Andrle, Vladimir. A Social History of Twentieth-Century Russia. London: Edward Arnold, 1994. Print.
Attwood, Lynne and Turovskai͡a, Maĭi͡a Iosifovna. Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era. London: Pandora, 1993. Print.
---. Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era. London: Pandora, 1993. Print.
---. Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era. London: Pandora, 1993. Print.
---. Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era. London: Pandora, 1993. Print.
---. Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era. London: Pandora, 1993. Print.
---. Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era. London: Pandora, 1993. Print.
Baburina, N. I. The Silent Film Poster: Russia 1900-1930. Moscow: Art-Rodnik, 2001. Print.
Beumers, Birgit. A History of Russian Cinema. English ed. Oxford: Berg, 2009. Print.
Beumers, Birgit. Russia on Reels: The Russian Idea in Post-Soviet Cinema. KINO, the Russian cinema series. London: I.B. Tauris Publishers, 1999. Print.
---. The Cinema of Russia and the Former Soviet Union. London: Wallflower Press, 2006. Print.
Birgit Beumers. ‘Cinemarket, or the Russian Film Industry in “Mission Possible”’. Europe-Asia Studies Vol. 51.No. 5 871–896. Print.
Bordwell, David. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Harvard film studies. Cambridge: Harvard University Press, 1989. Print.
---. Narration in the Fiction Film. London: Routledge, 1985. Print.
---. On the History of Film Style. Cambridge, Mass: Harvard University Press, 1997. Print.
Bordwell, David and Thompson, Kristin. Film Art: An Introduction. 9th ed. New York: McGraw-Hill Higher Education, 2010. Print.
---. Film Art: An Introduction. 10th ed. London: McGraw-Hill Higher Education, 2012. Print.
Brashinsky, Michael and Horton, Andrew. Russian Critics on the Cinema of Glasnost. Cambridge studies in film. Cambridge: Cambridge University Press, 1994. Print.
Cahiers Du Cinema: Ciné-Perestroika: Le Rideau Déchiré, Special URSS. Paris: Cahiers du cinema, 1990. Print.
Cavendish, Philip. Soviet Mainstream Cinematography: The Silent Era. 3rd ed. London: UCL Arts & Humanities Publications, 2010. Print.
Christie, Ian and Taylor, Richard. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. London: Routledge, 1991. Web.
---. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. London: Routledge, 1991. Web.
---. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. London: Routledge, 1991. Web.
---. The Film Factory: Russian and Soviet Cinema in Documents. London: Routledge, 1994. Web.
Condee, Nancy. The Imperial Trace: Recent Russian Cinema. New York: Oxford University Press, 2009. Web. <https://doi-org.libproxy.ucl.ac.uk/10.1093/acprof:oso/9780195366761.001.0001>.
Corrigan, Timothy. A Short Guide to Writing about Film. 6th ed. Short guide series. London: Pearson/Longman, 2007. Print.
Denise J. Youngblood. ‘The Fate of Soviet Popular Cinema during the Stalin Revolution’. Russian Review Vol. 50.No. 2 148–162. Print.
Dobrenko, E. A. and Young, Sarah J. Stalinist Cinema and the Production of History: Museum of the Revolution. Edinburgh: Edinburgh University Press, 2008. Web. <https://www.vlebooks.com/Product/Index/71299?page=0&startBookmarkId=-1>.
Egorova, Tatʹi͡ana K., Egunova, N. A., and Ganf, Tatʹi͡ana A. Soviet Film Music: An Historical Survey. Contemporary music studies. Amsterdam: OPA, Overseas Pub. Association, 1997. Print.
Eisenschitz, Bernard. Lignes d’ombre: Une Autre Histoire Du Cinéma Soviétique : 1926-1968. Milano: Mazzotta, 2000. Print.
Evgeny Dobrenko. ‘Late Stalinist Cinema and the Cold War: An Equation without Unknowns’. The Modern Language Review Vol. 98.No. 4 929–944. Print.
Faraday, George. Revolt of the Filmmakers: The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry. Post-Communist cultural studies. University Park, Pa: Pennsylvania State University Press, 2000. Print.
---. Revolt of the Filmmakers: The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry. Post-Communist cultural studies. University Park, Pa: Pennsylvania State University Press, 2000. Print.
---. Revolt of the Filmmakers: The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry. Post-Communist cultural studies. University Park, Pa: Pennsylvania State University Press, 2000. Print.
Galichenko, Nicholas and Allington, Robert. Glasnost: Soviet Cinema Responds. 1st ed. Texas film studies series. Austin, Texas: University of Texas Press, 1991. Print.
Giannetti, Louis D. Understanding Movies. 11th ed. Upper Saddle River, N.J.: Pearson Education, 2008. Print.
Goldfrank, David M. et al. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
Golovskoy, Valery S. and Rimberg, John. Behind the Soviet Screen: The Motion-Picture Industry in the USSR, 1972-1982. Ann Arbor: Ardis, 1986. Print.
Goscilo, Helena and Hashamova, Yana. Cinepaternity: Fathers and Sons in Soviet and Post-Soviet Film. Bloomington, Ind: Indiana University Press, 2010. Print.
Graffy, Julian, Hosking, Geoffrey A., and University of London. Culture and the Media in the USSR Today. Studies in Russia and East Europe. London: Macmillan in association with the School of Slavonic and East European Studies, University of London, 1989. Print.
Haynes, John. New Soviet Man: Gender and Masculinity in Stalinist Soviet Cinema. Manchester: Manchester University Press, 2003. Print.
Hayward, Susan. Cinema Studies: The Key Concepts. 3rd ed. London: Routledge, 2006. Print.
Horton, Andrew and Brashinsky, Michael. The Zero Hour: Glasnost and Soviet Cinema in Transition. Princeton, N.J.: Princeton University Press, 1992. Print.
Hosking, Geoffrey A. The First Socialist Society: A History of the Soviet Union from Within. 2nd enl. ed. Cambridge, Mass: Harvard University Press, 1993. Print.
Johnson, Priscilla and Labedz, Leopold. Khrushchev and the Arts: The Politics of Soviet Culture, 1962-1964. Cambridge (Mass.): M.I.T. Press, 1965. Print.
Kelly, Catriona and Shepherd, David. Constructing Russian Culture in the Age of Revolution, 1881-1940. Oxford ; New York: Oxford University Press, 1998. Print.
---. Russian Cultural Studies: An Introduction. Oxford: Oxford University Press, 1998. Print.
Kenez, Peter. A History of the Soviet Union from the Beginning to the End. 2nd ed. Cambridge: Cambridge University Press, 2006. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780511312564>.
---. A History of the Soviet Union from the Beginning to the End. 2nd ed. Cambridge: Cambridge University Press, 2006. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780511312564>.
---. Cinema and Soviet Society, 1917-1953. Cambridge studies in the history of mass communications. Cambridge: Cambridge University Press, 1992. Print.
---. Cinema and Soviet Society, 1917-1953. Cambridge studies in the history of mass communications. Cambridge: Cambridge University Press, 1992. Print.
Krämer, Peter and Grieveson, Lee. The Silent Cinema Reader. London: Routledge, 2004. Print.
Lapsley, Robert and Westlake, Michael. Film Theory: An Introduction. 2nd ed. Manchester: Manchester University Press, 2006. Print.
Lawton, Anna. Imaging Russia 2000: Film and Facts. Washington, DC: New Academia, 2004. Print.
---. Kinoglasnost: Soviet Cinema in Our Time. Cambridge Soviet paperbacks. Cambridge: Cambridge University Press, 1992. Print.
---. Kinoglasnost: Soviet Cinema in Our Time. Cambridge Soviet paperbacks. Cambridge: Cambridge University Press, 1992. Print.
---. The Red Screen: Politics, Society, Art in Soviet Cinema. London: Routledge, 1992. Web.
---. The Red Screen: Politics, Society, Art in Soviet Cinema. London: Routledge, 1992. Web.
---. The Red Screen: Politics, Society, Art in Soviet Cinema. London: Routledge, 1992. Web. <http://www.tandfebooks.com/isbn/9780203417980>.
Leyda, Jay. Kino: A History of the Russian and Soviet Film. London: Allen & Unwin, 1960. Print.
Liehm, Mira and Liehm, Antonín J. The Most Important Art: Eastern European Film after 1945. Berkeley: University of California Press, 1977. Print.
---. The Most Important Art: Eastern European Film after 1945. Berkeley: University of California Press, 1977. Print.
Martin, Marcel. Le Cinéma Soviétique: De Khrouchtchev à Gorbatchev, 1955-1992. Collection Histoire et théorie du cinéma. Lausanne: L’Age d’homme, 1993. Print.
---. Le Cinéma Soviétique: De Khrouchtchev à Gorbatchev, 1955-1992. Collection Histoire et théorie du cinéma. Lausanne: L’Age d’homme, 1993. Print.
---. Le Cinéma Soviétique: De Khrouchtchev à Gorbatchev, 1955-1992. Collection Histoire et théorie du cinéma. Lausanne: L’Age d’homme, 1993. Print.
Mayne, Judith. Kino and the Woman Question: Feminism and Soviet Silent Film. Columbus: Ohio State University Press, 1989. Print.
Miller, Jamie. Soviet Cinema: Politics and Persuasion under Stalin. KINO. London: Distributed in the USA by Palgrave Macmillan, 2010. Print.
Monaco, James. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., completely rev. and expanded. New York: Oxford University Press, 2009. Print.
Müller, Marco and Meulen, Helena van der. Lenfilm En de Bevrijding van de Sovjet-Cinema =: Lenfilm and the Liberation of Soviet Cinema. Tijgerreeks. [Rotterdam] ; Abcoude: Uniepers, 1990. Print.
Pack, Susan. Film Posters of the Russian Avant-Garde. Köln ; London: Taschen, 1995. Print.
Passek, Jean Loup, and Emile Breton. Le Cinema Russe et Sovietique. Cinéma/pluriel. Paris: L’Equerre, 1981. Print.
Peter Kenez. ‘The Cultural Revolution in Cinema’. Slavic Review Vol. 47.No. 3 414–433. Print.
Plakhov, A. S. The Soviet Cinema. Moscow: Novosti Press Agency Publishing House, 1988. Print.
Prokhorov, Alexander and Pittsburgh Russian Film Symposium. Springtime for Soviet Cinema: Re/Viewing the 1960s. Pittsburgh, Pa: Russian Film Symposium, 2001. Print.
Schnitzer, Jean et al. Cinema in Revolution: The Heroic Era of the Soviet Film. New York: Da Capo. Print.
Shlapentokh, Dmitry and Shlapentokh, Vladimir. Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality. Communication and social order. New York: A. de Gruyter, 1993. Print.
---. Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality. Communication and social order. New York: A. de Gruyter, 1993. Print.
---. Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality. Communication and social order. New York: A. de Gruyter, 1993. Print.
Snopkov, A. E., Shkli͡aruk, A. F., and Snopkov, P. A. Kinoplakat. Moskva: Kontakt-Kulʹtura, 2002. Print.
Spring, D. W. and Taylor, Richard. Stalinism and Soviet Cinema. Soviet cinema. London: Routledge, 1993. Web.
---. Stalinism and Soviet Cinema. Soviet cinema. London: Routledge, 1993. Web.
---. Stalinism and Soviet Cinema. Soviet cinema. London: Routledge, 1993. Web.
Stites, Richard. Culture and Entertainment in Wartime Russia. Bloomington: Indiana University Press, 1995. Print.
---. Russian Popular Culture: Entertainment and Society since 1900. Cambridge Soviet paperbacks. Cambridge: Cambridge UP, 1992. Print.
---. Russian Popular Culture: Entertainment and Society since 1900. Cambridge Soviet paperbacks. Cambridge: Cambridge UP, 1992. Print.
Taubman, William, Gleason, Abbott, and Khrushchev, Sergeĭ. Nikita Khrushchev. New Haven, Conn. ; London: Yale University Press, 2000. Print.
Taylor, Richard. Film Propaganda: Soviet Russia and Nazi Germany. 2nd rev. ed. London: I.B.Tauris, 1998. Print.
---. The BFI Companion to Eastern European and Russian Cinema. London: British Film Institute, 2000. Print.
---. The Politics of the Soviet Cinema, 1917-1929. International studies. Cambridge: Cambridge University Press, 1979. Print.
Taylor, Richard and Christie, Ian. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Soviet cinema. London: Routledge, 1994. Web. <http://www.tandfebooks.com/isbn/9780203992784>.
---. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Soviet cinema. London: Routledge, 1994. Web. <http://www.tandfebooks.com/isbn/9780203992784>.
---. Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Soviet cinema. London: Routledge, 1994. Web. <http://www.tandfebooks.com/isbn/9780203992784>.
---. The Film Factory: Russian and Soviet Cinema in Documents 1896-1939. London: Routledge & Kegan Paul, 1988. Print.
Thompson, Kristin and Bordwell, David. Film History: An Introduction. 3rd ed., international ed. Boston: McGraw-Hill Higher Education, 2010. Print.
Troi͡anovskiĭ, V., Nauchno-issledovatelʹskiĭ institut kinoiskusstva (Russia), and Komitet Rossiĭskoĭ Federat͡sii po kinematografii. Kinematograf Ottepeli: K 100-Letii͡u Mirovogo Kino. Moskva: Materik, 1996. Print.
Tsikounas, Myriam. Les Origines Du Cinéma Soviétique: Un Regard Neuf. 7 Art. Paris: Cerf, 1992. Print.
Tsivian, Yuri et al. Testimoni Silenziosi: Film Russi, 1908-1919. Pordenone; London: Edizioni Biblioteca dell’immagine, 1989. Print.
Tsivian, Yuri et al. Testimoni Silenziosi: Film Russi, 1908-1919. [Pordenone] ; [London]: Edizioni Biblioteca dell’immagine, 1989. Print.
Tsivian, Yuri, and Alan Bodger. ‘Early Russian Cinema and Its Public’. Historical Journal of Film, Radio and Television 11.2 (1991): 105–120. Web.
Tsivian, Yuri and Taylor, Richard. Early Cinema in Russia and Its Cultural Reception. Chicago: University of Chicago Press, 1998. Print.
White, Stephen and World Congress for Soviet and East European Studies. New Directions in Soviet History: Selected Papers from the Fourth World Congress for Soviet and East European Studies, Harrogate, July 1990. Cambridge: Cambridge University Press, 1992. Print.
Woll, Josephine. Real Images: Soviet Cinema and the Thaw. KINO, the Russian cinema series. London: I.B. Tauris, 2000. Print.
---. Real Images: Soviet Cinema and the Thaw. KINO, the Russian cinema series. London: I.B. Tauris, 2000. Print.
Youngblood, Denise J. Movies for the Masses: Popular Cinema and Soviet Society in the 1920s. Cambridge: Cambridge University Press, 1992. Print.
---. Russian War Films: On the Cinema Front, 1914-2005. Lawrence: University Press of Kansas, 2007. Print.
---. The Magic Mirror: Moviemaking in Russia, 1908-1918. Wisconsin studies in film. Madison, Wis. ; London: University of Wisconsin Press, 1999. Print.
Zorkai͡a, Nei͡a Markovna. The Illustrated History of the Soviet Cinema. New York: Hippocrene, 1989. Print.
---. The Illustrated History of the Soviet Cinema. New York: Hippocrene, 1989. Print.
---. The Illustrated History of the Soviet Cinema. New York: Hippocrene, 1989. Print.