Aarons P, Roth A and Brand V, In Numbers: Serial Publications by Artists since 1955 (PPP Editions in association with Andrew Roth, Inc 2009)
Acconci V and Mayer B, 0 to 9: The Complete Magazine : 1967-1969, vol Lost literature series (Ugly Duckling Presse 2006)
Allen G, Artists’ Magazines: An Alternative Space for Art (MIT Press 2011)
—— (ed), The Magazine, vol Whitechapel documents of contemporary art (The MIT Press 2016)
Andre C, Kost L, and Museum zu Allerheiligen (Schaffhausen, Switzerland), Carl Andre: Poems (JRP/Ringier 2014)
‘Aspen: The Multimedia Magazine in a Box’ <http://www.ubu.com/aspen/>
‘BANNER REPEATER’ <https://www.bannerrepeater.org/>
Batterham I, The Office Copying Revolution: History, Identification and Preservation : A Manual for Conservators, Archivists, Librarians and Forensic Document Examiners (National Archives of Australia 2008)
Bean V and McCabe C, The New Concrete: Visual Poetry in the 21st Century (Hayward Pub 2015)
Benjamin W and Underwood JA, The Work of Art in the Age of Mechanical Reproduction, vol Penguin great ideas (Penguin 2008)
Boon M, In Praise of Copying (Harvard University Press 2010) <http://www.jstor.org/stable/j.ctt2jbsbz?Search=yes&resultItemClick=true&searchText=in&searchText=praise&searchText=of&searchText=copying&searchUri=%2Faction%2FdoBasicSearch%3Facc%3Don%26hp%3D25%26Query%3Din%2Bpraise%2Bof%2Bcopying%26fc%3Doff%26prq%3Dboon%2Bcopy%26so%3Drel%26wc%3Don%26amp%3D%26amp%3D%26amp%3D%26amp%3D%26amp%3D%26amp%3D>
Brooker P and Thacker A, The Oxford Critical and Cultural History of Modernist Magazines: Volume II: North America, 1894-1960 (Oxford University Press 2012) <https://doi-org.libproxy.ucl.ac.uk/10.1093/acprof:osobl/9780199545810.001.0001>
Brouws JT and others, Various Small Books: Referencing Various Small Books by Ed Ruscha (MIT Press 2013)
‘Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner’ <http://www.primaryinformation.org/files/CARBDHJKSLRMLW.pdf>
Carrión U, Quant Aux Livres: On Books (Heros-Limite 1997)
Carrion U, ‘The New Art of Making Books’ <http://www.arts.ucsb.edu/faculty/reese/classes/artistsbooks/Ulises%20Carrion,%20The%20New%20Art%20of%20Making%20Books.pdf>
Celant G, Book as Artwork 1960/1972 (2nd ed, 6 Decades Books 2010)
Ceschel B, Senior D, and Self Publish, Be Happy (Firm), Self Publish, Be Happy: A DIY Photobook Manual and Manifesto (First edition, Aperture 2015)
Cobbing B, Boooook: The Life and Work of Bob Cobbing (William Cobbing and Rosie Cooper eds, Occasional Papers 2015)
Cobbing B and Mayer P, Concerning Concrete Poetry (Slimvolume 2014)
Desjardin A and Bloomberg SPACE (Gallery), The Book on Books on Artists Books (Everyday Press 2011)
Eichhorn K, Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century (The MIT Press 2016)
Eisenstein EL, The Printing Press as an Agent of Change (Cambridge University Press 1980) <http://dx.doi.org/10.1017/CBO9781107049963>
Emily Hage, ‘The Magazine as Strategy: Tristan Tzara’s Dada and the Seminal Role of Dada Art Journals in the Dada Movement’ (2011) 2 The Journal of Modern Periodical Studies 33 <http://muse.jhu.edu/article/448171>
‘Ephemera’ <https://monoskop.org/Ephemera>
Evans D, Appropriation, vol Documents of contemporary art (Whitechapel 2009)
Fusco M, Hunt I, and Book Works (Organization), Put about: A Critical Anthology on Independent Publishing (Book Works 2004)
Gilbert A (ed), Publishing as Artistic Practice (Sternberg Press 2016)
Keller C, Lailach M, and Kunstbibliothek (Berlin, Germany), Kiosk: Modes of Multiplication : A Sourcebook on Independent Art Publishing, 1999-2009 (JRP Ringier 2009)
Lewis A, So You Want to Publish a Magazine? (Laurence King Publishing 2016)
Ludovico A, Post-Digital Print: The Mutation of Publishing since 1894, vol Onomatopee ([2nd ed], Onomatopee 2013)
Lyons J, Artists’ Books: A Critical Anthology and Sourcebook (The Visual Studies Workshop Press 1985)
McLuhan HM, The Mechanical Bride: Folklore of Industrial Man (1951)
McLuhan M and Fiore Q, The Medium Is the Massage (Penguin 2008)
Naumann FM and Duchamp M, Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction (Harry N Abrams 1999)
NO-ISBN on Self-Publishing (König, Walther 2015) <https://www.amazon.co.uk/NO-ISBN-self-publishing-Bernhard-Cella/dp/386335818X/ref=sr_1_1?ie=UTF8&qid=1486115790&sr=8-1&keywords=9783863358181>
Nyburg A, Émigrés: The Transformation of Art Publishing in Britain (Phaidon Press 2014)
‘Offprint’ <http://offprint.org/>
Parr M and Badger G, The Photobook: A History (Phaidon 2004)
Parr M and WassinkLundgren (Photography partnership) (eds), The Chinese Photobook: From the 1900s to the Present (Aperture 2015)
Phillpot C and Bovier L, Booktrek: Selected Essays on Artists’ Books (1972-2010), vol Documents series (JRP/Ringier 2013)
Schwartz H, The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (Zone Books 1996)
‘Secret Life Of Machines - The Photo Copier (Full Length)’ <https://www.youtube.com/watch?v=S2NIAD5qn7E>
‘Self Publish, Be Happy’ <http://www.selfpublishbehappy.com/>
Simpson N and D S H, Notes from the Cosmic Typewriter: The Life and Work of Dom Sylvester Houédard (Occasional Papers 2012)
‘Small Publishers Fair’ <http://smallpublishersfair.co.uk/>
‘Tenderbooks’ <http://tenderbooks.co.uk/>
‘The International Dada Archive - The University of Iowa’ <http://sdrc.lib.uiowa.edu/dada/collection.html>
Tullett B, Typewriter Art: A Modern Anthology (Laurence King Publishing 2014) <https://learning.oreilly.com/library/view/typewriter-art/9781780675527/?sso_link=yes&sso_link_from=university-college-london>
‘UbuWeb Visual Poetry: Poor.Old.Tired.Horse. (1962-68)’ <http://www.ubu.com/vp/Poor.Old.Tired.Horse.html>
Williams E, An Anthology of Concrete Poetry (Primary Information 2013)