1.
Andrle, Vladimir. A social history of twentieth-century Russia. London: Edward Arnold; 1994.
2.
Kelly, Catriona, Shepherd, David. Constructing Russian culture in the age of revolution, 1881-1940. Oxford ; New York: Oxford University Press; 1998.
3.
Goldfrank, David M., Hughes, Lindsey, Stites, Richard, Evtuhov, Catherine. A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin; 2004.
4.
Hosking, Geoffrey A. The first socialist society: a history of the Soviet Union from within. 2nd enl. ed. Cambridge, Mass: Harvard University Press; 1993.
5.
Kenez, Peter. A history of the Soviet Union from the beginning to the end [Internet]. 2nd ed. Cambridge: Cambridge University Press; 2006. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780511312564
6.
Kenez, Peter. A history of the Soviet Union from the beginning to the end [Internet]. 2nd ed. Cambridge: Cambridge University Press; 2006. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780511312564
7.
Stites, Richard. Russian popular culture: entertainment and society since 1900. Cambridge: Cambridge UP; 1992.
8.
Bordwell, David. Narration in the fiction film. London: Routledge; 1985.
9.
Bordwell, David. Making meaning: inference and rhetoric in the interpretation of cinema. Cambridge: Harvard University Press; 1989.
10.
Bordwell, David. On the history of film style. Cambridge, Mass: Harvard University Press; 1997.
11.
Bordwell, David, Thompson, Kristin. Film art: an introduction. 9th ed. New York: McGraw-Hill Higher Education; 2010.
12.
Bordwell, David, Thompson, Kristin. Film art: an introduction. 10th ed. London: McGraw-Hill Higher Education; 2012.
13.
Corrigan, Timothy. A short guide to writing about film. 6th ed. London: Pearson/Longman; 2007.
14.
Giannetti, Louis D. Understanding movies. 11th ed. Upper Saddle River, N.J.: Pearson Education; 2008.
15.
Hayward, Susan. Cinema studies: the key concepts. 3rd ed. London: Routledge; 2006.
16.
Lapsley, Robert, Westlake, Michael. Film theory: an introduction. 2nd ed. Manchester: Manchester University Press; 2006.
17.
Monaco, James. How to read a film: movies, media, and beyond : art, technology, language, history, theory. 4th ed., completely rev. and expanded. New York: Oxford University Press; 2009.
18.
Thompson, Kristin, Bordwell, David. Film history: an introduction. 3rd ed., international ed. Boston: McGraw-Hill Higher Education; 2010.
19.
Taylor, Richard. The BFI companion to Eastern European and Russian cinema. London: British Film Institute; 2000.
20.
Passek JL, Breton E. Le Cinema russe et sovietique. Paris: L’Equerre; 1981.
21.
Tsivian Y, Cherchi Usai P, British Film Institute, Giornate del cinema muto. Testimoni silenziosi: film russi, 1908-1919. Pordenone; London: Edizioni Biblioteca dell’immagine; 1989.
22.
Beumers B. A history of Russian cinema. English ed. Oxford: Berg; 2009.
23.
Kelly, Catriona, Shepherd, David. Russian cultural studies: an introduction. Oxford: Oxford University Press; 1998.
24.
Leyda, Jay. Kino: a history of the Russian and Soviet film. London: Allen & Unwin; 1960.
25.
Zorkai͡a, Nei͡a Markovna. The illustrated history of the Soviet cinema. New York: Hippocrene; 1989.
26.
Baburina, N. I. The silent film poster: Russia 1900-1930. Moscow: Art-Rodnik; 2001.
27.
Cavendish, Philip. Soviet mainstream cinematography: the silent era. 3rd ed. London: UCL Arts & Humanities Publications; 2010.
28.
Schnitzer, Jean, Martin, Marcel, Robinson, David, Schnitzer, Luda. Cinema in revolution: the heroic era of the Soviet film. New York: Da Capo;
29.
Beumers, Birgit. The Cinema of Russia and the Former Soviet Union. London: Wallflower Press; 2006.
30.
Dobrenko, E. A., Young, Sarah J. Stalinist cinema and the production of history: museum of the revolution [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://www.vlebooks.com/Product/Index/71299?page=0&startBookmarkId=-1
31.
Egorova, Tatʹi͡ana K., Egunova, N. A., Ganf, Tatʹi͡ana A. Soviet film music: an historical survey. Amsterdam: OPA, Overseas Pub. Association; 1997.
32.
Taylor, Richard, Christie, Ian. The Film factory: Russian and Soviet cinema in documents 1896-1939. London: Routledge & Kegan Paul; 1988.
33.
Haynes, John. New Soviet man: gender and masculinity in Stalinist Soviet cinema. Manchester: Manchester University Press; 2003.
34.
Kenez, Peter. Cinema and Soviet society, 1917-1953. Cambridge: Cambridge University Press; 1992.
35.
Snopkov, A. E., Shkli͡aruk, A. F., Snopkov, P. A. Kinoplakat. Moskva: Kontakt-Kulʹtura; 2002.
36.
Eisenschitz, Bernard. Lignes d’ombre: une autre histoire du cinéma soviétique : 1926-1968. Milano: Mazzotta; 2000.
37.
Mayne, Judith. Kino and the woman question: feminism and Soviet silent film. Columbus: Ohio State University Press; 1989.
38.
Pack, Susan. Film posters of the Russian avant-garde. Köln ; London: Taschen; 1995.
39.
Attwood, Lynne, Turovskai͡a, Maĭi͡a Iosifovna. Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora; 1993.
40.
Shlapentokh, Dmitry, Shlapentokh, Vladimir. Soviet cinematography, 1918-1991: ideological conflict and social reality. New York: A. de Gruyter; 1993.
41.
Spring, D. W., Taylor, Richard. Stalinism and Soviet cinema. London: Routledge; 1993.
42.
Stites, Richard. Russian popular culture: entertainment and society since 1900. Cambridge: Cambridge UP; 1992.
43.
Taylor, Richard. Film propaganda: Soviet Russia and Nazi Germany. 2nd rev. ed. London: I.B.Tauris; 1998.
44.
Taylor, Richard. The politics of the Soviet cinema, 1917-1929. Cambridge: Cambridge University Press; 1979.
45.
Tsikounas, Myriam. Les origines du cinéma soviétique: un regard neuf. Paris: Cerf; 1992.
46.
Tsivian, Yuri, Taylor, Richard. Early cinema in Russia and its cultural reception. Chicago: University of Chicago Press; 1998.
47.
Woll, Josephine. Real images: Soviet cinema and the thaw. London: I.B. Tauris; 2000.
48.
Youngblood, Denise J. Movies for the masses: popular cinema and Soviet society in the 1920s. Cambridge: Cambridge University Press; 1992.
49.
Youngblood, Denise J. The magic mirror: moviemaking in Russia, 1908-1918. Madison, Wis. ; London: University of Wisconsin Press; 1999.
50.
Youngblood, Denise J. Russian war films: on the cinema front, 1914-2005. Lawrence: University Press of Kansas; 2007.
51.
Tsivian, Yuri, Cherchi Usai, Paolo, British Film Institute, Giornate del cinema muto. Testimoni silenziosi: film russi, 1908-1919. [Pordenone] ; [London]: Edizioni Biblioteca dell’immagine; 1989.
52.
Christie, Ian, Taylor, Richard. Inside the film factory: new approaches to Russian and Soviet cinema. London: Routledge; 1991.
53.
Taylor, Richard, Christie, Ian. Inside the film factory: new approaches to Russian and Soviet cinema [Internet]. London: Routledge; 1994. Available from: http://www.tandfebooks.com/isbn/9780203992784
54.
Tsivian Y, Bodger A. Early Russian cinema and its public. Historical Journal of Film, Radio and Television. 1991 Jan;11(2):105–120.
55.
Krämer, Peter, Grieveson, Lee. The silent cinema reader. London: Routledge; 2004.
56.
Attwood, Lynne, Turovskai͡a, Maĭi͡a Iosifovna. Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora; 1993.
57.
Lawton, Anna. The Red screen: politics, society, art in Soviet cinema. London: Routledge; 1992.
58.
Christie, Ian, Taylor, Richard. The film factory: Russian and Soviet cinema in documents. London: Routledge; 1994.
59.
White, Stephen, World Congress for Soviet and East European Studies. New directions in Soviet history: selected papers from the Fourth World Congress for Soviet and East European Studies, Harrogate, July 1990. Cambridge: Cambridge University Press; 1992.
60.
Attwood, Lynne, Turovskai͡a, Maĭi͡a Iosifovna. Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora; 1993.
61.
Christie, Ian, Taylor, Richard. Inside the film factory: new approaches to Russian and Soviet cinema. London: Routledge; 1991.
62.
Taylor, Richard, Christie, Ian. Inside the film factory: new approaches to Russian and Soviet cinema [Internet]. London: Routledge; 1994. Available from: http://www.tandfebooks.com/isbn/9780203992784
63.
Peter Kenez. The Cultural Revolution in Cinema. Slavic Review. Association for Slavic, East European, and Eurasian Studies; Vol. 47(No. 3):414–433.
64.
Spring, D. W., Taylor, Richard. Stalinism and Soviet cinema. London: Routledge; 1993.
65.
Miller, Jamie. Soviet cinema: politics and persuasion under Stalin. London: Distributed in the USA by Palgrave Macmillan; 2010.
66.
Christie, Ian, Taylor, Richard. Inside the film factory: new approaches to Russian and Soviet cinema. London: Routledge; 1991.
67.
Taylor, Richard, Christie, Ian. Inside the film factory: new approaches to Russian and Soviet cinema [Internet]. London: Routledge; 1994. Available from: http://www.tandfebooks.com/isbn/9780203992784
68.
Denise J. Youngblood. The Fate of Soviet Popular Cinema during the Stalin Revolution. Russian Review. Blackwell Publishing; Vol. 50(No. 2):148–162.
69.
Lawton, Anna. The Red screen: politics, society, art in Soviet cinema. London: Routledge; 1992.
70.
Lawton, Anna. The red screen: politics, society, art in Soviet cinema [Internet]. London: Routledge; 1992. Available from: http://www.tandfebooks.com/isbn/9780203417980
71.
Kenez, Peter. Cinema and Soviet society, 1917-1953. Cambridge: Cambridge University Press; 1992.
72.
Stites, Richard. Culture and entertainment in wartime Russia. Bloomington: Indiana University Press; 1995.
73.
Evgeny Dobrenko. Late Stalinist Cinema and the Cold War: An Equation without Unknowns. The Modern Language Review. Modern Humanities Research Association; Vol. 98(No. 4):929–944.
74.
Spring, D. W., Taylor, Richard. Stalinism and Soviet cinema. London: Routledge; 1993.
75.
Johnson, Priscilla, Labedz, Leopold. Khrushchev and the arts: the politics of Soviet culture, 1962-1964. Cambridge (Mass.): M.I.T. Press; 1965.
76.
Taubman, William, Gleason, Abbott, Khrushchev, Sergeĭ. Nikita Khrushchev. New Haven, Conn. ; London: Yale University Press; 2000.
77.
Attwood, Lynne, Turovskai͡a, Maĭi͡a Iosifovna. Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora; 1993.
78.
Liehm, Mira, Liehm, Antonín J. The most important art: Eastern European film after 1945. Berkeley: University of California Press; 1977.
79.
Troi͡anovskiĭ, V., Nauchno-issledovatelʹskiĭ institut kinoiskusstva (Russia), Komitet Rossiĭskoĭ Federat͡sii po kinematografii. Kinematograf ottepeli: k 100-letii͡u mirovogo kino. Moskva: Materik; 1996.
80.
Prokhorov, Alexander, Pittsburgh Russian Film Symposium. Springtime for Soviet Cinema: re/viewing the 1960s. Pittsburgh, Pa: Russian Film Symposium; 2001.
81.
Martin, Marcel. Le cinéma soviétique: de Khrouchtchev à Gorbatchev, 1955-1992. Lausanne: L’Age d’homme; 1993.
82.
Woll, Josephine. Real images: Soviet cinema and the thaw. London: I.B. Tauris; 2000.
83.
Zorkai͡a, Nei͡a Markovna. The illustrated history of the Soviet cinema. New York: Hippocrene; 1989.
84.
Attwood, Lynne, Turovskai͡a, Maĭi͡a Iosifovna. Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora; 1993.
85.
Faraday, George. Revolt of the filmmakers: the struggle for artistic autonomy and the fall of the Soviet film industry. University Park, Pa: Pennsylvania State University Press; 2000.
86.
Golovskoy, Valery S., Rimberg, John. Behind the Soviet screen: the motion-picture industry in the USSR, 1972-1982. Ann Arbor: Ardis; 1986.
87.
Lawton, Anna. Kinoglasnost: Soviet cinema in our time. Cambridge: Cambridge University Press; 1992.
88.
Liehm, Mira, Liehm, Antonín J. The most important art: Eastern European film after 1945. Berkeley: University of California Press; 1977.
89.
Martin, Marcel. Le cinéma soviétique: de Khrouchtchev à Gorbatchev, 1955-1992. Lausanne: L’Age d’homme; 1993.
90.
Shlapentokh, Dmitry, Shlapentokh, Vladimir. Soviet cinematography, 1918-1991: ideological conflict and social reality. New York: A. de Gruyter; 1993.
91.
Zorkai͡a, Nei͡a Markovna. The illustrated history of the Soviet cinema. New York: Hippocrene; 1989.
92.
Attwood, Lynne, Turovskai͡a, Maĭi͡a Iosifovna. Red women on the silver screen: Soviet women and cinema from the beginning to the end of the Communist era. London: Pandora; 1993.
93.
Cahiers du cinema: ciné-perestroika: le rideau déchiré, Special URSS. Paris: Cahiers du cinema; 1990.
94.
Graffy, Julian, Hosking, Geoffrey A., University of London. Culture and the media in the USSR today. London: Macmillan in association with the School of Slavonic and East European Studies, University of London; 1989.
95.
Faraday, George. Revolt of the filmmakers: the struggle for artistic autonomy and the fall of the Soviet film industry. University Park, Pa: Pennsylvania State University Press; 2000.
96.
Galichenko, Nicholas, Allington, Robert. Glasnost: Soviet cinema responds. 1st ed. Austin, Texas: University of Texas Press; 1991.
97.
Horton, Andrew, Brashinsky, Michael. The zero hour: glasnost and Soviet cinema in transition. Princeton, N.J.: Princeton University Press; 1992.
98.
Lawton, Anna. Kinoglasnost: Soviet cinema in our time. Cambridge: Cambridge University Press; 1992.
99.
Müller, Marco, Meulen, Helena van der. Lenfilm en de bevrijding van de Sovjet-cinema =: Lenfilm and the liberation of Soviet cinema. [Rotterdam] ; Abcoude: Uniepers; 1990.
100.
Martin, Marcel. Le cinéma soviétique: de Khrouchtchev à Gorbatchev, 1955-1992. Lausanne: L’Age d’homme; 1993.
101.
Plakhov, A. S. The Soviet cinema. Moscow: Novosti Press Agency Publishing House; 1988.
102.
Brashinsky, Michael, Horton, Andrew. Russian critics on the cinema of glasnost. Cambridge: Cambridge University Press; 1994.
103.
Shlapentokh, Dmitry, Shlapentokh, Vladimir. Soviet cinematography, 1918-1991: ideological conflict and social reality. New York: A. de Gruyter; 1993.
104.
Birgit Beumers. Cinemarket, or the Russian Film Industry in ‘Mission Possible’. Europe-Asia Studies. Taylor & Francis, Ltd.; Vol. 51(No. 5):871–896.
105.
Goscilo, Helena, Hashamova, Yana. Cinepaternity: fathers and sons in Soviet and post-Soviet film. Bloomington, Ind: Indiana University Press; 2010.
106.
Condee, Nancy. The imperial trace: recent Russian cinema [Internet]. New York: Oxford University Press; 2009. Available from: https://doi-org.libproxy.ucl.ac.uk/10.1093/acprof:oso/9780195366761.001.0001
107.
Faraday, George. Revolt of the filmmakers: the struggle for artistic autonomy and the fall of the Soviet film industry. University Park, Pa: Pennsylvania State University Press; 2000.
108.
Lawton, Anna. Imaging Russia 2000: film and facts. Washington, DC: New Academia; 2004.
109.
Beumers, Birgit. Russia on reels: the Russian idea in Post-Soviet cinema. London: I.B. Tauris Publishers; 1999.
