[1]
R. H. Armstrong, A compulsion for antiquity: Freud and the ancient world, vol. Cornell studies in the history of psychiatry. Ithaca: Cornell University Press, 2005 [Online]. Available: https://www.jstor.org/stable/10.7591/j.ctv2n7fvx
[2]
M. Beard and J. Henderson, Classics: a very short introduction, vol. Oxford paperbacks. Oxford: Oxford University Press, 1995.
[3]
M. Wyke and M. D. Biddiss, The uses and abuses of antiquity. Bern: P. Lang, 1999.
[4]
P. E. Bondanella, The eternal city: Roman images in the modern world. Chapel Hill: University of North Carolina Press, 1987.
[5]
C. Edwards, Roman presences: receptions of Rome in European culture, 1789-1945. Cambridge: Cambridge University Press, 1999.
[6]
R. Étienne and F. Etienne, The search for ancient Greece, vol. New horizons. London: Thames and Hudson, 1992.
[7]
K. Galinsky, Classical and modern interactions: postmodern architecture, multiculturalism, decline, and other issues, 1st ed. Austin: University of Texas Press, 1992.
[8]
P. Godman and O. Murray, Latin poetry and the classical tradition: essays in medieval and Renaissance literature, vol. Oxford-Warburg studies. Oxford: Clarendon Press, 1990.
[9]
B. E. Goff, Classics and colonialism. London: Duckworth, 2005.
[10]
S. Goldhill, Love, sex & tragedy: how the ancient world shapes our lives. Chicago: University of Chicago Press, 2004.
[11]
S. Goldhill, Victorian culture and classical antiquity: art, opera, fiction, and the proclamation of modernity, vol. Martin classical lectures. Princeton, NJ: Princeton University Press, 2011 [Online]. Available: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt7rvwp
[12]
S. Goldhill, Who needs Greek?: contests in the cultural history of Hellenism. Cambridge: Cambridge University Press, 2002.
[13]
A. Grafton, G. W. Most, and S. Settis, The classical tradition, vol. Harvard University Press reference library. Cambridge, Mass: Belknap Press of Harvard University Press, 2010.
[14]
B. Graziosi and E. Greenwood, Homer in the twentieth century: between world literature and the western canon, vol. Classical presences. Oxford: Oxford University Press, 2007 [Online]. Available: https://doi.org/10.1093/acprof:oso/9780199298266.001.0001
[15]
E. Hall, F. Macintosh, and A. Wrigley, Dionysus since 69: Greek tragedy at the dawn of the third millennium. [Oxford]: Oxford University Press, 2004.
[16]
E. Hall, The return of Ulysses: a cultural history of Homer’s Odyssey. London: I.B. Tauris, 2008 [Online]. Available: https://www-bloomsburycollections-com.libproxy.ucl.ac.uk/monograph?docid=b-9780755693894
[17]
L. Hardwick and C. Stray, A companion to classical receptions, vol. Blackwell companions to the ancient world. Malden, Mass: Blackwell, 2008.
[18]
L. Hardwick and Classical Association (Great Britain), Reception studies, vol. Greece&Rome. Oxford: Oxford University Press, 2003.
[19]
L. Hardwick and S. J. Harrison, Classics in the modern world: a democratic turn?, vol. Classical presences. Oxford: Oxford University Press, 2013 [Online]. Available: https://academic.oup.com/book/3122
[20]
S. J. Harrison, Texts, ideas, and the classics: scholarship, theory, and classical literature. Oxford: Oxford University Press, 2001.
[21]
F. Haskell and N. Penny, Taste and the antique: the lure of classical sculpture, 1500-1900. New Haven: Yale University Press, 1998.
[22]
G. Highet, The classical tradition: Greek and Roman influences on western literature. London: Oxford University Press, 1949.
[23]
R. Hingley, Roman officers and English gentlemen: the imperial origins of Roman archaeology. New York: Routledge, 2000.
[24]
H. R. Jauss, Toward an aesthetic of reception, vol. Theory and history of literature. Minneapolis: University of Minnesota Press, 1982.
[25]
R. Jenkyns, Dignity and decadence: Victorian art and the classical inheritance. London: HarperCollins, 1991.
[26]
R. Jenkyns, The Legacy of Rome: a new appraisal. Oxford: Oxford University Press, 1992.
[27]
R. Jenkyns, The Victorians and Ancient Greece. Oxford: Blackwell, 1980.
[28]
C. Kallendorf, A companion to the classical tradition, vol. Blackwell companions to the ancient world. Oxford: Blackwell, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=284257
[29]
J. Kraye, The Cambridge companion to Renaissance humanism, vol. The Cambridge companions complete collection. Cambridge: Cambridge University Press, 2006 [Online]. Available: http://dx.doi.org/10.1017/CCOL0521430380
[30]
M. Leonard, Athens in Paris: Ancient Greece and the political in post-war French thought, vol. Classical presences. Oxford: Oxford University Press, 2005 [Online]. Available: https://doi.org/10.1093/acprof:oso/9780199277254.001.0001
[31]
H. Lloyd-Jones, Blood for the ghosts: classical influences in the nineteenth and twentieth centuries. London: Duckworth, 1982.
[32]
H. Lloyd-Jones, Classical survivals: the classics in the modern world. London: Duckworth, 1982.
[33]
S. L. Marchand, Down from Olympus: archaeology and philhellenism in Germany, 1750-1970. Princeton, N.J.: Princeton University Press, 2003 [Online]. Available: https://hdl-handle-net.libproxy.ucl.ac.uk/2027/heb02307.0001.001
[34]
C. Martindale and R. F. Thomas, Classics and the uses of reception, vol. Classical receptions. Malden, Mass: Blackwell, 2006 [Online]. Available: https://onlinelibrary-wiley-com.libproxy.ucl.ac.uk/doi/book/10.1002/9780470774007
[35]
C. Martindale, Redeeming the text: Latin poetry and the hermeneutics of reception, vol. Roman literature and its contexts. Cambridge: Cambridge University Press, 1993.
[36]
C. Moatti, In search of ancient Rome, vol. New horizons. London: Thames and Hudson, 1993.
[37]
F. W. Nietzsche and D. Smith, The birth of tragedy, vol. Oxford world’s classics. Oxford: Oxford University Press, 2000 [Online]. Available: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=56036&site=ehost-live&scope=site&custid=s8454451
[38]
R. Pfeiffer, History of classical scholarship, from 1300 to 1850. Oxford: Clarendon Press, 1976.
[39]
R. Pfeiffer, History of classical scholarship from the beginnings to the end of the Hellenistic age. Oxford: Clarendon Press, 1968.
[40]
J. I. Porter, Nietzsche and the philology of the future. Stanford, Calif: Stanford University Press, 2000.
[41]
Y. Prins, Victorian Sappho. Princeton, N.J.: Princeton University Press, 1999 [Online]. Available: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctv173f0k3
[42]
L. D. Reynolds and N. G. Wilson, Scribes and scholars: a guide to the transmission of Greek and Latin literature, Fourth edition. Oxford: Oxford University Press, 2013.
[43]
L. D. Reynolds, Texts and transmission: a survey of the Latin classics. Oxford: Clarendon, 1983.
[44]
D. J. Schmidt, On Germans & other Greeks: tragedy and ethical life, vol. Studies in Continental thought. Bloomington: Indiana University Press, 2001 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780253108623
[45]
S. Settis, The future of the ‘classical’. Cambridge: Polity, 2006.
[46]
M. S. Silk, I. Gildenhard, and R. J. Barrow, The classical tradition: art, literature, thought. Chichester: Wiley Blackwell, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1563641
[47]
M. S. Silk and J. P. Stern, Nietzsche on tragedy. Cambridge: Cambridge University Press, 1981.
[48]
C. Stray, Classics transformed: schools, universities and society in England, 1830-1960. Oxford: Clarendon Press, 1998.
[49]
N. Vance, The Victorians and Ancient Rome. Oxford, UK: Blackwell Publishers, 1997.
[50]
U. von Wilamowitz-Moellendorff and H. Lloyd-Jones, History of classical scholarship. London: Duckworth, 1982.
[51]
M. M. Winkler, Classical myth & culture in the cinema. Oxford: Oxford University Press, 2001.
[52]
M. Wyke, Projecting the past: ancient Rome, cinema, and history, vol. The new ancient world. New York: Routledge, 1997.