1.
Molière, Piéjus, Anne, Chataignier, David, Caldicott, C. E. J., Forestier, Georges, Riffaud, Alain: Œuvres complètes. Gallimard, [Paris] (2010).
2.
Base textuelle FRANTEXT.
3.
Plautus, Titus Maccius: Amphitruo. Cambridge University Press, Cambridge, U.K. (2000).
4.
Plautus, Titus Maccius, Melo, Wolfgang David Cirilo de: Plautus. Harvard University Press, Cambridge, Mass (2011).
5.
Molière, Piéjus, Anne, Chataignier, David, Caldicott, C. E. J., Forestier, Georges, Riffaud, Alain: Œuvres complètes. Gallimard, [Paris] (2010).
6.
Racine, Jean, Viala, Alain, Morel, Jacques: Théâtre complet. Garnier, Paris (1980).
7.
Bourqui, Claude, Conesa, Gabriel: Les sources de Molière: répertoire critique des sources littéraires et dramatiques. SEDES, Paris (1999).
8.
Rotrou, Jean, Forestier, Georges: Théâtre complet. Société des textes français modernes, Paris (1998).
9.
Forehand, W.E.: Adaptation and Comic Intent: Plautus’ Amphitruo and Molière’s Amphitryon. Comparative literature studies. 11, 204–217 (1974).
10.
Kallendorf, Craig: A companion to the classical tradition. Blackwell, Oxford (2007).
11.
Lindberger, Örjan: The transformations of Amphitryon. Almqvist & Wiksell, Stockholm.
12.
Manuwald, Gesine: Roman drama: a reader. Duckworth, London (2010).
13.
Segal, Erich: Roman laughter: the comedy of Plautus. Oxford University Press, New York (1987).
14.
Shero, L.R.: Alcmena and Amphitryon in Ancient and Modern Drama. Transactions and Proceedings of the American Philological Association. 87, 192–238 (1956). https://doi.org/10.2307/283881.
15.
Bradby, David, Calder, Andrew: The Cambridge companion to Moliere. Cambridge University Press, Cambridge (2006).
16.
Calder, Andrew: Molière: the theory and practice of comedy. Athlone, London (1993).
17.
Charvet, P. E., Yarrow, P. J.: A literary history of France: Vol.3: The seventeenth century, 1600-1. (1967).
18.
Delcourt, Marie: La tradition des comiques anciens en France avant Molière. Faculté de philosophie et lettres, Liége (1934).
19.
Howarth, W. D.: Molière, a playwright and his audience. Cambridge University Press, Cambridge (1982).
20.
Pommier, R.: Sur une clef d’ Amphitryon. Revue d’histoire litteraire de la France. 96, 212–228 (1996).
21.
Scherer, J.: Dualités d’ Amphitryon. In: Molière - stage and study: essays in honour of W.G. Moore. pp. 185–197. Clarendon Press, Oxford (1973).
22.
Scott, Virginia: Molière: a theatrical life. Cambridge University Press, Cambridge (2000).
23.
Mallinson, J.: Molière Amphitryon – Rereading a Comedy. Nottingham French studies. 43–52 (1994).
24.
Beard, Mary, Henderson, John: Classical art: from Greece to Rome. Oxford University Press, Oxford (2001).
25.
Foucault, M.: Las Meninas. In: The order of things: an archaeology of the human sciences. Routledge, London (1989).
26.
Wyke, Maria: Projecting the past: ancient Rome, cinema, and history. Routledge, London (1997).
27.
Beard, Mary, Henderson, John: Classics: a very short introduction. Oxford University Press, Oxford (1995).
28.
Berger, John: Ways of seeing. Penguin, London (2008).
29.
Hardwick, Lorna, Stray, Christopher: A companion to classical receptions. Blackwell, Malden, Mass (2008).
30.
Haskell, Francis, Penny, Nicholas: Taste and the antique: the lure of classical sculpture, 1500-1900. Yale University Press, London (1998).
31.
Sandywell, Barry, Heywood, Ian: Interpreting visual culture: explorations in the hermeneutics of the visual. Routledge, London (1999).
32.
Marchand, Suzanne L.: Down from Olympus: archaeology and philhellenism in Germany, 1750-1970. Princeton University Press, Princeton, N.J (1996).
33.
Mirzoeff, Nicholas: The visual culture reader. Routledge, London (2002).
34.
Moatti, Claude: In search of ancient Rome. Thames and Hudson, London (1993).
35.
Nelson, Robert S.: Visuality before and beyond the Renaissance: seeing as others saw. Cambridge University Press, Cambridge, U.K. (2000).
36.
Martindale, Charles, Thomas, Richard F.: Classics and the uses of reception. Blackwell, Malden, Mass (2006).
37.
The Petrie Museum of Egyptian Archaeology.
38.
Memphis under Ptolemaic Rule.
39.
Hawara in the Roman period.
40.
Alpers, S.: The Museum as a Way of Seeing. In: Exhibiting cultures: the poetics and politics of museum display. Smithsonian Institution Press, London (1991).
41.
Galanakis, Ioannis, Greece, Ashmolean Museum: Heracles to Alexander the Great: treasures from the royal capital of Macedon, a Hellenic kingdom in the age of democracy. Ashmolean Museum, Oxford (2011).
42.
Ashton, Sally-Ann: Roman Egyptomania. Golden House, London (2004).
43.
Bailey, Donald M., British Museum, British Museum, British Museum: Catalogue of the terracottas in the British Museum: Volume IV: Ptolemaic and Roman terracottas from Egypt. British Museum, London (2008).
44.
Challis, Debbie: From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth, London (2008).
45.
Drower, Margaret S.: Flinders Petrie: a life in archaeology. University of Wisconsin Press, Madison, Wis (1995).
46.
Petrie, W. M. Flinders, Gardner, Ernest Arthur, Head, Barclay Vincent, Griffith, F. Ll, Smith, Cecil Harcourt-, Egypt Exploration Fund: Naukratis. Trübner, London (1886).
47.
Jenkins, Ian, British Museum: Archaeologists & aesthetes: in the Sculpture Galleries of the British Museum 1800-1939. Published for the Trustees of the British Museum by the British Museum Press, London (1992).
48.
Martindale, C.M., Thomas, R.F.: Introduction: Thinking Through Reception. In: Classics and the uses of reception. Blackwell, Malden, Mass (2006).
49.
Message, Kylie: New museums and the making of culture. Berg, Oxford (2006).
50.
Mitchell, Timothy: Colonising Egypt. University of California Press, Berkeley, Calif (1991).
51.
Moser, Stephanie, British Museum: Wondrous curiosities: ancient Egypt at the British Museum. University of Chicago Press, Chicago (2006).
52.
Newhouse, Victoria: Art and the power of placement. Monacelli Press, New York (2005).
53.
Petrie, W. M. Flinders, Smith, Charles Roach, Newberry, Percy E., Griffith, F. Ll, Sayce, A. H.: Hawara, Biahmu, and Arsinoe. Field & Tuer, London (1889).
54.
Prettejohn, E.: Reception and Ancient Art: The Case of the Venus de Milo. In: Classics and the uses of reception. Blackwell, Malden, Mass (2006).
55.
Shanks, M., Tilley, C.: Presenting the Past: toward a redemptive aesthetic for the museum. In: Re-constructing archaeology: theory and practice. pp. 68–99. Routledge, London (1992).
56.
Simpson, Moira: Making representations: museums in the post-colonial era. Routledge, London (1996).
57.
Spencer, Patricia: The Egypt Exploration Society: the early years. Egypt Exploration Society, London (2007).
58.
Thompson, Dorothy J.: Memphis under the Ptolemies. Princeton University Press, Guildford (1988).
59.
Svetlana, A.: The Museum as a Way of Seeing. In: Exhibiting cultures: the poetics and politics of museum display. Smithsonian Institution Press, London (1991).
60.
Anderson, R. G. W., British Museum: Enlightening the British: knowledge, discovery and the museum in the eighteenth century. British Museum Press, [London] (2003).
61.
Bennett, Tony: The birth of the museum: history, theory, politics. Routledge, London (1995).
62.
Caygill, Marjorie: The British Museum: 250 years. British Museum, London (2003).
63.
Caygill, Marjorie, British Museum: Treasures of the British Museum. British Museum Press, London (2009).
64.
Cuno, James B.: Who owns antiquity?: museums and the battle over our ancient heritage. Princeton University Press, Oxford (2008).
65.
Cuno, James B.: Whose culture?: the promise of museums and the debate over antiquities. Princeton University Press, Oxford (2009).
66.
Gidal, Eric: Poetic exhibitions: romantic aesthetics and the pleasures of the British Museum. Bucknell University Press, Lewisburg [Pa.] (2001).
67.
Jenkins, Ian, British Museum: Archaeologists & aesthetes: in the Sculpture Galleries of the British Museum 1800-1939. Published for the Trustees of the British Museum by the British Museum Press, London (1992).
68.
Jenkins, Ian, Sloan, Kim, British Museum: Vases & volcanoes: Sir William Hamilton and his collection. published for the Trustees of the British Museum by the British Museum Press, London (1996).
69.
Macleod, Suzanne: Reshaping museum space: architecture, design, exhibitions. Routledge, London (2005).
70.
Macdonald, Sharon: A companion to museum studies. Blackwell, Malden, Mass (2006).
71.
Porter, Roy: The Enlightenment. Palgrave, Basingstoke (2001).
72.
Sloan, Kim, Burnett, Andrew, British Museum: Enlightenment: discovering the world in the eighteenth century. British Museum, London (2003).
73.
Wilson, David M., British Museum: The British Museum: a history. British Museum Press, London (2002).
74.
British Museum - Room 1: Enlightenment.
75.
Cogan, Eliezer: An address to the dissenters on classical literature: By E. Cogan. printed by S. Rudder. And sold by S. Crowder, London, Cirencester (1789).
76.
Gillies, John: An inquiry, whether the study of the ancient languages be a necessary branch of modern education? Wherein, by the way, some observations are made on a late performance, intitled, Essays on the origin of colleges. printed by Sands, Murray, and Cochran. Sold by W. Gray, Edinburgh; by D. Baxter, Glasgow; and by J. Knox, London, Edinburgh (1769).
77.
McKitterick, D.: Publishing and perishing in classics: E. H. Barker and the early nineteenth-century book trades. In: Classical books: scholarship and publishing in Britain since 1800. Institute of Classical Studies, London (2007).
78.
Morgan, Victor, Brooke, Christopher Nugent Lawrence: A history of the University of Cambridge: Vol. 2: 1546-1750. Cambridge University Press, Cambridge (2004).
79.
Searby, Peter: A history of the University of Cambridge: Vol. 3: 1750-1870. Cambridge University Press, Cambridge (1997).
80.
Priestley, Joseph: Miscellaneous observations relating to education: More especially as it respects the conduct of the mind. The second edition. By Joseph Priestley. printed by M. Swinney, for J. Johnson, London, Birmingham (1788).
81.
Aston, T. H., Mitchell, L. G., Sutherland, Lucy Stuart: The history of the University of Oxford: Vol.5: The eighteenth century. Clarendon, Oxford (1986).
82.
Stray, C.: Ideology and Institution: English Classical Scholarship in Transition. Annals of scholarship : metastudies of the humanities and social sciences. . 10, 111–131 (1993).
83.
Stray, C.: Scholars and Gentlemen: Towards a Sociology of English Classical Scholarship. In: Aspects of nineteenth-century British classical scholarship: eleven essays. Liverpool Classical Monthly, Liverpool (1996).
84.
Stray, C.: Non-identical twins: classics at nineteenth-century Oxford. In: Oxford classics: teaching and learning, 1800-2000. Duckworth, London (2007).
85.
Brink, C. O.: English classical scholarship: historical reflections on Bentley, Porson and Housman. Clarke, Cambridge (1986).
86.
Clarke, M. L.: Greek studies in England 1700-1830. Cambridge University Press, Cambridge (1945).
87.
Jocelyn, H. D.: Philology and education: a review discussion of C.O. Brink’s English classical scholarship : historical reflections on Bentley, Porson and Housman. Liverpool Classical Monthly, Liverpool, England (1988).
88.
Pfeiffer, Rudolf: History of classical scholarship, from 1300 to 1850. Clarendon Press, Oxford (1976).
89.
Stephen, B.: New College, Hackney (1786-96): A Selection of Printed and Archival Sources.
90.
P. O’Brien: Warrington Academy, 1757-86. Owl Books, Wigan (1989).
91.
Simon, Brian: The two nations and the educational structure, 1780-1870. Lawrence & Wishart, London (1974).
92.
Ayres, Philip J.: Classical culture and the idea of Rome in eighteenth-century England. Cambridge University Press, Cambridge, U.K (1997).
93.
Jenkyns, Richard: The Victorians and Ancient Greece. Blackwell, Oxford.
94.
Kallendorf, Craig: A companion to the classical tradition. Blackwell, Oxford (2007).
95.
Turner, Frank M.: The Greek heritage in Victorian Britain. Yale University Press, London (1981).
96.
Turner, F.M.: Why the Greeks and not the Romans in Victorian Britain? In: Rediscovering Hellenism: the Hellenic inheritance and the English imagination. Cambridge University Press, Cambridge (1989).
97.
Grafton, A.: Polyhistor into Philolog: Notes on the Transformation of German Classical Scholarship, 1780–1850. History of universities. . 3, 159–192 (1983).
98.
Grafton, Anthony: The footnote: a curious history. Harvard University Press, Cambridge, Mass (1997).
99.
Legaspi, M.: The Quest for Classical Antiquity at Eighteenth-Century Göttingen. History of universities. . 24, 139–172 (2009).
100.
Momigliano, A.: New Paths of Classicism in the Nineteenth Century. History and Theory (Beiheft). 21, (1982).
101.
Kyriakos Demetriou: Classics in the Nineteenth Century. Thoemmes Continuum.
102.
Pocock, J. G. A.: Barbarism and religion. Cambridge University Press, Cambridge (1999).
103.
Sophocles, Pound, Ezra: Women of Trachis. N. Spearman, London (1956).
104.
Eliot, T.S.: The Family Reunion . In: The complete poems and plays. Faber and Faber, London (1969).
105.
Aeschylus, Shapiro, Alan, Burian, Peter: The Oresteia. Oxford University Press, Oxford (2003).
106.
The Women of Trachis. In: The complete Sophocles. Oxford University Press, Oxford.
107.
Sophocles, Fleming, Rudd, Reid, Richard, Pound, Ezra: Elektra: a play. Princeton University Press, Princeton (1989).
108.
Eliot, T. S.: The complete poems and plays. Faber, London (1969).
109.
Gordon, Lyndall: Eliot’s new life. Oxford University Press, Oxford (1988).
110.
Hinchliffe, Arnold P.: T.S. Eliot: plays. Macmillan, London (1985).
111.
Eliot, T. S.: Selected essays. Faber, London (1951).
112.
Eliot, T. S.: On poetry and poets: [essays]. Farrar, Straus and Cudahy, New York (1957).
113.
Browne, E. Martin: The making of T.S. Eliot’s plays. Cambridge University Press, Cambridge (1969).
114.
Moody, Anthony David: The Cambridge companion to T.S. Eliot. Cambridge University Press, Cambridge (1994).
115.
Moody, Anthony David: Thomas Stearns Eliot, poet. Cambridge University Press, Cambridge (1994).
116.
Moody, Anthony David: Tracing T.S. Eliot’s spirit: essays on his poetry and thought. Cambridge University Press, Cambridge (1996).
117.
Tanner, R.G.: The Dramas of T. S. Eliot and Their Greek Models. Greece & Rome. 17, 123–134 (1970).
118.
Harrop, S.: Ezra Pound’s Women of Trachis: Modernist Translation as Performance Text. Platform. 3, (2008).
119.
Mason, H.A.: The Women of Trachis. Arion. 2, 59–81 (1963).
120.
Nadel, Ira Bruce: The Cambridge companion to Ezra Pound. Cambridge University Press, Cambridge (1999).
121.
Pound, Ezra: Make it new: essays. Yale University Press, New Haven (1935).
122.
Pound, Ezra: Guide to kulchur. New Directions, Norfolk, Conn (1952).
123.
Pound, Ezra, Eliot, T. S.: Literary essays of Ezra Pound. Faber, London (1954).
124.
Sullivan, J.P.: Ezra Pound on Classics and Classicists. Arion. 3, 9–22 (1964).
125.
Jenkins, Lee M., Davis, Alex: The Cambridge companion to modernist poetry. Cambridge University Press, Cambridge (2007).
126.
Kallendorf, Craig: A companion to the classical tradition. Blackwell, Oxford (2007).
127.
Levenson, Michael: The Cambridge companion to modernism. Cambridge University Press, Cambridge (1999).
128.
Whitworth, Michael H.: Reading modernist poetry. Wiley-Blackwell, Oxford (2010).
129.
Hardwick, L.: Film and Poetry. In: Reception studies. pp. 71–97. Oxford University Press, Oxford (2003).
130.
MacKinnon, Kenneth: Greek tragedy into film. Fairleigh Dickinson University Press, Rutherford (1986).
131.
Michelakis, P.: Greek Tragedy in Cinema: Theatre, Politics, History. In: Dionysus since 69: Greek tragedy at the dawn of the third millennium. pp. 199–217. Oxford University Press, [Oxford] (2004).
132.
Solomon, J.: Melpomene: Ancient Tragedy and the Satyricon. In: The ancient world in the cinema. pp. 259–274. Yale University Press, London (2001).
133.
Aitken, Ian: European film theory and cinema: a critical introduction. Edinburgh University Press, Edinburgh (2001).
134.
BAKOGIANNI, A.: ALL IS WELL THAT ENDS TRAGICALLY: FILMING GREEK TRAGEDY IN MODERN GREECE. Bulletin of the Institute of Classical Studies. 51, 119–167 (2008). https://doi.org/10.1111/j.2041-5370.2008.tb00278.x.
135.
BAKOGIANNI, A.: VOICES OF RESISTANCE: MICHAEL CACOYANNIS’ THE TROJAN WOMEN (1971). Bulletin of the Institute of Classical Studies. 52, 45–68 (2010). https://doi.org/10.1111/j.2041-5370.2009.tb00746.x.
136.
Hardwick, L.: Film and Poetry. In: Reception studies. pp. 71–97. Oxford University Press, Oxford (2003).
137.
Kaplan, E.A.: Classical Hollywood Film and Melodrama. In: The Oxford guide to film studies. pp. 272–288. Oxford University Press, Oxford (1998).
138.
Kolker, R.P.: The Film Text and Film Form. In: The Oxford guide to film studies. pp. 11–29. Oxford University Press, Oxford (1998).
139.
MacKinnon, Kenneth: Greek tragedy into film. Fairleigh Dickinson University Press, Rutherford (1986).
140.
Marianne McDonald: Euripides in cinema. Centrum Philadelphia, Philadelphia (1983).
141.
McDonald, M.: Eye of the Camera, Eye of the Victim: Iphigenia by Euripides and Cacoyannis. In: Classical myth & culture in the cinema. pp. 90–117. Oxford University Press, Oxford (2001).
142.
McDonald, M.: A New Hope: Film as a Teaching Tool for Classics. In: A companion to classical receptions. pp. 327–341. Blackwell, Malden, Mass (2008).
143.
McDonald, M., Winkler, M.M.: Michael Cacoyannis and Irene Papa on Greek Tragedy. In: Classical myth & culture in the cinema. pp. 72–89. Oxford University Press, Oxford (2001).
144.
Michelakis, P.: The Past as a Foreign Country? Greek Tragedy, Cinema and the Politics of Space. In: Homer, tragedy and beyond: essays in honour of P.E. Easterling. pp. 241–257. Society for the Promotion of Hellenic Studies, London (2001).
145.
Michelakis, P.: Greek Tragedy in Cinema: Theatre, Politics, History. In: Dionysus since 69: Greek tragedy at the dawn of the third millennium. pp. 199–217. Oxford University Press, [Oxford] (2004).
146.
Michelakis, P.: Reception, Performance, and the Sacrifice of Iphigenia. In: Classics and the uses of reception. pp. 219–226. Blackwell, Malden, Mass (2006).
147.
Nisbet, Gideon: Ancient Greece in film and popular culture. Bristol Phoenix, Bristol (2006).
148.
Paul, J.: Working with Film: Theories and Methodologies. In: A companion to classical receptions. pp. 303–314. Blackwell, Malden, Mass (2008).
149.
Pomeroy, Arthur John: Then it was destroyed by the volcano: the ancient world in film and on television. Duckworth, London (2008).
150.
Rose, P.W.: Teaching Classical Myth and Confronting Contemporary Myths. In: Classical myth & culture in the cinema. pp. 291–318. Oxford University Press, Oxford (2001).
151.
Solomon, J.: Melpomene: Ancient Tragedy and the Satyricon. In: The ancient world in the cinema. pp. 259–274. Yale University Press, London (2001).
152.
Sorlin, Pierre: European cinemas, European societies, 1939-1990. Routledge, New York (1991).
153.
Stoddart, H.: Auteurism and Film Authorship Theory. In: Approaches to popular film. pp. 37–58. Manchester University Press, Manchester (1995).
154.
Vincendeau, G.: Issues in European Cinema. In: The Oxford guide to film studies. pp. 440–448. Oxford University Press, Oxford (1998).
155.
Walton, J. Michael: Euripides our contemporary. Methuen Drama, London (2009).
156.
Winkler, Martin M.: Cinema and classical texts: Apollo’s new light. Cambridge University Press, Cambridge (2009).
157.
Zacharia, K.: "Reel” Hellenisms: Perceptions of Greece in Greek Cinema. In: Hellenisms: culture, identity, and ethnicity from antiquity to modernity. pp. 321–353. Ashgate Variorum, Aldershot (2008).
158.
Bohannan, , L.: Shakespeare in the Bush. An American anthropologist set out to study the Tiv of West Africa and was taught the true meaning of Hamlet.
159.
Coleman, K.M.: The Pedant Goes to Hollywood: The Role of the Academic Consultant. In: Gladiator: film and history. pp. 45–52. Blackwell Pub, Malden, MA (2004).
160.
Gardner, , A.: The Past as Playground: The Ancient World in Video Game Representation. In: Archaeology and the media. pp. 255–272. Left Coast Press, Walnut Creek, Calif (2007).
161.
Kristensen, T.M.: Special Reviews Section: Archaeological engagements: new media and beyond. European Journal of Archaeology. 10, 73–74 (2007). https://doi.org/10.1177/1461957108091483.
162.
Eric Greene: Planet of the apes as American myth. Wesleyan University Press, Hanover, NH (1998).
163.
Hall, E.: Towards a Theory of Performance Reception. Arion. 12, 51–89 (2004).
164.
Hardwick, Lorna, Classical Association (Great Britain): Reception studies. Oxford University Press, Oxford (2003).
165.
HOBDEN, F.: History Meets Fiction in Doctor Who, ‘The Fires of Pompeii’: A BBC Reception of Ancient Rome on Screen and Online. Greece and Rome. 56, (2009). https://doi.org/10.1017/S0017383509990015.
166.
Holtsmark, Erling B.: Tarzan and tradition: classical myth in popular literature. Greenwood Press, Westport, Conn (1981).
167.
James, P.: Crossing Classical Thresholds: Gods, Monsters and Hell Dimensions in the Whedon Universe. In: Classics for all: reworking antiquity in mass culture. pp. 237–261. Cambridge Scholars, Newcastle upon Tyne (2009).
168.
Kovacs, George, Marshall, C. W.: Classics and comics. Oxford University Press, New York (2011).
169.
Lowe, Dunstan, Shahabudin, Kim: Classics for all: reworking antiquity in mass culture. Cambridge Scholars, Newcastle upon Tyne (2009).
170.
Marshall, C.W.: The Furies, Wonder Woman, and Dream: Mythmaking in DC Comics. In: Classics and comics. pp. 89–101. Oxford University Press, New York (2011).
171.
Nisbet, Gideon: Ancient Greece in film and popular culture. Bristol Phoenix, Bristol (2006).
172.
Pitcher, L.V.: Saying ‘Shazam’: The Magic of Antiquity in Superhero Comics. New Voices in Classical Reception. (2009).
173.
Pomeroy, Arthur John: Then it was destroyed by the volcano: the ancient world in film and on television. Duckworth, London (2008).
174.
Potter, A.: Hell Hath No Fury Like a Dissatisfied Viewer: Audience Responses to the Presentation of the Furies in Xena: Warrior Princess and Charmed. In: Classics for all: reworking antiquity in mass culture. pp. 217–236. Cambridge Scholars, Newcastle upon Tyne (2009).
175.
Goldhill, S.: Naked and O Brother, Where Art Thou? The Politics and Poetics of Epic Cinema. In: Homer in the twentieth century: between world literature and the western canon. pp. 245–267. Oxford University Press, Oxford (2007).
176.
Siegel, J.: The Coens’ ‘O Brother, Where Art Thou?’ and Homer’s Odyssey. Mouseion: Journal of the Classical Association of Canada. 7, 213–245 (2008). https://doi.org/10.1353/mou.0.0029.
177.
PALUMBO, D.: The Monomyth in James Cameron’s The Terminator: Sarah as Monomythic Heroine. The Journal of Popular Culture. 41, 413–427 (2008). https://doi.org/10.1111/j.1540-5931.2008.00528.x.
178.
Roisman, H.M.: Predestination in Greek Literature and the Terminator Films. Classical and modern literature. 21, 99–107 (2001).
179.
Bowman, L.: Buffy the Vampire Slayer: The Greek Hero Revisited, (2002).
180.
Marshall, C.W.: Aeneas the Vampire Slayer: A Roman Model for Why Giles Kills Ben. Slayage: The Online International Journal of Buffy Studies. 3, 34–39 (2003).
181.
Bondanella, Peter E.: The eternal city: Roman images in the modern world. University of North Carolina Press, Chapel Hill (1987).
182.
Berezin, Mabel: Making the fascist self: the political culture of interwar Italy. Cornell University Press, Ithaca, [N.Y.] (1997).
183.
Caprotti, F.: Scipio Africanus: film, internal colonization and empire. Cultural Geographies. 16, 381–401 (2009). https://doi.org/10.1177/1474474009105054.
184.
Dunnett, J.: The rhetoric of romanità: representations of Caesar in fascist theatre. In: Julius Caesar in western culture. pp. 244–265. Blackwell, Malden, MA (2006).
185.
Edwards, Catharine: Roman presences: receptions of Rome in European culture, 1789-1945. Cambridge University Press, Cambridge (1999).
186.
Falasca-Zamponi, Simonetta: Fascist spectacle: the aesthetics of power in Mussolini’s Italy. University of California Press, Berkeley (1997).
187.
Henneberg, K. von: Monuments, Public Space, and the Memory of Empire in Modern Italy. History & Memory. 16, 37–85 (2004). https://doi.org/10.2979/HIS.2004.16.1.37.
188.
Kelly, Christopher: The Roman Empire: a very short introduction. Oxford University Press, Oxford (2006).
189.
Kopff, E.C.: Italian fascism and the Roman empire. Classical Bulletin. 76, (2000).
190.
Laurence, R.: Tourism, townplanning and romanitas: Rimini’s Roman heritage. In: The uses and abuses of antiquity. pp. 187–205. P. Lang, Bern (1999).
191.
Lewine, A.E.: Ancient Rome in modern Italy: Mussolini’s manipulation of Roman history in the Mostra Augustea della romanità. Studies in Mediterranean Antiquity . 2, (2008).
192.
Nelis, J.: Constructing Fascist Identity: Benito Mussolini and the Myth of ‘Romanità’. The Classical World. 100, 391–415 (2007).
193.
Notaro, A.: Exhibiting the New Mussolinian City: Memories of empire in the World Exhibition of Rome (EUR) . GeoJournal. 51, 15–22 (2000). https://doi.org/10.1023/A:1010893010920.
194.
Notaro, A.: Resurrecting an imperial past: Strategies of self-representation and "masquerade” in fascist Rome (1934-1938). In: The hieroglyphics of space: reading and experiencing the modern metropolis. pp. 59–69. Routledge, London (2000).
195.
Painter, Borden W.: Mussolini’s Rome: rebuilding the Eternal City. Palgrave Macmillan, New York (2005).
196.
Perry, J.S.: Ancient Collegia, modern blackshirts?: The study of Roman corporations in fascist Italy. International Journal of the Classical Tradition. 8, 205–216 (2001). https://doi.org/10.1007/BF02701807.
197.
Quartermaine, L.: "Slouching towards Rome”: Mussolini’s imperial vision. In: Urban society in Roman Italy. pp. 203–215. UCL Press, London (1995).
198.
Stone, M.: A flexible Rome: Fascism and the cult of romanità. In: Roman presences: receptions of Rome in European culture, 1789-1945. pp. 205–220. Cambridge University Press, Cambridge (1999).
199.
Vishnia, R.F.: Ancient Rome in Italian cinema under Mussolini: The case of <I>Scipione l’Africano</I>. The Italianist. 28, 246–267 (2008). https://doi.org/10.1179/026143408X363550.
200.
Visser, R.: Fascist Doctrine and the Cult of the Romanita. Journal of Contemporary History. 27, 5–22 (1992).
201.
Mussolini, B., Susmel, Edoardo., Susmel, D.: Opera omnia di Benito Mussolini. La Fenice (1951).
202.
Wyke, M.: Sawdust Caesar: Mussolini, Julius Caesar, and the drama of dictatorship. In: The uses and abuses of antiquity. pp. 167–186. P. Lang, Bern (1999).
203.
Wyke, Maria: Caesar: a life in western culture. Granta, London (2007).
204.
Bernal, Martin: Black Athena: the Afroasiatic roots of classical civilization, Vol.1: The fabrication of Ancient Greece, 1785-1985. Free Association Books, London (1987).
205.
Halperin, David M.: Saint Foucault: towards a gay hagiography. Oxford University Press, New York (1995).
206.
Foucault, Michel: The history of sexuality: Vol. 2: The use of pleasure. Penguin Books, London (1985).
207.
Marx, Karl: The eighteenth brumaire of Louis Bonaparte. Lawrence & Wishart, London (1954).
208.
Armstrong, Richard H.: A compulsion for antiquity: Freud and the ancient world. Cornell University Press, Ithaca (2005).
209.
Bridges, Emma, Hall, Edith, Rhodes, P. J.: Cultural responses to the Persian Wars: antiquity to the third millennium. Oxford University Press, Oxford (2007).
210.
Hall, E.: Putting the Class into Classical Reception. In: A companion to classical receptions. Blackwell, Malden, Mass (2008).
211.
Hall, E.: Class Consciousness. In: The return of Ulysses: a cultural history of Homer’s Odyssey. I.B. Tauris, London (2008).
212.
Gillespie, Carol, Hardwick, Lorna: Classics in postcolonial worlds. Oxford University Press, Oxford (2007).
213.
Prins, Yopie: Victorian Sappho. Princeton University Press, Princeton, N.J. (1999).
214.
Leonard, Miriam, Zajko, Vanda: Laughing with Medusa: classical myth and feminist thought. Oxford University Press, New York (2006).