Alarcon, T, R O’Hern, and E Pearlstein, ‘Case Studies in Basketry Repair: Two Abenaki Splint Baskets.’, Journal of the American Institute for Conservation, 51.2 (2012), 123–43 <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=lls&AN=85351426&site=ehost-live&scope=site>
Ander, Erica E., Linda JM. Thompson, Kathryn Blair, and Et al., ‘Using Museum Objects to Improve Wellbeing in Mental Health Service Users and Neurological Rehabilitation Clients’, The British Journal of Occupational Therapy, 76.5 (2013), 208–16 <https://doi.org/10.4276/030802213X13679275042645>
Ander, Erica, Linda Thompson, Guy Noble, and Et al., ‘Heritage, Health and Well-Being: Assessing the Impact of a Heritage Focused Intervention on Health and Well-Being’, International Journal of Heritage Studies: IJHS., 19.3 (2013), 229–42 <https://doi.org/10.1080/13527258.2011.651740>
Appelbaum, Barbara, Conservation Treatment Methodology (Oxford: Butterworth-Heinemann, 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080561042>
———, Conservation Treatment Methodology (Oxford: Butterworth-Heinemann, 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080561042>
———, Conservation Treatment Methodology (Oxford: Butterworth-Heinemann, 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080561042>
Arnold, Ken, Olsen, Danielle, and Wellcome Trust (London, England), Medicine Man: The Forgotten Museum of Henry Wellcome (London: British Museum Press, 2003)
Ashurst, John, and Nicola Ashurst, ‘Distinguishing the Forms of Iron’, in Practical Building Conservation: English Heritage Technical Handbook, Vol.4: Metals (Aldershot: Gower Technical, 1988), pp. 22–23
Avrami, Erica, ‘Heritage, Values, and Sustainability’, in Conservation: Principles, Dilemmas and Uncomfortable Truths (Amsterdam: Butterworth-Heinemann in association with the Victoria and Albert Museum, 2009), pp. 177–83 <https://www.dawsonera.com/readonline/9780080941714/startPage/177>
Avrami, Erica C., Randall Mason, Marta De la Torre, and Getty Conservation Institute, Values and Heritage Conservation: Research Report (Los Angeles: Getty Conservation Institute, 2000) <http://www.getty.edu/conservation/publications_resources/pdf_publications/values_heritage_research_report.html>
———, Values and Heritage Conservation: Research Report (Los Angeles: Getty Conservation Institute, 2000) <http://www.getty.edu/conservation/publications_resources/pdf_publications/values_heritage_research_report.html>
Barclay, R. L. and Canadian Conservation Institute, Symposium 86: The Care and Preservation of Ethnological Materials : Proceedings : L’entretien et La Sauvegarde Des Matériaux Ethnologiques : Actes (Canada: Canadian Conservation Institute, 1987)
Barley, Nigel, Smashing Pots: Works of Clay from Africa (London: Smithsonian Institution Press, 1994)
Barovier Mentasti, Rosa, Glass throughout Time: History and Technology of Glassmaking from the Ancient World to the Present (Milan: Skira, 2003)
Batchelor, R., ‘Not Looking at Kettles’, in Interpreting Objects and Collections (London: Routledge, 1994), Leicester readers in museum studies, 139–43 <https://www.dawsonera.com/readonline/9780203428276/startPage/139>
Bayley, J, D Crossley, and M Ponting, ‘Metals and Metalworking. A Research Framework for Archaeometallurgy’ (London: Historical Metallurgy Society, 2008) <http://hist-met.org/publications/hms-occasional-publications.html>
Bayley, J, D Dungworth, and S Paynter, ‘Centre for Archaeology Guidelines: Archaeometallurgy | English Heritage’ (English Heritage, 2001) <http://www.english-heritage.org.uk/publications/archaeometallurgy/>
Blair, John and Ramsay, Nigel, English Medieval Industries: Craftsmen, Techniques, Products (London: Hambledon Press, 1991)
———, English Medieval Industries: Craftsmen, Techniques, Products (London: Hambledon Press, 1991)
Bray, Charles and Society of Glass Technology, Ceramics and Glass: A Basic Technology (Sheffield: Society of Glass Technology, 2000)
Buchwald, Vagn Fabritius and Kongelige Danske videnskabernes selskab, Iron and Steel in Ancient Times (Copenhagen: Det Kongelige Danske Videnskabernes Selskab, 2005), Historisk-filosofiske skrifter
Bülow, Anna, Ahmon, Jess, and National Archives (Great Britain), Preparing Collections for Digitization (London: Facet Pub. in association with the National Archives, 2011) <https://www.dawsonera.com/abstract/9781856048774>
———, Preparing Collections for Digitization (London: Facet Pub. in association with the National Archives, 2011) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781856048774>
Burnham, Dorothy K. and Centre international d’étude des textiles anciens, Warp and Weft: A Textile Terminology (Toronto: Royal Ontario Museum, 1980)
Butterfield, B. G. and Meylan, B. A., Three-Dimensional Structure of Wood: An Ultrastructural Approach, 2nd ed (London: Chapman and Hall, 1980)
Calnan, C. N., Haines, Betty, and Leather Conservation Centre, Leather: Its Composition and Changes with Time (Northhampton, England: Leather Conservation Centre, 1991)
Camic, Paul M., and Helen J. Chatterjee, ‘Museums and Art Galleries as Partners for Public Health Interventions’, Perspectives in Public Health, 133.1 (2013), 66–71 <https://doi.org/10.1177/1757913912468523>
Candlin, Fiona and Guins, Raiford, The Object Reader (London: Routledge, 2009), In sight
Caple, Chris, Conservation Skills: Judgement, Method and Decision Making (London: Routledge, 2000) <https://www.dawsonera.com/readonline/9780203086261/startPage/29>
Caple, Chris, Objects: Reluctant Witnesses to the Past (London: Routledge, 2006) <https://www.dawsonera.com/abstract/9780203409060>
———, Objects: Reluctant Witnesses to the Past (London: Routledge, 2006) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203409060>
‘Care of Ivory, Bone, Horn, and Antler - CCI Notes 6/1’ (Canadian Conservation Institute, 2010) <http://www.cci-icc.gc.ca/publications/notes/6-1-eng.aspx>
Cassman, Vicki, Nancy Odegaard, and Bernardo Arriaza, ‘Chinchorro Twined Shrouds’, in Textile Society of America Symposium Proceedings: The 11th Biennial Symposium (Honolulu, Hawaii, 2008) <http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1225&context=tsaconf>
Cassman, Vicki, Odegaard, Nancy, and Powell, Joseph F., Human Remains: Guide for Museums and Academic Institutions (Lanham, MD: AltaMira Press, 2007) <https://www.vlebooks.com/Product/Index/52149?page=0>
Chandler, Harry, Metallurgy for the Non-Metallurgist (Materials Park, Ohio: ASM International, 1998)
Charleston, R., ‘Vessel Glass’, in English Medieval Industries: Craftsmen, Techniques, Products (London: Hambledon Press, 1991), pp. 237–64
Chatterjee et al., Helen, ‘Museopathy: Exploring the Healing Potential of Handling Museum Objects’, Museum and Society, 7.3 (2009), 164–77
Chatterjee, Helen, Sonjel Vreeland, and Guy Noble, ‘Museopathy: Exploring the Healing Potential of Handling Museum Objects’, Museum and Society, 7.3 (2009), 164–77 <http://www2.le.ac.uk/departments/museumstudies/museumsociety/documents/volumes/chattergeevreelandnoble.pdf>
Chris Gosden and Yvonne Marshall, ‘The Cultural Biography of Objects’, World Archaeology, 31.2 (1999), 169–78
Clavir, Miriam, Preserving What Is Valued: Museums, Conservation, and First Nations (Vancouver: UBC Press, 2002), UBC Museum of Anthropology Research publication <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=521419&site=ehost-live&scope=site>
Clifford, James, ‘Looking Several Ways: Anthropology and Native Heritage in Alaska’, Current Anthropology, 45.1 (2004), 5–30 <https://doi.org/10.1086/379634>
Cohen, Beth, Lansing-Maish, Susan, and J. Paul Getty Museum, The Colors of Clay: Special Techniques in Athenian Vases (Los Angeles: J. Paul Getty Museum, 2006)
Collections Trust, ‘Professional Practice’ <http://collectionstrust.org.uk/resources-start/>
Collingwood, Peter and Cripps, David, The Maker’s Hand: A Close Look at Textile Structures, Revised ed (London: Bellew, 1998)
Coupaye, Ludovic, Haidy Geismar, and Delphine Mercier, eds., ‘UCL Ethnography Collections Blog’ (Ethnography Collections: UCL Anthropology Department) <http://blogs.ucl.ac.uk/ethnography-collections/>
Craddock, P., ‘Chapter 1: The Emergence of Scientific Inquiry into the Past’, in Science and the Past (London: British Museum Press, 1991), pp. 11–15 <http://www.jstor.org/stable/10.3138/j.ctt2tv44s.6>
Craddock, P., and S. Bowman, ‘Chapter 8: Spotting the Fakes’, in Science and the Past (London: British Museum Press, 1991), pp. 141–57 <http://www.jstor.org/stable/10.3138/j.ctt2tv44s.14>
Craddock, P.T., ‘Chapter 1: The Emergence of Scientific Enquiry into the Past’, in Science and the Past (London: British Museum Press, 1991), pp. 11–15 <http://www.jstor.org/stable/10.3138/j.ctt2tv44s.6>
Cronyn, J. M. and Robinson, W. S., The Elements of Archaeological Conservation (London: Routledge, 1990) <https://doi.org/10.4324/9780203169223>
Cronyn, J.M., and W.S. Robinson, ‘Introducing Archaeological Conservation: Chapter 1’, in The Elements of Archaeological Conservation (London: Routledge, 1990), pp. 1–13
Daniels, V, ‘Research into the Deterioration of Barkcloth’, in Barkcloth: Aspects of Preparation, Use, Deterioration, Conservation and Display : Seminar Organised by the Conservators of Ethnographic Artefacts at Torquay Museum on 4 December 1997 (London: Archetype, 2001), Conservators of Ethnographic Artefacts, 20–23
De la Torre, Marta and Getty Conservation Institute, Assessing the Values of Cultural Heritage: Research Report (Los Angeles: Getty Conservation Institute, 2002) <http://www.getty.edu/conservation/publications_resources/pdf_publications/values_cultural_heritage.html>
Doyal, S, ‘Condition Survey of Barkcloth at Exeter City Museums, with Particular Reference to African Collections’, in Barkcloth: Aspects of Preparation, Use, Deterioration, Conservation and Display : Seminar Organised by the Conservators of Ethnographic Artefacts at Torquay Museum on 4 December 1997 (London: Archetype, 2001), Conservators of Ethnographic Artefacts, 10–19
Drayman Weisser, Terry and American Institute for Conservation of Historic and Artistic Works, Gilded Metals: History, Technology and Conservation (London: Archetype Publications in association with The American Institute for Conservation of Historic and Artistic Works, 2000)
Dudley, Sandra H., Museum Materialities: Objects, Engagements, Interpretations (London: Routledge, 2010) <https://doi.org/10.4324/9780203523018>
Eastop, D., ‘Textiles as Multiple and Competing Histories’, in Textiles Revealed: Object Lessons in Historic Textile and Costume Research ([London]: Archetype Publications, 2000), pp. 17–28
Ellis, Linda, Archaeological Method and Theory: An Encyclopedia (London: Garland, 2000), Garland reference library of the humanities
Emery, Irene and Textile Museum (Washington, D.C.), The Primary Structures of Fabrics: An Illustrated Classification (Washington: Textile Museum, 1966)
———, The Primary Structures of Fabrics: An Illustrated Classification (Washington: Textile Museum, 1966)
Espinoza, E, and M. J. Mann, ‘Identification Guide for Ivory and Ivory Substitutes’ (CITES secretariat, 1999) <http://www.cites.org/eng/resources/pub/E-Ivory-guide.pdf>
Feinup-Riordan, A., ‘Yup’ik Elders in Museum’, in Museums and Source Communities: A Routledge Reader (London: Routledge, 2003), pp. 28–41
Fischer, Christian, and Ioanna Kakoulli, ‘Multispectral and Hyperspectral Imaging Technologies in Conservation: Current Research and Potential Applications’, Studies in Conservation =: Études de Conservation, 51.Supplement 1 (2006), 3–16 <https://doi.org/10.1179/sic.2006.51.Supplement-1.3>
Fleming, Stuart James and Institute of Physics (Great Britain), Authenticity in Art: The Scientific Detection of Forgery (London: Institute of Physics, 1975)
Florian, Mary-Lou E, Dale Paul Kronkright, and Ruth E Norton, ‘The Conservation of Artifacts Made from Plant Materials’ (Getty Conservation Institute) <http://www.getty.edu/publications/virtuallibrary/0892361603.html?imprint=gtcn?imprint=gtcn?title=the%20conservation%20of%20artifacts>
Forty, Adrian, Objects of Desire: Design and Society since 1750 (London: Thames and Hudson, 1986)
France, Fenella G., Michael Toth B., and Eric Hansen F., ‘Advanced Spectral Imaging for Interdisciplinary Cultural Heritage Preservation’ (ICOM-CC 16th triennial conference Lisbon, 19AD) <http://www.google.co.uk/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CDEQFjAA&url=http%3A%2F%2Fbh1.fpc.pt%2Fwinlib%2Fwinlibimg.aspx%3Fskey%3D226286A5DBEA47BDB28A3B89794E9122%26doc%3D12958%26img%3D3475%26save%3Dtrue&ei=UgHxUsnSIomp7Qapz4HYBw&usg=AFQjCNGWf9PprdjEZ8Qhl2mMzQ2vpiztng&bvm=bv.60444564,d.ZGU>
Frank, B., ‘Ceramics as Testaments of the Past’, in Museums in the Material World (London: Routledge, 2007), Leicester readers in museum studies, 60–64 <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203946855>
Gosden, Chris, Larson, Frances, and Petch, Alison, Knowing Things: Exploring the Collections at the Pitt Rivers Museum 1884-1945 (Oxford: Oxford University Press, 2007)
Grew, Francis, Neergaard, Margrethe de, and Museum of London, Shoes and Pattens, New ed (Rochester, NY: Boydell Press, 2001), Medieval finds from excavations in London
Haidy Geismar and Christopher Tilley, ‘Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum’, Oceania, 73.3 (2003), 170–88 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/40331895>
Hein, George E., Learning in the Museum (New York: Routledge, 1998), Museum meanings <https://doi.org/10.4324/9780203028322>
‘Heritage in Hospitals’ <http://www.ucl.ac.uk/museums/research/touch/heritageinhospitals>
Hermens, Erma and Fiske, Tina, Art, Conservation and Authenticities: Material, Concept, Context : Proceedings of the International Conference Held at the University of Glasgow, 12-14 September 2007 (London: Archetype, 2009)
———, Art, Conservation and Authenticities: Material, Concept, Context : Proceedings of the International Conference Held at the University of Glasgow, 12-14 September 2007 (London: Archetype, 2009)
Hess, M, and S Robson, ‘Re-Engineering Watt: A Case Study and Best Practice Recommendations for 3D Colour Laser Scans and 3D Printing in Museum Artefact Documentation’, in Lasers in Conservation of Artworks IX - Proceedings of Lacona IX, ed. by D. Saunders, M. Strlic, M. Kronen, and Et al. (London: Archetype Publications; hosted on the UCL Discovery website, 2013), pp. 154–62 <http://discovery.ucl.ac.uk/1411525/>
Hill, Rowena, ‘Traditional Paint from Papua New Guinea: Context, Materials and Techniques, and Their Implications for Conservation’, The Conservator, 25.1 (2001), 49–61 <https://doi.org/10.1080/01410096.2001.9995164>
Hoardley, R.B., ‘Wood as a Pysical Surface for Paint Application’, in Painted Wood: History and Conservation (Los Angeles: Getty Conservation Institute, 1998), pp. 2–16 <http://www.getty.edu/conservation/publications_resources/pdf_publications/paintedwood.html>
Hodkinson, I., ‘Man’s Effect on Paintings’, in Shared Responsibility: Proceedings of a Seminar for Curators and Conservators ... National Gallery of Canada, Ottawa, Canada, 26, 27 and 28 October 1989 (Ottawa, Canada: The Gallery, 1990), pp. 54–68
Holtorf, Cornelius, ‘Past Meanings’, in From Stonehenge to Las Vegas: Archaeology as Popular Culture (Oxford: Altamira Press, 2005), pp. 78–91
Hooper-Greenhill, Eilean, Museums and the Interpretation of Visual Culture (London: Routledge, 2000), Museum meanings
———, Museums and the Shaping of Knowledge (London: Routledge, 1992), Heritage <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203415825>
Hurcombe, L.M., ‘Metal Materials and Artefacts’, in Archaeological Artefacts as Material Culture (London: Routledge, 2007), pp. 190–208
Janaway, R. C., Wyeth, Paul, and AHRC Research Centre for Textile Conservation and Textile Studies, Scientific Analysis of Ancient and Historic Textiles: Informing Preservation, Display and Interpretation : Postprints (London: Archetype, 2005)
Janice Li, Xiuzhen, Marcos Martinón-Torres, Nigel D. Meeks, and Et al., ‘Inscriptions, Filing, Grinding and Polishing Marks on the Bronze Weapons from the Qin Terracotta Army in China’, Journal of Archaeological Science, 38.3 (2011), 492–501 <https://doi.org/10.1016/j.jas.2010.09.012>
Janssen, Rosalind, Egyptian Textiles (Aylesbury: Shire, 1986), Shire Egyptology
Johansen, K., ‘How to Read Historic Textiles’, in Textiles Revealed: Object Lessons in Historic Textile and Costume Research ([London]: Archetype Publications, 2000)
Johnson, Jessica, ‘Consolidation of Archaeological Bone: A Conservation Perspective’, Journal of Field Archaeology, 21.1 (1994), 221–33 <http://www.jstor.org/stable/529866>
Jonathan Haas, ‘Power, Objects, and a Voice for Anthropology’, Current Anthropology, 37.1 (1996), 1–22 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/2744232>
Jones, Mark, ‘Introduction. Do Fakes Matter?’, in Why Fakes Matter: Essays on Problems of Authenticity (London: Published for the Trustees of the British Museum by British Museum Press, 1992), pp. 7–10
Jones, Mark, Craddock, P. T., Barker, Nicholas, and British Museum, Fake?: The Art of Deception (London: Published for the Trustees of the British Museum by British Museum Publications, 1990)
‘Journal of Material Culture’ <http://mcu.sagepub.com/content/by/year>
Keene, Suzanne, ‘Collections for Research’, in Fragments of the World: Uses of Museum Collections (Oxford: Butterworth Heinemann Ltd, 2005), pp. 45–65
Keene, Suzanne, Stevenson, Alice, Monti, Francesca, and University College, London, ‘Collections for People: Museums’ Stored Collections as a Public Resource’ (London: UCL Institute of Archaeology, 2008)
Kingery, W. D., Learning from Things: Method and Theory of Material Culture Studies (London: Smithsonian Institution Press, 1996)
Kingery, W. D., and P. B. Vandiver, ‘Studying Ceramic Objects’, in Ceramic Masterpieces: Art, Structure, and Technology (London: Free Press, 1986), pp. 279-293-279–93
Kite, Marion and Thomson, Roy, Conservation of Leather and Related Materials (Oxford: Butterworth-Heinemann, 2006), Butterworth-Heinemann series in conservation and museology <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080454665>
Knell, Simon J., Museums and the Future of Collecting, 2nd ed (Aldershot: Ashgate, 2004)
———, Museums in the Material World (London: Routledge, 2007), Leicester readers in museum studies <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203946855>
Kopytoff, I., ‘The Cultural Biography of Things: Commoditization as Process’, in The Social Life of Things: Commodities in Cultural Perspective (Cambridge: Cambridge University Press, 1986), pp. 69–94 <https://www-cambridge-org.libproxy.ucl.ac.uk/core/books/social-life-of-things/4F4D3929A501EC19CF413D36BDF8AB3A>
Krzyszkowska, O. and University of London, Ivory and Related Materials: An Illustrated Guide (London: Institute of Classical Studies, 1990), Classical handbook
Küchler, Susanne, Were, Graeme Robert, and Jowitt, Glenn, Pacific Pattern (London: Thames & Hudson, 2005)
L. Dacome, R. Peters, ‘Fabricating the Body: The Anatomical Machines of the Prince of Sansevero’, in Post-Prints of the Objects Specialty Group 35th Annual Meeting of the American Institute of Conservation, ed. by V Greene (Washington DC: The American Institute for Conserva tion of Historic & Artistic Works, 2008), xiv, 161–77 <http://resources.conservation-us.org/osg-postprints/wp-content/uploads/sites/8/2015/02/osg014-10.pdf>
Lanceley, Anne, Guy Noble, Michelle Johnson, and Et al., ‘Investigating the Therapeutic Potential of a Heritage-Object Focused Intervention: A Qualitative Study’, Journal of Health Psychology, 17.6 (2012), 809–20 <https://doi.org/10.1177/1359105311426625>
Landi, Sheila, ‘The Object: Examination, Options and Choice’, in The Textile Conservator’s Manual, 2nd rev. ed (Oxford: Butterworth-Heinemann, 1998), Butterworth-Heinemann series in conservation and museology, 23–29 <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080518749>
Lang, Janet and Craddock, P. T., Mining and Metal Production through the Ages (London: British Museum, 2003)
Lang, Janet and Middleton, Andrew, Radiography of Cultural Material, 2nd ed (Oxford: Elsevier Butterworth-Heinemann, 2005) <https://www.dawsonera.com/abstract/9780080455600>
Laura Peers, ‘“Many Tender Ties”: The Shifting Contexts and Meanings of the S BLACK Bag’, World Archaeology, 31.2 (1999), 288–302
Liang, Haida, ‘Advances in Multispectral and Hyperspectral Imaging for Archaeology and Art Conservation’, Applied Physics: A: Materials Science & Processing, 106.2 (2012), 309–23 <https://doi.org/10.1007/s00339-011-6689-1>
Lister, A., and A. Rowe, ‘Hidden Meanings: The Relevations of Conservation’, in Textiles Revealed: Object Lessons in Historic Textile and Costume Research ([London]: Archetype Publications, 2000), pp. 99–108
Lonetree, Amy and Cobb, Amanda J., The National Museum of the American Indian: Critical Conversations (Lincoln, [Neb.]: University of Nebraska Press, 2008) <http://muse.jhu.edu/books/9780803219373/>
MacDonald, S, ‘Exploring the Role of Touch in Connoisseurship and the Identification of Objects’, in The Power of Touch: Handling Objects in Museum and Heritage Contexts (Walnut Creek, Calif: Left Coast Press, 2007), Publications of the Institute of Archaeology, University College London, 107–20 <https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=14455023930004761&institutionId=4761&customerId=4760&VE=true>
MacDonald, Sally, Prytherch, David, Chatterjee, Helen, and Noble, Guy, Touch in Museums: Policy and Practice in Object Handling (Oxford: Berg, 2008) <https://doi-org.libproxy.ucl.ac.uk/10.4324/9781003135616>
MacGregor, A., ‘Antler, Bone and Horn’, in English Medieval Industries: Craftsmen, Techniques, Products (London: Hambledon Press, 1991), pp. 355–78
Mack, John and British Museum, The Museum of the Mind: Art and Memory in World Cultures (London: British Museum Press, 2003)
Marschner, Joanna M., Sykas, Philip Anthony, and Brooks, Mary M., Textiles Revealed: Object Lessons in Historic Textile and Costume Research ([London]: Archetype Publications, 2000)
Martinón-Torres, Marcos, Xiuzhen Janice Li, Andrew Bevan, Yin Xia, Kun Zhao, and Thilo Rehren, ‘Forty Thousand Arms for a Single Emperor: From Chemical Data to the Labor Organization Behind the Bronze Arrows of the Terracotta Army - Springer’, Journal of Archaeological Method and Theory, 2012, 1–29 <http://link.springer.com/article/10.1007/s10816-012-9158-z/fulltext.html>
Martinón-Torres, Marcos, Roberto Valcárcel Rojas, Juanita Sáenz Samper, and Et. al, ‘Metallic Encounters in Cuba: The Technology, Exchange and Meaning of Metals before and after Columbus’, Journal of Anthropological Archaeology, 31.4 (2012), 439–54 <https://doi.org/10.1016/j.jaa.2012.03.006>
Mason, R., ‘Assessing Values in Conservation Planning: Methodological Issues and Choices’, in Assessing the Values of Cultural Heritage: Research Report (Los Angeles: Getty Conservation Institute, 2002), pp. 5–30 <http://www.getty.edu/conservation/publications_resources/pdf_publications/values_cultural_heritage.html>
‘Material World Blog | A Global Hub for Thinking About Things’ <http://www.materialworldblog.com/>
McCreight, Tim, ‘Surfaces’, in The Complete Metalsmith: An Illustrated Handbook, Rev. ed (Worcester, Mass: Davis, 1991), pp. 18–46
McMullen, Ann, ‘The Currency of Consultation and Collaboration’, Museum Anthropology Review, 2.2 (2008), 54–87 <http://scholarworks.iu.edu/journals/index.php/mar/article/view/88/169>
Munby, J., ‘Wood’, in English Medieval Industries: Craftsmen, Techniques, Products (London: Hambledon Press, 1991), pp. 379–405
Muñoz Viñas, Salvador, Contemporary Theory of Conservation (Amsterdam: Butterworth Heinemann, 2005) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080476834>
Museums Sheffield, ‘Objects in 3D’, 2012 <http://collections.museums-sheffield.org.uk/view/objects/aslist/367>
National Museum Wales, Things Fall Apart...: Museum Conservation in Practice, ed. by Caroline Buttler and Mary Davis (Cardiff: National Museum Wales Books, 2006)
‘New Business Partnerships to Develop Virtual Exhibitions’ (UCL, 2009) <http://www.ucl.ac.uk/news/news-articles/0903/09033101>
Noble, Guy, and Helen Chatterjee, ‘Enrichment Programmes in Hospitals: Using Museum Loan Boxes in University College London Hospitals’, in Touch in Museums: Policy and Practice in Object Handling (Oxford: Berg, 2008), pp. 215–23
Norton, Ruth E., ‘Technology of Plant Materials Used in Artifacts’, in The Conservation of Artifacts Made from Plant Materials ([Marian del Rey, Calif.]: Getty Conservation Institute, 1990), pp. 83–138
O’Connor et al., S., ‘Innovation in the X-Radiography of Textiles: Using Computed Tomography Imaging Techniques’, in 15th Triennial Conference, New Delhi, 22-26 September 2008: Preprints (New Delhi: Allied Publishers, 2008), pp. 22–26
O’Connor, Sonia A. and Brooks, Mary M., X-Radiography of Textiles, Dress and Related Objects (Oxford: Elsevier/Butterworth-Heinemann, 2007), Butterworth-Heinemann series in conservation and museology <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080550206>
Oddy, A., ‘Jewelry under the Microscope. A Conservator’s Guide to Cataloguing’, in Ancient Jewelry and Archaeology (Bloomington: Indiana Unversity Press, 1996), pp. 185–97
Ogden, Jack, Jewellery of the Ancient World (London: Trefoil Books, 1982)
Ogden, Sherelyn, Caring for American Indian Objects: A Practical and Cultural Guide (St. Paul: Minnesota Historical Society Press, 2004)
———, Caring for American Indian Objects: A Practical and Cultural Guide (St. Paul: Minnesota Historical Society Press, 2004)
Orton, Clive, and Michael Hughes, ‘Chapter 10: Making Pottery’, in Pottery in Archaeology, 2nd ed (Cambridge: Cambridge University Press, 2013), Cambridge manuals in archaeology, 121–39 <https://doi.org/10.1017/CBO9780511920066.014>
Østergaard, Jan Stubbe and Et al., ‘Tracking Colour: The Polychromy of Greek and Roman Sculpture in the Ny Carlsberg Glyptotek (Preliminary Reports 1 - 5)’ (Copenhagen, Demark (The National Museum of Demark): Ny Carlsberg Glyptotek, 2009) <http://www.glyptoteket.com/explore/research/tracking-colour>
Passmore, Emma, Janet Ambers, Catherine Higgitt, Clare Ward, Barbara Wills, St John Simpson, and others, ‘Hidden, Looted, Saved: The Scientific Research and Conservation of a Group of Begram Ivories from the National Museum of Afghanistan’, The British Museum Technical Research Bulletin, 6 (2012), 33–46 <https://www.obs-traffic.museum/hidden-looted-saved-scientific-research-and-conservation-group-begram-ivories>
Pearce, Susan M., ‘Appendix: Models for Object Study’, in Interpreting Objects and Collections (London: Routledge, 1994), Leicester readers in museum studies, 265–73 <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203428276>
Pearce, Susan M., Interpreting Objects and Collections (London: Routledge, 1994), Leicester readers in museum studies <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203428276>
———, Museums, Objects and Collections: A Cultural Study (Washington, D.C.: Smithsonian Institution Press, 1993)
Pearlstein, E., and L. Keene, ‘Evaluating Color and Fading of Red-Shafted Flicker (Colaptes Auratus Cafer) Feathers: Technical and Cultural Considerations’, Studies in Conservation =: Études de Conservation, 55.2 (2010), 81–94 <http://www.jstor.org/stable/27867121>
Pearlstein, Ellen, ‘The Complex World of Avian Plumage: Developing a Technical and Condition Database for California Native American Featherwork | Ellen Pearlstein - Academia.Edu’ <http://www.academia.edu/5426913/The_complex_world_of_avian_plumage_developing_a_technical_and_condition_database_for_California_Native_American_featherwork>
Peers, Laura L. and Brown, Alison K., Museums and Source Communities: A Routledge Reader (London: Routledge, 2003) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203987834>
Phillips, David, Exhibiting Authenticity (Manchester: Manchester University Press, 1997)
Picton, John, Mack, John, and British Museum, African Textiles, 2nd ed (London: British Museum, 1989)
Picton, John and Percival David Foundation of Chinese Art, Earthenware in Asia and Africa: A Colloquy Held 21-23 June 1982 (London: University of London, Percival David Foundation of Chinese Art, School of Oriental and African Studies, 1984), Colloquies on art&archaeology in Asia
Pierson, Stacey and Percival David Foundation of Chinese Art, Earth, Fire and Water: Chinese Ceramic Technology : A Handbook for Non-Specialists (London: University of London, Percival David Foundation of Chinese Art, School of Oriental and African Studies, 1996)
Prown, J. D., ‘Material/Culture: Can the Farmer and Cowman Still Be Friends?’, in Learning from Things: Method and Theory of Material Culture Studies (London: Smithsonian Institution Press, 1996), pp. 19–27
———, ‘The Truth of Material Culture: History or Fiction?’, in History from Things: Essays on Material Culture (Washington: Smithsonian Institution Press, 1993), pp. 1–19 <https://contentstore.cla.co.uk//secure/link?id=5be64aab-7d36-e711-80c9-005056af4099>
Pye, Eizabeth, ‘Introduction: Power of Touch’, in The Power of Touch: Handling Objects in Museum and Heritage Contexts (Walnut Creek, Calif: Left Coast Press, 2007), Publications of the Institute of Archaeology, University College London, 13–30 <https://contentstore.cla.co.uk/secure/link?id=85fd4959-0d0c-e811-80cd-005056af4099>
Pye, Elizabeth, Caring for the Past: Issues in Conservation for Archaeology and Museums (London: James & James, 2001)
———, ‘Part 3: Professional Touch’, in The Power of Touch: Handling Objects in Museum and Heritage Contexts (Walnut Creek, Calif: Left Coast Press, 2007), Publications of the Institute of Archaeology, University College London <https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=14455023930004761&institutionId=4761&customerId=4760&VE=true>
Pye, Elizabeth, The Power of Touch: Handling Objects in Museum and Heritage Contexts (Walnut Creek, Calif: Left Coast Press, 2007), Publications of the Institute of Archaeology, University College London <https://doi-org.libproxy.ucl.ac.uk/10.4324/9781315417455>
Pye, Elizabeth, ‘Understanding Objects: The Role of Touch in Conservation’, in The Power of Touch: Handling Objects in Museum and Heritage Contexts (Walnut Creek, Calif: Left Coast Press, 2007), Publications of the Institute of Archaeology, University College London, 121–38
Reed, Ronald, Ancient Skins, Parchments and Leathers (London: Seminar Press, 1972), Studies in archaeological science
Rogers, Penelope Walton, Vogelsang-Eastwood, Gillian, and University of London, A Brief Guide to the Cataloguing of Archaeological Textiles, 4th ed (London: Institute of Archaeology Publications, 1988)
Rye, Owen S., Pottery Technology: Principles and Reconstruction (Washington, D.C.: Taraxacum, 1981), Manuals on archeology
Sadongei, A, ‘What about Sacred Objects?’, in Caring for American Indian Objects: A Practical and Cultural Guide (St. Paul: Minnesota Historical Society Press, 2004), pp. 17–20
Sadongei, A, L Kuwanwisiwma, and M Loma’omvaya, ‘Describing the Problem: Contaminated Artifacts and Hopi Cultural Use’, in Old Poisons, New Problems: A Museum Resource for Managing Contaminated Cultural Materials, ed. by Nancy Odegaard and Alyce Sadongei (Walnut Creek, CA: AltaMira Press, 2005), pp. 1–4
Schweingruber, Fritz Hans, Amiet, Roger, Lenz, Oscar, and Baudais-Lundström, Karen, Mikroskopische Holzanatomie [Microscopic Wood Anatomy]: Formenspektren Mitteleuropäischer Stamm- Und Zweighölzer Zur Bestimmung von Rezentem Und Subfossilem Material, 3. Aufl (Teufen: F. Flück-Wirth, 1990)
Scott, David A., Metallography and Microstructure of Ancient and Historic Metals ([Marina del Rey, CA]: Getty Conservation Institute, 1991)
Scott, David A. and Eggert, Gerhard, Iron and Steel in Art: Corrosion, Colorants, Conservation (London: Archetype, 2009)
Scott, David A. and Getty Conservation Institute, Copper and Bronze in Art: Corrosion, Colorants, Conservation (Los Angeles: Getty Conservation Institute, 2002)
Selwyn, Lyndsie and Canadian Conservation Institute, Metals and Corrosion: A Handbook for the Conservation Professional (Ottawa: Canadian Conservation Institute, 2004)
Shanks, M, and C Tilley, ‘Material Culture’, in Museums in the Material World (London: Routledge, 2007), pp. 79–93 <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203946855>
Shashoua, Yvonne, Conservation of Plastics: Materials Science, Degradation and Preservation (Amsterdam: Butterworth-Heinemann, 2008)
Shearman, F., and S. Dove, ‘Chapter 8: Applications of Radiography in Conservation’, in Radiography of Cultural Material, 2nd ed (Oxford: Elsevier Butterworth-Heinemann, 2005), pp. 155–74
Shelby, J. E. and Royal Society of Chemistry (Great Britain), Introduction to Glass Science and Technology, 2nd ed (Cambridge: The Royal Society of Chemistry, 2005) <https://app.knovel.com/web/toc.v/cid:kpIGSTE002/viewerType:toc/root_slug:introduction-to-glass>
Sillar, Bill, Shaping Culture: Making Pots and Constructing Households : An Ethnoarchaeological Study of Pottery Production, Trade and Use in the Andes (Oxford: J. and E. Hedges, 2000), BAR international series
Smith, Cyril Stanley, A Search for Structure: Selected Essays on Science, Art, and History (Cambridge, Mass: MIT Press, 1981)
Stanley-Price, Nicholas, Talley, Mansfield Kirby, Melucco Vaccaro, Alessandra, and Getty Conservation Institute, Historical and Philosophical Issues in the Conservation of Cultural Heritage (Los Angeles: Getty Conservation Institute, 1996), Readings in conservation
Swain, Hedley, An Introduction to Museum Archaeology (Cambridge: Cambridge University Press, 2007)
Tanimoto, Satoko, and Giovanni Verri, ‘A Note on the Examination of Silverpoint Drawings by Near-Infrared Reflectography’, Studies in Conservation =: Études de Conservation, 54.2 (2009), 106–16 <http://www.maneyonline.com/doi/abs/10.1179/sic.2009.54.2.106>
‘The Plastics Historical Society’ <http://www.plastiquarian.com/>
Thompson, Linda, Erica Ander, Usha Menon, and Et al., ‘Enhancing Cancer Patient Well-Being With a Nonpharmacological, Heritage-Focused Intervention’, Journal of Pain and Symptom Management, 44.5 (2012), 731–40 <https://doi.org/10.1016/j.jpainsymman.2011.10.026>
———, ‘Evaluating the Therapeutic Effects of Museum Object Handling with Hospital Patients: A Review and Initial Trial of Well-Being Measures.’, Journal of Applied Arts and Health, 2.1 (2011), 37–56 <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=asu&AN=73987377&site=ehost-live&scope=site>
———, ‘Quantitative Evidence for Wellbeing Benefits from a Heritage-in-Health Intervention with Hospital Patients’, International Journal of Art Therapy: Inscape, 17.2 (2012), 63–79 <https://doi.org/10.1080/17454832.2012.687750>
Thomson, Roy, ‘Chapter 7: The Manufacture of Leather’, in Conservation of Leather and Related Materials (Oxford: Butterworth-Heinemann, 2006), Butterworth-Heinemann series in conservation and museology, 66–81 <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780080454665>
Tilley, C., ‘Interpreting Material Culture’, in The Meanings of Things: Material Culture and Symbolic Expression (London: Unwin Hyman, HarperCollins Academic, 1989), One world archaeology, 185–94
Tilley, Chris, Handbook of Material Culture (London: SAGE, 2006) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781446206430>
Turkle, Sherry, Evocative Objects: Things We Think With (Cambridge, Mass: MIT Press, 2007) <http://www.jstor.org/stable/j.ctt5hhg8p>
Tyson, Rachel and Council for British Archaeology, Medieval Glass Vessels Found in England, c. A.D. 1200-1500 (York: Council for British Archaeology, 2000), CBA research report
Ucko, Peter, ‘Foreword’, in The Meanings of Things: Material Culture and Symbolic Expression (London: Unwin Hyman, HarperCollins Academic, 1989), One world archaeology
———, ‘Indigenous Archaeology at the Institute of Archaeology’, Papers from the Institute of Archaeology: PIA, 12 (2001), 1–11 <https://doi.org/10.5334/pia.168>
Untracht, Oppi, Metal Techniques for Craftsmen: A Basic Manual for Craftsmen on the Methods of Forming and Decorating Metals (London: Hale, 1969)
Verri, G., S. Tanimoto, C. Higgitt, and 57 76, ‘Inks and Washes’, in Italian Renaissance Drawings: Technical Examination and Analysis (London: Archetype, 2010)
Verri, Giovanni, ‘The Application of Visible-Induced Luminescence Imaging to the Examination of Museum Objects’, in O3A: Optics for Arts, Architecture, and Archaeology II (Munich, Germany: SPIE, 2009), Conference Volume 7391, 1–12 <https://doi.org/10.1117/12.827331>
———, ‘The Spatially Resolved Characterisation of Egyptian Blue, Han Blue and Han Purple by Photo-Induced Luminescence Digital Imaging’, Analytical and Bioanalytical Chemistry, 394.4 (2009), 1011–21 <https://doi.org/10.1007/s00216-009-2693-0>
Verri, Giovanni, and Janet Ambers, ‘Revealing Stratigraphy’, in Italian Renaissance Drawings: Technical Examination and Analysis (London: Archetype, 2010), pp. 89–102
Verri, Giovanni, David Saunders, Janet Ambers, and Tracey Sweek, ‘Digital Mapping of Egyptian Blue: Conservation Implications’, Studies in Conservation =: Études de Conservation, 55.Supplement 2 (2010), 220–24 <https://doi.org/10.1179/sic.2010.55.Supplement-2.220>
Villegas, María Alicia Uribe, and Marcos Martinón-Torres, ‘Composition, Colour and Context in Muisca Votive Metalwork (Colombia, AD 600-1800) - ProQuest’, Antiquity, 86.333 (2012), 772–91 <http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9423537&fulltextType=RA&fileId=S0003598X00047918>
Walston, Sue, Bishop, Mitchell Hearns, Hansen, Eric F., Getty Conservation Institute, and International Institute for Conservation of Historic and Artistic Works, Matte Paint: Its History and Technology, Analysis, Properties and Conservation Treatment : With a Special Emphasis on Ethnographic Objects (Marina del Rey, Calif: Getty Conservation Institute in association with the International Institute for Conservation of Historic and Artistic Works (IIC), London, 1993), Art and archaeology technical abstracts
Walton, P., ‘Textiles’, in English Medieval Industries: Craftsmen, Techniques, Products (London: Hambledon Press, 1991), pp. 319–54
Washbourne, Rose Mary, Out of the Mouths of Pots: Towards an Interpretation of the Symbolic Meaning of Cypriot Bronze Age Funerary Artefacts Including Examples in the University of Canterbury’s Logie Collection (Jonsered: Åströms, 2000), Studies in Mediterranean archaeology and literature
Wastiau, Boris, ExItCongoMuseum: An Essay on the ‘social Life’ of the Masterpieces of the Tervuren Museum (Tervuren: Royal Museum for Central Africa, 2000)
Wilkinson, Helen and Museums Association, Collections for the Future: Report of a Museums Association Inquiry (London: Museums Association, 2005) <https://www.museumsassociation.org/download?id=11121>
Williams, R. Scott, ‘Care of Plastics: Malignant Plastics’, Western Association for Art Conservation Newsletter, 24.1 <http://cool.conservation-us.org/waac/wn/wn24/wn24-1/wn24-102.html>
Wright, Margot M. and Conservators of Ethnographic Artefacts, Ethnographic Beadwork: Aspects of Manufacture, Use and Conversion (London: Archetype for Conservators of Ethnographic Artefacts, 2001)
———, The Conservation of Fur, Feather and Skin: Seminar Organised by the Conservators of Ethnographic Artefacts at the Museum of London on 11 December 2000 (London: Archetype, 2002), Conservators of Ethnographic Artefacts
