[1]
H. Schwartz, The culture of the copy: striking likenesses, unreasonable facsimiles. New York: Zone Books, 1996.
[2]
M. Boon, In praise of copying. Harvard University Press, 2010 [Online]. Available: http://www.jstor.org/stable/j.ctt2jbsbz?Search=yes&resultItemClick=true&searchText=in&searchText=praise&searchText=of&searchText=copying&searchUri=%2Faction%2FdoBasicSearch%3Facc%3Don%26hp%3D25%26Query%3Din%2Bpraise%2Bof%2Bcopying%26fc%3Doff%26prq%3Dboon%2Bcopy%26so%3Drel%26wc%3Don%26amp%3D%26amp%3D%26amp%3D%26amp%3D%26amp%3D%26amp%3D
[3]
K. Eichhorn, Adjusted margin: xerography, art, and activism in the late twentieth century. Cambridge, Massachusetts: The MIT Press, 2016.
[4]
H. M. McLuhan, The mechanical bride: folklore of industrial man. 1951.
[5]
M. McLuhan and Q. Fiore, The medium is the massage. London: Penguin, 2008.
[6]
W. Benjamin and J. A. Underwood, The work of art in the age of mechanical reproduction, vol. Penguin great ideas. London: Penguin, 2008.
[7]
F. M. Naumann and M. Duchamp, Marcel Duchamp: the art of making art in the age of mechanical reproduction. New York: Harry N. Abrams, 1999.
[8]
D. Evans, Appropriation, vol. Documents of contemporary art. London: Whitechapel, 2009.
[9]
I. Batterham, The office copying revolution: history, identification and preservation : a manual for conservators, archivists, librarians and forensic document examiners. Canberra: National Archives of Australia, 2008.
[10]
‘Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner’. [Online]. Available: http://www.primaryinformation.org/files/CARBDHJKSLRMLW.pdf
[11]
E. L. Eisenstein, The Printing Press as an Agent of Change. Cambridge: Cambridge University Press, 1980 [Online]. Available: http://dx.doi.org/10.1017/CBO9781107049963
[12]
‘Secret Life Of Machines - The Photo Copier (Full Length)’. 25AD [Online]. Available: https://www.youtube.com/watch?v=S2NIAD5qn7E
[13]
M. Fusco, I. Hunt, and Book Works (Organization), Put about: a critical anthology on independent publishing. London: Book Works, 2004.
[14]
A. Gilbert, Ed., Publishing as artistic practice. Berlin: Sternberg Press, 2016.
[15]
C. Keller, M. Lailach, and Kunstbibliothek (Berlin, Germany), Kiosk: modes of multiplication : a sourcebook on independent art publishing, 1999-2009. Zürich: JRP Ringier, 2009.
[16]
B. Ceschel, D. Senior, and Self Publish, Be Happy (Firm), Self publish, be happy: a DIY photobook manual and manifesto, First edition. New York, N.Y.: Aperture, 2015.
[17]
‘Self Publish, Be Happy’. [Online]. Available: http://www.selfpublishbehappy.com/
[18]
A. Lewis, So you want to publish a magazine? London: Laurence King Publishing, 2016.
[19]
A. Nyburg, Émigrés: the transformation of art publishing in Britain. London: Phaidon Press, 2014.
[20]
NO-ISBN on self-publishing. König, Walther, 2015 [Online]. Available: https://www.amazon.co.uk/NO-ISBN-self-publishing-Bernhard-Cella/dp/386335818X/ref=sr_1_1?ie=UTF8&qid=1486115790&sr=8-1&keywords=9783863358181
[21]
A. Ludovico, Post-digital print: the mutation of publishing since 1894, [2nd ed.]., vol. Onomatopee. [Eindhoven]: Onomatopee, 2013.
[22]
G. Allen, Artists’ magazines: an alternative space for art. Cambridge, Mass: MIT Press, 2011.
[23]
G. Allen, Ed., The magazine, vol. Whitechapel documents of contemporary art. Cambridge, MA: The MIT Press, 2016.
[24]
P. Aarons, A. Roth, and V. Brand, In numbers: serial publications by artists since 1955. Zurich, Switzerland: PPP Editions in association with Andrew Roth, Inc, 2009.
[25]
‘Ephemera’. [Online]. Available: https://monoskop.org/Ephemera
[26]
V. Acconci and B. Mayer, 0 to 9: the complete magazine : 1967-1969, vol. Lost literature series. Brooklyn, NY: Ugly Duckling Presse, 2006.
[27]
‘Aspen: The multimedia magazine in a box’. [Online]. Available: http://www.ubu.com/aspen/
[28]
‘UbuWeb Visual Poetry: Poor.Old.Tired.Horse. (1962-68)’. [Online]. Available: http://www.ubu.com/vp/Poor.Old.Tired.Horse.html
[29]
‘The International Dada Archive - The University of Iowa’. [Online]. Available: http://sdrc.lib.uiowa.edu/dada/collection.html
[30]
Emily Hage, ‘The Magazine as Strategy: Tristan Tzara’s Dada and the Seminal Role of Dada Art Journals in the Dada Movement’, The Journal of Modern Periodical Studies, vol. 2, no. 1, pp. 33–53, 2011 [Online]. Available: http://muse.jhu.edu/article/448171
[31]
P. Brooker and A. Thacker, The Oxford critical and cultural history of modernist magazines: Volume II: North America, 1894-1960. Oxford: Oxford University Press, 2012 [Online]. Available: https://doi-org.libproxy.ucl.ac.uk/10.1093/acprof:osobl/9780199545810.001.0001
[32]
J. Lyons, Artists’ books: a critical anthology and sourcebook. Rochester, N.Y.: The Visual Studies Workshop Press, 1985.
[33]
A. Desjardin and Bloomberg SPACE (Gallery), The book on books on artists books. [London]: Everyday Press, 2011.
[34]
C. Phillpot and L. Bovier, Booktrek: selected essays on artists’ books (1972-2010), vol. Documents series. Zurich: JRP/Ringier, 2013.
[35]
G. Celant, Book as artwork 1960/1972, 2nd ed. Brooklyn, NY: 6 Decades Books, 2010.
[36]
U. Carrion, ‘The new art of making books’. [Online]. Available: http://www.arts.ucsb.edu/faculty/reese/classes/artistsbooks/Ulises%20Carrion,%20The%20New%20Art%20of%20Making%20Books.pdf
[37]
U. Carrión, Quant aux livres: On books. Geneve: Heros-Limite, 1997.
[38]
J. T. Brouws, W. Burton, H. Zschiegner, P. Taylor, and M. Rawlinson, Various small books: referencing various small books by Ed Ruscha. Cambridge, Mass: MIT Press, 2013.
[39]
M. Parr and G. Badger, The photobook: a history. London: Phaidon, 2004.
[40]
M. Parr and WassinkLundgren (Photography partnership), Eds., The Chinese photobook: from the 1900s to the present. New York: Aperture, 2015.
[41]
V. Bean and C. McCabe, The new concrete: visual poetry in the 21st century. London: Hayward Pub, 2015.
[42]
N. Simpson and D S H, Notes from the cosmic typewriter: the life and work of Dom Sylvester Houédard. [London]: Occasional Papers, 2012.
[43]
B. Cobbing, Boooook: the life and work of Bob Cobbing. [London]: Occasional Papers, 2015.
[44]
B. Cobbing and P. Mayer, Concerning concrete poetry. London: Slimvolume, 2014.
[45]
E. Williams, An anthology of concrete poetry. New York: Primary Information, 2013.
[46]
B. Tullett, Typewriter art: a modern anthology. London: Laurence King Publishing, 2014 [Online]. Available: https://learning.oreilly.com/library/view/typewriter-art/9781780675527/?sso_link=yes&sso_link_from=university-college-london
[47]
C. Andre, L. Kost, and Museum zu Allerheiligen (Schaffhausen, Switzerland), Carl Andre: poems. Zurich: JRP/Ringier, 2014.
[48]
‘Tenderbooks’. [Online]. Available: http://tenderbooks.co.uk/
[49]
‘BANNER REPEATER’. [Online]. Available: https://www.bannerrepeater.org/
[50]
‘Offprint’. [Online]. Available: http://offprint.org/
[51]
‘Small Publishers Fair’. [Online]. Available: http://smallpublishersfair.co.uk/