1
Molière, Piéjus, Anne, Chataignier, David, Caldicott, C. E. J., Forestier, Georges, and Riffaud, Alain, Œuvres complètes, Gallimard, [Paris], 2010, vol. Bibliothèque de la Pléiade.
2
Base textuelle FRANTEXT.
3
Plautus, Titus Maccius, Amphitruo, Cambridge University Press, Cambridge, U.K., 2000, vol. Cambridge Greek and Latin classics.
4
Plautus, Titus Maccius and Melo, Wolfgang David Cirilo de, Plautus, Harvard University Press, Cambridge, Mass, 2011, vol. Loeb classical library.
5
Molière, Piéjus, Anne, Chataignier, David, Caldicott, C. E. J., Forestier, Georges, and Riffaud, Alain, Œuvres complètes, Gallimard, [Paris], 2010, vol. Bibliothèque de la Pléiade.
6
Racine, Jean, Viala, Alain, and Morel, Jacques, Théâtre complet, Garnier, Paris, 1980, vol. Classiques Garnier.
7
Bourqui, Claude and Conesa, Gabriel, Les sources de Molière: répertoire critique des sources littéraires et dramatiques, SEDES, Paris, 1999, vol. Questions de littérature.
8
Rotrou, Jean and Forestier, Georges, Théâtre complet, Société des textes français modernes, Paris, 1998, vol. Société des textes français modernes.
9
W. E. Forehand, Comparative literature studies, 1974, 11, 204–217.
10
Kallendorf, Craig, A companion to the classical tradition, Blackwell, Oxford, 2007, vol. Blackwell companions to the ancient world.
11
Lindberger, Örjan, The transformations of Amphitryon, Almqvist & Wiksell, Stockholm, vol. Acta Universitatis Stockholmiensis.
12
Manuwald, Gesine, Roman drama: a reader, Duckworth, London, 2010.
13
Segal, Erich, Roman laughter: the comedy of Plautus, Oxford University Press, New York, 2nd ed., 1987.
14
L. R. Shero, Transactions and Proceedings of the American Philological Association, 1956, 87, 192–238.
15
Bradby, David and Calder, Andrew, The Cambridge companion to Moliere, Cambridge University Press, Cambridge, 2006, vol. Cambridge companions to literature.
16
Calder, Andrew, Molière: the theory and practice of comedy, Athlone, London, 1993.
17
Charvet, P. E. and Yarrow, P. J., A literary history of France: Vol.3: The seventeenth century, 1600-1, 1967.
18
Delcourt, Marie, La tradition des comiques anciens en France avant Molière, Faculté de philosophie et lettres, Liége, 1934, vol. Bibliothèque de la Faculté de Philosophie et Lettres de l’Université de Liége--fasc. LIX.
19
Howarth, W. D., Molière, a playwright and his audience, Cambridge University Press, Cambridge, 1982, vol. Major European authors.
20
R. Pommier, Revue d’histoire litteraire de la France, 1996, 96, 212–228.
21
J. Scherer, in Molière - stage and study: essays in honour of W.G. Moore, Clarendon Press, Oxford, 1973, pp. 185–197.
22
Scott, Virginia, Molière: a theatrical life, Cambridge University Press, Cambridge, 2000.
23
J. Mallinson, Nottingham French studies, 1994, 43–52.
24
Beard, Mary and Henderson, John, Classical art: from Greece to Rome, Oxford University Press, Oxford, 2001, vol. Oxford history of art.
25
M. Foucault, in The order of things: an archaeology of the human sciences, Routledge, London, 1989, vol. World of man.
26
Wyke, Maria, Projecting the past: ancient Rome, cinema, and history, Routledge, London, 1997, vol. The new ancient world.
27
Beard, Mary and Henderson, John, Classics: a very short introduction, Oxford University Press, Oxford, 1995, vol. Oxford paperbacks.
28
Berger, John, Ways of seeing, Penguin, London, 2008, vol. Penguin modern classics.
29
Hardwick, Lorna and Stray, Christopher, A companion to classical receptions, Blackwell, Malden, Mass, 2008, vol. Blackwell companions to the ancient world.
30
Haskell, Francis and Penny, Nicholas, Taste and the antique: the lure of classical sculpture, 1500-1900, Yale University Press, London, 1998.
31
Sandywell, Barry and Heywood, Ian, Interpreting visual culture: explorations in the hermeneutics of the visual, Routledge, London, 1999.
32
Marchand, Suzanne L., Down from Olympus: archaeology and philhellenism in Germany, 1750-1970, Princeton University Press, Princeton, N.J, 1996.
33
Mirzoeff, Nicholas, The visual culture reader, Routledge, London, 2nd ed., 2002.
34
Moatti, Claude, In search of ancient Rome, Thames and Hudson, London, 1993, vol. New horizons.
35
Nelson, Robert S., Visuality before and beyond the Renaissance: seeing as others saw, Cambridge University Press, Cambridge, U.K., 2000, vol. Cambridge studies in new art history and criticism.
36
Martindale, Charles and Thomas, Richard F., Classics and the uses of reception, Blackwell, Malden, Mass, 2006, vol. Classical receptions.
37
The Petrie Museum of Egyptian Archaeology.
38
Memphis under Ptolemaic Rule.
39
Hawara in the Roman period.
40
S. Alpers, in Exhibiting cultures: the poetics and politics of museum display, Smithsonian Institution Press, London, 1991.
41
Galanakis, Ioannis, Greece, and Ashmolean Museum, Heracles to Alexander the Great: treasures from the royal capital of Macedon, a Hellenic kingdom in the age of democracy, Ashmolean Museum, Oxford, 2011.
42
Ashton, Sally-Ann, Roman Egyptomania, Golden House, London, 2004.
43
Bailey, Donald M., British Museum, British Museum, and British Museum, Catalogue of the terracottas in the British Museum: Volume IV: Ptolemaic and Roman terracottas from Egypt, British Museum, London, 2008.
44
Challis, Debbie, From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880, Duckworth, London, 2008.
45
Drower, Margaret S., Flinders Petrie: a life in archaeology, University of Wisconsin Press, Madison, Wis, 2nd ed., 1995, vol. Wisconsin studies in classics.
46
Petrie, W. M. Flinders, Gardner, Ernest Arthur, Head, Barclay Vincent, Griffith, F. Ll, Smith, Cecil Harcourt-, and Egypt Exploration Fund, Naukratis, Trübner, London, 1886, vol. 3d, 6th memoir of the Egypt exploration fund.
47
Jenkins, Ian and British Museum, Archaeologists & aesthetes: in the Sculpture Galleries of the British Museum 1800-1939, Published for the Trustees of the British Museum by the British Museum Press, London, 1992.
48
C. M. Martindale and R. F. Thomas, in Classics and the uses of reception, Blackwell, Malden, Mass, 2006, vol. Classical receptions.
49
Message, Kylie, New museums and the making of culture, Berg, Oxford, 2006.
50
Mitchell, Timothy, Colonising Egypt, University of California Press, Berkeley, Calif, 1991.
51
Moser, Stephanie and British Museum, Wondrous curiosities: ancient Egypt at the British Museum, University of Chicago Press, Chicago, 2006.
52
Newhouse, Victoria, Art and the power of placement, Monacelli Press, New York, 2005.
53
Petrie, W. M. Flinders, Smith, Charles Roach, Newberry, Percy E., Griffith, F. Ll, and Sayce, A. H., Hawara, Biahmu, and Arsinoe, Field & Tuer, London, 1889.
54
E. Prettejohn, in Classics and the uses of reception, Blackwell, Malden, Mass, 2006, vol. Classical receptions.
55
M. Shanks and C. Tilley, in Re-constructing archaeology: theory and practice, Routledge, London, 2nd ed., 1992, pp. 68–99.
56
Simpson, Moira, Making representations: museums in the post-colonial era, Routledge, London, 1996.
57
Spencer, Patricia, The Egypt Exploration Society: the early years, Egypt Exploration Society, London, 2007, vol. EES occasional publication.
58
Thompson, Dorothy J., Memphis under the Ptolemies, Princeton University Press, Guildford, 1988.
59
A. Svetlana, in Exhibiting cultures: the poetics and politics of museum display, Smithsonian Institution Press, London, 1991.
60
Anderson, R. G. W. and British Museum, Enlightening the British: knowledge, discovery and the museum in the eighteenth century, British Museum Press, [London], 2003.
61
Bennett, Tony, The birth of the museum: history, theory, politics, Routledge, London, 1995, vol. Culture : policies and politics.
62
Caygill, Marjorie, The British Museum: 250 years, British Museum, London, 2003.
63
Caygill, Marjorie and British Museum, Treasures of the British Museum, British Museum Press, London, 2009.
64
Cuno, James B., Who owns antiquity?: museums and the battle over our ancient heritage, Princeton University Press, Oxford, 2008.
65
Cuno, James B., Whose culture?: the promise of museums and the debate over antiquities, Princeton University Press, Oxford, 2009.
66
Gidal, Eric, Poetic exhibitions: romantic aesthetics and the pleasures of the British Museum, Bucknell University Press, Lewisburg [Pa.], 2001.
67
Jenkins, Ian and British Museum, Archaeologists & aesthetes: in the Sculpture Galleries of the British Museum 1800-1939, Published for the Trustees of the British Museum by the British Museum Press, London, 1992.
68
Jenkins, Ian, Sloan, Kim, and British Museum, Vases & volcanoes: Sir William Hamilton and his collection, published for the Trustees of the British Museum by the British Museum Press, London, 1996.
69
Macleod, Suzanne, Reshaping museum space: architecture, design, exhibitions, Routledge, London, 2005, vol. Museum meanings.
70
Macdonald, Sharon, A companion to museum studies, Blackwell, Malden, Mass, 2006, vol. Blackwell companions in cultural studies.
71
Porter, Roy, The Enlightenment, Palgrave, Basingstoke, 2nd ed., 2001, vol. Studies in European history.
72
Sloan, Kim, Burnett, Andrew, and British Museum, Enlightenment: discovering the world in the eighteenth century, British Museum, London, 2003.
73
Wilson, David M. and British Museum, The British Museum: a history, British Museum Press, London, 2002.
74
British Museum - Room 1: Enlightenment.
75
Cogan, Eliezer, An address to the dissenters on classical literature: By E. Cogan, printed by S. Rudder. And sold by S. Crowder, London, Cirencester, 1789.
76
Gillies, John, An inquiry, whether the study of the ancient languages be a necessary branch of modern education? Wherein, by the way, some observations are made on a late performance, intitled, Essays on the origin of colleges, printed by Sands, Murray, and Cochran. Sold by W. Gray, Edinburgh; by D. Baxter, Glasgow; and by J. Knox, London, Edinburgh, 1769.
77
D. McKitterick, in Classical books: scholarship and publishing in Britain since 1800, Institute of Classical Studies, London, 2007, vol. Bulletin of the Institute of Classical Studies.
78
Morgan, Victor and Brooke, Christopher Nugent Lawrence, A history of the University of Cambridge: Vol. 2: 1546-1750, Cambridge University Press, Cambridge, 2004.
79
Searby, Peter, A history of the University of Cambridge: Vol. 3: 1750-1870, Cambridge University Press, Cambridge, 1997.
80
Priestley, Joseph, Miscellaneous observations relating to education: More especially as it respects the conduct of the mind. The second edition. By Joseph Priestley, printed by M. Swinney, for J. Johnson, London, Birmingham, 1788.
81
Aston, T. H., Mitchell, L. G., and Sutherland, Lucy Stuart, The history of the University of Oxford: Vol.5: The eighteenth century, Clarendon, Oxford, 1986.
82
C. Stray, Annals of scholarship : metastudies of the humanities and social sciences. , 1993, 10, 111–131.
83
C. Stray, in Aspects of nineteenth-century British classical scholarship: eleven essays, Liverpool Classical Monthly, Liverpool, 1996, vol. Liverpool classical papers.
84
C. Stray, in Oxford classics: teaching and learning, 1800-2000, Duckworth, London, 2007.
85
Brink, C. O., English classical scholarship: historical reflections on Bentley, Porson and Housman, Clarke, Cambridge, 1986.
86
Clarke, M. L., Greek studies in England 1700-1830, Cambridge University Press, Cambridge, 1945.
87
Jocelyn, H. D., Philology and education: a review discussion of C.O. Brink’s English classical scholarship : historical reflections on Bentley, Porson and Housman, Liverpool Classical Monthly, Liverpool, England, 1988, vol. Liverpool classical papers.
88
Pfeiffer, Rudolf, History of classical scholarship, from 1300 to 1850, Clarendon Press, Oxford, 1976.
89
B. Stephen, New College, Hackney (1786-96): A Selection of Printed and Archival Sources.
90
P. O’Brien, Warrington Academy, 1757-86, Owl Books, Wigan, 1989.
91
Simon, Brian, The two nations and the educational structure, 1780-1870, Lawrence & Wishart, London, 1974, vol. Studies in the history of education.
92
Ayres, Philip J., Classical culture and the idea of Rome in eighteenth-century England, Cambridge University Press, Cambridge, U.K, 1997.
93
Jenkyns, Richard, The Victorians and Ancient Greece, Blackwell, Oxford.
94
Kallendorf, Craig, A companion to the classical tradition, Blackwell, Oxford, 2007, vol. Blackwell companions to the ancient world.
95
Turner, Frank M., The Greek heritage in Victorian Britain, Yale University Press, London, 1981.
96
F. M. Turner, in Rediscovering Hellenism: the Hellenic inheritance and the English imagination, Cambridge University Press, Cambridge, 1989.
97
A. Grafton, History of universities. , 1983, 3, 159–192.
98
Grafton, Anthony, The footnote: a curious history, Harvard University Press, Cambridge, Mass, [Rev. ed.]., 1997.
99
M. Legaspi, History of universities. , 2009, 24, 139–172.
100
A. Momigliano, History and Theory (Beiheft).
101
Kyriakos Demetriou, Classics in the Nineteenth Century, Thoemmes Continuum.
102
Pocock, J. G. A., Barbarism and religion, Cambridge University Press, Cambridge, 1999.
103
Sophocles and Pound, Ezra, Women of Trachis, N. Spearman, London, 1956.
104
T. S. Eliot, in The complete poems and plays, Faber and Faber, London, 1969.
105
Aeschylus, Shapiro, Alan, and Burian, Peter, The Oresteia, Oxford University Press, Oxford, 2003, vol. Greek tragedy in new translations.
106
In The complete Sophocles, Oxford University Press, Oxford, vol. Greek tragedy in new translations.
107
Sophocles, Fleming, Rudd, Reid, Richard, and Pound, Ezra, Elektra: a play, Princeton University Press, Princeton, 1989.
108
Eliot, T. S., The complete poems and plays, Faber, London, 1969.
109
Gordon, Lyndall, Eliot’s new life, Oxford University Press, Oxford, 1988.
110
Hinchliffe, Arnold P., T.S. Eliot: plays, Macmillan, London, 1985, vol. Casebook series.
111
Eliot, T. S., Selected essays, Faber, London, 3rd enlarged ed., 1951.
112
Eliot, T. S., On poetry and poets: [essays], Farrar, Straus and Cudahy, New York, 1957.
113
Browne, E. Martin, The making of T.S. Eliot’s plays, Cambridge University Press, Cambridge, 1969.
114
Moody, Anthony David, The Cambridge companion to T.S. Eliot, Cambridge University Press, Cambridge, 1994, vol. Cambridge companions to literature.
115
Moody, Anthony David, Thomas Stearns Eliot, poet, Cambridge University Press, Cambridge, 2nd ed., 1994.
116
Moody, Anthony David, Tracing T.S. Eliot’s spirit: essays on his poetry and thought, Cambridge University Press, Cambridge, 1996.
117
R. G. Tanner, Greece & Rome, 1970, 17, 123–134.
119
H. A. Mason, Arion, 1963, 2, 59–81.
120
Nadel, Ira Bruce, The Cambridge companion to Ezra Pound, Cambridge University Press, Cambridge, 1999, vol. Cambridge companions to culture.
121
Pound, Ezra, Make it new: essays, Yale University Press, New Haven, 1935.
122
Pound, Ezra, Guide to kulchur, New Directions, Norfolk, Conn, 1952.
123
Pound, Ezra and Eliot, T. S., Literary essays of Ezra Pound, Faber, London, 1954, vol. Faber paper covered editions.
124
J. P. Sullivan, Arion, 1964, 3, 9–22.
125
Jenkins, Lee M. and Davis, Alex, The Cambridge companion to modernist poetry, Cambridge University Press, Cambridge, 2007.
126
Kallendorf, Craig, A companion to the classical tradition, Blackwell, Oxford, 2007, vol. Blackwell companions to the ancient world.
127
Levenson, Michael, The Cambridge companion to modernism, Cambridge University Press, Cambridge, 1999, vol. Cambridge companions to literature.
128
Whitworth, Michael H., Reading modernist poetry, Wiley-Blackwell, Oxford, 2010, vol. Reading poetry.
129
L. Hardwick, in Reception studies, Oxford University Press, Oxford, 2003, vol. Greece&Rome, pp. 71–97.
130
MacKinnon, Kenneth, Greek tragedy into film, Fairleigh Dickinson University Press, Rutherford, 1986.
131
P. Michelakis, in Dionysus since 69: Greek tragedy at the dawn of the third millennium, Oxford University Press, [Oxford], 2004, pp. 199–217.
132
J. Solomon, in The ancient world in the cinema, Yale University Press, London, Rev. and expanded ed., 2001, pp. 259–274.
133
Aitken, Ian, European film theory and cinema: a critical introduction, Edinburgh University Press, Edinburgh, 2001.
134
A. BAKOGIANNI, Bulletin of the Institute of Classical Studies, 2008, 51, 119–167.
135
A. BAKOGIANNI, Bulletin of the Institute of Classical Studies, 2010, 52, 45–68.
136
L. Hardwick, in Reception studies, Oxford University Press, Oxford, 2003, vol. Greece&Rome, pp. 71–97.
137
E. A. Kaplan, in The Oxford guide to film studies, Oxford University Press, Oxford, 1998, pp. 272–288.
138
R. P. Kolker, in The Oxford guide to film studies, Oxford University Press, Oxford, 1998, pp. 11–29.
139
MacKinnon, Kenneth, Greek tragedy into film, Fairleigh Dickinson University Press, Rutherford, 1986.
140
Marianne McDonald, Euripides in cinema, Centrum Philadelphia, Philadelphia, 1983.
141
M. McDonald, in Classical myth & culture in the cinema, Oxford University Press, Oxford, 2001, pp. 90–117.
142
M. McDonald, in A companion to classical receptions, Blackwell, Malden, Mass, 2008, vol. Blackwell companions to the ancient world, pp. 327–341.
143
M. McDonald and M. M. Winkler, in Classical myth & culture in the cinema, Oxford University Press, Oxford, 2001, pp. 72–89.
144
P. Michelakis, in Homer, tragedy and beyond: essays in honour of P.E. Easterling, Society for the Promotion of Hellenic Studies, London, 2001, pp. 241–257.
145
P. Michelakis, in Dionysus since 69: Greek tragedy at the dawn of the third millennium, Oxford University Press, [Oxford], 2004, pp. 199–217.
146
P. Michelakis, in Classics and the uses of reception, Blackwell, Malden, Mass, 2006, vol. Classical receptions, pp. 219–226.
147
Nisbet, Gideon, Ancient Greece in film and popular culture, Bristol Phoenix, Bristol, 2006, vol. Greece and Rome live.
148
J. Paul, in A companion to classical receptions, Blackwell, Malden, Mass, 2008, vol. Blackwell companions to the ancient world, pp. 303–314.
149
Pomeroy, Arthur John, Then it was destroyed by the volcano: the ancient world in film and on television, Duckworth, London, 2008.
150
P. W. Rose, in Classical myth & culture in the cinema, Oxford University Press, Oxford, 2001, pp. 291–318.
151
J. Solomon, in The ancient world in the cinema, Yale University Press, London, Rev. and expanded ed., 2001, pp. 259–274.
152
Sorlin, Pierre, European cinemas, European societies, 1939-1990, Routledge, New York, 1991, vol. Studies in film, television, and the media.
153
H. Stoddart, in Approaches to popular film, Manchester University Press, Manchester, 1995, vol. Inside popular film, pp. 37–58.
154
G. Vincendeau, in The Oxford guide to film studies, Oxford University Press, Oxford, 1998, pp. 440–448.
155
Walton, J. Michael, Euripides our contemporary, Methuen Drama, London, 2009.
156
Winkler, Martin M., Cinema and classical texts: Apollo’s new light, Cambridge University Press, Cambridge, 2009.
157
K. Zacharia, in Hellenisms: culture, identity, and ethnicity from antiquity to modernity, Ashgate Variorum, Aldershot, 2008, pp. 321–353.
159
K. M. Coleman, in Gladiator: film and history, Blackwell Pub, Malden, MA, 2004, pp. 45–52.
160
A. Gardner, , in Archaeology and the media, Left Coast Press, Walnut Creek, Calif, 2007, vol. Publications of the Institute of Archaeology, University College London, pp. 255–272.
161
T. M. Kristensen, European Journal of Archaeology, 2007, 10, 73–74.
162
Eric Greene, Planet of the apes as American myth, Wesleyan University Press, Hanover, NH, 1998.
163
E. Hall, Arion, 2004, 12, 51–89.
164
Hardwick, Lorna and Classical Association (Great Britain), Reception studies, Oxford University Press, Oxford, 2003, vol. Greece&Rome.
165
F. HOBDEN, Greece and Rome, , DOI:10.1017/S0017383509990015.
166
Holtsmark, Erling B., Tarzan and tradition: classical myth in popular literature, Greenwood Press, Westport, Conn, 1981, vol. Contributions to the study of popular culture.
167
P. James, in Classics for all: reworking antiquity in mass culture, Cambridge Scholars, Newcastle upon Tyne, 2009, pp. 237–261.
168
Kovacs, George and Marshall, C. W., Classics and comics, Oxford University Press, New York, 2011, vol. Classical presences.
169
Lowe, Dunstan and Shahabudin, Kim, Classics for all: reworking antiquity in mass culture, Cambridge Scholars, Newcastle upon Tyne, 2009.
170
C. W. Marshall, in Classics and comics, Oxford University Press, New York, 2011, vol. Classical presences, pp. 89–101.
171
Nisbet, Gideon, Ancient Greece in film and popular culture, Bristol Phoenix, Bristol, 2006, vol. Greece and Rome live.
172
L. V. Pitcher, New Voices in Classical Reception.
173
Pomeroy, Arthur John, Then it was destroyed by the volcano: the ancient world in film and on television, Duckworth, London, 2008.
174
A. Potter, in Classics for all: reworking antiquity in mass culture, Cambridge Scholars, Newcastle upon Tyne, 2009, pp. 217–236.
175
S. Goldhill, in Homer in the twentieth century: between world literature and the western canon, Oxford University Press, Oxford, 2007, vol. Classical presences, pp. 245–267.
176
J. Siegel, Mouseion: Journal of the Classical Association of Canada, 2008, 7, 213–245.
177
D. PALUMBO, The Journal of Popular Culture, 2008, 41, 413–427.
178
H. M. Roisman, Classical and modern literature, 2001, 21, 99–107.
180
C. W. Marshall, Slayage: The Online International Journal of Buffy Studies, 2003, 3, 34–39.
181
Bondanella, Peter E., The eternal city: Roman images in the modern world, University of North Carolina Press, Chapel Hill, 1987.
182
Berezin, Mabel, Making the fascist self: the political culture of interwar Italy, Cornell University Press, Ithaca, [N.Y.], 1997, vol. The Wilder House series in politics, history, and culture.
183
F. Caprotti, Cultural Geographies, 2009, 16, 381–401.
184
J. Dunnett, in Julius Caesar in western culture, Blackwell, Malden, MA, 2006, pp. 244–265.
185
Edwards, Catharine, Roman presences: receptions of Rome in European culture, 1789-1945, Cambridge University Press, Cambridge, 1999.
186
Falasca-Zamponi, Simonetta, Fascist spectacle: the aesthetics of power in Mussolini’s Italy, University of California Press, Berkeley, 1997, vol. Studies on the history of society and culture.
187
K. von Henneberg, History & Memory, 2004, 16, 37–85.
188
Kelly, Christopher, The Roman Empire: a very short introduction, Oxford University Press, Oxford, 2006, vol. Very short introductions.
189
E. C. Kopff, Classical Bulletin.
190
R. Laurence, in The uses and abuses of antiquity, P. Lang, Bern, 1999, pp. 187–205.
191
A. E. Lewine, Studies in Mediterranean Antiquity .
192
J. Nelis, The Classical World, 2007, 100, 391–415.
193
A. Notaro, GeoJournal, 2000, 51, 15–22.
194
A. Notaro, in The hieroglyphics of space: reading and experiencing the modern metropolis, Routledge, London, 2000, pp. 59–69.
195
Painter, Borden W., Mussolini’s Rome: rebuilding the Eternal City, Palgrave Macmillan, New York, 2005, vol. Italian and Italian American studies.
196
J. S. Perry, International Journal of the Classical Tradition, 2001, 8, 205–216.
197
L. Quartermaine, in Urban society in Roman Italy, UCL Press, London, 1995, pp. 203–215.
198
M. Stone, in Roman presences: receptions of Rome in European culture, 1789-1945, Cambridge University Press, Cambridge, 1999, pp. 205–220.
199
R. F. Vishnia, The Italianist, 2008, 28, 246–267.
200
R. Visser, Journal of Contemporary History, 1992, 27, 5–22.
201
B. Mussolini, Edoardo. Susmel and D. Susmel, Opera omnia di Benito Mussolini, La Fenice, 1951.
202
M. Wyke, in The uses and abuses of antiquity, P. Lang, Bern, 1999, pp. 167–186.
203
Wyke, Maria, Caesar: a life in western culture, Granta, London, 2007.
204
Bernal, Martin, Black Athena: the Afroasiatic roots of classical civilization, Vol.1: The fabrication of Ancient Greece, 1785-1985, Free Association Books, London, 1987.
205
Halperin, David M., Saint Foucault: towards a gay hagiography, Oxford University Press, New York, 1995.
206
Foucault, Michel, The history of sexuality: Vol. 2: The use of pleasure, Penguin Books, London, 1985, vol. Penguin history.
207
Marx, Karl, The eighteenth brumaire of Louis Bonaparte, Lawrence & Wishart, London, 3rd rev. ed., 1954.
208
Armstrong, Richard H., A compulsion for antiquity: Freud and the ancient world, Cornell University Press, Ithaca, 2005, vol. Cornell studies in the history of psychiatry.
209
Bridges, Emma, Hall, Edith, and Rhodes, P. J., Cultural responses to the Persian Wars: antiquity to the third millennium, Oxford University Press, Oxford, 2007.
210
E. Hall, in A companion to classical receptions, Blackwell, Malden, Mass, 2008, vol. Blackwell companions to the ancient world.
211
E. Hall, in The return of Ulysses: a cultural history of Homer’s Odyssey, I.B. Tauris, London, 2008.
212
Gillespie, Carol and Hardwick, Lorna, Classics in postcolonial worlds, Oxford University Press, Oxford, 2007, vol. Classical presences.
213
Prins, Yopie, Victorian Sappho, Princeton University Press, Princeton, N.J., 1999.
214
Leonard, Miriam and Zajko, Vanda, Laughing with Medusa: classical myth and feminist thought, Oxford University Press, New York, 2006, vol. Classical presences.