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Ariella Azoulay, ‘The Civil Contract of Photography’, in The Civil Contract of Photography (New York: Zone, 2008), pp. 85–135 <https://contentstore.cla.co.uk/secure/link?id=7e357a66-80fb-e711-80cd-005056af4099>
Barthes, Roland and Howard, Richard, Camera Lucida: Reflections on Photography (London: Vintage, 1993), Vintage classics
Benzaquen, Stephanie, ‘Looking at the Tuol Sleng Museum of Genocidal Crimes, Cambodia, on Flickr and YouTube’, Media, Culture & Society, 36.6 (2014), 790–809 <https://doi.org/10.1177/0163443714532983>
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Buckley, Liam, ‘Self and Accessory in Gambian Studio Photography’, Visual Anthropology Review, 16.2 (2000), 71–91 <https://doi.org/10.1525/var.2000.16.2.71>
———, ‘Studio Photography and the Aesthetics of Citizenship in The Gambia’’, in Sensible Objects: Colonialism, Museums and Material Culture, English ed (Oxford: Berg, 2006), Wenner-Gren international symposium series, 61–85
Chitrakar, Gopal, People Power <https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&amp;text=Gopal+Chitrakar&amp;search-alias=books&amp;field-author=Gopal+Chitrakar&amp;sort=relevancerank>
Christopher Pinney, ‘Bruises and Blushes’, in Documentary across Disciplines, ed. by Erika Balsom and Hila Peleg (Cambridge, MA: The MIT Press, 2016), pp. 20–39
———, ‘Chambers of Dreams.’, in Camera Indica: The Social Life of Indian Photographs (London: Reaktion Books, 1997), Envisioning Asia, 108–209
Clare Harris, ‘The Politics and Personhood of Tibetan Buddhist Icons’, in Beyond Aesthetics: Art and the Technologies of Enchantment (Oxford: Berg, 2001), pp. 181–99
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———, ‘What Is Social Media?’, in How the World Changed Social Media (UCL Press, 2016), pp. 1–8 <https://doi.org/10.2307/j.ctt1g69z35>
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———, Never Again: Testimonies from the Nepal Conflict, 1996-2006 (Kathmandu, Nepal: Nepa-laya, 2009)
———, People After War: Nepalis Live with the Legacy of Conflict (Kathmandu, Nepal: Napa-laya, 2009)
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É  Nimis, ‘The Golden Age of Black-and-White in Mali’, in Anthology of African and Indian Ocean Photography, English ed (Paris: Revue Noire, 1999)
Edwards, Elizabeth, ‘Performing Science: Still Photography and the Torres Strait Expedition’, in Cambridge and the Torres Strait: Centenary Essays on the 1898 Anthropological Expedition (Cambridge: Cambridge University Press, 1998), pp. 106–35
———, ‘Photographs and the Sound of History’, Visual Anthropology Review, 21.1–2 (2005), 27–46 <https://doi.org/10.1525/var.2005.21.1-2.27>
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Elizabeth Edwards, ‘Postcards: Greetings from Another World’, in The Tourist Image: Myths and Myth Making in Tourism (Chichester: John Wiley, 1996), pp. 197–222 <https://contentstore.cla.co.uk/secure/link?id=35619b7c-c514-e911-80cd-005056af4099>
Érika Nimis, ‘Yoruba Studio Photographers in Francophone West Africa’, in Portraiture and Photography in Africa (Bloomington, Ind: Indiana University Press, 2013), pp. 102–40 <https://www.jstor.org/stable/j.ctt16gznd8.8>
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John Tagg, ‘Introduction’, in The Burden of Representation: Essays on Photographies and Histories (Minneapolis, MN: University of Minnesota Press, 1993), pp. 1–15 <https://contentstore.cla.co.uk/secure/link?id=188d938e-2014-e911-80cd-005056af4099>
Juanita Solano, ‘The Other’s Other: Portrait Photography in Latin America 1890-1930’, in Beyond the Face : New Perspectives in Portraiture (Washington, D.C.: National Portrait Gallery, Smithsonian Institution, 2018)
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———, ‘Visa Pour l’image: Personal Visions and Amateur Documents’, in Image Brokers : The Work of Images and Visual Circulation. (University of California Press, 2016)