={1}, journal={differences}, author={Doane, M. A.}, year={2007}, month=jan, pages={1–6} }
@book{Doane_2002, address={Cambridge, Mass}, title={The emergence of cinematic time: modernity, contingency, the archive}, url={https://www.jstor.org/stable/10.2307/j.ctv1pnc1jq}, publisher={Harvard University Press}, author={Doane, Mary Ann}, year={2002} }
@article{Edbauer_2004, title={Executive Overspill: Affective Bodies, Intensity, and Bush-in-Relation}, volume={15}, DOI={10.1353/pmc.2004.0037}, number={1}, journal={Postmodern Culture}, author={Edbauer, Jenny}, year={2004} }
@book{Edwards_Hart_2005, address={London}, title={Photographs objects histories: on the materiality of images}, volume={Material cultures}, url={http://www.tandfebooks.com/isbn/9780203506493}, publisher={Routledge}, author={Edwards, Elizabeth and Hart, Janice}, year={2005} }
@article{Ehrenstein, D_1996, title={FILM IN THE AGE OF VIDEO - OH-WE-DONT-KNOW-WHERE-WERE-GOING-BUT-WERE-ON-OUR-WAY}, volume={49}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wosA1996UN68300005&indx=2&recIds=TN_wosA1996UN68300005&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=ehrenstein%20film%20quarterly&dstmp=1452797229679}, number={3}, journal={Film Quarterly}, author={Ehrenstein, D}, year={1996}, pages={38–42} }
@book{Elkins_2007, address={New York}, title={Photography theory}, volume={2}, url={http://www.tandfebooks.com/isbn/9780203944141}, publisher={Routledge}, author={Elkins, James}, year={2007} }
@book{Elkins_2011, address={New York}, title={What photography is}, url={https://doi.org/10.4324/9780203886489}, publisher={Routledge}, author={Elkins, James}, year={2011} }
@book{Elkins_Naef_2011, address={University Park, Pa}, title={What is an image?}, volume={The Stone art theory institutes}, url={https://www-jstor-org.libproxy.ucl.ac.uk/stable/10.5325/j.ctv14gpdjx}, publisher={Pennsylvania State University Press}, author={Elkins, James and Naef, Maja}, year={2011} }
@book{Ernst_Parikka_2013, address={Minneapolis}, title={Digital memory and the archive}, volume={Electronic mediations}, url={https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1204682}, publisher={University of Minnesota Press}, author={Ernst, Wolfgang and Parikka, Jussi}, year={2013} }
@article{Farman_2010, title={Mapping the digital empire: Google Earth and the process of postmodern cartography}, volume={12}, DOI={10.1177/1461444809350900}, number={6}, journal={New Media & Society}, author={Farman, J.}, year={2010}, month=sept, pages={869–888} }
@book{Fossati_2009a, address={Amsterdam}, title={From Grain to Pixel : The Archival Life of Film in Transition}, url={http://dare.uva.nl/aup/nl/record/332296}, DOI={10.5117/9789089641397}, publisher={Amsterdam University Press}, author={Fossati, Giovanna}, year={2009} }
@book{Fossati_2009b, address={Amsterdam}, title={From grain to pixel: the archival life of film in transition}, volume={Framing film}, url={https://www.jstor.org/stable/j.ctt46mvrv}, publisher={Amsterdam University Press}, author={Fossati, Giovanna}, year={2009} }
@article{Friday_2005, title={Andre Bazin’s Ontology of Photographic and Film Imagery}, volume={63}, DOI={10.1111/j.0021-8529.2005.00216.x}, number={4}, journal={Journal of Aesthetics and Art Criticism}, author={Friday, Jonathan}, year={2005}, month=sept, pages={339–350} }
@article{Giuliana Bruno_2006, title={Visual Studies: Four Takes on Spatial Turns}, volume={65}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_csp25068236&indx=1&recIds=TN_jstor_csp25068236&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=bruno%20four%20takes%20spatial%20turns&dstmp=1452798935078}, number={1}, journal={Journal of the Society of Architectural Historians}, author={Giuliana Bruno}, year={2006}, pages={23–24} }
@article{Gunning_2007a, title={Moving Away from the Index: Cinema and the Impression of Reality}, volume={18}, DOI={10.1215/10407391-2006-022}, number={1}, journal={differences}, author={Gunning, T.}, year={2007}, month=jan, pages={29–52} }
@article{Gunning_2007b, title={To Scan a Ghost: The Ontology of Mediated Vision}, volume={26}, DOI={10.1162/grey.2007.1.26.94}, journal={Grey Room}, author={Gunning, Tom}, year={2007}, month=jan, pages={94–127} }
@inbook{Gunning, Tom_2008, address={Durham}, title={What’s the Point of an Index? or, Faking Photographs}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2009442339&indx=2&recIds=TN_mla2009442339&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=gunning%20faking%20photographs&dstmp=1452649785859}, booktitle={Still Moving: Between Cinema and Photography}, publisher={Duke UP}, author={Gunning, Tom}, editor={Beckman, Karen and Ma, Jean}, year={2008}, pages={23–40} }
@article{Hansen, Mark B. N_2001, title={Seeing with the Body: The Digital Image in Postphotography}, volume={31}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1080653904400541&indx=1&recIds=TN_museS1080653904400541&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=hansen%20celluloid%20digital&dstmp=1452652383063}, number={4}, journal={Diacritics}, author={Hansen, Mark B. N}, year={2001} }
@book{Hansen_2015, address={Chicago}, title={Feed-forward: on the future of twenty-first-century media}, publisher={The University of Chicago Press}, author={Hansen, Mark B. N.}, year={2015} }
@article{Haraway_2014, title={Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin}, volume={6}, url={http://environmentalhumanities.org/archives/vol6/}, journal={Environmental Humanities}, author={Haraway, Donna}, year={2014} }
@book{Haraway_1991, address={London}, title={Simians, cyborgs, and women: the reinvention of nature}, publisher={Free Association}, author={Haraway, Donna Jeanne}, year={1991} }
@book{Haraway_1997, address={New York}, title={Modest₋Witness@Second₋Millennium.FemaleMan₋Meets₋OncoMouse: feminism and technoscience}, publisher={Routledge}, author={Haraway, Donna Jeanne}, year={1997} }
@book{Haraway_2003, address={Chicago, Ill}, title={The companion species manifesto: dogs, people, and significant otherness}, publisher={Prickly Paradigm}, author={Haraway, Donna Jeanne}, year={2003} }
@book{Haraway_2004, address={New York}, title={The Haraway reader}, publisher={Routledge}, author={Haraway, Donna Jeanne}, year={2004} }
@book{Haraway_2008, address={Minneapolis}, title={When species meet}, volume={Posthumanities}, url={https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=216668&site=ehost-live&scope=site&custid=s8454451}, publisher={University of Minnesota Press}, author={Haraway, Donna Jeanne}, year={2008} }
@article{Haraway, Donna Jeanne_2008, title={Encounters with Companion Species: Entangling Dogs, Baboons, Philosophers, and Biologists}, volume={14}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1080652008100075&indx=10&recIds=TN_museS1080652008100075&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=6&vid=UCL_VU1&mode=Basic&tab=local&vl(29953578UI1)=all_items&vl(2235343UI0)=creator&dscnt=0&vl(freeText0)=%20Donna%20%20%20Jeanne%20.%20%20Haraway%20&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&dstmp=1452648183417}, number={1}, journal={Configurations}, author={Haraway, Donna Jeanne}, year={2008}, pages={97–114} }
@article{Hayles_2004, title={Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis}, volume={25}, url={http://muse.jhu.edu.libproxy.ucl.ac.uk/journals/poetics_today/v025/25.1hayles.html}, number={1}, journal={Print Is Flat, Code Is Deep:}, publisher={Duke University Press}, author={Hayles, Katherine N.}, year={2004}, month=autumn, pages={67–90} }
@book{Hayles_2002, address={Cambridge, Mass}, title={Writing machines}, volume={Mediawork}, publisher={MIT Press}, author={Hayles, N. Katherine}, year={2002} }
@article{Hochman_Manovich_2013, title={Zooming into an Instagram City: Reading the local through social media}, volume={18}, DOI={10.5210/fm.v18i7.4711}, number={7}, journal={First Monday}, author={Hochman, Nadav and Manovich, Lev}, year={2013}, month=june }
@article{Horak, Jan-Christopher_2011, title={FILM PRESERVATION}, volume={36}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=15&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest927881267&indx=5&recIds=TN_proquest927881267&recIdxs=4&elementId=4&renderMode=poppedOut&displayMode=full&frbrVersion=15&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=cherchi%20usai%20death&dstmp=1452797776256}, number={4}, journal={Cineaste}, author={Horak, Jan-Christopher}, year={2011} }
@inbook{Howes_2011, address={Oxford, UK}, title={The Senses}, url={http://doi.wiley.com/10.1002/9781444340488.ch25}, DOI={10.1002/9781444340488.ch25}, booktitle={A Companion to the Anthropology of the Body and Embodiment}, publisher={Wiley-Blackwell}, author={Howes, David}, editor={Mascia-Lees, Frances E.}, year={2011}, month=apr, pages={435–450} }
@article{Howes_2012, title={The cultural life of the senses}, volume={3}, DOI={10.1057/pmed.2012.30}, number={4}, journal={postmedieval: a journal of medieval cultural studies}, author={Howes, David}, year={2012}, month=dec, pages={450–454} }
@book{Jeffrey_1981, address={London}, title={Photography: a concise history}, publisher={Thames and Hudson}, author={Jeffrey, Ian}, year={1981} }
@book{Kelly_2000, address={London}, title={The name of this book is Dogme95}, publisher={Faber}, author={Kelly, Richard}, year={2000} }
@book{Kennedy_2000, address={Edinburgh}, title={Deleuze and cinema: the aesthetics of sensation}, publisher={Edinburgh University Press}, author={Kennedy, Barbara M.}, year={2000} }
@book{Kracauer_1997, address={Princeton, NJ}, title={Theory of film: the redemption of physical reality}, publisher={Princeton University Press}, author={Kracauer, Siegfried}, year={1997} }
@book{Lambourne_1984, address={London}, title={The fingerprint story}, publisher={Harrap}, author={Lambourne, Gerald}, year={1984} }
@book{Latour_1987, address={Milton Keynes}, title={Science in action: how to follow scientists and engineers through society}, publisher={Open University Press}, author={Latour, Bruno}, year={1987} }
@book{Latour_2005, address={Oxford}, title={Reassembling the social: an introduction to actor-network-theory}, url={http://UCL.eblib.com/patron/FullRecord.aspx?p=422646}, publisher={Oxford University Press}, author={Latour, Bruno}, year={2005} }
@article{Latour, Bruno, title={Agency at the Time of the Anthropocene}, url={http://search.proquest.com.libproxy.ucl.ac.uk/docview/1530588923/fulltextPDF?accountid=14511}, number={1}, journal={New Literary History}, author={Latour, Bruno} }
@book{Littau_2006, address={Cambridge}, title={Theories of reading: books, bodies and bibliomania}, publisher={Polity}, author={Littau, Karin}, year={2006} }
@article{Maguire_2012, title={Biopower, racialization and new security technology}, volume={18}, DOI={10.1080/13504630.2012.692896}, number={5}, journal={Social Identities}, author={Maguire, Mark}, year={2012}, month=sept, pages={593–607} }
@article{Manovich_2013, title={Media After Software}, volume={12}, DOI={10.1177/1470412912470237}, number={1}, journal={Journal of Visual Culture}, author={Manovich, L.}, year={2013}, month=apr, pages={30–37} }
@book{Manovich_2001, address={Cambridge, Mass}, title={The language of new media}, publisher={MIT Press}, author={Manovich, Lev}, year={2001} }
@article{Manovich_2009, title={The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production?}, volume={35}, DOI={10.1086/596645}, number={2}, journal={Critical Inquiry}, author={Manovich, Lev}, year={2009}, month=jan, pages={319–331} }
@article{Manuel DeLanda_2012, title={Emergence, Causality and Realism}, volume={17}, url={http://www-tandfonline-com.libproxy.ucl.ac.uk/doi/full/10.1080/13264826.2012.661549#.VpWm9PE70jk}, DOI={10.1080/13264826.2012.661549}, number={1}, journal={Architectural Theory Review}, publisher={Routledge}, author={Manuel DeLanda}, year={2012}, pages={3–16} }
@book{Marks_2000, address={Durham, N.C.}, title={The skin of the film: intercultural cinema, embodiment, and the senses}, url={https://doi-org.libproxy.ucl.ac.uk/10.1215/9780822381372}, publisher={Duke University Press}, author={Marks, Laura U.}, year={2000} }
@book{Marks_2002a, address={Minneapolis}, title={Touch: sensuous theory and multisensory media}, url={https://www.jstor.org/stable/10.5749/j.ctttv5n8}, publisher={University of Minnesota Press}, author={Marks, Laura U.}, year={2002} }
@inbook{Marks_2002b, address={Minneapolis}, title={Video’s Body, analogue and digital}, url={https://www.jstor.org/stable/10.5749/j.ctttv5n8}, booktitle={Touch: sensuous theory and multisensory media}, publisher={University of Minnesota Press}, author={Marks, Laura U.}, year={2002}, pages={147–160} }
@book{Marks_2010, address={Cambridge, Mass}, title={Enfoldment and infinity: an Islamic genealogy of new media art}, volume={Leonardo}, publisher={MIT Press}, author={Marks, Laura U.}, year={2010} }
@book{Marks_2015, address={Cambridge, Massachusetts}, title={Hanan al-cinema: affections for the moving image}, volume={Leonardo}, publisher={The MIT Press}, author={Marks, Laura U.}, year={2015} }
@article{Marks, title={Thinking Multisensory Culture}, volume={31}, url={https://muse-jhu-edu.libproxy.ucl.ac.uk/journals/paragraph/v031/31.2.marks.html}, number={2}, journal={Paragraph}, publisher={Edinburgh University Press}, author={Marks, Laura U.}, pages={123–137} }
@article{Marks, title={Enfolding and Unfolding: An Aesthetics for the Information Age}, url={http://vectors.usc.edu/projects/index.php?project=72}, journal={Vectors}, author={Marks, Laura U.} }
@article{Marks, Laura U Larouche, Michel (Editor) ; Bellemare, Denis (Guesteditor)_1997, title={Loving a Disappearing Image}, volume={8}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_erudit024744ar&indx=1&recIds=TN_erudit024744ar&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=marks%20loving%20disappearing&dstmp=1452796950960}, number={1–2}, journal={Cinémas}, author={Marks, Laura U Larouche, Michel (Editor) ; Bellemare, Denis (Guesteditor)}, year={1997}, pages={93–111} }
@book{Massumi_2002, address={Durham, NC}, title={Parables for the virtual: movement, affect, sensation}, volume={Post-contemporary interventions}, DOI={10.1215/9780822383574}, publisher={Duke University Press}, author={Massumi, Brian}, year={2002} }
@book{McCormack_2013, address={Durham}, title={Refrains for moving bodies: experience and experiment in affective spaces}, url={http://dx.doi.org/10.1215/9780822377559}, publisher={Duke University Press}, author={McCormack, Derek P.}, year={2013} }
@book{Miller_2005, address={Durham, N.C.}, title={Materiality}, url={https://read.dukeupress.edu/books/book/956/Materiality}, publisher={Duke University Press}, author={Miller, Daniel}, year={2005} }
@inbook{Miller, title={Materiality Page 1 (8 of 303)}, url={https://read.dukeupress.edu/books/book/956/Materiality}, author={Miller, Daniel} }
@article{Mills_Egglestone_Rashid_Väätäjä_2012, title={MoJo in action: The use of mobiles in conflict, community, and cross-platform journalism}, volume={26}, DOI={10.1080/10304312.2012.706457}, number={5}, journal={Continuum}, author={Mills, John and Egglestone, Paul and Rashid, Omer and Väätäjä, Heli}, year={2012}, month=oct, pages={669–683} }
@book{Mitchell_Hansen_2010, address={Chicago}, title={Critical terms for media studies}, publisher={University of Chicago Press}, author={Mitchell, W. J. T. and Hansen, Mark B. N.}, year={2010} }
@book{Mubi Brighenti_2013, address={Farnham}, title={Urban interstices: the aesthetics and the politics of the in-between}, publisher={Ashgate}, author={Mubi Brighenti, Andrea}, year={2013} }
@book{Mulvey_2006, address={London}, title={Death 24x a second: stillness and the moving image}, url={https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=292627&site=ehost-live&scope=site&custid=s8454451}, publisher={Reaktion}, author={Mulvey, Laura}, year={2006} }
@article{N. Katherine Hayles_2001, title={The Transformation of Narrative and the Materiality of Hypertext}, volume={9}, url={http://www.jstor.org.libproxy.ucl.ac.uk/stable/20107227?seq=1#page_scan_tab_contents}, number={1}, journal={Narrative}, author={N. Katherine Hayles}, year={2001}, pages={21–39} }
@book{Olin_2012, address={Chicago}, title={Touching photographs}, publisher={University of Chicago Press}, author={Olin, Margaret Rose}, year={2012} }
@article{Paolo Cherchi Usai_2009, title={ARE ALL (ANALOG) FILMS ‘ORPHANS’? A Predigital Appraisal}, volume={9}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_csp41167315&indx=9&recIds=TN_jstor_csp41167315&recIdxs=8&elementId=8&renderMode=poppedOut&displayMode=full&frbrVersion=3&vid=UCL_VU1&mode=Basic&tab=local&vl(29953578UI1)=all_items&vl(2235343UI0)=creator&dscnt=0&vl(freeText0)=Paolo.%20%20Cherchi%20%20%20Usai%20&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&dstmp=1452651527190}, number={1}, journal={The Moving Image}, author={Paolo Cherchi Usai}, year={2009} }
@book{Parikka_2010, address={Minneapolis}, title={Insect media: an archaeology of animals and technology}, volume={Posthumanities}, url={http://muse.jhu.edu/books/9780816675241/}, publisher={University of Minnesota Press}, author={Parikka, Jussi}, year={2010} }
@book{Parikka_2012, address={Cambridge}, title={What is media archaeology?}, publisher={Polity}, author={Parikka, Jussi}, year={2012} }
@book{Parikka_2014, address={Minneapolis}, title={The anthrobscene / Jussi Parikka}, volume={Forerunners}, publisher={University of Minnesota Press}, author={Parikka, Jussi}, year={2014} }
@phdthesis{Pescetelli, M._2011, title={The art of not forgetting: towards a practical hermeneutics of film restoration}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=UCL_EPR_DS1302399&indx=19&recIds=UCL_EPR_DS1302399&recIdxs=8&elementId=8&renderMode=poppedOut&displayMode=full&frbrVersion=4&frbg=&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&tab=local&srt=rank&dum=true&vl(freeText0)=cherchi%20usai&dstmp=1452651712442}, author={Pescetelli, M.}, year={2011} }
@book{Prodger_Gunning_Iris & B. Gerald Cantor Center for Visual Arts at Stanford University_Cleveland Museum of Art_2003, address={New York}, title={Time stands still: Muybridge and the instantaneous photography movement}, publisher={Iris & B. Gerald Cantor Center for Visual Arts at Stanford University in association with Oxford University Press}, author={Prodger, Phillip and Gunning, Tom and Iris & B. Gerald Cantor Center for Visual Arts at Stanford University and Cleveland Museum of Art}, year={2003} }
@article{Putzo_2012, title={The Implied Book and the Narrative Text: On a Blind Spot in Narratological Theory – from a Media Studies Perspective}, volume={6}, DOI={10.1515/jlt-2012-0004}, number={2}, journal={Journal of Literary Theory}, author={Putzo, Christine}, year={2012}, month=jan }
@book{Rabaté_1997, address={Philadelphia}, title={Writing the image after Roland Barthes}, volume={New cultural studies}, url={http://www.jstor.org/stable/10.2307/j.ctt3fhsd6}, publisher={University of Pennsylvania Press}, author={Rabaté, Jean-Michel}, year={1997} }
@article{Rabinow, P_1993, title={GALTON REGRET AND DNA TYPING}, volume={17}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wosA1993LM23200005&indx=1&recIds=TN_wosA1993LM23200005&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=rabinow%20galton&dstmp=1452799974669}, number={1}, journal={Culture Medicine And Psychiatry}, author={Rabinow, P}, year={1993}, pages={59–65} }
@article{Reading_2011, title={The London bombings: Mobile witnessing, mortal bodies and globital time}, volume={4}, DOI={10.1177/1750698011402672}, number={3}, journal={Memory Studies}, author={Reading, A.}, year={2011}, month=july, pages={298–311} }
@book{Rees_1999, address={London}, title={A history of experimental film and video: from the canonical avant-garde to contemporary British practice}, publisher={BFI Publishing}, author={Rees, A. L.}, year={1999} }
@phdthesis{Rifkin, Stephen_2011, title={Andre Bazin’s ‘Ontology of the Photographic Image’: Representation, Desire, and Presence}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest882373435&indx=2&recIds=TN_proquest882373435&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=barthes%20ontology%20photographic&dstmp=1452648901278}, author={Rifkin, Stephen}, year={2011} }
@book{Rodowick_2007, address={Cambridge, Mass}, title={The virtual life of film}, url={https://doi-org.libproxy.ucl.ac.uk/10.4159/9780674042834}, publisher={Harvard University Press}, author={Rodowick, David Norman}, year={2007} }
@article{Rodowick, Dn_2015, title={Eye Machines D. N. RODOWICK ON THE ART OF HARUN FAROCKI}, volume={53}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=2&tabs=detailsTab&ct=display&fn=search&doc=TN_wos000348555000007&indx=15&recIds=TN_wos000348555000007&recIdxs=4&elementId=4&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&tab=local&srt=rank&dum=true&vl(freeText0)=rodowick&dstmp=1452652828378}, number={6}, journal={Artforum International}, author={Rodowick, Dn}, year={2015} }
@book{Roud_Truffaut_1999, address={Baltimore}, title={A passion for films: Henri Langlois and the Cinémathèque française}, publisher={Johns Hopkins University Press}, author={Roud, Richard and Truffaut, François}, year={1999} }
@article{Rozario, Rebecca-Anne C Do_2012, title={Consuming Books: Synergies of Materiality and Narrative in Picturebooks}, url={http://search.proquest.com.libproxy.ucl.ac.uk/docview/1021177768?rfr_id=info%3Axri%2Fsid%3Aprimo}, journal={Children’s Literature}, author={Rozario, Rebecca-Anne C Do}, year={2012}, pages={151–166} }
@book{Scott_1999, address={London}, title={The spoken image: photography and language}, publisher={Reaktion}, author={Scott, Clive}, year={1999} }
@book{Shaviro_2010, address={Winchester}, title={Post cinematic affect}, publisher={0 [zero] Books}, author={Shaviro, Steven}, year={2010} }
@article{Soderman_2007, title={The Index and the Algorithm}, volume={18}, DOI={10.1215/10407391-2006-026}, number={1}, journal={differences}, author={Soderman, B.}, year={2007}, month=jan, pages={153–186} }
@book{Solnit_2003, address={London}, title={Motion studies: time, space and Eadweard Muybridge}, publisher={Bloomsbury}, author={Solnit, Rebecca}, year={2003} }
@book{Sontag_2002, address={London}, title={On photography}, volume={Penguin classics}, publisher={Penguin}, author={Sontag, Susan}, year={2002} }
@article{Specter, Michael_2002, title={Do fingerprints lie?}, volume={78}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=5&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest233156221&indx=1&recIds=TN_proquest233156221&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=specter%20fingerprints&dstmp=1452800086888}, number={13}, journal={The New Yorker}, author={Specter, Michael}, year={2002} }
@book{Spielmann_2008, address={Cambridge, Mass}, title={Video: the reflexive medium}, volume={Leonardo}, publisher={MIT Press}, author={Spielmann, Yvonne}, year={2008} }
@article{Stafford_2013, title={Bazin and Photography in the Twenty-First Century: Poverty of Ontology?}, volume={36}, DOI={10.3366/para.2013.0077}, number={1}, journal={Paragraph}, author={Stafford, Andy}, year={2013}, month=mar, pages={50–67} }
@book{Stewart_1999, address={Chicago, Ill}, title={Between film and screen: modernism’s photo synthesis}, publisher={University of Chicago Press}, author={Stewart, Garrett}, year={1999} }
@book{Stewart_2007, address={Chicago}, title={Framed time: toward a postfilmic cinema}, volume={Cinema and modernity}, publisher={University of Chicago Press}, author={Stewart, Garrett}, year={2007} }
@article{Stigler, S M_1995, title={Galton and identification by fingerprints}, volume={140}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_medline7672586&indx=1&recIds=TN_medline7672586&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=stigler%20fingerprints&dstmp=1452799778663}, number={3}, journal={Genetics}, author={Stigler, S M}, year={1995}, pages={857–860} }
@book{Suarez_Woudhuysen_2010, address={Oxford}, title={The Oxford companion to the book}, url={https://www-oxfordreference-com.libproxy.ucl.ac.uk/display/10.1093/acref/9780198606536.001.0001/acref-9780198606536}, publisher={Oxford University Press}, author={Suarez, Michael Felix and Woudhuysen, H. R.}, year={2010} }
@article{Swinney_2008, title={Enchanted invertebrates: Blaschka models and other simulacra in National Museums Scotland}, volume={20}, DOI={10.1080/08912960701677036}, number={1}, journal={Historical Biology}, author={Swinney, Geoffrey N.}, year={2008}, month=feb, pages={39–50} }
@article{Takahashi, Tess Takahashi, Tess (correspondence author)_2008, title={After The Death Of Film: Writing The Natural World In The Digital Age.}, volume={42}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1320291111&indx=1&recIds=TN_proquest1320291111&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=AFTER%20THE%20DEATH%20OF%20FILM%3A%20WRITING%20THE%20NATURAL%20WORLD%20IN%20THE%20DIGITAL%20AGE&dstmp=1452652938456}, number={1}, journal={Visible Language}, author={Takahashi, Tess Takahashi, Tess (correspondence author)}, year={2008} }
@book{Thomson_2013, address={Seattle}, title={Thomas Vinterberg’s Festen (The Celebration)}, volume={Nordic film classics}, url={https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctvcwnmf3}, publisher={University of Washington Press}, author={Thomson, C. Claire}, year={2013} }
@article{Turci, Arianna_2006, title={The Use of Digital Restoration within European Film Archives: A Case Study}, volume={6}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=5&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1542423506101111&indx=1&recIds=TN_museS1542423506101111&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=The%20Use%20of%20Digital%20Restoration%20within%20European%20Film%20Archives&dstmp=1452798824402}, number={1}, journal={The Moving Image}, author={Turci, Arianna}, year={2006}, pages={111–124} }
@article{Usai_2009, title={The Extraordinary Adventures of Mr. Analog in the Land of the Pixels}, volume={64}, DOI={10.1353/vlt.0.0057}, number={1}, journal={The Velvet Light Trap}, author={Usai, Paolo Cherchi}, year={2009}, pages={92–94} }
@book{Viola_London_Hoberman_Kuspit_Museum of Modern Art (New York, N.Y.)_1987, address={New York}, title={Bill Viola: installations and videotapes}, publisher={Museum of Modern Art}, author={Viola, Bill and London, Barbara J. and Hoberman, J. and Kuspit, Donald B. and Museum of Modern Art (New York, N.Y.)}, year={1987} }
@book{Viola_Violette_Ammann_Anthony d’Offay (Firm)_1995, address={Cambridge, Mass}, title={Reasons for knocking at an empty house: writings 1973-1994}, publisher={MIT Press}, author={Viola, Bill and Violette, Robert and Ammann, Jean Christophe and Anthony d’Offay (Firm)}, year={1995} }
@book{Wells_2003, address={London}, title={The photography reader}, publisher={Routledge}, author={Wells, Liz}, year={2003} }
@article{Henri Langlois and the Musee du Cinema_2006, volume={18}, url={http://muse.jhu.edu/journals/film_history/v018/18.3mannoni.html}, number={3}, journal={Film History: An International Journal}, publisher={Indiana University Press}, year={2006}, pages={274–287} }
