A People War: Workshop - Programs – Slought (no date). Available at: https://slought.org/resources/a_people_war_workshops.
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Ann Parker (1982) Los ambulantes: the itinerant photographers of Guatemala. Cambridge, Mass: MIT Press.
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Ariella Azoulay (2008) ‘The civil contract of photography’, in The civil contract of photography. New York: Zone, pp. 85–135. Available at: https://contentstore.cla.co.uk/secure/link?id=7e357a66-80fb-e711-80cd-005056af4099.
Barthes, Roland and Howard, Richard (1993) Camera lucida: reflections on photography. London: Vintage.
Benzaquen, S. (2014) ‘Looking at the Tuol Sleng Museum of Genocidal Crimes, Cambodia, on Flickr and YouTube’, Media, Culture & Society, 36(6), pp. 790–809. Available at: https://doi.org/10.1177/0163443714532983.
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boyd, danah m. and Ellison, N.B. (2007) ‘Social Network Sites: Definition, History, and Scholarship’, Journal of Computer-Mediated Communication, 13(1), pp. 210–230. Available at: https://doi.org/10.1111/j.1083-6101.2007.00393.x.
Buckley, L. (2000) ‘Self and Accessory in Gambian Studio Photography’, Visual Anthropology Review, 16(2), pp. 71–91. Available at: https://doi.org/10.1525/var.2000.16.2.71.
Buckley, L. (2006) ‘Studio Photography and the Aesthetics of Citizenship in The Gambia’’, in Sensible objects: colonialism, museums and material culture. English ed. Oxford: Berg, pp. 61–85.
Chitrakar, G. (no date) People Power. Available at: https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&text=Gopal+Chitrakar&search-alias=books&field-author=Gopal+Chitrakar&sort=relevancerank.
Christopher Pinney (1997) ‘Chambers of Dreams.’, in Camera Indica: the social life of Indian photographs. London: Reaktion Books, pp. 108–209.
Christopher Pinney (2016) ‘Bruises and Blushes’, in E. Balsom and H. Peleg (eds) Documentary across disciplines. Cambridge, MA: The MIT Press, pp. 20–39.
Clare Harris (2001) ‘The Politics and Personhood of Tibetan Buddhist Icons’, in Beyond aesthetics: art and the technologies of enchantment. Oxford: Berg, pp. 181–199.
Colby, Jason M (no date) ‘A Camera in the Garden of Eden: The Self-Forging of a Banana Republic’, Agricultural History, 91, pp. 97–99. Available at: https://search.proquest.com/docview/1876741849?rfr_id=info%3Axri%2Fsid%3Aprimo.
Daniel Miller et al. (2016a) ‘Academic studies of social media’, in How the World Changed Social Media. UCL Press, pp. 9–24. Available at: https://doi.org/10.2307/j.ctt1g69z35.
Daniel Miller et al. (2016b) ‘What is social media?’, in How the World Changed Social Media. UCL Press, pp. 1–8. Available at: https://doi.org/10.2307/j.ctt1g69z35.
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Diana Taylor (2002) ‘“You Are Here”: the DNA of Performance’, TDR (1988-), 46(1), pp. 149–169. Available at: https://www.jstor.org/stable/1146951.
Dixit, K. (2007) A People War: Images of the Nepal Conflict 1996-2006.
Dixit, K. (2009a) Never Again: Testimonies from the Nepal Conflict, 1996-2006. Kathmandu, Nepal: Nepa-laya.
Dixit, K. (2009b) People After War: Nepalis live with the legacy of conflict. Kathmandu, Nepal: Napa-laya.
Doyle, Kate (no date) ‘The atrocity files’, Harper’s Magazine, 315(5), pp. 52–64. Available at: https://search.proquest.com/docview/233467130/fulltext/660BE2339E334467PQ/19?accountid=14511.
Driessens, J.-A. and Aird, M. (2003) Photography’s Other Histories. Edited by C. Pinney, N. Peterson, and N. Thomas. Duke University Press. Available at: https://doi.org/10.1215/9780822384717.
É  Nimis (1999) ‘The Golden Age of Black-and-White in Mali’, in Anthology of African and Indian Ocean photography. English ed. Paris: Revue Noire.
Edwards, E. (1998) ‘Performing science: still photography and the Torres Strait expedition’, in Cambridge and the Torres Strait: centenary essays on the 1898 Anthropological Expedition. Cambridge: Cambridge University Press, pp. 106–135.
Edwards, E. (2005) ‘Photographs and the Sound of History’, Visual Anthropology Review, 21(1–2), pp. 27–46. Available at: https://doi.org/10.1525/var.2005.21.1-2.27.
Ekins, J. (2005) ‘Critical Response: What Do We Want Photography to Be? A Response to Michael Fried’, Critical Inquiry, 31(4), pp. 938–956. Available at: https://doi.org/10.1086/444520.
Elizabeth Edwards (1996) ‘Postcards: Greetings from Another World’, in The tourist image: myths and myth making in tourism. Chichester: John Wiley, pp. 197–222. Available at: https://contentstore.cla.co.uk/secure/link?id=35619b7c-c514-e911-80cd-005056af4099.
Érika Nimis (2013) ‘Yoruba Studio Photographers in Francophone West Africa’, in Portraiture and photography in Africa. Bloomington, Ind: Indiana University Press, pp. 102–140. Available at: https://www.jstor.org/stable/j.ctt16gznd8.8.
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Falconer, J., Hide, L., and British Library (2009) Points of view: capturing the 19th century in photographs. London: British Library.
Gbadegesin, O.A. (2014) ‘“Photographer Unknown”: Neils Walwin Holm and the (Ir)retrievable Lives of African Photographers’, History of Photography, 38(1), pp. 21–39. Available at: https://doi.org/10.1080/03087298.2013.840073.
Georges Didi-Huberman (2008) ‘Four Pieces of Film Snatched from Hell’, in Images in spite of all: four photographs from Auschwitz. Chicago: University of Chicago Press, pp. 3–17.
Greg Grandin (2004) ‘Can the Subaltern Be Seen? Photography and the Affects of Nationalism’, Hispanic American Historical Review, 84(1), pp. 83–111. Available at: https://muse.jhu.edu/article/51978.
Instagram and contemporary image (2017). Available at: http://manovich.net/index.php/projects/instagram-and-contemporary-image.
John Tagg (1993) ‘Introduction’, in The burden of representation: essays on photographies and histories. Minneapolis, MN: University of Minnesota Press, pp. 1–15. Available at: https://contentstore.cla.co.uk/secure/link?id=188d938e-2014-e911-80cd-005056af4099.
Juanita Solano (2018) ‘The Other’s Other: Portrait Photography in Latin America 1890-1930’, in Beyond the face : new perspectives in portraiture. Washington, D.C.: National Portrait Gallery, Smithsonian Institution.
Kalantzis, K. (2014) ‘On ambivalent nativism: Hegemony, photography, and "recalcitrant alterity” in Sphakia, Crete’, American Ethnologist, 41(1), pp. 56–75. Available at: https://doi.org/10.1111/amet.12060.
Karen Strassler (2010) ‘Landscapes of the Imagination’, in Refracted visions: popular photography and national modernity in Java. Durham [N.C.]: Duke University Press, pp. 75–122. Available at: https://doi.org/10.1215/9780822391548-003.
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Konstantinos Kalantzis (2015) ‘Shepherds as “Images, Shepherds with Images: Photographic Re-engagements in Sfakia, Crete”’, in P. Carabott, Y. Hamilakis, and E. Papargyriou (eds) Camera graeca: photographs, narratives, materialities. Farnham, Surrey, UK England: Ashgate, pp. 313–335. Available at: https://contentstore.cla.co.uk/secure/link?id=34f1cf17-d41f-e911-80cd-005056af4099.
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Michael Hutt et al. (no date) Political Change and Public Culture in Post-1990 Nepal. Available at: https://doi.org/10.1017/9781316771389.
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‘The Caravan’ (no date). Available at: https://caravanmagazine.in/.
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