@inbook{Adamson_1994, address={Basingstoke}, title={Chivalry and Political Culture in Caroline England}, volume={Problems in focus}, booktitle={Culture and politics in early Stuart England}, publisher={Macmillan Press}, author={Adamson, J.S.A.}, year={1994}, pages={161–198} }
@article{Albert J. Loomie_1998, title={The Destruction of Rubens’s ‘Crucifixion’ in the Queen’s Chapel, Somerset House}, volume={140}, url={http://www.jstor.org/stable/888161}, number={1147}, journal={The Burlington Magazine}, author={Albert J. Loomie}, year={1998}, pages={680–682} }
@inbook{Alexander Samson_2013, address={Turnhout}, title={Images of Co-Monarchy in the London Entry of Philip and Mary (1554)}, booktitle={Writing Royal Entries in Early Modern Europe}, publisher={Brepols}, author={Alexander Samson}, editor={Jean Andrews and Marie-France Wagner and Marie-Claude Canova-Green}, year={2013}, pages={113–127} }
@inbook{Archer_Knight_2007, address={Oxford}, title={Elizabetha Triumphans}, booktitle={The progresses, pageants, and entertainments of Queen Elizabeth I}, publisher={Oxford University Press}, author={Archer, Jayne Elisabeth and Knight, Sarah}, year={2007}, pages={1–23} }
@book{Aston_1988, address={Oxford}, title={England’s iconoclasts: Vol.1: Laws against images}, publisher={Oxford University Press}, author={Aston, Margaret}, year={1988} }
@inbook{Aston_1995, address={New Haven}, title={Gods, saints, and reformers: portraiture and protestant England}, volume={Studies in British art}, booktitle={Albion’s classicism: the visual arts in Britain, 1550-1660}, publisher={Yale University Press}, author={Aston, Margaret}, year={1995}, pages={181–220} }
@article{Auwers_2013, title={The gift of Rubens: Rethinking the concept of gift-giving in early modern diplomacy}, volume={43}, DOI={10.1177/0265691413489246}, number={3}, journal={European Studies}, author={Auwers, Michael}, year={2013}, pages={421–441} }
@inbook{Belsey_Belsey_1990a, address={London}, title={Icons of Divinity}, volume={Critical views}, booktitle={Renaissance bodies: the human figure in English culture, c. 1540-1660}, publisher={Reaktion Books}, author={Belsey, Andrew and Belsey, Catherine}, year={1990}, pages={11–35} }
@inbook{Belsey_Belsey_1990b, address={London}, title={Icons of Divinity: Portraits of Elizabeth I}, volume={Critical views}, booktitle={Renaissance bodies: the human figure in English culture, c. 1540-1660}, publisher={Reaktion Books}, author={Belsey, Hugh and Belsey, Catherine}, year={1990}, pages={11–35} }
@article{Bill Brown, title={Thing Theory}, volume={28}, url={http://www.jstor.org/stable/1344258}, number={1}, journal={Critical Inquiry}, author={Bill Brown}, pages={1–22} }
@inbook{Bindman_2008, address={London}, title={Ideas and Images of Britain}, booktitle={The history of British art}, publisher={Tate}, author={Bindman, David}, year={2008} }
@inbook{Bracken_2002, address={New Haven, CT}, title={Robert Cecil as an art collector}, volume={Studies in British art}, booktitle={Patronage, culture and power: the early Cecils}, publisher={Published for the Paul Mellon Centre for Studies in British Art, the Yale Center for British Art [by] Yale University Press}, author={Bracken, Susan}, year={2002} }
@article{Bracken_Hill_2012, title={Sir Isaac Wake, Venice and art collecting in early Stuart England : a new document}, volume={24}, url={http://jhc.oxfordjournals.org/content/24/2/183.short?rss=1}, number={2}, journal={Journal of the History of Collections}, author={Bracken, Susan and Hill, Robert}, year={2012}, pages={183–198} }
@inbook{Braunmuller_1991, address={Cambridge}, title={Robert Carr, Earl of Somerset, as Collector and Patron}, booktitle={The Mental world of the Jacobean court}, publisher={Cambridge University Press}, author={Braunmuller, A.R.}, year={1991} }
@article{Brotton_McGrath_2008, title={The Spanish acquisition of King Charles I’s art collection: The letters of Alonso de Cardenas, 1649-51}, volume={20}, DOI={10.1093/jhc/fhm035}, number={1}, journal={Journal of the History of Collections}, author={Brotton, J. and McGrath, D.}, year={2008}, month={May}, pages={1–16} }
@inbook{Brotton_2006, address={Aldershot}, title={Buying the Renaissance: Prince Charles’s art purchases in Madrid}, booktitle={The Spanish match: Prince Charles’s journey to Madrid, 1623}, publisher={Ashgate}, author={Brotton, Jerry}, year={2006} }
@book{Brown_1995, address={New Haven}, title={Kings & connoisseurs: collecting art in seventeenth-century Europe}, publisher={Yale University Press}, author={Brown, Jonathan}, year={1995} }
@inbook{Butler_2008, address={Cambridge}, title={The Invention of Britain}, booktitle={The Stuart court masque and political culture}, publisher={Cambridge University Press}, author={Butler, Martin}, year={2008} }
@book{Carew_Bruno_Jones_1634, address={London}, title={Cœlum Britanicum: A masque at White-Hall in the Banquetting-House, on Shrove-Tuesday-night, the 18. of February, 1633}, url={http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_val_fmt=&rft_id=xri:eebo:image:132967}, publisher={printed for Thomas VValkley, and are to be sold at his shop neare White-Hall}, author={Carew, Thomas and Bruno, Giordano and Jones, Inigo}, year={1634} }
@inbook{Catherine Richardson_2010, address={Farnham}, title={‘A very fit hat’: personal objects and early modern affection}, booktitle={Everyday objects: medieval and early modern material culture and its meanings}, publisher={Ashgate}, author={Catherine Richardson}, year={2010}, pages={289–298} }
@book{Cole_1999, address={Amherst}, title={The portable queen: Elizabeth I and the politics of ceremony}, volume={Massachusetts studies in early modern culture}, publisher={University of Massachusetts Press}, author={Cole, Mary Hill}, year={1999} }
@inbook{Cole_2007, address={Oxford}, title={Monarchy in motion: an overview of Elizabethan progresses}, booktitle={The progresses, pageants, and entertainments of Queen Elizabeth I}, publisher={Oxford University Press}, author={Cole, Mary Hill}, year={2007}, pages={27–43} }
@inbook{Cooper_2007a, address={Newcastle}, title={Predestined lives: portraiture and religious belief in England and Wales, 1560-1625}, booktitle={Art re-formed: re-assessing the impact of the Reformation on the visual arts}, publisher={Cambridge Scholars}, author={Cooper, Tarnya}, year={2007} }
@inbook{Cooper_2007b, address={Newcastle}, title={Predestined Lives? Portraiture and Religious Belief in England and Wales, 1560-1620}, booktitle={Art re-formed: re-assessing the impact of the Reformation on the visual arts}, publisher={Cambridge Scholars}, author={Cooper, Tarnya}, year={2007} }
@inbook{Cooper_Paul Mellon Centre for Studies in British Art_2012, address={New Haven}, title={Artists and sitters}, booktitle={Citizen portrait: portrait painting and the urban elite of Tudor and Jacobean England and Wales}, publisher={Yale University Press for the Paul Mellon Centre for Studies in British Art}, author={Cooper, Tarnya and Paul Mellon Centre for Studies in British Art}, year={2012}, pages={41–63} }
@book{Cruz_2008, address={Aldershot}, title={Material and symbolic circulation between Spain and England, 1554-1604}, volume={Transculturalisms, 1400-1700}, publisher={Ashgate}, author={Cruz, Anne J.}, year={2008} }
@inbook{Cummings_2007, address={Newcastle}, title={Images in books: Foxes’ Eikonoclastes}, booktitle={Art re-formed: re-assessing the impact of the Reformation on the visual arts}, publisher={Cambridge Scholars}, author={Cummings, Brian}, year={2007}, pages={183–200} }
@book{Duffy_2005, address={New Haven}, edition={2nd edition}, title={The stripping of the altars: traditional religion in England, c.1400-c.1580}, url={http://www.jstor.org/stable/10.2307/j.ctt5vm716}, publisher={Yale University Press}, author={Duffy, Eamon}, year={2005} }
@inbook{Felicity Heal_2014, address={Oxford}, title={The Politics of Gift-Exchange under the Tudors}, url={http://dx.doi.org/10.1093/acprof:oso/9780199542956.001.0001}, DOI={10.1093/acprof:oso/9780199542956.003.0004}, booktitle={The power of gifts: gift exchange in early modern England}, publisher={Oxford University Press}, author={Felicity Heal}, year={2014} }
@inbook{Foister_1993, address={Cambridge}, title={Foreigners at Court: Holbein, Van Dyck and the Painter-Stainer’s Company}, booktitle={Art and Patronage in the Caroline Courts: Essays in honour of Sir Oliver Millar}, publisher={Cambridge University Press}, author={Foister, Susan}, year={1993}, pages={32–50} }
@inbook{Foister_1995, address={New Haven}, title={Sixteenth-century English portraiture and the idea of the classical}, volume={Studies in British art}, booktitle={Albion’s classicism: the visual arts in Britain, 1550-1660}, publisher={Yale University Press}, author={Foister, Susan}, year={1995}, pages={163–180} }
@inbook{Foister_2012a, address={New Haven, CT}, title={Holbein, Antonio Toto, and the market for Italian painting in early Tudor England}, volume={Studies in British art}, booktitle={The Anglo-Florentine Renaissance: art for the early Tudors}, publisher={The Yale Center for British Art}, author={Foister, Susan}, editor={Sicca, Cinzia Maria and Waldman, Louis Alexander}, year={2012} }
@inbook{Foister_2012b, address={New Haven}, title={Holbein, Antonio Toto, and the market for Italian painting in early Tudor England}, booktitle={The Anglo-Florentine Renaissance: Art for the Early Tudors}, publisher={Yale University Press}, author={Foister, Susan}, editor={Sicca, Cinzia Maria and Waldman, Louis A.}, year={2012} }
@book{Foister_Holbein_2004a, address={New Haven, Conn}, title={Holbein and England}, publisher={Yale University Press}, author={Foister, Susan and Holbein, Hans}, year={2004} }
@book{Foister_Holbein_2004b, address={New Haven, Conn}, title={Holbein and England}, publisher={Yale University Press}, author={Foister, Susan and Holbein, Hans}, year={2004} }
@book{Ford_1989, address={Cambridge}, title={The Cambridge guide to the arts in Britain: Vol.3: Renaissance and Reformation}, publisher={Cambridge University Press}, author={Ford, Boris}, year={1989} }
@article{Geertz, Clifford_1972, title={Deep Play: Notes on the Balinese Cockfight}, volume={101}, url={http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive20024056&indx=4&recIds=TN_jstor_archive20024056&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL%29%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=clifford%20geertz%20cockfight&dstmp=1456845765385}, number={1}, journal={Daedalus}, author={Geertz, Clifford}, year={1972} }
@inbook{Gilman_2000, address={Philadelphia}, title={Madagascar on my Mind: The Earl of Arundel and the Arts of Colonization}, volume={New cultural studies}, booktitle={Early modern visual culture: representation, race, and empire in Renaissance England}, publisher={University of Pennsylvania Press}, author={Gilman, Ernest}, year={2000}, pages={284–314} }
@inbook{Goldring_2007, address={Newcastle}, title={’ ‘In the cause of his God and true religion’: Sir Philip Sidney, the Sequitur Celebritas, and the cult of the protestant martyr}, booktitle={Art re-formed: re-assessing the impact of the Reformation on the visual arts}, publisher={Cambridge Scholars}, author={Goldring, Eizabeth}, year={2007}, pages={227–242} }
@book{Goldring_2014, address={New Haven}, title={Robert Dudley, Earl of Leicester, and the world of Elizabethan art: painting and patronage at the court of Elizabeth I}, publisher={Yale University Press for the Paul Mellon Centre for Studies in British Art}, author={Goldring, Elizabeth}, year={2014} }
@book{Hale, J. R._2005, address={Oxford}, edition={4th ed}, title={England and the Italian Renaissance: the growth of interest in its history and art}, volume={Blackwell classic histories of Europe}, url={http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781405152228}, publisher={Blackwell}, author={Hale, J. R.}, year={2005} }
@book{Haskell_Serres_Paul Mellon Centre for Studies in British Art_2013, address={New Haven}, title={The King’s pictures: the formation and dispersal of the collections of Charles I and his courtiers}, publisher={Yale University Press for the Paul Mellon Centre for Studies in British Art}, author={Haskell, Francis and Serres, Karen and Paul Mellon Centre for Studies in British Art}, year={2013} }
@inbook{Heal_2007, address={Oxford}, title={Giving and Receiving on Royal Progresses}, booktitle={The progresses, pageants, and entertainments of Queen Elizabeth I}, publisher={Oxford University Press}, author={Heal, Felicity}, year={2007}, pages={47–61} }
@book{Hearn_Rubens_Tate Britain (Gallery)_2011, address={London}, title={Rubens and Britain}, publisher={Tate}, author={Hearn, Karen and Rubens, Peter Paul and Tate Britain (Gallery)}, year={2011} }
@article{Hill_Bracken_2014, title={The ambassador and the artist : Sir Dudley Carleton’s relationship with Peter Paul Rubens : connoisseurship and art collecting at the court of the early Stuarts}, volume={26}, DOI={10.1093/jhc/fht042}, number={2}, journal={Journal of the History of Collections}, author={Hill, Robert and Bracken, Susan}, year={2014}, pages={171–191} }
@book{Hilliard_Norgate_Thornton_Cain_Mid Northumberland Arts Group_1981, address={Northumberland}, title={A treatise concerning the arte of limning, ..., together with a more compendious discourse concerning ye art of limning}, publisher={Mid Northumberland Arts group}, author={Hilliard, Nicholas and Norgate, Edward and Thornton, R. K. R. and Cain, T. G. S. and Mid Northumberland Arts Group}, year={1981} }
@inbook{Honig_1990, address={London}, title={Lady Dacre and pairing by Hans Eworth}, volume={Critical views}, booktitle={Renaissance bodies: the human figure in English culture, c. 1540-1660}, publisher={Reaktion Books}, author={Honig, Elizabeth}, year={1990}, pages={60–85} }
@inbook{Howard_Llewellyn_1989, address={Cambridge}, title={Painting and imagery}, booktitle={The Cambridge guide to the arts in Britain: Vol.3: Renaissance and Reformation}, publisher={Cambridge University Press}, author={Howard, Maurice and Llewellyn, NIgel}, year={1989}, pages={222–259} }
@article{Howarth_1994, title={WILLIAM TRUMBULL AND ART COLLECTING IN JACOBEAN ENGLAND}, volume={20}, url={http://www.jstor.org/stable/42554386}, number={2}, journal={The British Library Journal}, author={Howarth, David}, year={1994}, pages={140–162} }
@inbook{Hunt_2008, address={Cambridge}, title={‘A stage wherin was shewed the wonderfull spectacle’: representing Elizabeth I’s coronation}, url={http://ebooks.cambridge.org/ref/id/CBO9780511485411A013}, DOI={10.1017/CBO9780511485411.008}, booktitle={The Drama of Coronation}, publisher={Cambridge University Press}, author={Hunt, Alice}, year={2008}, pages={146–172} }
@book{Jansson_2015, address={Boston}, title={Art and diplomacy: seventeenth-century English decorated royal letters to Russia and the Far East}, volume={Brill’s studies in intellectual history}, publisher={Brill}, author={Jansson, Maija}, year={2015} }
@book{Jardine_Brotton_2000, address={London}, title={Global interests: Renaissance art between East and West}, volume={Picturing history}, publisher={Reaktion}, author={Jardine, Lisa and Brotton, Jerry}, year={2000} }
@inbook{Keblusek_2003, address={Leiden}, title={Cultural and Political brokerage in seventeenth-century England: the case of Balthasar Gerbier}, volume={Leids kunsthistorisch jaarboek}, booktitle={Dutch and Flemish artists in Britain, 1550-1800}, publisher={Primavera}, author={Keblusek, Marika}, year={2003}, pages={73–84} }
@inbook{Knowles_1999, address={Basingstoke}, title={Jonson’s Entertainment at Britain’s Burse}, volume={Early modern literature in history}, booktitle={Re-presenting Ben Jonson: text, performance, history}, publisher={Macmillan}, author={Knowles, James}, year={1999} }
@inbook{Lees-Jeffries_2007, address={Oxford}, title={Location as Metaphor in Queen Elizabeth’s Coronation Entry (1559): Veritas Temporis Filia}, booktitle={The progresses, pageants, and entertainments of Queen Elizabeth I}, publisher={Oxford University Press}, author={Lees-Jeffries, Hester}, year={2007}, pages={65–85} }
@article{Linda Levy Peck, title={‘For a King Not to be Bountiful Were a Fault’: Perspectives on Court Patronage in Early Stuart England}, volume={25}, url={https://www.cambridge.org/core/journals/journal-of-british-studies/issue/3F50C0AB2862D0AF19CA469553FC1475}, DOI={10.1086/385853}, number={1}, journal={Journal of British Studies}, author={Linda Levy Peck}, pages={31–61} }
@inbook{Malcolm Smuts_1989, address={Cambridge}, title={Public Ceremony and Royal Charisma: The English Royal Entry in London, 1495–1642}, volume={Past and present publications}, booktitle={The first modern society: essays in English history in honour of Lawrence Stone}, publisher={Cambridge University Press}, author={Malcolm Smuts}, year={1989}, pages={65–93} }
@article{Marianne Koos, title={Wandering Things: Agency and Embodiment in Late Sixteenth-Century English Miniature Portraits}, volume={37}, url={https://onlinelibrary.wiley.com/toc/14678365/2014/37/5}, DOI={10.1111/1467-8365.12102}, number={5}, journal={Art History}, author={Marianne Koos}, pages={836–859} }
@article{Mcevansoneya_1996, title={The Sequestration and Dispersal of The Buckingham Collection}, volume={8}, DOI={10.1093/jhc/8.2.133}, number={2}, journal={Journal of the History of Collections}, author={Mcevansoneya, P.}, year={1996}, pages={133–154} }
@article{Mcevansoneya_1992, title={An unpublished inventory of the Hamilton collection in the 1620s and the Duke of Buckingham pictures}, volume={134}, url={http://www.jstor.org/stable/885165}, number={1073}, journal={The Burlington Magazine}, author={Mcevansoneya, Philip}, year={1992}, pages={524–526} }
@inbook{Morgan_2003, address={Leiden}, title={The Dutch and Flemish presence and the emergence of an Anglo-Dutch provincial artistic tradition in Norwich, c.1500-1700}, volume={Leids kunsthistorisch jaarboek}, booktitle={Dutch and Flemish artists in Britain, 1550-1800}, publisher={Primavera}, author={Morgan, Victor}, year={2003}, pages={57–72} }
@book{Muir_2005, address={Cambridge}, edition={Rev., 2nd ed}, title={Ritual in early modern Europe}, volume={New approaches to European history}, publisher={Cambridge University Press}, author={Muir, Edward}, year={2005} }
@book{Newman_2007, address={Princeton, N.J.}, title={Cultural capitals: early modern London and Paris}, publisher={Princeton University Press}, author={Newman, Karen}, year={2007} }
@book{Norgate_Muller_Murrell_1997, address={New Haven, CT}, edition={New critical ed}, title={Miniatura, or, The art of limning}, publisher={Published for the Paul Mellon Centre for British Art by Yale University Press}, author={Norgate, Edward and Muller, Jeffrey M. and Murrell, Jim}, year={1997} }
@book{Orgel_1975, address={Berkeley}, title={The illusion of power: political theater in the English Renaissance}, volume={A Quantum book}, publisher={University of California Press}, author={Orgel, Stephen}, year={1975} }
@book{Ormrod_London Museum_1973, address={London}, title={The Dutch in London: the influence of an immigrant community 1550-1800}, publisher={H.M. Stationery Off}, author={Ormrod, David and London Museum}, year={1973} }
@inbook{Peacock_1999, address={Cambridge}, title={The visual image of Charles I}, booktitle={The royal image: representations of Charles I}, publisher={Cambridge University Press}, author={Peacock, John}, year={1999} }
@inbook{Peacock_2006, address={Manchester}, title={The Image of Charles I as a Roman Emperor}, volume={Politics, culture, and society in early modern Britain}, booktitle={The 1630s: interdisciplinary essays on culture and politics in the Caroline era}, publisher={Manchester University Press}, author={Peacock, John}, year={2006} }
@book{Rubens_Schrader_Jungmann_Young-Jae_Göttler_J. Paul Getty Museum_2013, address={Los Angeles, Calif}, title={Looking east: Rubens’s encounter with Asia}, publisher={J. Paul Getty Museum}, author={Rubens, Peter Paul and Schrader, Stephanie and Jungmann, Burglind and Young-Jae, Kim and Göttler, Christine and J. Paul Getty Museum}, year={2013} }
@book{Samson_2006a, address={Aldershot}, title={The Spanish match: Prince Charles’s journey to Madrid, 1623}, publisher={Ashgate}, author={Samson, Alexander}, year={2006} }
@book{Samson_2006b, address={Aldershot}, title={The Spanish match: Prince Charles’s journey to Madrid, 1623}, publisher={Ashgate}, author={Samson, Alexander}, year={2006} }
@article{Sandra Logan, title={Making History: The Rhetorical and Historical Occasion of Elizabeth Tudorís Coronation Entry}, volume={31}, url={http://muse.jhu.edu/journals/jmems/summary/v031/31.2logan.html}, number={2}, journal={Journal of Medieval and Early Modern Studies}, publisher={Duke University Press}, author={Sandra Logan}, pages={251–282} }
@article{Shakeshaft_1986, title={‘To Much Bewiched with Thoes Intysing Things’: The Letters of James, Third Marquis of Hamilton and Basil, Viscount Feilding, concerning Collecting in Venice 1635-1639}, volume={128}, url={http://www.jstor.org/stable/882393?seq=1#page_scan_tab_contents}, number={995}, journal={The Burlington Magazine}, author={Shakeshaft, Paul}, year={1986}, pages={114–134} }
@article{Sharpe_1999, title={Representations and Negotiations: texts, images, and authority in early modern England}, volume={42}, url={http://www.jstor.org/stable/3020924}, number={3}, journal={The Historical Journal}, author={Sharpe, Kevin}, year={1999}, pages={853–881} }
@inbook{Sharpe_2009a, address={New Haven, Conn}, title={The Portrait and Picture of the Queen’s Majesty}, booktitle={Selling the Tudor monarchy: authority and image in sixteenth-century England}, publisher={Yale University Press}, author={Sharpe, Kevin}, year={2009}, pages={357–416} }
@inbook{Sharpe_2009b, address={New Haven, Conn}, title={‘Viewed and beheld of all men’: Queen Elizabeth I and the performance of majesty}, booktitle={Selling the Tudor monarchy: authority and image in sixteenth-century England}, publisher={Yale University Press}, author={Sharpe, Kevin}, year={2009}, pages={419–423} }
@book{Sharpe_2010, address={New Haven [Conn.]}, title={Image wars: promoting kings and commonwealths in England, 1603-1660}, publisher={Yale University Press}, author={Sharpe, Kevin}, year={2010} }
@inbook{Shohet_2006, address={New York}, title={Reading triumphs: localising Caroline masques}, booktitle={Localizing Caroline drama: politics and economics of the early modern English stage, 1625-1642}, publisher={Palgrave Macmillan}, author={Shohet, Lauren}, year={2006} }
@book{Sloan_Chaplin_Feest_Kuhlemann_2007, address={London}, title={A new world: England’s first view of America}, publisher={British Museum}, author={Sloan, Kim and Chaplin, Joyce E. and Feest, Christian F. and Kuhlemann, Ute}, year={2007} }
@inbook{Sluijter_2003, address={Leiden}, title={The English venture: Dutch and Flemish artists in Britain, 1550-1800}, volume={Leids kunsthistorisch jaarboek}, booktitle={Dutch and Flemish artists in Britain, 1550-1800}, publisher={Primavera}, author={Sluijter, Eric Jan}, year={2003}, pages={11–27} }
@article{Sowerby, title={‘A Memorial and a Pledge of Faith’: Portraiture and Early Modern Diplomatic Culture}, volume={129}, DOI={10.1093/ehr/ceu070}, number={537}, journal={The English Historical Review}, author={Sowerby, Tracey A.}, pages={296–331} }
@book{Spraggon_2000, address={[Unpublished]}, title={Puritan iconoclasm in England, 1640 - 1660}, author={Spraggon, Julie}, year={2000} }
@inbook{Stallybrass_1996, address={Cambridge}, title={Worn worlds: clothes and identity on the Renaissance stage}, volume={Cambridge studies in Renaissance literature and culture}, booktitle={Subject and object in Renaissance culture}, publisher={Cambridge University Press}, author={Stallybrass, Peter}, year={1996} }
@article{Stallybrass_Jones, title={Fetishizing the Glove in Renaissance Europe}, volume={28}, url={http://www.jstor.org/stable/1344263?seq=1#page_scan_tab_contents}, number={1}, journal={Critical Inquiry}, author={Stallybrass, Peter and Jones, Ann Rosalind}, pages={114–132} }
@inbook{Stoye_1989, address={New Haven}, edition={rev. ed}, title={The Embassies at Venice and Turin}, booktitle={English travellers abroad, 1604-1667: their influence in English society and politics}, publisher={Yale University Press}, author={Stoye, John}, year={1989}, pages={91–106} }
@article{Strong, address={London}, title={Faces of a favourite: Robert Devereux, 2nd Earl of Essex, and the uses of portraiture}, volume={5}, url={http://www.jstor.org/stable/41615296}, number={2}, journal={The British art journal}, publisher={Art Journals Ltd.}, author={Strong, Roy}, pages={80–90} }
@inbook{Strong_1972, address={London}, title={Chapter 2}, booktitle={Van Dyck : Charles I on horseback: Charles I on horseback}, publisher={Allen Lane}, author={Strong, Roy C.}, year={1972} }
@book{Strong_1987a, address={London}, title={The cult of Elizabeth: Elizabethan portraiture and pageantry}, publisher={Thames & Hudson}, author={Strong, Roy C.}, year={1987} }
@inbook{Strong_1987b, address={London}, title={‘November’s Sacred Seventeenth Day’}, booktitle={The cult of Elizabeth: Elizabethan portraiture and pageantry}, publisher={Thames & Hudson}, author={Strong, Roy C.}, year={1987}, pages={117–128} }
@inbook{Thomas_1995, address={New Haven}, title={English protestantism and classical art}, volume={Studies in British art}, booktitle={Albion’s classicism: the visual arts in Britain, 1550-1660}, publisher={Yale University Press}, author={Thomas, Keith}, year={1995}, pages={221–238} }
@inbook{Tittler_2004, address={Malden, MA}, title={Portraiture, politics and society}, volume={Blackwell companions to British history}, url={http://dx.doi.org/10.1002/9780470997109}, booktitle={A companion to Tudor Britain}, publisher={Blackwell Pub}, author={Tittler, Robert}, year={2004}, pages={448–466} }
@book{Tittler_2007, address={Manchester}, title={The face of the city: civic portraiture and civic identity in early modern England}, publisher={Manchester University Press}, author={Tittler, Robert}, year={2007} }
@article{Tittler, title={Early Stuart Chester as a centre for regional portraiture}, volume={41}, DOI={10.1017/S096392681300031X}, number={01}, journal={Urban History}, author={Tittler, Robert}, pages={3–21} }
@article{Town_2014, title={A Biographical Dictionary of London Painters, 1547-1625}, volume={76}, journal={The Walpole Society}, author={Town, Edward}, year={2014} }
@inbook{Trevor-Roper_1993, address={Cambridge}, title={Mayerne and his Manuscript}, booktitle={Art and patronage in the Caroline courts: essays in honour of Sir Oliver Millar}, publisher={Cambridge University Press}, author={Trevor-Roper, Hugh}, year={1993}, pages={264–293} }
@misc{Turner_2012, title={Van Dyck and Tapestry in England}, volume={17}, url={http://www.tate.org.uk/research/publications/tate-papers/17/van-dyck-and-tapestry-in-england}, journal={Tate Papers}, author={Turner, Simon}, year={2012} }
@article{Vermeylen_2013, address={[’s-Gravenhage, etc}, title={Greener pastures? Capturing artists’ migrations during the Dutch Revolt}, volume={63}, url={http://booksandjournals.brillonline.com/content/journals/10.1163/22145966-06301003}, number={1}, journal={Nederlands kunsthistorisch jaarboek: Netherlands yearbook for history of art}, publisher={Ministerie van Cultuur, Recreatie en Maatschappelijk Werk, etc.]}, author={Vermeylen, Filip}, year={2013}, pages={40–57} }
@book{Walsham_2011a, address={Oxford}, title={The reformation of the landscape: religion, identity, and memory in early modern Britain and Ireland}, url={http://dx.doi.org/10.1093/acprof:oso/9780199243556.001.0001}, publisher={Oxford University Press}, author={Walsham, Alexandra}, year={2011} }
@book{Walsham_2011b, address={Oxford}, title={The reformation of the landscape: religion, identity, and memory in early modern Britain and Ireland}, url={http://dx.doi.org/10.1093/acprof:oso/9780199243556.001.0001}, publisher={Oxford University Press}, author={Walsham, Alexandra}, year={2011} }
@inbook{Ward_2004, address={Malden, MA}, title={Metropolitan London}, volume={Blackwell companions to British history}, url={http://dx.doi.org/10.1002/9780470997109}, booktitle={A companion to Tudor Britain}, publisher={Blackwell Pub}, author={Ward, Joseph P.}, year={2004}, pages={347–359} }
@inbook{Wedd_Peltz_Ross_Museum of London_2001a, address={London}, title={1560 - 1690: from the City to the West End}, booktitle={Creative quarters: the art world in London 1700-2000}, publisher={Merrell [for] Museum of London}, author={Wedd, Kit and Peltz, Lucy and Ross, Catherine and Museum of London}, year={2001}, pages={10–31} }
@inbook{Wedd_Peltz_Ross_Museum of London_2001b, address={London}, title={1560 - 1690: from the City to the West End}, booktitle={Creative quarters: the art world in London 1700-2000}, publisher={Merrell [for] Museum of London}, author={Wedd, Kit and Peltz, Lucy and Ross, Catherine and Museum of London}, year={2001}, pages={10–31} }
@article{Wood_1994, title={Van Dyck and the Earl of Northumberland: Taste and Collecting in Stuart England}, volume={46}, url={http://www.jstor.org/stable/42622106}, journal={Studies in the History of Art}, author={Wood, Jeremy}, year={1994}, pages={280–284} }
@article{Wood_2001, title={Orazio Gentileschi and Some Netherlandish Artists in London: The Patronage of the Duke of Buckingham, Charles I and Henrietta Maria}, volume={28}, url={http://www.jstor.org/stable/3780940?seq=1#page_scan_tab_contents}, number={3}, journal={Simiolus: Netherlands Quarterly for the History of Art}, author={Wood, Jeremy}, year={2001}, pages={103–128} }
@book{Woodbridge_2001, address={Urbana [Ill.]}, title={Vagrancy, homelessness, and English Renaissance literature}, publisher={University of Illinois Press}, author={Woodbridge, Linda}, year={2001} }
@article{Woodbridge_2010, title={Global Traffic: Discourses and Practices of Trade in English Literature and Culture from 1550 to 1700}, volume={61}, url={https://muse.jhu.edu/journals/shakespeare_quarterly/v061/61.4.woodbridge.html}, number={4}, journal={Shakespeare quarterly}, author={Woodbridge, Linda}, year={2010} }
@inbook{Woolf_2004, address={Malden, MA}, title={Senses of the past}, volume={Blackwell companions to British history}, url={http://dx.doi.org/10.1002/9780470997109}, booktitle={A companion to Tudor Britain}, publisher={Blackwell Pub}, author={Woolf, Daniel}, year={2004}, pages={407–424} }
@inbook{Wright_1998, address={Cambridge [England]}, title={Chapter 9: ‘“Rival traditions”: civic and courtly ceremonies in Jacobean London’}, booktitle={The politics of the Stuart court masque}, publisher={Cambridge University Press}, author={Wright, Nancy}, year={1998} }
@article{Yates_1947, title={Queen Elizabeth as Astraea}, volume={10}, url={http://www.jstor.org/stable/750395}, DOI={10.2307/750395}, journal={Journal of the Warburg and Courtauld Institutes}, author={Yates, Frances A.}, year={1947}, pages={27–82} }
@inbook{Yates_1975a, address={London}, title={Queen Elizabeth I as Astraea}, booktitle={Astraea: the imperial theme in the sixteenth century}, publisher={Routledge and Kegan Paul}, author={Yates, Frances Amelia}, year={1975}, pages={29–87} }
@book{Yates_1975b, address={London}, title={Astraea: the imperial theme in the sixteenth century}, publisher={Routledge and Kegan Paul}, author={Yates, Frances Amelia}, year={1975} }
@book{Chaney_2003a, address={New Haven}, title={The evolution of English collecting: receptions of Italian art in the Tudor and Stuart periods}, volume={Studies in British art}, publisher={Yale University Press}, year={2003} }
@book{Chaney_2003b, address={New Haven}, title={The evolution of English collecting: receptions of Italian art in the Tudor and Stuart periods}, volume={Studies in British art}, publisher={Yale University Press}, year={2003} }
@article{Keating_Markey, title={Special issue - captured objects: inventories of early modern collections}, volume={23}, url={http://jhc.oxfordjournals.org/content/23/2.toc}, DOI={10.1093/jhc/fhq035}, number={2}, journal={Journal of the History of Collections}, pages={209–213} }
