‘A People War: Workshop - Programs – Slought’. n.d. https://slought.org/resources/a_people_war_workshops.
Alper, Meryl. 2014. ‘War on Instagram: Framing Conflict Photojournalism with Mobile Photography Apps’. New Media & Society 16 (8): 1233–48. https://doi.org/10.1177/1461444813504265.
Ann Parker. 1982. Los Ambulantes: The Itinerant Photographers of Guatemala. Cambridge, Mass: MIT Press.
Appadurai, Arjun. 1997. ‘The Colonial Backdrops’. Afterimage 24: 4–7. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=asu&AN=505841839&site=ehost-live&scope=site.
Ariella Azoulay. 2008. ‘The Civil Contract of Photography’. In The Civil Contract of Photography, 85–135. New York: Zone. https://contentstore.cla.co.uk/secure/link?id=7e357a66-80fb-e711-80cd-005056af4099.
Barthes, Roland and Howard, Richard. 1993. Camera Lucida: Reflections on Photography. Vol. Vintage classics. London: Vintage.
Benzaquen, Stephanie. 2014. ‘Looking at the Tuol Sleng Museum of Genocidal Crimes, Cambodia, on Flickr and YouTube’. Media, Culture & Society 36 (6): 790–809. https://doi.org/10.1177/0163443714532983.
Bourdieu, Pierre. 1990. Photography: A Middle-Brow Art. Stanford, Calif: Stanford University Press.
boyd, danah m., and Nicole B. Ellison. 2007. ‘Social Network Sites: Definition, History, and Scholarship’. Journal of Computer-Mediated Communication 13 (1): 210–30. https://doi.org/10.1111/j.1083-6101.2007.00393.x.
Buckley, Liam. 2000. ‘Self and Accessory in Gambian Studio Photography’. Visual Anthropology Review 16 (2): 71–91. https://doi.org/10.1525/var.2000.16.2.71.
———. 2006. ‘Studio Photography and the Aesthetics of Citizenship in The Gambia’’. In Sensible Objects: Colonialism, Museums and Material Culture, English ed, Wenner-Gren international symposium series:61–85. Oxford: Berg.
Chitrakar, Gopal. n.d. People Power. https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&text=Gopal+Chitrakar&search-alias=books&field-author=Gopal+Chitrakar&sort=relevancerank.
Christopher Pinney. 1997. ‘Chambers of Dreams.’ In Camera Indica: The Social Life of Indian Photographs, Envisioning Asia:108–209. London: Reaktion Books.
———. 2016. ‘Bruises and Blushes’. In Documentary across Disciplines, edited by Erika Balsom and Hila Peleg, 20–39. Cambridge, MA: The MIT Press.
Clare Harris. 2001. ‘The Politics and Personhood of Tibetan Buddhist Icons’. In Beyond Aesthetics: Art and the Technologies of Enchantment, 181–99. Oxford: Berg.
Colby, Jason M. n.d. ‘A Camera in the Garden of Eden: The Self-Forging of a Banana Republic’. Agricultural History 91: 97–99. https://search.proquest.com/docview/1876741849?rfr_id=info%3Axri%2Fsid%3Aprimo.
Daniel Miller et al. 2016a. ‘Academic Studies of Social Media’. In How the World Changed Social Media, 9–24. UCL Press. https://doi.org/10.2307/j.ctt1g69z35.
———. 2016b. ‘What Is Social Media?’ In How the World Changed Social Media, 1–8. UCL Press. https://doi.org/10.2307/j.ctt1g69z35.
Dennison, Nash. 1989. ‘Tourism as a Form of Imperialism’. In Hosts and Guests: The Anthropology of Tourism, edited by Valene L. Smith, Second edition, 37–52. Philadelphia: University of Pennsylvania Press. https://www.jstor.org/stable/j.ctt3fhc8w.6.
Diana Taylor. 2002. ‘“You Are Here”: The DNA of Performance’. TDR (1988-) 46 (1): 149–69. https://www.jstor.org/stable/1146951.
Dixit, Kunda. 2007. A People War: Images of the Nepal Conflict 1996-2006.
———. 2009a. Never Again: Testimonies from the Nepal Conflict, 1996-2006. Kathmandu, Nepal: Nepa-laya.
———. 2009b. People After War: Nepalis Live with the Legacy of Conflict. Kathmandu, Nepal: Napa-laya.
Doyle, Kate. n.d. ‘The Atrocity Files’. Harper’s Magazine 315 (5): 52–64. https://search.proquest.com/docview/233467130/fulltext/660BE2339E334467PQ/19?accountid=14511.
Driessens, Jo-Anne, and Michael Aird. 2003. Photography’s Other Histories. Edited by Christopher Pinney, Nicolas Peterson, and Nicholas Thomas. Duke University Press. https://doi.org/10.1215/9780822384717.
É Nimis. 1999. ‘The Golden Age of Black-and-White in Mali’. In Anthology of African and Indian Ocean Photography, English ed. Paris: Revue Noire.
Edwards, Elizabeth. 1998. ‘Performing Science: Still Photography and the Torres Strait Expedition’. In Cambridge and the Torres Strait: Centenary Essays on the 1898 Anthropological Expedition, 106–35. Cambridge: Cambridge University Press.
———. 2005. ‘Photographs and the Sound of History’. Visual Anthropology Review 21 (1–2): 27–46. https://doi.org/10.1525/var.2005.21.1-2.27.
Ekins, James. 2005. ‘Critical Response: What Do We Want Photography to Be? A Response to Michael Fried’. Critical Inquiry 31 (4): 938–56. https://doi.org/10.1086/444520.
Elizabeth Edwards. 1996. ‘Postcards: Greetings from Another World’. In The Tourist Image: Myths and Myth Making in Tourism, 197–222. Chichester: John Wiley. https://contentstore.cla.co.uk/secure/link?id=35619b7c-c514-e911-80cd-005056af4099.
Érika Nimis. 2013. ‘Yoruba Studio Photographers in Francophone West Africa’. Electronic resource. In Portraiture and Photography in Africa, 102–40. Bloomington, Ind: Indiana University Press. https://www.jstor.org/stable/j.ctt16gznd8.8.
Fabian, Johannes. 2002. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press.
Falconer, John, Louise Hide, and British Library. 2009. Points of View: Capturing the 19th Century in Photographs. London: British Library.
Gbadegesin, Olubukola A. 2014. ‘“Photographer Unknown”: Neils Walwin Holm and the (Ir)Retrievable Lives of African Photographers’. History of Photography 38 (1): 21–39. https://doi.org/10.1080/03087298.2013.840073.
Georges Didi-Huberman. 2008. ‘Four Pieces of Film Snatched from Hell’. In Images in Spite of All: Four Photographs from Auschwitz, 3–17. Chicago: University of Chicago Press.
Greg Grandin. 2004. ‘Can the Subaltern Be Seen? Photography and the Affects of Nationalism’. Hispanic American Historical Review 84 (1): 83–111. https://muse.jhu.edu/article/51978.
Instagram and Contemporary Image. 2017. http://manovich.net/index.php/projects/instagram-and-contemporary-image.
John Tagg. 1993. ‘Introduction’. In The Burden of Representation: Essays on Photographies and Histories, 1–15. Minneapolis, MN: University of Minnesota Press. https://contentstore.cla.co.uk/secure/link?id=188d938e-2014-e911-80cd-005056af4099.
Juanita Solano. 2018. ‘The Other’s Other: Portrait Photography in Latin America 1890-1930’. In Beyond the Face : New Perspectives in Portraiture. Washington, D.C.: National Portrait Gallery, Smithsonian Institution.
Kalantzis, Konstantinos. 2014. ‘On Ambivalent Nativism: Hegemony, Photography, and "recalcitrant Alterity” in Sphakia, Crete’. American Ethnologist 41 (1): 56–75. https://doi.org/10.1111/amet.12060.
Karen Strassler. 2010. ‘Landscapes of the Imagination’. In Refracted Visions: Popular Photography and National Modernity in Java, Objects/histories:75–122. Durham [N.C.]: Duke University Press. https://doi.org/10.1215/9780822391548-003.
Kockelman, Paul. 2007. ‘Agency’. Current Anthropology 48 (3): 375–401. https://doi.org/10.1086/512998.
Konstantinos Kalantzis. 2015. ‘Shepherds as “Images, Shepherds with Images: Photographic Re-Engagements in Sfakia, Crete”’. In Camera Graeca: Photographs, Narratives, Materialities, edited by Philip Carabott, Yannis Hamilakis, and Eleni Papargyriou, 313–35. Farnham, Surrey, UK England: Ashgate. https://contentstore.cla.co.uk/secure/link?id=34f1cf17-d41f-e911-80cd-005056af4099.
Kratz, Corinne Ann. 2002. The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition. Electronic resource. Berkeley: University of California Press. https://ebookcentral.proquest.com/lib/ucl/reader.action?docID=224081&ppg=1.
L. Firstenberg. n.d. ‘Postcoloniality, Performance and Photographic Portraiture’. In The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Munich: Prestel.
Lemagny, Jean-Claude, and André Rouillé. 1987. A History of Photography: Social and Cultural Perspectives. Cambridge: Cambridge University Press.
Lenman, Robin. 2005a. The Oxford Companion to the Photograph. Oxford: Oxford University Press.
———. 2005b. The Oxford Companion to the Photograph. Edited by Angela Nicholson. Oxford University Press. https://doi.org/10.1093/acref/9780198662716.001.0001.
Lutz, Catherine, and Jane Collins. 1991. ‘The Photograph as an Intersection of Gazes: The Example of National Geographic’. Visual Anthropology Review 7 (1): 134–49. https://doi.org/10.1525/var.1991.7.1.134.
MacDougall, David. 1992. ‘Photo Hierarchicus: Signs and Mirrors in Indian Photography’. Visual Anthropology 5 (2): 103–29. https://doi.org/10.1080/08949468.1992.9966581.
Marien, Mary Warner. 2010. Photography: A Cultural History. 3rd ed. London: Laurence King.
Marshall Sahlins. 1993. ‘Goodbye to Tristes Tropes: Ethnography in the Context of Modern World History’. The Journal of Modern History 65 (1): 1–25. https://www.jstor.org/stable/2124813.
McKay, Deirdre. 2010. ‘On the Face of Facebook: Historical Images and Personhood in Filipino Social Networking’. History and Anthropology 21 (4): 479–98. https://doi.org/10.1080/02757206.2010.522311.
Michael Hutt et al. n.d. Political Change and Public Culture in Post-1990 Nepal. https://doi.org/10.1017/9781316771389.
Mookherjee, Nayanika. 2015. ‘The Raped Woman as a Horrific Sublime and the Bangladesh War of 1971’. Journal of Material Culture 20 (4): 379–95. https://doi.org/10.1177/1359183515603742.
‘National Geographic’. n.d. 233 (4, Supplement). https://search.proquest.com/publicationissue/CC248A3F529741DCPQ/$B/1/National+Geographic$3b+Washington/02018Y04Y01$23Apr+2018$3b++Vol.+233+$284$29,+Supp.+SPECIAL+ISSUE/$N?accountid=14511.
Nura Mustafa, Hudita. 2002. ‘Portraits of Modernity: Fashioning Selves in Dakarois Popular Photography’. In Images and Empires: Visuality in Colonial and Postcolonial Africa, 172–92. Berkeley: University of California Press.
O. Enwezor and O. Zaya. 1996. ‘Colonial Imaginary, Tropes of Disruption: History, Culture, and Representation in the Works of African Photographers’. In In/Sight: African Photographers, 1940 to the Present, 17–47. New York: Guggenheim Museum.
O’Rourke, Dennis, and Tim Litchfield. 2000. ‘Cannibal Tours’. Cairns, Queensland: CameraWork.
Peter Stuart Landau. 2002. ‘Introduction’. In Images and Empires: Visuality in Colonial and Postcolonial Africa, 1–38. Berkeley: University of California Press.
Pierre Bourdieu, Marie-Claire Bourdieu, Loïc Wacquant and Richard Nice. 2004. ‘The Peasant and Photography’. Ethnography 5 (4): 600–616. https://www.jstor.org/stable/24047856.
Poole, Deborah. 1997. Vision, Race, and Modernity: A Visual Economy of the Andean Image World. Princeton, N.J.: Princeton University Press.
Pratyoush Onta. n.d. ‘A Suggestive History of the First Century of Photographic Consumption in Kathmandu’. STUDIES IN NEPALI HISTORY AND SOCIETY 3 (1). http://www.martinchautari.org.np/index.php/announcements/717-reading-list-seminar-on-visual-anthropology.
Roland Barthes. 1972. ‘The Great Family of Man’. In Mythologies, 100–102. London: Cape. https://contentstore.cla.co.uk/secure/link?id=d6563704-671d-e911-80cd-005056af4099.
Said, Edward W. 2003. Orientalism. London, England: the Penguin Group.
Sanjana Hattotuwa. 2010. ‘Expanding the Art of Possible: Leveraging Citizen Journalism and User Generated Content (USG) for Peace in Sri Lanka’. Electronic resource. In South Asian Media Cultures: Audiences, Representations, Contexts, edited by Shakuntala Banaji, 235–54. London: Anthem Press.
Sasanka Perera. 2016. ‘The Jaffna Photo Album: Sinhala Warzone Tourism in the Time of a Ceasefire’. In Warzone Tourism in Sri Lanka : Tales from Darker Places in Paradise, 12–67. New Delhi: SAGE.
Seoighe, Rachel. 2016. ‘Nationalistic Authorship and Resistance in Northeastern Sri Lanka’. Society and Culture in South Asia 2 (1): 1–30. https://doi.org/10.1177/2393861715608971.
Seppänen, Janne. 2017. ‘Unruly Representation: Materiality, Indexicality and Agency of the Photographic Trace’. Photographies 10 (1): 113–28. https://doi.org/10.1080/17540763.2016.1258658.
Shreshta, Padma Prakask. 1993. Nepal Rediscovered: Rana Court 1846-1951. Time Books International.
Stasch, Rupert. 2014. ‘Primitivist Tourism and Romantic Individualism: On the Values in Exotic Stereotypy about Cultural Others’. Anthropological Theory 14 (2): 191–214. https://doi.org/10.1177/1463499614534114.
‘The Caravan’. n.d. https://caravanmagazine.in/.
Tyner, James A, and Christabel Devadoss. 2014. ‘Administrative Violence, Prison Geographies and the Photographs of Tuol Sleng Security Center, Cambodia’. Area 46 (4): 361–68. https://doi.org/10.1111/area.12119.
Vong, Mun, and Kimhean Hok. 2018. ‘Facebooking’. South East Asia Research 26 (3): 219–34. https://journals.sagepub.com/doi/full/10.1177/0967828X17754113.
W. Hartmann, J. Silvester, and P. Hayes. 1998. ‘Part 1: Introduction’. In The Colonising Camera: Photographs in the Making of Namibian History, 1–24. Cape Town: University of Cape Town Press.
Walter, Benjamin. 1999. ‘Little History of Photography’. In Selected Writings: Volume 2: 1927-1934, 507–30. Cambridge, Ma: The Belknap Press of Harvard University. https://contentstore.cla.co.uk/secure/link?id=4ce41f73-1af6-e711-80cd-005056af4099.
Walton, Shireen. 2015. ‘Re-Envisioning Iran Online’. Middle East Journal of Culture and Communication 8 (2–3): 398–418. https://doi.org/10.1163/18739865-00802012.
Wendl, Tobias. 1999. ‘Ghana: Portraits and Scenery’. In Anthology of African and Indian Ocean Photography, English ed, 143–55. Paris: Revue Noire.
Wright, Chris. 2004. ‘Material and Memory: Photography in the Western Solomon Islands’. Journal of Material Culture 9 (1): 73–85. https://doi.org/10.1177/1359183504041090.
Young, Sokphea, and Chivoin Peou. n.d. ‘Internet, Facebook, Competing Political Narratives,and Political Control in Cambodia’. https://contentstore.cla.co.uk/secure/link?id=bcff0683-7a19-e911-80cd-005056af4099.
Zeynep Devrim Gürsel. 2016. ‘Introduction’. In Image Brokers: Visualizing World News in the Age of Digital Circulation, 1–41. Oakland, California: University of California Press. https://contentstore.cla.co.uk/secure/link?id=1eb9af20-a419-e911-80cd-005056af4099.
———. 2016. ‘Visa Pour l’image: Personal Visions and Amateur Documents’. In Image Brokers : The Work of Images and Visual Circulation. University of California Press.