Bibliography for ELCS4010: STUFF: Materiality and Media in European Culture: Claire Thomson BETA

Alasuutari, P., Luomanen, J. and Peteri, V. (2013) ‘Hobbies and Vices, Book Lovers and Nerds: Discursive Management of the Digital Media Environment’, Television & New Media, 14(5), pp. 457–475. Available at: https://doi.org/10.1177/1527476412446088.

Auerbach, J. (2007) Body shots: early cinema’s incarnations. Berkeley: University of California Press. Available at: https://hdl.handle.net/2027/heb08028.0001.001.

Barker, J.M. (2009) The tactile eye: touch and the cinematic experience. Berkeley: University of California Press. Available at: https://hdl-handle-net.libproxy.ucl.ac.uk/2027/heb08197.0001.001.

Barthes, R. and Howard, R. (1993a) Camera lucida: reflections on photography. London: Vintage.

Barthes, R. and Howard, R. (1993b) Camera lucida: reflections on photography. London: Vintage.

Bazin, A. (1958) Qu’est-ce que le cinéma?: 1: Ontologie et langage. Paris: Éditions du Cerf.

Bazin, A. et al. (2005) What is cinema? Berkeley: University of California Press. Available at: http://hdl.handle.net/2027/heb.08209.

Bazin, André ; Gray, Hugh (1 AD) ‘The Ontology of the Photographic Image’, Film Quarterly, 13(4). Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive1210183&indx=3&recIds=TN_jstor_archive1210183&recIdxs=2&elementId=2&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=%20Bazin%20ontology%20photographic%20image&dstmp=1452649221897.

Bennett, J. (2010) Vibrant matter: a political ecology of things. Durham [N.C.]: Duke University Press. Available at: https://doi-org.libproxy.ucl.ac.uk/10.1215/9780822391623.

Bolter, J.D. and Grusin, R.A. (1999) Remediation: understanding new media. Cambridge, Mass: MIT Press. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=9351&site=ehost-live&scope=site&custid=s8454451.

Boym, S. (2001) The future of nostalgia. New York: BasicBooks.

Boym, S. (no date) The Off-Modern Mirror | e-flux. Available at: http://www.e-flux.com/journal/the-off-modern-mirror/.

Boym, Svetlana Boym, Svetlana (correspondence author) (no date) ‘Nostalgic technologies: multitasking with clouds.’ Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest1320391239&indx=9&recIds=TN_proquest1320391239&recIdxs=8&elementId=8&renderMode=poppedOut&displayMode=full&frbrVersion=&vid=UCL_VU1&mode=Basic&tab=local&vl(29953578UI1)=all_items&vl(2235343UI0)=creator&dscnt=0&vl(freeText0)=Boym%2C%20Svetlana&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&dstmp=1452645272549.

Bracha, R. (2013) ‘Artists and the film archive: re-creation—or archival replay’, Archival Science, 13(2–3), pp. 133–141. Available at: https://doi.org/10.1007/s10502-012-9181-6.

Brighenti, A.M. (2012) ‘New Media and Urban Motilities: A Territoriologic Point of View’, Urban Studies, 49(2), pp. 399–414. Available at: https://doi.org/10.1177/0042098011400771.

Bruno, G. (2002) Atlas of emotion: journeys in art, architecture, and film. New York: Verso.

Bruno, G. (2007) Public intimacy: architecture and the visual arts. Cambridge, Mass: MIT Press.

Bruno, G. (2014) Surface: matters of aesthetics, materiality, and media. Chicago: The University of Chicago Press.

Carruthers, Lee (2011) ‘M. Bazing et le Temps: Reclaiming the Timeliness of Cinematic Time’, Screen, 52(1). Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest868599338&indx=8&recIds=TN_proquest868599338&recIdxs=7&elementId=7&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=%20Bazin%20ontology&dstmp=1452649106520.

Centre national de la cinématographie (France). Service des archives du film (2009) 1969-2009, les archives françaises du film: histoire, collections, restaurations. Paris: CNC.

Cherchi Usai, P. (2001) The death of cinema: history, cultural memory and the digital dark age. London: British Film Institute.

Classen, C., Howes, D. and Synnott, A. (1994) Aroma: the cultural history of smell. London: Routledge. Available at: https://www.taylorfrancis.com/books/9781134822409.

Clough, P.T. and Halley, J.O. (2007) The affective turn: theorizing the social. Durham: Duke University Press. Available at: https://doi-org.libproxy.ucl.ac.uk/10.1215/9780822389606.

De Landa, M. (1997) A thousand years of nonlinear history. New York: Zone Books. Available at: https://www.jstor.org/stable/10.2307/j.ctv1qgnqhr.

De Landa, M. (2006) A new philosophy of society: assemblage theory and social complexity. London: Continuum.

Doane, M.A. (2002) The emergence of cinematic time: modernity, contingency, the archive. Cambridge, Mass: Harvard University Press. Available at: https://www.jstor.org/stable/10.2307/j.ctv1pnc1jq.

Doane, M.A. (2007a) ‘Indexicality: Trace and Sign: Introduction’, differences, 18(1), pp. 1–6. Available at: https://doi.org/10.1215/10407391-2006-020.

Doane, M.A. (2007b) ‘The Indexical and the Concept of Medium Specificity’, differences, 18(1), pp. 128–152. Available at: https://doi.org/10.1215/10407391-2006-025.

Edbauer, J. (2004) ‘Executive Overspill: Affective Bodies, Intensity, and Bush-in-Relation’, Postmodern Culture, 15(1). Available at: https://doi.org/10.1353/pmc.2004.0037.

Edwards, E. and Hart, J. (2005) Photographs objects histories: on the materiality of images. London: Routledge. Available at: http://www.tandfebooks.com/isbn/9780203506493.

Ehrenstein, D (1996) ‘FILM IN THE AGE OF VIDEO - OH-WE-DONT-KNOW-WHERE-WERE-GOING-BUT-WERE-ON-OUR-WAY’, Film Quarterly, 49(3), pp. 38–42. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wosA1996UN68300005&indx=2&recIds=TN_wosA1996UN68300005&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=5&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=ehrenstein%20film%20quarterly&dstmp=1452797229679.

Elkins, J. (2007) Photography theory. New York: Routledge. Available at: http://www.tandfebooks.com/isbn/9780203944141.

Elkins, J. (2011) What photography is. New York: Routledge. Available at: https://doi.org/10.4324/9780203886489.

Elkins, J. and Naef, M. (2011) What is an image? University Park, Pa: Pennsylvania State University Press. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/10.5325/j.ctv14gpdjx.

Ernst, W. and Parikka, J. (2013) Digital memory and the archive. Minneapolis: University of Minnesota Press. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1204682.

Farman, J. (2010) ‘Mapping the digital empire: Google Earth and the process of postmodern cartography’, New Media & Society, 12(6), pp. 869–888. Available at: https://doi.org/10.1177/1461444809350900.

Fossati, G. (2009a) From Grain to Pixel : The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press. Available at: https://doi.org/10.5117/9789089641397.

Fossati, G. (2009b) From grain to pixel: the archival life of film in transition. Amsterdam: Amsterdam University Press. Available at: https://www.jstor.org/stable/j.ctt46mvrv.

Friday, J. (2005) ‘Andre Bazin’s Ontology of Photographic and Film Imagery’, Journal of Aesthetics and Art Criticism, 63(4), pp. 339–350. Available at: https://doi.org/10.1111/j.0021-8529.2005.00216.x.

Giuliana Bruno (2006) ‘Visual Studies: Four Takes on Spatial Turns’, Journal of the Society of Architectural Historians, 65(1), pp. 23–24. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_csp25068236&indx=1&recIds=TN_jstor_csp25068236&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=bruno%20four%20takes%20spatial%20turns&dstmp=1452798935078.

Gunning, T. (2007) ‘Moving Away from the Index: Cinema and the Impression of Reality’, differences, 18(1), pp. 29–52. Available at: https://doi.org/10.1215/10407391-2006-022.

Gunning, Tom (2007) ‘To Scan a Ghost: The Ontology of Mediated Vision’, Grey Room, 26, pp. 94–127. Available at: https://doi.org/10.1162/grey.2007.1.26.94.

Gunning, Tom (2008) ‘What’s the Point of an Index? or, Faking Photographs’, in K. Beckman and J. Ma (eds) Still Moving: Between Cinema and Photography. Durham: Duke UP, pp. 23–40. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla2009442339&indx=2&recIds=TN_mla2009442339&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=gunning%20faking%20photographs&dstmp=1452649785859.

Hansen, Mark B. N (2001) ‘Seeing with the Body: The Digital Image in Postphotography’, Diacritics, 31(4). Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1080653904400541&indx=1&recIds=TN_museS1080653904400541&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=6&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=hansen%20celluloid%20digital&dstmp=1452652383063.

Hansen, M.B.N. (2015) Feed-forward: on the future of twenty-first-century media. Chicago: The University of Chicago Press.

Haraway, D. (2014) ‘Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin’, Environmental Humanities, 6. Available at: http://environmentalhumanities.org/archives/vol6/.

Haraway, D.J. (1991) Simians, cyborgs, and women: the reinvention of nature. London: Free Association.

Haraway, D.J. (1997) Modest₋Witness@Second₋Millennium.FemaleMan₋Meets₋OncoMouse: feminism and technoscience. New York: Routledge.

Haraway, D.J. (2003) The companion species manifesto: dogs, people, and significant otherness. Chicago, Ill: Prickly Paradigm.

Haraway, D.J. (2004) The Haraway reader. New York: Routledge.

Haraway, D.J. (2008) When species meet. Minneapolis: University of Minnesota Press. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=216668&site=ehost-live&scope=site&custid=s8454451.

Haraway, Donna Jeanne (2008) ‘Encounters with Companion Species: Entangling Dogs, Baboons, Philosophers, and Biologists’, Configurations, 14(1), pp. 97–114. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=6&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1080652008100075&indx=10&recIds=TN_museS1080652008100075&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=6&vid=UCL_VU1&mode=Basic&tab=local&vl(29953578UI1)=all_items&vl(2235343UI0)=creator&dscnt=0&vl(freeText0)=%20Donna%20%20%20Jeanne%20.%20%20Haraway%20&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&dstmp=1452648183417.

Hayles, K.N. (2004) ‘Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis’, Print Is Flat, Code Is Deep:, 25(1), pp. 67–90. Available at: http://muse.jhu.edu.libproxy.ucl.ac.uk/journals/poetics_today/v025/25.1hayles.html.

Hayles, N.K. (2002) Writing machines. Cambridge, Mass: MIT Press.

‘Henri Langlois and the Musee du Cinema’ (2006) Film History: An International Journal, 18(3), pp. 274–287. Available at: http://muse.jhu.edu/journals/film_history/v018/18.3mannoni.html.

Hochman, N. and Manovich, L. (2013) ‘Zooming into an Instagram City: Reading the local through social media’, First Monday, 18(7). Available at: https://doi.org/10.5210/fm.v18i7.4711.

Horak, Jan-Christopher (2011) ‘FILM PRESERVATION’, Cineaste, 36(4). Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=15&tabs=detailsTab&ct=display&fn=search&doc=TN_proquest927881267&indx=5&recIds=TN_proquest927881267&recIdxs=4&elementId=4&renderMode=poppedOut&displayMode=full&frbrVersion=15&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=cherchi%20usai%20death&dstmp=1452797776256.

Howes, D. (2011) ‘The Senses’, in F.E. Mascia-Lees (ed.) A Companion to the Anthropology of the Body and Embodiment. Oxford, UK: Wiley-Blackwell, pp. 435–450. Available at: https://doi.org/10.1002/9781444340488.ch25.

Howes, D. (2012) ‘The cultural life of the senses’, postmedieval: a journal of medieval cultural studies, 3(4), pp. 450–454. Available at: https://doi.org/10.1057/pmed.2012.30.

Jeffrey, I. (1981) Photography: a concise history. London: Thames and Hudson.

Kelly, R. (2000) The name of this book is Dogme95. London: Faber.

Kennedy, B.M. (2000) Deleuze and cinema: the aesthetics of sensation. Edinburgh: Edinburgh University Press.

Kracauer, S. (1997) Theory of film: the redemption of physical reality. Princeton, NJ: Princeton University Press.

Lambourne, G. (1984) The fingerprint story. London: Harrap.

Latour, B. (1987) Science in action: how to follow scientists and engineers through society. Milton Keynes: Open University Press.

Latour, B. (2005) Reassembling the social: an introduction to actor-network-theory. Oxford: Oxford University Press. Available at: http://UCL.eblib.com/patron/FullRecord.aspx?p=422646.

Latour, Bruno (no date) ‘Agency at the Time of the Anthropocene’, New Literary History [Preprint], (1). Available at: http://search.proquest.com.libproxy.ucl.ac.uk/docview/1530588923/fulltextPDF?accountid=14511.

Littau, K. (2006) Theories of reading: books, bodies and bibliomania. Cambridge: Polity.

Maguire, M. (2012) ‘Biopower, racialization and new security technology’, Social Identities, 18(5), pp. 593–607. Available at: https://doi.org/10.1080/13504630.2012.692896.

Manovich, L. (2001) The language of new media. Cambridge, Mass: MIT Press.

Manovich, L. (2009) ‘The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production?’, Critical Inquiry, 35(2), pp. 319–331. Available at: https://doi.org/10.1086/596645.

Manovich, L. (2013) ‘Media After Software’, Journal of Visual Culture, 12(1), pp. 30–37. Available at: https://doi.org/10.1177/1470412912470237.

Manuel  DeLanda (2012) ‘Emergence, Causality and Realism’, Architectural Theory Review, 17(1), pp. 3–16. Available at: https://doi.org/10.1080/13264826.2012.661549.

Marks, Laura U Larouche, Michel (Editor) ; Bellemare, Denis (Guesteditor) (1997) ‘Loving a Disappearing Image’, Cinémas, 8(1–2), pp. 93–111. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_erudit024744ar&indx=1&recIds=TN_erudit024744ar&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=marks%20loving%20disappearing&dstmp=1452796950960.

Marks, L.U. (2000) The skin of the film: intercultural cinema, embodiment, and the senses. Durham, N.C.: Duke University Press. Available at: https://doi-org.libproxy.ucl.ac.uk/10.1215/9780822381372.

Marks, L.U. (2002a) Touch: sensuous theory and multisensory media. Minneapolis: University of Minnesota Press. Available at: https://www.jstor.org/stable/10.5749/j.ctttv5n8.

Marks, L.U. (2002b) ‘Video’s Body, analogue and digital’, in Touch: sensuous theory and multisensory media. Minneapolis: University of Minnesota Press, pp. 147–160. Available at: https://www.jstor.org/stable/10.5749/j.ctttv5n8.

Marks, L.U. (2010) Enfoldment and infinity: an Islamic genealogy of new media art. Cambridge, Mass: MIT Press.

Marks, L.U. (2015) Hanan al-cinema: affections for the moving image. Cambridge, Massachusetts: The MIT Press.

Marks, L.U. (no date a) ‘Enfolding and Unfolding: An Aesthetics for the Information Age’, Vectors [Preprint]. Available at: http://vectors.usc.edu/projects/index.php?project=72.

Marks, L.U. (no date b) ‘Thinking Multisensory Culture’, Paragraph, 31(2), pp. 123–137. Available at: https://muse-jhu-edu.libproxy.ucl.ac.uk/journals/paragraph/v031/31.2.marks.html.

Massumi, B. (2002) Parables for the virtual: movement, affect, sensation. Durham, NC: Duke University Press. Available at: https://doi.org/10.1215/9780822383574.

McCormack, D.P. (2013) Refrains for moving bodies: experience and experiment in affective spaces. Durham: Duke University Press. Available at: http://dx.doi.org/10.1215/9780822377559.

Miller, D. (2005) Materiality. Durham, N.C.: Duke University Press. Available at: https://read.dukeupress.edu/books/book/956/Materiality.

Miller, D. (no date) ‘Materiality Page 1 (8 of 303)’, in. Available at: https://read.dukeupress.edu/books/book/956/Materiality.

Mills, J. et al. (2012) ‘MoJo in action: The use of mobiles in conflict, community, and cross-platform journalism’, Continuum, 26(5), pp. 669–683. Available at: https://doi.org/10.1080/10304312.2012.706457.

Mitchell, W.J.T. and Hansen, M.B.N. (2010) Critical terms for media studies. Chicago: University of Chicago Press.

Mubi Brighenti, A. (2013) Urban interstices: the aesthetics and the politics of the in-between. Farnham: Ashgate.

Mulvey, L. (2006) Death 24x a second: stillness and the moving image. London: Reaktion. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=292627&site=ehost-live&scope=site&custid=s8454451.

N. Katherine Hayles (2001) ‘The Transformation of Narrative and the Materiality of Hypertext’, Narrative, 9(1), pp. 21–39. Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/20107227?seq=1#page_scan_tab_contents.

Olin, M.R. (2012) Touching photographs. Chicago: University of Chicago Press.

Paolo Cherchi Usai (2009) ‘ARE ALL (ANALOG) FILMS “ORPHANS”? A Predigital Appraisal’, The Moving Image, 9(1). Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_csp41167315&indx=9&recIds=TN_jstor_csp41167315&recIdxs=8&elementId=8&renderMode=poppedOut&displayMode=full&frbrVersion=3&vid=UCL_VU1&mode=Basic&tab=local&vl(29953578UI1)=all_items&vl(2235343UI0)=creator&dscnt=0&vl(freeText0)=Paolo.%20%20Cherchi%20%20%20Usai%20&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&dstmp=1452651527190.

Parikka, J. (2010) Insect media: an archaeology of animals and technology. Minneapolis: University of Minnesota Press. Available at: http://muse.jhu.edu/books/9780816675241/.

Parikka, J. (2012) What is media archaeology? Cambridge: Polity.

Parikka, J. (2014) The anthrobscene / Jussi Parikka. Minneapolis: University of Minnesota Press.

Pescetelli, M. (2011) The art of not forgetting: towards a practical hermeneutics of film restoration. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=UCL_EPR_DS1302399&indx=19&recIds=UCL_EPR_DS1302399&recIdxs=8&elementId=8&renderMode=poppedOut&displayMode=full&frbrVersion=4&frbg=&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&tab=local&srt=rank&dum=true&vl(freeText0)=cherchi%20usai&dstmp=1452651712442.

Prodger, P. et al. (2003) Time stands still: Muybridge and the instantaneous photography movement. New York: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University in association with Oxford University Press.

Putzo, C. (2012) ‘The Implied Book and the Narrative Text: On a Blind Spot in Narratological Theory – from a Media Studies Perspective’, Journal of Literary Theory, 6(2). Available at: https://doi.org/10.1515/jlt-2012-0004.

Rabaté, J.-M. (1997) Writing the image after Roland Barthes. Philadelphia: University of Pennsylvania Press. Available at: http://www.jstor.org/stable/10.2307/j.ctt3fhsd6.

Rabinow, P (1993) ‘GALTON REGRET AND DNA TYPING’, Culture Medicine And Psychiatry, 17(1), pp. 59–65. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_wosA1993LM23200005&indx=1&recIds=TN_wosA1993LM23200005&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&vid=UCL_VU1&mode=Basic&srt=rank&tab=local&dum=true&vl(freeText0)=rabinow%20galton&dstmp=1452799974669.

Reading, A. (2011) ‘The London bombings: Mobile witnessing, mortal bodies and globital time’, Memory Studies, 4(3), pp. 298–311. Available at: https://doi.org/10.1177/1750698011402672.

Rees, A.L. (1999) A history of experimental film and video: from the canonical avant-garde to contemporary British practice. London: BFI Publishing.

Rifkin, Stephen (2011) Andre Bazin’s ‘Ontology of the Photographic Image’: Representation, Desire, and Presence. Available at: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_proquest882373435&indx=2&recIds=TN_proquest882373435&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=barthes%20ontology%20photographic&dstmp=1452648901278.

Rodowick, D.N. (2007) The virtual life of film. Cambridge, Mass: Harvard University Press. Available at: https://doi-org.libproxy.ucl.ac.uk/10.4159/9780674042834.

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