[1]
A naming handbook: 2014. http://www.slideshare.net/WolffOlins/a-naming-handbook-from-wolff-olins.
[2]
Al-Kuwārī, A.K. 2012. The visions and strategies of the GCC countries from the perspective of reforms: the case of Qatar. Contemporary Arab Affairs. 5, 1 (2012).
[3]
Ames, M.M. 2013. Introduction. Thirty-one propositions on changing museums: an introduction to the Glenbow case study. Museums and the paradox of change: a case study in urgent adaptation. Routledge. 1–7.
[4]
Ames, M.M. 2001. Why post-millennial museums will need fuzzy guerrillas. Academic anthropology and the museum: back to the future. M. Bouquet, ed. Berghahn Books. 200–211.
[5]
Arnstein, S.R. 1969. A ladder of citizen participation. Journal of the American Institute of Planners. 35, 4 (1969).
[6]
Askerud, P. and Clément, E. 1997. Preventing the illicit traffic in cultural property: a resource handbook for the implementation of the 1970 UNESCO convention. UNESCO, Division of Cultural Heritage.
[7]
Atwood, Roger 2004. Stealing history: tomb raiders, smugglers, and the looting of the ancient world. St. Martin’s Griffin.
[8]
Barkan, E. and Bush, R. eds. 2002. Claiming the stones naming the bones: cultural property and the negotiation of national and ethnic identity. Getty Research Institute.
[9]
Barkan, Elazar 2000. The guilt of nations: restitution and negotiating historical injustices. Norton.
[10]
Bator, P.M. 1982. An essay on the international trade in art. Stanford Law Review. 34, 2 (1982). DOI:https://doi.org/10.2307/1228349.
[11]
BBC News. Entertainment & Arts 2013. Museums ‘ditching staff for volunteers’. (2013).
[12]
Beer, V. 1994. The problem and promise of museum goals. Museum management. K. Moore, ed. Routledge. 31–40.
[13]
Boardsource 2012. The source: twelve principles of governance that power exceptional Boards. Reinventing the museum: the evolving conversation on the paradigm shift. G. Anderson, ed. AltaMira Press.
[14]
Bodo, S. 2009. The challenge of creating "third spaces”. Guidlines for MAP for ID pilot projects. Museums as places for intercultural dialogue: selected practices from Europe. S. Bodo et al., eds. MAP for ID Group.
[15]
Boylan, P.J. 2001. The concept of protection in times of armed conflict: from the crusades to the new millennium. Illicit antiquities : the theft of culture and the extinction of archaeology. N. Brodie and K.W. Tubb, eds. Routledge. 43–108.
[16]
Bradford, H. 1994. A new framework for museum marketing. Museum management. K. Moore, ed. Routledge. 41–51.
[17]
Brodie, N. ed. 2006. Archaeology, cultural heritage, and the antiquities trade. University Press of Florida.
[18]
Brodie, N. et al. 2000. Stealing history : The illicit trade in cultural material. McDonald Institute for Archaeological Research.
[19]
Brodie, N. et al. eds. 2001. Trade in illicit antiquities: the destruction of the world’s archaeological heritage. McDonald Institute for Archaeological Research.
[20]
Brodie, N. and Tubb, K.W. eds. 2002. Illicit antiquities: the theft of culture and the extinction of archaeology. Routledge.
[21]
Center for the Future of Museums: http://www.aam-us.org/resources/center-for-the-future-of-museums.
[22]
Center for the Future of Museums 2010. Demographic transformation and the future of museums. American Association of Museums.
[23]
Center for the Future of Museums 2008. Museums & society 2034: trends and potential futures. American Association of Museums.
[24]
Center for the Future of Museums [blog]: http://futureofmuseums.blogspot.co.uk/.
[25]
Chait, R.P. et al. 2012. Governance as leadership: bringing new governing mindsets to old challenges. Reinventing the museum: the evolving conversation on the paradigm shift. G. Anderson, ed. AltaMira Press.
[26]
Chamberlain, Kevin 2004. War and cultural heritage: an analysis of the 1954 Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two Protocols. Institute of Art and Law.
[27]
Chasing Aphrodite: the hunt for looted antiquities in the world’s museums [blog]: http://chasingaphrodite.com/.
[28]
Christina Cameron 2008. From Warsaw to Mostar: the World Heritage Committee and authenticity. APT Bulletin. 39, 2 (2008), 19–24.
[29]
Clifford, J. 1997. Museums as contact zones. Routes: travel and translation in the late twentieth century. Harvard University Press. 188–219.
[30]
Code of ethics for museums: 2000. http://www.aam-us.org/resources/ethics-standards-and-best-practices/code-of-ethics.
[31]
Code of ethics for museums: http://www.museumsassociation.org/ethics/code-of-ethics.
[32]
Coffee, K. 2008. Cultural inclusion, exclusion and the formative roles of museums. Museum Management and Curatorship. 23, 3 (2008), 261–279. DOI:https://doi.org/10.1080/09647770802234078.
[33]
Cole, D. 2008. Museum marketing as a tool for survival and creativity: the mining museum perspective. Museum Management and Curatorship. 23, 2 (2008), 177–192. DOI:https://doi.org/10.1080/09647770701865576.
[34]
Convention for the protection of cultural property in the event of armed conflict [The Hague Convention]: 1954. http://portal.unesco.org/en/ev.php-URL_ID=13637&URL_DO=DO_TOPIC&URL_SECTION=201.html.
[35]
Convention for the Protection of Cultural Property in the Event of Armed Conflict with Regulations for the Execution of the Convention 1954: http://portal.unesco.org/en/ev.php-URL_ID=13637&URL_DO=DO_TOPIC&URL_SECTION=201.html.
[36]
Convention on the means of prohibiting and preventing the illicit import, export and transfer of ownership of cultural property 1970: 1970. http://www.unesco.org/new/en/culture/themes/illicit-trafficking-of-cultural-property/1970-convention/text-of-the-convention/.
[37]
Cultural Heritage Center (USA): http://eca.state.gov/cultural-heritage-center.
[38]
Cultural heritage lawyer Rick St. Hilaire [blog]: http://culturalheritagelawyer.blogspot.co.uk/.
[39]
Cuno, J.B. 2008. Who owns antiquity? : museums and the battle over our ancient heritage. Princeton University Press.
[40]
Davies, M. and Shaw, L. 2013. Diversifying the museum workforce: the Diversify scheme and its impact on participants’ careers. Museum Management and Curatorship. 28, 2 (2013), 172–192. DOI:https://doi.org/10.1080/09647775.2013.776799.
[41]
Davies, S.W. 2007. Visionary leadership and missionary zeal. Museum management and marketing. R. Sandell and R.R. Janes, eds. Routledge. 252–271.
[42]
Department for Culture, Media and Sport 2005. Understanding the future: museums and 21st centuary life: a summary of responses.
[43]
Dickenson, V. 1994. An inquiry into the relationship between museum boards and management. Museum management. K. Moore, ed. Routledge. 95–114.
[44]
Dodd, J. et al. 2010. Disability reframed: challenging visitor perceptions in the museum. Re-presenting disability: activism and agency in the museum. Routledge. 92–112.
[45]
Dodd, J. et al. eds. 2008. Rethinking disability representation in museums and galleries. RCMG, University of Leicester.
[46]
Doering, Z.D. 1999. Strangers, guests, or clients? Visitor experiences in museums. Curator: The Museum Journal. 42, 2 (1999), 74–87. DOI:https://doi.org/10.1111/j.2151-6952.1999.tb01132.x.
[47]
edited by Neil Brodie ... [et al.] 2006. Archaeology, cultural heritage, and the antiquities trade. University Press of Florida.
[48]
edited by Patrick J. O’Keefe and Lyndel V. Prott 2011. Cultural heritage conventions and other instruments: a compendium with commentaries. Institute Of Art And Law.
[49]
edited by Patrick J. O’Keefe and Lyndel V. Prott 2011. Cultural heritage conventions and other instruments: a compendium with commentaries. Institute Of Art And Law.
[50]
Erskine-Loftus, P. ed. 2013. Reimagining museums: practice in the Arabian Peninsula. MuseumsEtc.
[51]
Exell, K. and Rico, T. 2013. ‘There is no heritage in Qatar’: orientalism, colonialism and other problematic histories. World Archaeology. 45, 4 (2013), 670–685. DOI:https://doi.org/10.1080/00438243.2013.852069.
[52]
Feilden, B.M. et al. 1993. Management guidelines for world cultural heritage sites. ICCROM.
[53]
Felch, J. and Frammolino, R. 2011. Chasing Aphrodite: the hunt for looted antiquities at the world’s richest museum. Houghton Mifflin Harcourt.
[54]
Fiona McLean 1997. Marketing the museum. Routledge.
[55]
Fleming, D. 2012. Museums for social justice: managing organisational change. Museums, equality and social justice. R. Sandell and E. Nightingale, eds. Routledge. 72–83.
[56]
Forrest, C. 2010. International law and the protection of cultural heritage. Routledge.
[57]
Forrest, C. 2010. International law and the protection of cultural heritage. Routledge.
[58]
Friedman, R. 1994. Museum people: the special problems of personnel management in museums and historical agencies. Museum management. K. Moore, ed. Routledge. 120–127.
[59]
Gan, A.M. et al. The gender gap in art museum directorships. Association of Art Museum Directors (AAMD).
[60]
Gardner, J.B. 2011. Ethical, entrepreneurial or inappropriate? Business practices in museums. The Routledge companion to museum ethics: redefining ethics for the twenty-first-century museum. J. Marstine, ed. Routledge.
[61]
Gazi, A. 2014. Exhibition ethics: an overview of major issues. Journal of Conservation and Museum Studies. 12, 1 (2014). DOI:https://doi.org/10.5334/jcms.1021213.
[62]
General Secretariat for Development Planning 2011. Qatar National Development Strategy 2011 - 2016. Towards Qatar National Vision 2030.
[63]
General Secretariat for Development Planning 2008. Qatar National Vision 2030.
[64]
Genoways, H.H. and Ireland, L.M. 2003. Personnel management. Museum administration: an introduction. Altamira Press. 161–173.
[65]
Genoways, H.H. and Ireland, L.M. 2003. Strategic planning. Museum administration: an introduction. Altamira Press. 75–90.
[66]
Genoways, H.H. and Ireland, L.M. 2003. The working of museums. Museum administration: an introduction. Altamira Press. 39–73.
[67]
Gerstenblith, P. 2008. Art, cultural heritage, and the law: cases and materials. Carolina Academic Press.
[68]
Gibson, L. 2002. Managing the people: art programs in the American Depression. The Journal of Arts Management, Law, and Society. 31, 4 (2002), 279–292. DOI:https://doi.org/10.1080/10632920209597930.
[69]
Gibson, L. 2013. Piazzas or stadiums: toward an alternative account of museums in cultural and urban development. Advances in Research - Museum. 1, 1 (2013), 101–112. DOI:https://doi.org/10.3167/armw.2013.010107.
[70]
Goldberg, A. 2006. Reaffirming McClain: the National Stolen Property Act and the abiding trade in looted cultural objects. UCLA law review. 53, (2006), 1031–1071.
[71]
Golding, V. and Modest, W. eds. 2013. Museums and communities: curators, collectors and collaboration. Berg.
[72]
Goler, R.I. 2001. Interim directorships in museums: their impact on individuals and significance to institutions. Museum Management and Curatorship. 19, 4 (2001), 385–402. DOI:https://doi.org/10.1080/09647770100601904.
[73]
Goodlad, S. and McIvor, S. 1998. Case studies of five exemplary programmes in Canada and the USA. Museum volunteers: good practice in the management of volunteers. Routledge.
[74]
Goodlad, S. and McIvor, S. 1998. Pilot Volunteer programmes in the Science Museum (London). Museum volunteers: good practice in the management of volunteers. Routledge.
[75]
Goodlad, S. and McIvor, S. 1998. Some principles of good practice in, and working documents for, the management of museum interpretation by volunteers. Museum volunteers: good practice in the management of volunteers. Routledge. 80–86.
[76]
Gosden, C. et al. eds. 2006. Who owns objects?: the ethics and politics of collecting cultural artefacts : proceedings of the first St. Cross-All Souls Seminar Series and Workshop, Oxford, October-December 2004. Oxbow.
[77]
Gray, C. 2008. Instrumental policies: causes, consequences, museums and galleries. Cultural Trends. 17, 4 (2008), 209–222. DOI:https://doi.org/10.1080/09548960802615349.
[78]
Greenfield, J. 2007. The return of cultural treasures. Cambridge University Press.
[79]
Griffin, D. and Abraham, M. 2000. The effective management of museums: cohesive leadership and visitor-focused public programming. Museum Management and Curatorship. 18, 4 (2000), 335–368. DOI:https://doi.org/10.1080/09647770000301804.
[80]
Grinell, K. 2011. When legitimate claims collide: communities, media and dialogue. Museum and society. 9, 3 (2011).
[81]
Hardiman, R.M.C. 1994. Some more equal than others. Museum management. K. Moore, ed. Routledge. 128–131.
[82]
Hebda, R.J. 2007. Museums, Climate Change and Sustainability. Museum Management and Curatorship. 22, 4 (2007), 329–336. DOI:https://doi.org/10.1080/09647770701757682.
[83]
Hede, A.-M. 2007. Branding museums in the global marketplace. Museum marketing: competing in the global marketplace. R. Rentschler and A.-M. Hede, eds. Butterworth-Heinemann. 151–159.
[84]
Holmes, K. 2003. Volunteers in the heritage sector: a neglected audience? International Journal of Heritage Studies. 9, 4 (2003), 341–355. DOI:https://doi.org/10.1080/1352725022000155072.
[85]
Illicit Antiquities Research Centre Culture without context: Newsletter of the IARC.
[86]
Institute of Museum Ethics: http://museumethics.org/.
[87]
International Council of Museums 2017. ICOM code of ethics for museums.
[88]
Janes, R.R. 2007. Embracing organizational change in museums: a work in progress. Museum management and marketing. R. Sandell and R.R. Janes, eds. Routledge. 67–81.
[89]
Janes, R.R. 2011. Museums and the end of materialism. The Routledge companion to museum ethics: redefining ethics for the twenty-first-century museum. J. Marstine, ed. Routledge.
[90]
Janes, R.R. 2009. Museums in a troubled world: renewal, irrelevance or collapse?. Routledge.
[91]
Janes, R.R. 2009. Museums in a troubled world: renewal, irrelevance or collapse?. Routledge.
[92]
Janes, R.R. 2009. The mindful museum. Museums in a troubled world: renewal, irrelevance or collapse?. Routledge. 147–168.
[93]
Jenkins, T. 2011. Contesting human remains in museum collections: the crisis of cultural authority. Routledge.
[94]
Jenkins, T. 2011. Contesting human remains in museum collections: the crisis of cultural authority. Routledge.
[95]
Jokilehto, J. What is OUV? Defining the Outstanding Universal Value of Cultural World Heritage properties. Hendrik Bäßler verlag.
[96]
Kavanagh, G. 1994. Museum provision and professionalism. Routledge.
[97]
Kawashima, N. 1998. Knowing the public. A review of museum marketing literature and research. Museum Management and Curatorship. 17, 1 (1998), 21–39. DOI:https://doi.org/10.1080/09647779800301701.
[98]
Komatsuka, C.M. 2007. Expanding the museum audience through visitor research. Museum management and marketing. R. Sandell and R.R. Janes, eds. Routledge. 367–376.
[99]
Koster, E. 2012. The Relevant Museum: a reflection on sustainability. Reinventing the museum: the evolving conversation on the paradigm shift. G. Anderson, ed. AltaMira Press.
[100]
Kotler, N. 2001. New ways of experiencing culture: the role of museums and marketing implications. Museum Management and Curatorship. 19, 4 (2001), 417–425. DOI:https://doi.org/10.1080/09647770100801904.
[101]
Kotler, N. and Kotler, P. 2000. Can museums be all things to all people?: missions, goals, and marketing’s role. Museum Management and Curatorship. 18, 3 (2000), 271–287. DOI:https://doi.org/10.1080/09647770000301803.
[102]
Kotler, N.G. et al. 2008. Museum marketing and strategy: designing missions, building audiences, generating revenue and resources. Jossey-Bass.
[103]
Kotter, J.P. 2013. Leading change: why transformation efforts fail. Reinventing the museum: the evolving conversation on the paradigm shift. G. Anderson, ed. AltaMira Press.
[104]
Lang, C., J. Revee & V. Woollard (ed.) 2006. The responsive museum: working with audiences in the twenty-first century. Ashgate.
[105]
Lavine, S. and Karp, I. eds. 1991. Exhibiting cultures: the poetics and politics of museum display. Smithsonian Institution Press.
[106]
Lawyers’ Committee for Cultural Heritage Preservation (USA): http://www.culturalheritagelaw.org/.
[107]
Leask, Anna and Fyall, Alan 2006. Managing world heritage sites. Butterworth Heinemann.
[108]
Lewis, P. 1994. Museums and marketing. Museum management. K. Moore, ed. Routledge. 216–231.
[109]
Lin, Y.-N. 2011. Ethics and challenges of museum marketing. Routledge companion to museum ethics: redefining ethics for the twenty-first-century museum / edited by Janet Marstine. J. Marstine, ed. Routledge. 202–219.
[110]
Lohman, J and Goodnow, K, eds 2006. Human remains and museum practice. Unesco.
[111]
Looting matters [blog]: http://lootingmatters.blogspot.com/.
[112]
Lord, B. and Lord, G.D. 2009. Who: the structure of museum organization. The manual of museum management. AltaMira Press. 13–52.
[113]
Lord, B. and Lord, G.D. 2009. Who: the structure of museum organization. The manual of museum management. AltaMira Press. 13–52.
[114]
Lord, B. and Lord, G.D. 2009. Why: the objectives of museum management. The manual of museum management. AltaMira Press. 1–12.
[115]
Lord, G.D. and Markert, K. 2007. Who: the structure of strategic planning. The manual of strategic planning for museums. AltaMira Press. 17–41.
[116]
Lord, G.D. and Markert, K. 2007. Why conduct a strategic plan? The manual of strategic planning for museums. AltaMira Press. 1–15.
[117]
Lukes, S. 2005. Three-dimensional power. Power: a radical view. Palgrave Macmillan.
[118]
Lynch, B. 2011. Whose cake is it anyway? A collaborative investigation into engagement and participation in 12 museums and galleries in the UK. Paul Hamlyn Foundation.
[119]
Lynch, B.T. 2011. Collaboration, contestation, and creative conflict: on the efficacy of museum / community partnerships. The Routledge companion to museum ethics: redefining ethics for the twenty-first-century museum. J. Marstine, ed. Routledge.
[120]
Lynch, B.T. 2011. Custom-made reflective practice: can museums realise their capabilities in helping others realise theirs? Museum Management and Curatorship. 26, 5 (2011), 441–458. DOI:https://doi.org/10.1080/09647775.2011.621731.
[121]
Lynch, B.T. and Alberti, S.J.M.M. 2010. Legacies of prejudice: racism, co-production and radical trust in the museum. Museum Management and Curatorship. 25, 1 (2010), 13–35. DOI:https://doi.org/10.1080/09647770903529061.
[122]
Lynn Meskell 2013. UNESCO’s World Heritage Convention at 40. Current Anthropology. 54, 4 (2013), 483–494.
[123]
Mackenzie, S. and Green, P. eds. 2009. Criminology and archaeology: studies in looted antiquities. Hart.
[124]
Mackenzie, S. and Green, P. 2007. Performative regulation: a case study in how powerful people avoid criminal labels. British Journal of Criminology. 48, 2 (2007), 138–153. DOI:https://doi.org/10.1093/bjc/azm074.
[125]
Mackenzie, S.R.M. 2005. Going, going, gone: regulating the market in illicit antiquities. The Institute of Art and Law.
[126]
Malt, C. 2007. Museums, women and empowerment in the MENA countries. Museum International. 59, 4 (Nov. 2007), 53–62. DOI:https://doi.org/10.1111/j.1468-0033.2007.00624.x.
[127]
Manacorda, S. and Chappell, D. eds. 2011. Crime in the art and antiquities world: illegal trafficking in cultural property. Springer.
[128]
Márquez-Grant, N. and Fibiger, L. eds. 2010. The Routledge handbook of archaeological human remains and legislation: an international guide to laws and practice in the excavation and treatment of archaeological human remains. Routledge.
[129]
Martin, A. 2002. The impact of free entry to museums. Cultural Trends. 12, 47 (2002), 1–12. DOI:https://doi.org/10.1080/09548960209390329.
[130]
McAndrew, C. 2014. TEFAF art market report 2014: the global art market, with a focus on the US and China. European Fine Art Foundation.
[131]
McCarthy, K.F. et al. 2004. Gifts of the muse: reframing the debate about the benefits of the arts. RAND Corporation.
[132]
McLean, F. 1997. Future developments for marketing the museum. Marketing the museum. Routledge. 215–224.
[133]
McLean, F. and O’Neill, M. 2007. 'The social museum’ and its implications for marketing. Museum marketing: competing in the global marketplace. R. Rentschler and A.-M. Hede, eds. Butterworth-Heinemann. 215–225.
[134]
McLean, F.C. 1994. Marketing in museums: a contextual analysis. Museum management. K. Moore, ed. Routledge. 232–248.
[135]
Merriman, N. 2008. Museum collections and sustainability. Cultural Trends. 17, 1 (2008), 3–21. DOI:https://doi.org/10.1080/09548960801920278.
[136]
Merryman, J.H. ed. 2006. Imperialism, art and restitution. Cambridge University Press.
[137]
Merryman, J.H. et al. 2007. Plunder, reparations and destruction. Law, ethics and the visual arts. Kluwer Law International. 1–111.
[138]
Merryman, J.H. et al. 2007. Repatriation of cultural property. Law, ethics and the visual arts. Kluwer Law International. 339–415.
[139]
Merryman, J.H. et al. 2007. The international trade in art. Law, ethics and the visual arts. Kluwer Law International. 113–205.
[140]
Merryman, J.H. et al. 2007. The international trade in art. Law, ethics and the visual arts. Kluwer Law International. 113–205.
[141]
Merryman, J.H. 2000. Thinking about the Elgin marbles: critical essays on cultural property, art and law. Kluwer Law International.
[142]
Merryman, J.H. et al. 2007. Who owns the past? Law, ethics and the visual arts. Kluwer Law International. 217–338.
[143]
Messenger, P.M. ed. 1999. The ethics of collecting cultural property: whose culture? whose property?. University of New Mexico Press.
[144]
Miles, M.M. 2008. Art as plunder: the ancient origins of debate about cultural property. Cambridge University Press.
[145]
Millar, S. 2006. Stakeholders and community participation. Managing world heritage sites. A. Leask and A. Fyall, eds. Butterworth Heinemann. 37–54.
[146]
Ministry of Development Planning and Statistics 2014. Culture and tourism statistics report, 2012 Doha, Qatar.
[147]
Moore, K. 1994. Introduction: museum management. Museum management. K. Moore, ed. Routledge. 1–14.
[148]
Morakabati, Y. et al. 2014. Planning for a Qatar without oil: tourism and economic diversification, a battle of perceptions. Tourism Planning & Development. 11, 4 (2014), 415–434. DOI:https://doi.org/10.1080/21568316.2014.884978.
[149]
Museum Practice 2010. Volunteers. (2010).
[150]
Nicholas, L.H. 1994. The rape of Europa: the fate of Europe’s treasures in the Third Reich and the Second World War. Macmillan.
[151]
Noble, N. 2013. Commentaries from the field. Museum of Vancouver: a transformation in progress. Museums and the paradox of change: a case study in urgent adaptation. R.R. Janes, ed. Routledge. 226–234.
[152]
O’Keefe, Patrick J. and Institute of Art and Law (Great Britain) 2002. Shipwrecked heritage: a commentary on the UNESCO Convention on Underwater Cultural Heritage. Institute of Art and Law.
[153]
O’Keefe, P.J. 1998. Codes of ethics: form and function in cultural heritage management. International journal of cultural property. 7, 1 (1998), 32–51. DOI:https://doi.org/10.1017/S0940739198770055.
[154]
O’Keefe, P.J. 2000. Commentary on the UNESCO 1970 convention on illicit traffic. Institute of Art and Law.
[155]
O’Keefe, R. 2006. The protection of cultural property in armed conflict. Cambridge University Press.
[156]
O’Neill, M. 2008. Museums, professionalism and democracy. Cultural Trends. 17, 4 (2008), 289–307. DOI:https://doi.org/10.1080/09548960802615422.
[157]
Palumbo, G. and Atzori, A. eds. 2014. Qusayr ‘Amra site management plan. Department of Antiquities of Jordan.
[158]
Peacock, D. 2013. Commentaries from the Field. Complexity, conversation and change: learning how museum organizations change. Museums and the paradox of change : a case study in urgent adaptation / Robert R. Janes. Routledge. 235–245.
[159]
Peacock, D. 2008. Making ways for change: museums, disruptive technologies and organisational change. Museum Management and Curatorship. 23, 4 (2008), 333–351. DOI:https://doi.org/10.1080/09647770802517324.
[160]
Pedersen, A. 2002. Managing tourism at world heritage sites : a practical manual for world heritage site managers. UNESCO World Heritage Centre.
[161]
Peter van Mensch 2004. Museology and management: enemies or friends? Current tendencies in theoretical museology and museum management in Europe. Museum management in the 21st century. E. Mizushima, ed. Museum Management Academy.
[162]
Prott, L.V. ed. 2009. Witnesses to history: a compendium of documents and writings on the return of cultural objects. United Nations Educational, Scientific and Cultural Organization.
[163]
Prott, L.V. and O’Keefe, P.J. 1988. Handbook of national regulations concerning the export of cultural property. Unesco.
[164]
Prott, L.V. and O’Keefe, P.J. 1984. Law and the cultural heritage. Professional.
[165]
Prott, Lyndel V. and Institute of Art and Law (Great Britain) 1997. Commentary on the Unidroit Convention on stolen and illegally exported cultural objects 1995. Institute of Art and Law.
[166]
Rao, K. 2010. A new paradigm for the identification, nomination and inscription of properties on the World Heritage List. International Journal of Heritage Studies. 16, 3 (2010), 161–172. DOI:https://doi.org/10.1080/13527251003620594.
[167]
Renfrew, C. 2000. Loot, legitimacy and ownership: the ethical crisis in archaeology. Duckworth.
[168]
Rentschler, R. 2007. Museum marketing: no longer a dirty word. Museum marketing: competing in the global marketplace. R. Rentschler and A.-M. Hede, eds. Butterworth-Heinemann. 12–20.
[169]
Rentschler, R. 2007. Museum marketing. Understanding different types of audiences. Museum management and marketing. R. Sandell and R.R. Janes, eds. Routledge. 345–367.
[170]
Rentschler, R. and Hede, A.-M. 2007. Museum marketing: competing in the global marketplace. Butterworth-Heinemann.
[171]
Rentschler, R. and Reussner, E. 2002. Museum marketing research: from denial to discovery?
[172]
Ringbeck, B. 2008. Management plans for World Heritage Sites: a practical guide. UNESCO.
[173]
Robert R. Janes 2013. Museums and the paradox of change: a case study in urgent adaptation. Routledge.
[174]
Roberts, A. and Guelff, R. eds. 2000. Documents on the laws of war. Oxford University Press.
[175]
Sandell, R. et al. 2005. Beggars, freaks and heroes? Museum collections and the hidden history of disability. Museum Management and Curatorship. 20, 1 (2005), 5–19. DOI:https://doi.org/10.1080/09647770500302001.
[176]
Sandell, R. et al. 2005. In the shadow of the Freakshow: the impact of Freakshow tradition on the display and understanding of disability history in museums. Disability Studies Quarterly. 25, 4 (2005).
[177]
Sandell, R. et al. eds. 2010. Re-presenting disability: activism and agency in the museum. Routledge.
[178]
Sandell, R. 2000. The strategic significance of workforce diversity in museums. International Journal of Heritage Studies. 6, 3 (2000), 213–230. DOI:https://doi.org/10.1080/13527250050148205.
[179]
Sandell, R. and Dodd, J. 2010. Activist practice. Re-presenting disability: activism and agency in the museum. Routledge. 3–22.
[180]
Sandell, R. and Fraser, M. 2014. Outside the box: rethinking how museums present disability. The Guardian. (2014).
[181]
Sandell, R. and Janes, R.R. 2007. Complexity and creativity in contemporary museum management. Museum management and marketing. R. Sandell and R.R. Janes, eds. Routledge. 1–14.
[182]
Sandis, C. 2008. Two tales of one city: cultural understanding and the Parthenon sculptures. Museum Management and Curatorship. 23, 1 (2008), 5–21. DOI:https://doi.org/10.1080/09647770701865311.
[183]
Saving Antiquities for Everyone (SAFE): http://www.savingantiquities.org/.
[184]
Schinkel, W. and Noordegraaf, M. 2011. Professionalism as symbolic capital: materials for a Bourdieusian theory of professionalism. Comparative Sociology. 10, 1 (2011), 67–96. DOI:https://doi.org/10.1163/156913310X514083.
[185]
Schwarzer, M. 2013. Commentaries from the field. No heroes: revisiting the museum leadership crisis. Museums and the paradox of change: a case study in urgent adaptation. Routledge. 246–257.
[186]
Semmel, M.L. 2013. Commentaries from the Field. Reflections on museums and change, 2012. Museums and the paradox of change : a case study in urgent adaptation / Robert R. Janes. Routledge. 258–269.
[187]
Shackley, Myra L. 2000. Visitor management: case studies from world heritage sites. Butterworth-Heinemann.
[188]
Shatanawi, M. 2012. Engaging Islam: working with Muslim communities in a multicultural society. Curator: The Museum Journal. 55, 1 (2012), 65–79. DOI:https://doi.org/10.1111/j.2151-6952.2011.00121.x.
[189]
Sheets, H.M. 2014. Study finds a gender gap at the top museums. New York Times. (2014).
[190]
Silverman, L.H. and O’Neill, M. 2012. Change and complexity in the 21st-century museum: the real relics in our museums may be the ways we think and work. Reinventing the museum: the evolving conversation on the paradigm shift. G. Anderson, ed. AltaMira Press,.
[191]
Slater, A. 2004. Revisiting membership scheme typologies in museums and galleries. International Journal of Nonprofit and Voluntary Sector Marketing. 9, 3 (2004), 238–260. DOI:https://doi.org/10.1002/nvsm.251.
[192]
Slaughter, A.-M. 2012. Why women still can’t have it all. The Atlantic. (2012).
[193]
State of Qatar 2014. Law No. (14) of 2014 Promulgating the Cybercrime Prevention Law.
[194]
Steiner, C.B. 1994. African art in transit. Cambridge University Press.
[195]
Suchy, S. 1999. Emotional intelligence, passion and museum leadership. Museum Management and Curatorship. 18, 1 (1999), 57–71. DOI:https://doi.org/10.1080/09647779900601801.
[196]
Taylor, K. and Craig, T.L. 1994. Risking it: women as museum leaders. Museum management. K. Moore, ed. Routledge. 265–273.
[197]
Teutonico, J.M. and Palumbo, G. eds. 2002. Management planning for archaeological sites : an international workshop organized by the Getty Conservation Institute. Getty Conservation Institute.
[198]
The World Heritage Convention [1972]: http://whc.unesco.org/en/convention/.
[199]
Tobelem, J.-M. 1997. The marketing approach in museums. Museum Management and Curatorship. 16, 4 (1997), 337–354. DOI:https://doi.org/10.1080/09647779700201604.
[200]
Toman, J. and Unesco 1996. The protection of cultural property in the event of armed conflict: commentary on the Convention for the Protection of Cultural Property in the Event of Armed Conflict and its protocol, signed on 14 May, 1954 in the Hague, and on other instruments of international law concerning such protection. Dartmouth Pub. Co.
[201]
Trafficking Culture: http://traffickingculture.org/.
[202]
Tubb, K.W. ed. 1995. Antiquities: trade or betrayed: legal, ethical and conservation issues. Archetype.
[203]
Tubb, K.W. 2012. Extreme or commonplace: the collecting of unprovenanced antiquities. Extreme collecting: challenging practices for 21st century museums. G. Were and J.C.H. King, eds. Berghahn Books. 57–74.
[204]
Tubb, K.W. 2013. Shifting approaches to unprovenanced antiquities among conservators. Realising cultural heritage law: festschrift for Patrick Joseph O’Keefe: [a collection of essays]. L.V. Prott et al., eds. Institute of Art and Law. 145–162.
[205]
Tubb, K.W. and Brodie, N.J. 2001. From museum to mantelpiece: the antiquities trade in the United Kingdom. Destruction and conservation of cultural property. Routledge. 102–116.
[206]
Turnbull, P. and Pickering, M. eds. 2010. The long way home: the meanings and values of repatriation. Berghahn Books.
[207]
Turnbull, P. and Pickering, M. eds. 2010. The long way home: the meanings and values of repatriation. Berghahn Books.
[208]
UNESCO 2009. Final report on damage assessment in Babylon.
[209]
UNESCO World Heritage Centre 2013. Managing cultural world heritage. UNESCO.
[210]
UNESCO World Heritage Centre 2011. Preparing World Heritage nominations. United Nations Educational, Scientific and Cultural Organization.
[211]
UNESCO World Heritage Committee The operational guidelines for the implementation of the World Heritage Convention.
[212]
UNIDROIT 1995. Convention on stolen or illegally exported cultural objects.
[213]
Verhoeven, S.B. 2008. The art of war: protecting art in war. Art & law. B. Demarsin, ed. Die Keure Publishing Group. 376–413.
[214]
Vitelli, K.D. and Colwell-Chanthaphonh, C. eds. 2006. Archaeological ethics. AltaMira Press.
[215]
Vrdoljak, A.F. 2006. International law, museums and the return of cultural objects. Cambridge University Press.
[216]
Watson, P. and Todeschini, C. 2006. The Medici conspiracy: the illicit journey of looted antiquities, from Italy’s tomb raiders to the world’s greatest museums. BBS PublicAffairs.
[217]
Waxman, S. 2008. Loot: the battle over the stolen treasures of the ancient world. Times Books.
[218]
Weil, S.E. and Cheit, E.F. 1994. The well-managed museum. Museum management. K. Moore, ed. Routledge. 288–289.
[219]
Were, G. and King, J.C.H. eds. 2012. Extreme collecting: challenging practices for 21st century museums. Berghahn.
[220]
Worts, D. 2012. Culture and museums in the winds of change: the need for cultural indicators. Reinventing the museum: the evolving conversation on the paradigm shift. G. Anderson, ed. AltaMira Press.
[221]
Young, J.O. 2008. Cultural appropriation and the arts. Blackwell Pub.
[222]
Zimmerman, L.J. et al. eds. 2003. Ethical issues in archaeology. Altamira Press.
