[1]
Arts Council England, ‘Digital culture: how arts and cultural organisations in England use technology’, Digital Culture 2013 - 2017. 2013 [Online]. Available: http://www.artscouncil.org.uk/publication/digital-culture-2013
[2]
Arup Foresight + Research + Innovation, ‘Museums in the digital age’. ARUP, London, 2013 [Online]. Available: https://www.arup.com/publications/research/section/museums-in-the-digital-age?query=Museums%20in%20the%20Digital%20Age
[3]
F. Cameron and S. Kenderdine, Eds., Theorizing digital cultural heritage: a critical discourse. Cambridge, Mass.: MIT Press, 2007 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780262269742
[4]
M. Castells, The rise of the network society, 2nd ed., with A new pref., vol. The information age : economy, society, and culture. Chichester: Wiley-Blackwell, 2010 [Online]. Available: http://onlinelibrary.wiley.com.libproxy.ucl.ac.uk/book/10.1002/9781444319514
[5]
T. Clack and M. Brittain, Eds., Archaeology and the media, vol. Publications of the Institute of Archaeology, University College London. Walnut Creek, Calif: Left Coast Press, 2007 [Online]. Available: http://ucl.eblib.com/patron/FullRecord.aspx?p=677757
[6]
S. Cook, Ed., A brief history of curating new media art: conversations with curators. Berlin: Green Box, 2010.
[7]
New technologies for the cultural and scientific heritage sector, vol. DigiCULT technology watch report 1. 2003.
[8]
‘Introduction. Empowering cultural heritage institutions to unlock the value of their collections’, in The DigiCULT report. Technological landscapes for tomorrow’s cultural economy: unlocking the value of cultural heritage, Luxembourg: Office for Official Publications of the European Communities, 2002, p. 13 [11]-23 [21] [Online]. Available: http://www.digicult.info/pages/report.php
[9]
A. Fahy, ‘New technologies for museum communication’, in Museum, media, message, vol. Heritage, New York: Routledge, 1994, pp. 82–96 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203456514/startPage/85
[10]
A. Galani and M. Chalmers, ‘Can you see me? Exploring co-visiting between physical and virtual visitors’, Museums and the Web 2002.
[11]
S. Hazan, ‘The virtual aura - is there space for enchantment in a technological world?’, Museums and the Web 2001, 2001.
[12]
M. Henning, Museums, media and cultural theory, vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2006 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780335225750
[13]
K. Jones-Garmil, Ed., The wired museum: emerging technology and changing paradigms. Washington, D.C.: American Association of Museums, 1997.
[14]
Y. E. Kalay, T. Kvan, and J. Affleck, Eds., New heritage: new media and cultural heritage. London: Routledge, 2008 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203937884
[15]
S. Keene, Digital collections: museums and the information age. Oxford: Butterworth-Heinemann, 1998 [Online]. Available: https://www-taylorfrancis-com.libproxy.ucl.ac.uk/books/9781135145453
[16]
S. J. Knell, ‘The shape of things to come: museums in the technological landscape’, Museum and society, vol. 1, no. 3, pp. 132–146, 2003.
[17]
G. F. MacDonald and S. Alsford, ‘The museum as information utility’, Museum Management and Curatorship, vol. 10, no. 3, pp. 305–311, 1991, doi: 10.1016/0964-7775(91)90064-X.
[18]
A. Malraux, Museum without walls. Martin Secker and Warburg, 1967.
[19]
P. F. Marty and K. B. Jones, Eds., Museum informatics: people, information, and technology in museums. New York: Routledge, 2008 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203939147
[20]
J. McCarthy and P. Wright, Technology as experience. Cambridge, Mass: MIT Press, 2007 [Online]. Available: http://ieeexplore.ieee.org.libproxy.ucl.ac.uk/xpl/bkabstractplus.jsp?bkn=6267305
[21]
A. Lilley and P. Moore, ‘Counting what counts: what big data can do for the cultural sector’. 2013 [Online]. Available: http://www.nesta.org.uk/sites/default/files/counting_what_counts.pdf
[22]
R. Parry, Ed., Museums in a digital age, vol. Leicester readers in museum studies. London: Routledge, 2010 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203716083
[23]
R. Parry, Recoding the museum: digital heritage and the technologies of change, vol. Museum meanings. London: Routledge, 2007 [Online]. Available: http://libproxy.ucl.ac.uk/login?url=http://dx.doi.org/10.4324/9780203347485
[24]
R. Parry, ‘Digital heritage and the rise of theory in museum computing’, Museum Management and Curatorship, vol. 20, no. 4, pp. 333–348, 2005, doi: 10.1016/j.musmancur.2005.06.003.
[25]
H. Rheingold, Smart mobs: the next social revolution. Cambridge, MA: Perseus Publishing, 2002 [Online]. Available: http://ucl.eblib.com/patron/FullRecord.aspx?p=904434
[26]
L. Tallon and K. Walker, Eds., Digital technologies and the museum experience: handheld guides and other media. Lanham: AltaMira Press, 2008 [Online]. Available: http://ucl.eblib.com/patron/FullRecord.aspx?p=467464
[27]
S. Thomas and A. Mintz, Eds., The virtual and the real: media in the museum. Washington, D.C.: American Association of Museums, 1998.
[28]
‘Museum management and curatorship’.
[29]
‘Museum international’.
[30]
‘Museum and society’.
[31]
‘Curator: the museum journal’.
[32]
E. Howarth, F. R. Rowley, W. R. Butterfield, C. Madeley, and Museums Association, ‘The museums journal’.
[33]
Museums Association, ‘Museum practice’, 1996.
[34]
‘New media & society’.
[35]
‘Technology and culture’.
[36]
‘Archives & Museum Informatics. Conferences: Museums and the Web - the international conference for culture and heritage online’. .
[37]
‘Archives & Museum Informatics. Survey of museum web implementations 2005’. .
[38]
K. Arvanitis, ‘Digital Heritage [blog]’. [Online]. Available: https://digitalheritage.wordpress.com/
[39]
K. J. Smith, ‘Koven J. Smith Dot Com. “Making dreams reality since 1975” [blog]’. [Online]. Available: http://kovenjsmith.com/
[40]
Arts Council England, ‘Digital culture: how arts and cultural organisations in England use technology’, Digital Culture 2013 - 2017. 2013 [Online]. Available: http://www.artscouncil.org.uk/publication/digital-culture-2013
[41]
Arup Foresight + Research + Innovation, ‘Museums in the digital age’. ARUP, London, 2013 [Online]. Available: https://www.arup.com/publications/research/section/museums-in-the-digital-age?query=Museums%20in%20the%20Digital%20Age
[42]
‘Introduction. Empowering cultural heritage institutions to unlock the value of their collections’, in The DigiCULT report. Technological landscapes for tomorrow’s cultural economy: unlocking the value of cultural heritage, Luxembourg: Office for Official Publications of the European Communities, 2002, p. 13 [11]-23 [21].
[43]
S. J. Knell, ‘The shape of things to come: museums in the technological landscape’, Museum and society, vol. 1, no. 3, pp. 132–146, 2003.
[44]
D. Anderson, A common wealth: museums in the learning age: a report to the Department for Culture, Media and Sport. London: Stationery Office, 1999 [Online]. Available: http://cols.ou.edu/active/LSMS5113/pdf/Common_Wealth2.pdf
[45]
M. Castells, ‘Museums in the information era: cultural connectors of time and space’, ICOM news, no. Special issue, pp. 4–7, 2001.
[46]
M. Castells, The rise of the network society, 2nd ed., with A new pref., vol. The information age : economy, society, and culture. Chichester: Wiley-Blackwell, 2010 [Online]. Available: http://onlinelibrary.wiley.com.libproxy.ucl.ac.uk/book/10.1002/9781444319514
[47]
X. Chen and Y. Kalay, ‘Making a liveable “place”: content design in virtual environments’, International Journal of Heritage Studies, vol. 14, no. 3, pp. 229–246, 2008, doi: 10.1080/13527250801953710.
[48]
C. Paul, Ed., New media in the white cube and beyond: curatorial models for digital art. Berkeley: University of California Press, 2008.
[49]
K. Ducatel, ‘ISTAG : Scenarios for ambient intelligence in 2010’. European Commission, Brussels, 2001.
[50]
D. Emery, M. B. Toth, and W. Noel, ‘The convergence of information technology and data management for digital imaging in museums’, Museum Management and Curatorship, vol. 24, no. 4, pp. 337–356, 2009, doi: 10.1080/09647770903314712.
[51]
S. Hazan, ‘A crisis of authority: new lamps for old’, in Theorizing digital cultural heritage: a critical discourse, vol. Media in transition, F. Cameron and S. Kenderdine, Eds. Cambridge, Mass: MIT Press, 2007, pp. 133–147 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/148
[52]
H. S. Hein, The museum in transition: a philosophical perspective. Washington: Smithsonian Institution Press, 2000.
[53]
E. Hooper-Greenhill, Museums and the interpretation of visual culture, vol. Museum meanings. London: Routledge, 2000.
[54]
Y. E. Kalay, T. Kvan, and J. Affleck, Eds., New heritage: new media and cultural heritage. London: Routledge, 2008 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203937884
[55]
C. Karp, ‘Digital heritage in digital museums’, Museum International, vol. 56, no. 1–2, pp. 45–51, 2004, doi: 10.1111/j.1350-0775.2004.00457.x.
[56]
S. Keene, B. Royan, and D. Anderson, Eds., ‘A netful of jewels: new museums in the learning age. A report from the National Museum Director’s Conference’. National Museum Directors’ Conference, 1999.
[57]
Joost Van Loon, Media technology : critical perspectives. Open University Press, 2008.
[58]
G. F. MacDonald and S. Alsford, ‘The museum as information utility’, Museum Management and Curatorship, vol. 10, no. 3, pp. 305–311, 1991, doi: 10.1016/0964-7775(91)90064-X.
[59]
J. Malpas, ‘New media, cultural heritage and the sense of place: mapping the conceptual ground’, International Journal of Heritage Studies, vol. 14, no. 3, pp. 197–209, 2008, doi: 10.1080/13527250801953652.
[60]
J. Malpas, ‘Cultural heritage in the age of new media’, in New heritage: new media and cultural heritage, Y. E. Kalay, T. Kvan, and J. Affleck, Eds. London: Routledge, 2008, pp. 13–26 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203937884/startPage/30
[61]
L. Manovich, The language of new media. Cambridge, Mass: MIT Press, 2001.
[62]
P. F. Marty, ‘An introduction to digital convergence: libraries, archives, and museums in the information age’, Museum Management and Curatorship, vol. 24, no. 4, pp. 295–298, 2009, doi: 10.1080/09647770903314688.
[63]
R. Parry, ‘Digital heritage and the rise of theory in museum computing’, Museum Management and Curatorship, vol. 20, no. 4, pp. 333–348, 2005, doi: 10.1016/j.musmancur.2005.06.003.
[64]
J. Ray, ‘Sharks, digital curation, and the education of information professionals’, Museum Management and Curatorship, vol. 24, no. 4, pp. 357–368, 2009, doi: 10.1080/09647770903314720.
[65]
Resource [The Council for Museums, Archives and Libraries], ‘Renaissance in the regions: a new vision for England’s museums’. 2001.
[66]
L. Witt, ‘Museums as information centres’, Museum International, vol. 46, no. 1, pp. 20–25, 2009, doi: 10.1111/j.1468-0033.1994.tb01148.x.
[67]
A. Witcomb, Re-imagining the museum: beyond the mausoleum, vol. Museum meanings. London: Routledge, 2003.
[68]
F. Cameron, ‘The politics of heritage authorship: the case of digital heritage collections’, in New heritage: new media and cultural heritage, Y. E. Kalay, T. Kvan, and J. Affleck, Eds. London: Routledge, 2008, pp. 170–184 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203937884/startPage/187
[69]
P. F. Marty, ‘The changing role of the museum webmaster: past, present and future’, Museums and the Web 2004, 2004 [Online]. Available: http://www.archimuse.com/mw2004/papers/marty/marty.html
[70]
R. Parry and N. Arbach, ‘The localized learner: acknowledging distance and situatedness in on-line museum learning’, Museums and the Web 2005, 2005 [Online]. Available: http://www.archimuse.com/mw2005/papers/parry/parry.html
[71]
D. Peacock and J. Brownbill, ‘Audiences, visitors, users: reconceptualising users of museum on-line content and services’, Museums and the Web 2007, 2007 [Online]. Available: http://www.archimuse.com/mw2007/papers/peacock/peacock.html
[72]
C. Adams, T. Cole, C. DePaolo, and S. Edwards, ‘Bringing the curatorial process to the web’, Museums and the Web 2001, 2001 [Online]. Available: http://www.archimuse.com/mw2001/papers/depaolo/depaola.html
[73]
A. Barry, ‘Creating a virtuous circle between a museum’s on-line and physical spaces’, Museums and the Web 2006, 2006 [Online]. Available: http://www.archimuse.com/mw2006/papers/barry/barry.html
[74]
F. Cameron and S. Kenderdine, Eds., Theorizing digital cultural heritage: a critical discourse. Cambridge, Mass.: MIT Press, 2007 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780262269742
[75]
A. Fahy, ‘New technologies for museum communication’, in Museum, media, message, vol. Heritage, New York: Routledge, 1994, pp. 82–96 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203456514/startPage/85
[76]
C. R. Copeland, ‘Out of our mines! A retrospective look at on-line museum collections-based learning and instruction (1997-2006)’, Museums and the Web 2006, 2006 [Online]. Available: http://www.archimuse.com/mw2006/papers/copeland/copeland.html
[77]
M. Henning, Museums, media and cultural theory, vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2006 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780335225750
[78]
K. Hoff, ‘The small museum web site: a case study of the web site development and strategy in a small art museum’, Museums and the Web 2000, 2000 [Online]. Available: http://www.archimuse.com/mw2000/papers/hoff/hoff.html
[79]
Y. E. Kalay, T. Kvan, and J. Affleck, Eds., New heritage: new media and cultural heritage. London: Routledge, 2008 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203937884
[80]
G. Lütsch, ‘How to get more than 500,000 visitors in 6 Months’, Museums and the Web 2000, 2000 [Online]. Available: http://www.archimuse.com/mw2000/papers/luetsch/luetsch.html
[81]
G. F. MacDonald and S. Alsford, ‘The museum as information utility’, Museum Management and Curatorship, vol. 10, no. 3, pp. 305–311, 1991, doi: 10.1016/0964-7775(91)90064-X.
[82]
F. Marshall, ‘Making good use of user input: incorporation of public evaluation into the system development process’, Museums and the Web 2001, 2001 [Online]. Available: http://www.archimuse.com/mw2001/papers/marshal/marshall.html
[83]
R. Parry, ‘Digital heritage and the rise of theory in museum computing’, Museum Management and Curatorship, vol. 20, no. 4, pp. 333–348, 2005, doi: 10.1016/j.musmancur.2005.06.003.
[84]
John Vergo et al., ‘“Less clicking, more watching”: results from the user-centered design of a multi-institutional web site for art and culture’, Museums and the Web 2001, 2001 [Online]. Available: http://www.archimuse.com/mw2001/papers/vergo/vergo.html
[85]
P. Webb, ‘Five become one: how five Manchester museums developed a shared web portal’, Museums and the Web 2003, 2003 [Online]. Available: http://www.archimuse.com/mw2003/papers/webb/webb.html
[86]
D. Allen-Greil, S. Edwards, J. Ludden, and E. Johnson, ‘Social media and organizational change’, Museums and the Web 2011, 2011 [Online]. Available: http://www.museumsandtheweb.com/mw2011/papers/social_media_and_organizational_change
[87]
F. R. Cameron, ‘Object-orientated democracies: contradictions, challenges and opportunities’, Museums and the Web 2008, 2008 [Online]. Available: http://www.museumsandtheweb.com/mw2008/papers/cameron/cameron.html
[88]
N. J. Caruth and S. Bernstein, ‘Building an on-line community at the Brooklyn Museum: a timeline’, Museums and the Web 2007, 2007 [Online]. Available: http://www.archimuse.com/mw2007/papers/caruth/caruth.html
[89]
A. Russo and J. Watkins, ‘Digital cultural communication: audience and remediation’, in Theorizing digital cultural heritage : a critical discourse, F. Cameron and S. Kenderdine, Eds. Cambridge, Mass.: MIT Press, 2007 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/164
[90]
C. Beardon and S. Worden, ‘The virtual curator: multimedia technologies and the roles of museums’, in Contextual media: multimedia and interpretation, 1st MIT paperback ed., vol. Technical communication, multimedia, and information systems, E. Barrett and M. Redmond, Eds. Cambridge, Mass: MIT Press, 1997, pp. 63–86.
[91]
H. Besser, ‘The transformation of the museum and the way it’s perceived’, in The wired museum: emerging technology and changing paradigms, K. Jones-Garmil, Ed. Washington, D.C.: American Association of Museums, 1997, pp. 153–170.
[92]
J. P. Bowen and S. Filippini-Fantoni, ‘Personalization and the web from a museum perspective’, Museums and the Web 2004 [Online]. Available: http://www.museumsandtheweb.com/mw2004/papers/bowen/bowen.html
[93]
S. Brown and D. Gerrard, ‘Squaring the triangle: the implications of broadband for access, diversity and accessibility in museum web design’, Museums and the Web 2006, 2006 [Online]. Available: http://www.museumsandtheweb.com/mw2006/papers/brown/brown.html
[94]
S. Brown, D. Gerrard, and H. Ward, ‘Adding value to on-line collections for different audiences’, Museums and the Web 2005, 2005 [Online]. Available: http://www.museumsandtheweb.com/mw2005/papers/brown/brown.html
[95]
A. Burnette, R. Cherry, N. Proctor, and P. Samis, ‘Getting on (not under) the mobile 2.0 bus: emerging issues in the mobile business model’, Museums and the Web 2011, 2011 [Online]. Available: http://www.museumsandtheweb.com/mw2011/papers/getting_on_not_under_the_mobile_20_bus
[96]
F. Cameron, ‘Digital futures I: museum collections, digital technologies, and the cultural construction of knowledge’, Curator: The Museum Journal, vol. 46, no. 3, pp. 325–340, 2003, doi: 10.1111/j.2151-6952.2003.tb00098.x.
[97]
K. Christen, ‘Ara Irititja: protecting the past, accessing the future - indigenous memories in a digital age’, Museum Anthropology, vol. 29, no. 1, pp. 56–60, 2006, doi: 10.1525/mua.2006.29.1.56.
[98]
D. Cunliffe, E. Kritou, and D. Tudhope, ‘Usability evaluation for museum web sites’, Museum Management and Curatorship, vol. 19, no. 3, pp. 229–252, 2001, doi: 10.1080/09647770100201903.
[99]
S. Deshpande, K. Geber, and C. Timpson, ‘Engaged dialogism in virtual space: an exploration of research strategies for virtual museums’, in Theorizing digital cultural heritage: a critical discourse, F. Camend and S. Kenderdine, Eds. Cambridge, Mass.: MIT Press, 2007, pp. 261–279 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/276
[100]
Nicoletta Di Blas et al., ‘Evaluating the features of museum websites (The Bologna Report)’, Museums and the Web 2002, 2002 [Online]. Available: http://www.archimuse.com/mw2002/papers/diblas/diblas.html
[101]
W. Ernst, ‘Archi(ve)textures of museology’, in Museums and memory, vol. Cultural sitings, S. A. Crane, Ed. Stanford, Calif: Stanford University Press, 2000, pp. 17–34.
[102]
S. Filippini Fantoni, R. Stein, and G. Bowman, ‘Exploring the relationship between visitor motivation and engagement in online museum audiences’, Museums and the Web 2012, 2010 [Online]. Available: http://www.museumsandtheweb.com/mw2012/papers/exploring_the_relationship_between_visitor_mot
[103]
K. H. Goldman and D. Schaller, ‘Exploring motivational factors and visitor satisfaction in on-line museum visits’, Museums and the Web 2004, 2004 [Online]. Available: http://www.archimuse.com/mw2004/papers/haleyGoldman/haleyGoldman.html
[104]
J. Haynes and D. Zambonini, ‘Why are they doing that!? How users interact with museum web sites’, Museums and the Web 2007, 2007 [Online]. Available: http://www.museumsandtheweb.com/mw2007/papers/haynes/haynes.html
[105]
G. Isaac, ‘Technology becomes the object: the use of electronic media at the National Museum of the American Indian’, Journal of Material Culture, vol. 13, no. 3, pp. 287–310, 2008, doi: 10.1177/1359183508095497.
[106]
X. López, I. Margapoti, R. Maragliano, and G. Bove, ‘The presence of Web 2.0 tools on museum websites: a comparative study between England, France, Spain, Italy, and the USA’, Museum Management and Curatorship, vol. 25, no. 2, pp. 235–249, 2010, doi: 10.1080/09647771003737356.
[107]
P. F. Marty, ‘Museum websites and museum visitors: before and after the museum visit’, Museum Management and Curatorship, vol. 22, no. 4, pp. 337–360, 2007, doi: 10.1080/09647770701757708.
[108]
P. F. Marty, ‘The changing role of the museum webmaster: past, present and future’, Museums and the Web 2004, 2004 [Online]. Available: http://www.archimuse.com/mw2004/papers/marty/marty.html
[109]
L. McTavish, ‘Visiting the virtual museum: art and experience online’, in New museum theory and practice: an introduction, J. Marstine, Ed. Oxford: Blackwell, 2006, pp. 226–246 [Online]. Available: http://onlinelibrary.wiley.com.libproxy.ucl.ac.uk/doi/10.1002/9780470776230.ch9/summary
[110]
J. Nielsen, ‘Usability 101: introduction to usability’, NN/g Nielsen Norman Group, 2012.
[111]
J. Nielsen, ‘Accessibility is not enough’, NN/g Nielsen Norman Group, 2005.
[112]
J. Nielsen, ‘10 usability heuristics for user interface design’, NN/g Nielsen Norman Group, 1995.
[113]
J. Nielsen, ‘F-shaped pattern for reading web content’, NN/g Nielsen Norman Group, 2006.
[114]
J. Ockuly, ‘Museum expansions and the “utility” of web-based public information’, Museums and the Web 2006, 2006 [Online]. Available: http://www.museumsandtheweb.com/mw2006/papers/ockuly/ockuly.html
[115]
J. Pallas and A. A. Economides, ‘Evaluation of art museums’ web sites worldwide’, Information Services & Use, vol. 28, no. 1, 2008, doi: 10.3233/ISU-2008-0554. [Online]. Available: http://search.ebscohost.com.libproxy.ucl.ac.uk/login.aspx?direct=true&AuthType=ip,shib&db=bth&AN=31547130&site=ehost-live&scope=site
[116]
R. Parry and N. Arbach, ‘The localized learner: acknowledging distance and situatedness in on-line museum learning’, Museums and the Web 2005, 2005 [Online]. Available: http://www.archimuse.com/mw2005/papers/parry/parry.html
[117]
R. Rainbow, A. Morrison, and M. Morgan, ‘Providing accessible online collections’, Museums and the Web 2012, 2012 [Online]. Available: http://www.museumsandtheweb.com/mw2012/papers/providing_accessible_online_collections
[118]
S. Sayre, ‘Sharing the experience: the building of a successful online/on-site exhibition’, Museums and the Web 2000, 2000 [Online]. Available: http://www.museumsandtheweb.com/mw2000/papers/sayre/sayre.html
[119]
R. Semper, ‘From on-line exhibits to on-line experiences to on-line community: thirteen years of science centers experimenting with the web’, Museums and the Web 2006, 2006 [Online]. Available: http://www.museumsandtheweb.com/mw2006/papers/semper/semper.html
[120]
R. Stein, ‘Blow up your digital strategy: changing the conversation about museums and technology’, Museums and the Web 2012, 2012 [Online]. Available: http://www.museumsandtheweb.com/mw2012/papers/blow_up_your_digital_strategy_changing_the_c_1
[121]
K. Sumption, ‘In search of the ubiquitous museum: reflections of ten years of Museums and the Web’, Museums and the Web 2006 [Online]. Available: http://www.museumsandtheweb.com/mw2006/papers/sumption/sumption.html
[122]
W. A. Thomas and S. Carey, ‘Actual/virtual visits: what are the links?’, Museums and the Web 2005, 2005 [Online]. Available: http://www.museumsandtheweb.com/mw2005/papers/thomas/thomas.html
[123]
S. Thomas and A. Mintz, Eds., The virtual and the real: media in the museum. Washington, D.C.: American Association of Museums, 1998.
[124]
Wellcome Collection, ‘High tea [interactive game]’. [Online]. Available: http://wellcomecollection.org/high-tea
[125]
D. Allen-Greil, S. Edwards, J. Ludden, and E. Johnson, ‘Social media and organizational change’, Museums and the Web 2011, 2011 [Online]. Available: http://www.museumsandtheweb.com/mw2011/papers/social_media_and_organizational_change
[126]
J. Affleck and T. Kvan, ‘A virtual community as the context for discursive interpretation: a role in cultural heritage engagement’, International Journal of Heritage Studies, vol. 14, no. 3, pp. 268–280, 2008, doi: 10.1080/13527250801953751.
[127]
A. Alain and M. Foggett, ‘Towards community contribution: empowering community voices on-line’, Museums and the Web 2007, 2007.
[128]
D. Allen-Greil, ‘Twitter case study: National Museum of American History’, in Twitter for museums: strategies and tactics for success : a collection of essays, D. Allen-Greil, Ed. Edinburgh: MuseumsEtc, 2010.
[129]
M. Bontempo, Online museum communities: challenges and possibilities. Saarbrücken: Verlag Dr. Müller, 2007.
[130]
D. Boyle and M. Harris, ‘The challenge of co-production: how equal partnerships between professionals and the public are crucial to improving public services’. NESTA, London, 2009 [Online]. Available: http://www.nesta.org.uk/sites/default/files/the_challenge_of_co-production.pdf
[131]
A. Burnette, R. Cherry, N. Proctor, and P. Samis, ‘Getting on (not under) the mobile 2.0 bus: emerging issues in the mobile business model’, Museums and the Web 2011, 2011 [Online]. Available: http://www.museumsandtheweb.com/mw2011/papers/getting_on_not_under_the_mobile_20_bus
[132]
F. Cameron, ‘The politics of heritage authorship: the case of digital heritage collections’, in New heritage: new media and cultural heritage, Y. E. Kalay, T. Kvan, and J. Affleck, Eds. London: Routledge, 2008, pp. 170–184 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203937884/startPage/187
[133]
N. J. Caruth and S. Bernstein, ‘Building an on-line community at the Brooklyn Museum: a timeline’, Museums and the Web 2007, 2007 [Online]. Available: http://www.archimuse.com/mw2007/papers/caruth/caruth.html
[134]
S. Chan, ‘Tagging and searching - serendipity and museum collection databases’, Museums and the Web 2007, 2007 [Online]. Available: http://www.archimuse.com/mw2007/papers/chan/chan.html
[135]
H. van Vliet and E. Hekman, ‘Iknowhatthisis’. Plan B Publishers, Deventer, 2011.
[136]
M. Fisher and B. A. Twiss-Garrity, ‘Remixing exhibits: constructing participatory narratives with on-line tools to augment museum experiences’, Museums and the Web 2007, 2007 [Online]. Available: http://www.archimuse.com/mw2007/papers/fisher/fisher.html
[137]
J. Gates, ‘Case study: new world blogging within a traditional museum setting’, Museums and the Web 2007, 2007 [Online]. Available: http://www.archimuse.com/mw2007/papers/gates/gates.html
[138]
G. Geser and J. Pereira, Eds., ‘The future digital heritage space: an expedition report’, no. DigiCULT Thematic issue 7. DigiCULT/Salzburg Research, Salzburg, 2004.
[139]
E. Giaccardi, Ed., Heritage and social media : understanding heritage in a participatory culture. New York: Routledge, 2012 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203112984
[140]
E. Giaccardi and L. Palen, ‘The social production of heritage through cross‐media interaction: making place for place‐making’, International Journal of Heritage Studies, vol. 14, no. 3, pp. 281–297, 2008, doi: 10.1080/13527250801953827.
[141]
N. Holdgaard, ‘The use of social media in the Danish museum landscape’, Museums and the Web 2011, 2011 [Online]. Available: http://www.museumsandtheweb.com/mw2011/papers/the_use_of_social_media_in_the_danish_museum_l
[142]
K. Kelly, ‘We are the web’, Wired, no. 13.08, 2005.
[143]
J. Kidd, ‘Enacting engagement online: framing social media use for the museum’, Information Technology & People, vol. 24, no. 1, pp. 64–77, 2011, doi: 10.1108/09593841111109422.
[144]
C. Leadbeater, We-think. London: Profile, 2008.
[145]
B. T. Lynch and S. J. M. M. Alberti, ‘Legacies of prejudice: racism, co-production and radical trust in the museum’, Museum Management and Curatorship, vol. 25, no. 1, pp. 13–35, 2010, doi: 10.1080/09647770903529061.
[146]
B. Lynch, ‘Whose cake is it anyway? A collaborative investigation into engagement and participation in 12 museums and galleries in the UK’. Paul Hamlyn Foundation, 2011 [Online]. Available: http://www.phf.org.uk/wp-content/uploads/2014/10/Whose-cake-is-it-anyway.pdf
[147]
D. Mosquin, ‘All weblogs are not created equal: analyzing what works’, Museums and the Web 2006, 2006 [Online]. Available: http://www.archimuse.com/mw2006/papers/mosquin/mosquin.html
[148]
D. Allen-Greil, Ed., Twitter for museums: strategies and tactics for success : a collection of essays. Edinburgh: MuseumsEtc, 2010.
[149]
‘Audience 2.0: how technology influences arts participation’. 2010 [Online]. Available: http://arts.gov/publications/audience-20-how-technology-influences-arts-participation
[150]
J. Oomen and L. Aroyo, ‘Crowdsourcing in the cultural heritage domain: opportunities and challeges’, in Communities & Technologies 2011 Conference Proceedings 29 June - 2 July, Brisbane, Australia, J. Kjeldskov and J. Paay, Eds. New York: ACM, 2011 [Online]. Available: http://www.iisi.de/fileadmin/IISI/upload/2011/p138_oomen.pdf
[151]
edited by Mia Ridge, Crowdsourcing our cultural heritage. Farnham: Ashgate, 2014 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9781472410238
[152]
A. Russo and J. Watkins, ‘Digital cultural communication: audience and remediation’, in Theorizing digital cultural heritage : a critical discourse, F. Cameron and S. Kenderdine, Eds. Cambridge, Mass.: MIT Press, 2007 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/164
[153]
P. Samis and S. Pau, ‘“Artcasting” at SFMOMA: first-year lessons, future challenges for museum podcasters broad audience of use’, Museums and the Web 2006, 2006.
[154]
N. Simon, The participatory museum. Santa Cruz, Calif.: Museum 2.0, 2010.
[155]
Smithsonian Institution, ‘Smithsonian Institution web and new media strategy’. [Online]. Available: http://smithsonian-webstrategy.wikispaces.com/Executive+Summary+and+Moving+Forward
[156]
S. Chan and J. Spadaccini, ‘Radical trust: the state of the museum blogosphere’, Museums and the Web 2007, 2007.
[157]
J. Spadaccini, ‘Museums 2.0: a survey of museum blogs & community-based sites’. 2006.
[158]
J. Springer, S. Kajder, and J. B. Brazas, ‘Digital storytelling at the National Gallery of Art’, Museums and the Web 2004, 2004.
[159]
J. Springer and P. White, ‘Video ipods and art education’, Museums and the Web 2007, 2007.
[160]
‘Steve museum project’. .
[161]
A. Szanto, ‘Time to lose control’, The art newspaper, 2010.
[162]
M. Caines, Ed., ‘The art of Facebook: how to make the social network work for you [webchat]’, The Guardian, 2014. [Online]. Available: http://www.theguardian.com/culture-professionals-network/2014/feb/14/art-facebook-social-network-culture?CMP=new_1194
[163]
M. Caines, Ed., ‘Tumblr tips for arts organisations and museums [webchat]’, The Guardian, 2014. [Online]. Available: http://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2014/jan/16/tumblr-tips-arts-social-media?CMP=new_1194
[164]
M. Caines, Ed., ‘Twitter tips and tricks for your arts organisation - advice from the experts [webchat]’, The Guardian, 2013. [Online]. Available: http://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2013/nov/28/twitter-tips-tricks-arts-dos-donts?CMP=new_1194
[165]
M. Caines, Ed., ‘How to use Instagram and Pinterest for your arts organisation [webchat]’, The Guardian, 2013. [Online]. Available: http://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2013/dec/11/how-to-instagram-pinterest-arts?CMP=new_1194
[166]
B. Valtysson, ‘Access culture: Web 2.0 and cultural participation’, International Journal of Cultural Policy, vol. 16, no. 2, pp. 200–214, 2010, doi: 10.1080/10286630902902954.
[167]
J. van Dijck, The culture of connectivity: a critical history of social media. Oxford: Oxford University Press, 2013 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shib-idp.ucl.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199970797
[168]
K. Von Appen, B. Kennedy, and J. Spadaccini, ‘Community sites & emerging sociable technologies’, Museums and the Web 2006, 2006.
[169]
‘Walker Blogs’. [Online]. Available: http://blogs.walkerart.org/offcenter/
[170]
E. Waterton, ‘The advent of digital technologies and the idea of community’, Museum Management and Curatorship, vol. 25, no. 1, pp. 5–11, 2010, doi: 10.1080/09647770903529038.
[171]
B. Wellman and C. A. Haythornthwaite, The Internet in everyday life. Malden, MA, USA: Blackwell Pub, 2002 [Online]. Available: http://dx.doi.org/10.1002/9780470774298
[172]
N. White, ‘Blogs and community: launching a new paradigm for online community?’ 2006 [Online]. Available: http://www.tlu.ee/~kpata/haridustehnoloogiaTLU/blogcommunitywhite.pdf
[173]
R. Parry and A. Sawyer, ‘Space and the machine: adaptive museums, pervasive technology and the new gallery environment’, in Reshaping museum space: architecture, design, exhibitions, S. Macleod, Ed. London: Routledge, 2005, pp. 39–52 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780203483220/startPage/54
[174]
L. Pujol-Tost, ‘Integrating ICT in exhibitions’, Museum Management and Curatorship, vol. 26, no. 1, pp. 63–79, 2011, doi: 10.1080/09647775.2011.540127.
[175]
Steven Gray et al., ‘Enhancing museum narratives with the QRator Project: a Tasmanian devil, a platypus and a dead man in a box | museumsandtheweb.com’, Museums and the Web 2012, 2012 [Online]. Available: http://www.museumsandtheweb.com/mw2012/papers/enhancing_museum_narratives_with_the_qrator_pr
[176]
T. Caulton, Hands-on exhibitions: managing interactive museums and science centres. London: Routledge, 1998.
[177]
E. Champion and B. Dave, ‘Dialing up the past’, in Theorizing digital cultural heritage : a critical discourse, F. Cameron and S. Kenderdine, Eds. Cambridge, Mass.: MIT Press, 2007, pp. 333–347 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/348
[178]
L. Ciolfi and L. J. Bannon, ‘Designing interactive museum exhibits: enhancing visitor curiosity through augmented artefacts’, 2002.
[179]
‘Summative evaluation of the Churchill Museum’. 2005 [Online]. Available: http://archive.iwm.org.uk/upload/pdf/Churchill_report_FINAL.doc.pdf
[180]
‘Summative evaluation of the Churchill Museum. Report appendices’. 2005 [Online]. Available: http://archive.iwm.org.uk/upload/pdf/Appendices_FINAL.doc.pdf
[181]
J. Cutting, Ed., ‘Requirements for all [Science] museum computer exhibits’, May 2002. .
[182]
M. Economou, ‘The evaluation of museum multimedia applications: lessons from research’, Museum Management and Curatorship, vol. 17, no. 2, pp. 173–187, 1998, doi: 10.1080/09647779800501702.
[183]
S. Milekic, ‘Toward tangible virtualities: tangialities’, in Theorizing digital cultural heritage : a critical discourse, F. Cameron and S. Kenderdine, Eds. London: MIT Press, 2007, pp. 369–388 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/384
[184]
‘MuseumMobile [wiki]’. .
[185]
R. Parry, M. Ortiz-Williams, and A. Sawyer, ‘How shall we label our exhibit today? Applying the principles of on-line publishing to an on-site exhibition’, Museums and the Web 2007, 2007.
[186]
R. S. Semper, ‘Designing hybrid environments: integrating media into exhibition spaces’, in The virtual and the real: media in the museum, A. Mintz and S. Thomas, Eds. Washington, D.C.: American Association of Museums, 1998, pp. 119–127.
[187]
R. Srinivasan, J. Enote, K. M. Becvar, and R. Boast, ‘Critical and reflective uses of new media technologies in tribal museums’, Museum Management and Curatorship, vol. 24, no. 2, pp. 161–181, 2009, doi: 10.1080/09647770902857901.
[188]
A. Witcomb, ‘The Materiality of virtual technologies: a new approach to thinking about the impact of multimedia in museums’, in Theorizing digital cultural heritage : a critical discourse, F. Cameron and S. Kenderdine, Eds. Cambridge, Mass.: MIT Press, 2007, pp. 35–48 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/50
[189]
A. Burnette, R. Cherry, N. Proctor, and P. Samis, ‘Getting on (not under) the mobile 2.0 bus: emerging issues in the mobile business model’, Museums and the Web 2011, 2011 [Online]. Available: http://www.museumsandtheweb.com/mw2011/papers/getting_on_not_under_the_mobile_20_bus
[190]
J. Doyle and M. W. Doyle, ‘Mixing social glue with brick and mortar: experiments using the mobile web to connect people, objects, and museums’, Museums and the Web 2010, 2010 [Online]. Available: http://www.archimuse.com/mw2010/papers/doyle/doyle.html
[191]
A. Galani, D. Maxwell, A. Mazel, and K. Sharpe, ‘Situating cultural technologies outdoors: designing for mobile interpretation of rock art in rural Britain’, Museums and the Web 2011, 2011 [Online]. Available: http://www.museumsandtheweb.com/mw2011/papers/situating_cultural_technologies_outdoors_desig
[192]
K. Haley Goldman, ‘Cell phones and exhibitions 2.O: moving beyond the pilot stage’, Museums and the Web 2007, 2007.
[193]
K. Arvanitis, ‘Imag(in)ing the everyday: using camera phones to access everyday meanings of archaeological monuments’, Add to e-Shelf ICHIM : Paris 21-23 Sept. 2005 : digital culture and heritage = patrimoine et culture numérique : proceedings = actes de la conférence. Bibliothèque nationale de France, Paris, 2005.
[194]
D. Bressler, ‘Mobile phones: a new way to engage teenagers in informal science learning’, Museums and the Web 2006, 2006.
[195]
Tullio Salmon Cinotti et al., ‘Evaluating context-aware mobile applications in museums: experiences from the MUSE project’, Museums and the Web 2004, 2004.
[196]
G. Goggin, Cell phone culture: mobile technology in everyday life. London: Routledge, 2006.
[197]
S. Hsi, ‘A study of user experiences mediated by nomadic web content in a museum’, Journal of Computer Assisted Learning, vol. 19, no. 3, pp. 308–319, 2003, doi: 10.1046/j.0266-4909.2003.jca_023.x.
[198]
S. Izadi et al., ‘Citywide: supporting interactive digital experiences across physical space’, Personal and Ubiquitous Computing, vol. 6, no. 4, pp. 290–298, 2002, doi: 10.1007/s007790200030.
[199]
M. A. Aakhus and J. E. Katz, Eds., Perpetual contact: mobile communication, private talk, public performance. Cambridge: Cambridge University Press, 2002 [Online]. Available: http://ebooks.cambridge.org.libproxy.ucl.ac.uk/ebook.jsf?bid=CBO9780511489471
[200]
G. Lane, ‘Social tapestries: public authoring and civil society’, Proboscis, vol. Cultural snapshots, no. 9. .
[201]
L. Naismith, P. Lonsdale, G. Vavoula, and M. Sharples, ‘Literature review in mobile technologies and learning’, Futurelab : Innovation in education, no. Report 11. 2004.
[202]
M. Nickerson, ‘1-800-FOR-TOUR: delivering automated audio information through patron’s cell phones’, Museums and the Web 2005, 2005.
[203]
R. Oppermann and M. Specht, ‘A nomadic information system for adaptive exhibition guidance’, in Cultural heritage informatics: selected papers from ICHIM99, J. Trant and D. Bearman, Eds. Pittsburgh, Pa: Archives & Museum Informatics, 1999, pp. 103–109 [Online]. Available: http://link.springer.com.libproxy.ucl.ac.uk/article/10.1023/A%3A1016619506241
[204]
N. Proctor, ‘When in roam: visitor response to phone tour pilots in the US and Europe’, Museums and the Web 2007, 2007.
[205]
N. Proctor and C. Trellis, ‘The state of the art in museum handhelds in 2003’, Museums and the Web 2003, 2003.
[206]
S. T. Refsland, M. Tuters, and J. Cooley, ‘Geo-storytelling: a living archive of spatial culture’, in Theorizing digital cultural heritage : a critical discourse, F. Cameron and S. Kenderdine, Eds. Cambridge, Mass.: MIT Press, 2007, pp. 409–416 [Online]. Available: https://www-dawsonera-com.libproxy.ucl.ac.uk/readonline/9780262269742/startPage/424
[207]
L. Tallon and K. Walker, Eds., Digital technologies and the museum experience: handheld guides and other media. Lanham: AltaMira Press, 2008 [Online]. Available: http://ucl.eblib.com/patron/FullRecord.aspx?p=467464
[208]
‘Tate Modern multimedia tour’, 2002. .
[209]
‘Urban tapestries / social tapestries: public authoring and civil society in the wireless city’. .
[210]
D. vom Lehn and C. Heath, ‘Displacing the object: mobile technologies and interpretive resources’, in Cultural istitutions and digital technology: International Conference on Hypermedia and Interactivity in Museums, Paris, 8-12 September 2003, 2003 [Online]. Available: http://www.archimuse.com/publishing/ichim03/088C.pdf
[211]
R. Wakkary and D. Evernden, ‘Museum as ecology: a case study analysis of an ambient intelligent museum guide’, Museums and the Web 2005, 2005.
[212]
N. West, ‘Urban tapestries: the spatial and social on your mobile’, Proboscis, vol. Cultural snapshots, no. 10. 2005.
[213]
G. Wilson, ‘Multimedia tour programme at Tate Modern’, Museums and the Web 2004, 2004.
[214]
Allison Woodruff et al., ‘Evesdropping on electronic guidebooks: observing learning resources in shared listening environments’, Museums and the Web 2002, 2002.
[215]
‘MUBU social media guide’. [Online]. Available: http://culturehive.co.uk/wp-content/uploads/2013/11/Social-Media-Guide-1.pdf