Aarons, Philip, Andrew Roth, and Victor Brand. 2009. In Numbers: Serial Publications by Artists since 1955. Zurich, Switzerland: PPP Editions in association with Andrew Roth, Inc.
Acconci, Vito, and Bernadette Mayer. 2006. 0 to 9: The Complete Magazine : 1967-1969. Vol. Lost literature series. Brooklyn, NY: Ugly Duckling Presse.
Allen, Gwen. 2011. Artists’ Magazines: An Alternative Space for Art. Cambridge, Mass: MIT Press.
Allen, Gwen, ed. 2016. The Magazine. Vol. Whitechapel documents of contemporary art. Cambridge, MA: The MIT Press.
Andre, Carl, Lynn Kost, and Museum zu Allerheiligen (Schaffhausen, Switzerland). 2014. Carl Andre: Poems. Zurich: JRP/Ringier.
Anon. 25AD. ‘Secret Life Of Machines - The Photo Copier (Full Length)’.
Anon. 2015. NO-ISBN on Self-Publishing. König, Walther.
Anon. n.d.-a. ‘Aspen: The Multimedia Magazine in a Box’. Retrieved (http://www.ubu.com/aspen/).
Anon. n.d.-b. ‘BANNER REPEATER’. Retrieved (https://www.bannerrepeater.org/).
Anon. n.d.-c. ‘Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner’.
Anon. n.d.-d. ‘Ephemera’. Retrieved (https://monoskop.org/Ephemera).
Anon. n.d.-e. ‘Offprint’. Retrieved (http://offprint.org/).
Anon. n.d.-f. ‘Self Publish, Be Happy’. Retrieved (http://www.selfpublishbehappy.com/).
Anon. n.d.-g. ‘Small Publishers Fair’. Retrieved (http://smallpublishersfair.co.uk/).
Anon. n.d.-h. ‘Tenderbooks’. Retrieved (http://tenderbooks.co.uk/).
Anon. n.d.-i. ‘The International Dada Archive - The University of Iowa’. Retrieved (http://sdrc.lib.uiowa.edu/dada/collection.html).
Anon. n.d.-j. ‘UbuWeb Visual Poetry: Poor.Old.Tired.Horse. (1962-68)’. Retrieved (http://www.ubu.com/vp/Poor.Old.Tired.Horse.html).
Batterham, Ian. 2008. The Office Copying Revolution: History, Identification and Preservation : A Manual for Conservators, Archivists, Librarians and Forensic Document Examiners. Canberra: National Archives of Australia.
Bean, Victoria, and Chris McCabe. 2015. The New Concrete: Visual Poetry in the 21st Century. London: Hayward Pub.
Benjamin, Walter, and J. A. Underwood. 2008. The Work of Art in the Age of Mechanical Reproduction. Vol. Penguin great ideas. London: Penguin.
Boon, Marcus. 2010. In Praise of Copying. Harvard University Press.
Brooker, Peter, and Andrew Thacker. 2012. The Oxford Critical and Cultural History of Modernist Magazines: Volume II: North America, 1894-1960. Oxford: Oxford University Press.
Brouws, Jeffrey T., Wendy Burton, Hermann Zschiegner, Phil Taylor, and Mark Rawlinson. 2013. Various Small Books: Referencing Various Small Books by Ed Ruscha. Cambridge, Mass: MIT Press.
Carrión, Ulises. 1997. Quant Aux Livres: On Books. Geneve: Heros-Limite.
Carrion, Ulises. n.d. ‘The New Art of Making Books’.
Celant, Germano. 2010. Book as Artwork 1960/1972. 2nd ed. Brooklyn, NY: 6 Decades Books.
Ceschel, Bruno, David Senior, and Self Publish, Be Happy (Firm). 2015. Self Publish, Be Happy: A DIY Photobook Manual and Manifesto. First edition. New York, N.Y.: Aperture.
Cobbing, Bob. 2015. Boooook: The Life and Work of Bob Cobbing. edited by W. Cobbing and R. Cooper. [London]: Occasional Papers.
Cobbing, Bob, and Peter Mayer. 2014. Concerning Concrete Poetry. London: Slimvolume.
Desjardin, Arnaud and Bloomberg SPACE (Gallery). 2011. The Book on Books on Artists Books. [London]: Everyday Press.
Eichhorn, Kate. 2016. Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century. Cambridge, Massachusetts: The MIT Press.
Eisenstein, Elizabeth L. 1980. The Printing Press as an Agent of Change. Cambridge: Cambridge University Press.
Emily Hage. 2011. ‘The Magazine as Strategy: Tristan Tzara’s Dada and the Seminal Role of Dada Art Journals in the Dada Movement’. The Journal of Modern Periodical Studies 2(1):33–53.
Evans, David. 2009. Appropriation. Vol. Documents of contemporary art. London: Whitechapel.
Fusco, Maria, Ian Hunt, and Book Works (Organization). 2004. Put about: A Critical Anthology on Independent Publishing. London: Book Works.
Gilbert, Annette, ed. 2016. Publishing as Artistic Practice. Berlin: Sternberg Press.
Keller, Christoph, Michael Lailach, and Kunstbibliothek (Berlin, Germany). 2009. Kiosk: Modes of Multiplication : A Sourcebook on Independent Art Publishing, 1999-2009. Zürich: JRP Ringier.
Lewis, Angharad. 2016. So You Want to Publish a Magazine? London: Laurence King Publishing.
Ludovico, Alessandro. 2013. Post-Digital Print: The Mutation of Publishing since 1894. Vol. Onomatopee. [2nd ed.]. [Eindhoven]: Onomatopee.
Lyons, Joan. 1985. Artists’ Books: A Critical Anthology and Sourcebook. Rochester, N.Y.: The Visual Studies Workshop Press.
McLuhan, H. M. 1951. The Mechanical Bride: Folklore of Industrial Man.
McLuhan, Marshall, and Quentin Fiore. 2008. The Medium Is the Massage. London: Penguin.
Naumann, Francis M., and Marcel Duchamp. 1999. Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction. New York: Harry N. Abrams.
Nyburg, Anna. 2014. Émigrés: The Transformation of Art Publishing in Britain. London: Phaidon Press.
Parr, Martin, and Gerry Badger. 2004. The Photobook: A History. London: Phaidon.
Parr, Martin and WassinkLundgren (Photography partnership), eds. 2015. The Chinese Photobook: From the 1900s to the Present. New York: Aperture.
Phillpot, Clive, and Lionel Bovier. 2013. Booktrek: Selected Essays on Artists’ Books (1972-2010). Vol. Documents series. Zurich: JRP/Ringier.
Schwartz, Hillel. 1996. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books.
Simpson, Nicola and D S H. 2012. Notes from the Cosmic Typewriter: The Life and Work of Dom Sylvester Houédard. [London]: Occasional Papers.
Tullett, Barrie. 2014. Typewriter Art: A Modern Anthology. London: Laurence King Publishing.
Williams, Emmett. 2013. An Anthology of Concrete Poetry. New York: Primary Information.
