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Alison, Wright, ‘Crivelli’s Divine Materials’, in Ornament & Illusion: Carlo Crivelli of Venice, ed. by Stephen J. Campbell (London: Paul Holberton Publishing, 2015), pp. 57–77 <https://contentstore.cla.co.uk/secure/link?id=0ff2e0e2-a5a2-e711-80cb-005056af4099>
Amanda, Lillie, ‘Sculpting the Air: Donatello’s Narratives of the Environment’, in Depth of Field: Relief Sculpture in Renaissance Italy (Bern: Peter Lang, 2007), pp. 97–124 <https://contentstore.cla.co.uk/secure/link?id=74cfc804-00c6-e711-80cd-005056af4099>
Anne, Dunlop, ‘On the Origins of European Painting Materials, Real and Imagined’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester: Manchester University Press, 2015), Studies in design, 68–96
Anne-Sophie Lehman, ‘The Matter of Medium: Some Tools for an Art-Theoretical Interpretation of Materials’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester: Manchester University Press, 2015), Studies in design, 21–41 <https://contentstore.cla.co.uk/secure/link?id=51ed7412-149d-e711-80cb-005056af4099>
———, ‘The Matter of Medium: Some Tools for an Art-Theoretical Interpretation of Materials’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester: Manchester University Press, 2015), Studies in design, 21–41 <https://contentstore.cla.co.uk/secure/link?id=51ed7412-149d-e711-80cb-005056af4099>
Arthur Lucas and Joyce Plesters, ‘Titian’s “Bacchus and Ariadne”’, National Gallery Technical Bulletin, 2 (1978), 25–47 <http://www.jstor.org/stable/42616250>
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Belozerskaya, Marina, ‘The Powers of Gold and Precious Stones’, in Luxury Arts of the Renaissance (London: Thames & Hudson, 2005), pp. 47–87 <https://contentstore.cla.co.uk/secure/link?id=980191b2-1f9d-e711-80cb-005056af4099>
Bucklow, Spike, ‘Lead White’s Mysteries’, in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, ed. by Christy Anderson, Anne Dunlop, and Pamela H. Smith (Manchester: Manchester University Press, 2015), Studies in design, 141–59
Campbell, Lorne, Rogier van Der Weyden in Context: Papers Presented at the Seventeenth Symposium for the Study of Underdrawing and Technology in Painting, Held in Leuven, 22-24 October 2009 (Paris: Peeters, 2012), Underdrawing and technology in painting
Caroline, Walker Bynum, ‘The Power of Objects’, in Christian Materiality: An Essay on Religion in Late Medieval Europe (New York: Zone Books, 2011), pp. 125–76
Caroline, Walker, Bynum, ‘Visual Matter’, in Christian Materiality: An Essay on Religion in Late Medieval Europe (New York: Zone Books, 2011), pp. 37–123 <https://contentstore.cla.co.uk/secure/link?id=b3ff84dd-109a-e711-80cb-005056af4099>
Cennini, Cennino, and Lara Broecke, Cennino Cennini’s Il Libro Dell’arte: A New English Translation and Commentary with Italian Transcription (London: Archetype Publications Ltd, 2015)
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Cynthia, Hahn, ‘Visio Dei: Changes in Medieval Visuality’, in Visuality before and beyond the Renaissance: Seeing as Others Saw (Cambridge, U.K.: Cambridge University Press, 2000), Cambridge studies in new art history and criticism, 169–96
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———, ‘The Colours of Mystery’, in Fra Angelico: Dissemblance & Figuration (Chicago: University of Chicago Press, 1995), pp. 13–101
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Pamela. H. Smith, ‘What Is a Secret? Secrets and Craft Knowledge in Early Modern Europe’, in Secrets and Knowledge in Medicine and Science, 1500-1800 (Farnham: Ashgate, 2011), The history of medicine in context, 47–66 <https://contentstore.cla.co.uk/secure/link?id=aa77ca73-f9a1-e711-80cb-005056af4099>
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