1.
Arts Council England: Digital culture: how arts and cultural organisations in England use technology, http://www.artscouncil.org.uk/publication/digital-culture-2013, (2013).
2.
Arup Foresight + Research + Innovation: Museums in the digital age, https://www.arup.com/publications/research/section/museums-in-the-digital-age?query=Museums%20in%20the%20Digital%20Age, (2013).
3.
Cameron, F., Kenderdine, S. eds: Theorizing digital cultural heritage: a critical discourse. MIT Press, Cambridge, Mass. (2007).
4.
Castells, M.: The rise of the network society. Wiley-Blackwell, Chichester (2010).
5.
Clack, T., Brittain, M. eds: Archaeology and the media. Left Coast Press, Walnut Creek, Calif (2007).
6.
Cook, S. ed: A brief history of curating new media art: conversations with curators. Green Box, Berlin (2010).
7.
New technologies for the cultural and scientific heritage sector. (2003).
8.
Introduction. Empowering cultural heritage institutions to unlock the value of their collections. In: The DigiCULT report. Technological landscapes for tomorrow’s cultural economy: unlocking the value of cultural heritage. p. 13 [11]-23 [21]. Office for Official Publications of the European Communities, Luxembourg (2002).
9.
Fahy, A.: New technologies for museum communication. In: Museum, media, message. pp. 82–96. Routledge, New York (1994).
10.
Galani, A., Chalmers, M.: Can you see me? Exploring co-visiting between physical and virtual visitors. Museums and the Web 2002.
11.
Hazan, S.: The virtual aura - is there space for enchantment in a technological world? Museums and the Web 2001. (2001).
12.
Henning, M.: Museums, media and cultural theory. Open University Press, Maidenhead (2006).
13.
Jones-Garmil, K. ed: The wired museum: emerging technology and changing paradigms. American Association of Museums, Washington, D.C. (1997).
14.
Kalay, Y.E., Kvan, T., Affleck, J. eds: New heritage: new media and cultural heritage. Routledge, London (2008).
15.
Keene, S.: Digital collections: museums and the information age. Butterworth-Heinemann, Oxford (1998).
16.
Knell, S.J.: The shape of things to come: museums in the technological landscape. Museum and society. 1, 132–146 (2003).
17.
MacDonald, G.F., Alsford, S.: The museum as information utility. Museum Management and Curatorship. 10, 305–311 (1991). https://doi.org/10.1016/0964-7775(91)90064-X.
18.
Malraux, A.: Museum without walls. Martin Secker and Warburg (1967).
19.
Marty, P.F., Jones, K.B. eds: Museum informatics: people, information, and technology in museums. Routledge, New York (2008).
20.
McCarthy, J., Wright, P.: Technology as experience. MIT Press, Cambridge, Mass (2007).
21.
Lilley, A., Moore, P.: Counting what counts: what big data can do for the cultural sector, http://www.nesta.org.uk/sites/default/files/counting_what_counts.pdf, (2013).
22.
Parry, R. ed: Museums in a digital age. Routledge, London (2010).
23.
Parry, R.: Recoding the museum: digital heritage and the technologies of change. Routledge, London (2007).
24.
Parry, R.: Digital heritage and the rise of theory in museum computing. Museum Management and Curatorship. 20, 333–348 (2005). https://doi.org/10.1016/j.musmancur.2005.06.003.
25.
Rheingold, H.: Smart mobs: the next social revolution. Perseus Publishing, Cambridge, MA (2002).
26.
Tallon, L., Walker, K. eds: Digital technologies and the museum experience: handheld guides and other media. AltaMira Press, Lanham (2008).
27.
Thomas, S., Mintz, A. eds: The virtual and the real: media in the museum. American Association of Museums, Washington, D.C. (1998).
28.
Museum management and curatorship.
31.
Curator: the museum journal.
32.
Howarth, E., Rowley, F.R., Butterfield, W.R., Madeley, C., Museums Association: The museums journal.
33.
Museums Association: Museum practice. (1996).
35.
Technology and culture.
36.
Archives & Museum Informatics. Conferences: Museums and the Web - the international conference for culture and heritage online.
37.
Archives & Museum Informatics. Survey of museum web implementations 2005.
38.
Arvanitis, K.: Digital Heritage [blog], https://digitalheritage.wordpress.com/.
39.
Smith, K.J.: Koven J. Smith Dot Com. ‘Making dreams reality since 1975’ [blog], http://kovenjsmith.com/.
40.
Arts Council England: Digital culture: how arts and cultural organisations in England use technology, http://www.artscouncil.org.uk/publication/digital-culture-2013, (2013).
41.
Arup Foresight + Research + Innovation: Museums in the digital age, https://www.arup.com/publications/research/section/museums-in-the-digital-age?query=Museums%20in%20the%20Digital%20Age, (2013).
42.
Introduction. Empowering cultural heritage institutions to unlock the value of their collections. In: The DigiCULT report. Technological landscapes for tomorrow’s cultural economy: unlocking the value of cultural heritage. p. 13 [11]-23 [21]. Office for Official Publications of the European Communities, Luxembourg (2002).
43.
Knell, S.J.: The shape of things to come: museums in the technological landscape. Museum and society. 1, 132–146 (2003).
44.
Anderson, D.: A common wealth: museums in the learning age: a report to the Department for Culture, Media and Sport. Stationery Office, London (1999).
45.
Castells, M.: Museums in the information era: cultural connectors of time and space. ICOM news. 4–7 (2001).
46.
Castells, M.: The rise of the network society. Wiley-Blackwell, Chichester (2010).
47.
Chen, X., Kalay, Y.: Making a liveable ‘place’: content design in virtual environments. International Journal of Heritage Studies. 14, 229–246 (2008). https://doi.org/10.1080/13527250801953710.
48.
Paul, C. ed: New media in the white cube and beyond: curatorial models for digital art. University of California Press, Berkeley (2008).
49.
Ducatel, K.: ISTAG : Scenarios for ambient intelligence in 2010, (2001).
50.
Emery, D., Toth, M.B., Noel, W.: The convergence of information technology and data management for digital imaging in museums. Museum Management and Curatorship. 24, 337–356 (2009). https://doi.org/10.1080/09647770903314712.
51.
Hazan, S.: A crisis of authority: new lamps for old. In: Cameron, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage: a critical discourse. pp. 133–147. MIT Press, Cambridge, Mass (2007).
52.
Hein, H.S.: The museum in transition: a philosophical perspective. Smithsonian Institution Press, Washington (2000).
53.
Hooper-Greenhill, E.: Museums and the interpretation of visual culture. Routledge, London (2000).
54.
Kalay, Y.E., Kvan, T., Affleck, J. eds: New heritage: new media and cultural heritage. Routledge, London (2008).
55.
Karp, C.: Digital heritage in digital museums. Museum International. 56, 45–51 (2004). https://doi.org/10.1111/j.1350-0775.2004.00457.x.
56.
Keene, S., Royan, B., Anderson, D. eds: A netful of jewels: new museums in the learning age. A report from the National Museum Director’s Conference, (1999).
57.
Joost Van Loon: Media technology : critical perspectives. Open University Press (2008).
58.
MacDonald, G.F., Alsford, S.: The museum as information utility. Museum Management and Curatorship. 10, 305–311 (1991). https://doi.org/10.1016/0964-7775(91)90064-X.
59.
Malpas, J.: New media, cultural heritage and the sense of place: mapping the conceptual ground. International Journal of Heritage Studies. 14, 197–209 (2008). https://doi.org/10.1080/13527250801953652.
60.
Malpas, J.: Cultural heritage in the age of new media. In: Kalay, Y.E., Kvan, T., and Affleck, J. (eds.) New heritage: new media and cultural heritage. pp. 13–26. Routledge, London (2008).
61.
Manovich, L.: The language of new media. MIT Press, Cambridge, Mass (2001).
62.
Marty, P.F.: An introduction to digital convergence: libraries, archives, and museums in the information age. Museum Management and Curatorship. 24, 295–298 (2009). https://doi.org/10.1080/09647770903314688.
63.
Parry, R.: Digital heritage and the rise of theory in museum computing. Museum Management and Curatorship. 20, 333–348 (2005). https://doi.org/10.1016/j.musmancur.2005.06.003.
64.
Ray, J.: Sharks, digital curation, and the education of information professionals. Museum Management and Curatorship. 24, 357–368 (2009). https://doi.org/10.1080/09647770903314720.
65.
Resource [The Council for Museums, Archives and Libraries]: Renaissance in the regions: a new vision for England’s museums, (2001).
66.
Witt, L.: Museums as information centres. Museum International. 46, 20–25 (2009). https://doi.org/10.1111/j.1468-0033.1994.tb01148.x.
67.
Witcomb, A.: Re-imagining the museum: beyond the mausoleum. Routledge, London (2003).
68.
Cameron, F.: The politics of heritage authorship: the case of digital heritage collections. In: Kalay, Y.E., Kvan, T., and Affleck, J. (eds.) New heritage: new media and cultural heritage. pp. 170–184. Routledge, London (2008).
69.
Marty, P.F.: The changing role of the museum webmaster: past, present and future. Museums and the Web 2004. (2004).
70.
Parry, R., Arbach, N.: The localized learner: acknowledging distance and situatedness in on-line museum learning. Museums and the Web 2005. (2005).
71.
Peacock, D., Brownbill, J.: Audiences, visitors, users: reconceptualising users of museum on-line content and services. Museums and the Web 2007. (2007).
72.
Adams, C., Cole, T., DePaolo, C., Edwards, S.: Bringing the curatorial process to the web. Museums and the Web 2001. (2001).
73.
Barry, A.: Creating a virtuous circle between a museum’s on-line and physical spaces. Museums and the Web 2006. (2006).
74.
Cameron, F., Kenderdine, S. eds: Theorizing digital cultural heritage: a critical discourse. MIT Press, Cambridge, Mass. (2007).
75.
Fahy, A.: New technologies for museum communication. In: Museum, media, message. pp. 82–96. Routledge, New York (1994).
76.
Copeland, C.R.: Out of our mines! A retrospective look at on-line museum collections-based learning and instruction (1997-2006). Museums and the Web 2006. (2006).
77.
Henning, M.: Museums, media and cultural theory. Open University Press, Maidenhead (2006).
78.
Hoff, K.: The small museum web site: a case study of the web site development and strategy in a small art museum. Museums and the Web 2000. (2000).
79.
Kalay, Y.E., Kvan, T., Affleck, J. eds: New heritage: new media and cultural heritage. Routledge, London (2008).
80.
Lütsch, G.: How to get more than 500,000 visitors in 6 Months. Museums and the Web 2000. (2000).
81.
MacDonald, G.F., Alsford, S.: The museum as information utility. Museum Management and Curatorship. 10, 305–311 (1991). https://doi.org/10.1016/0964-7775(91)90064-X.
82.
Marshall, F.: Making good use of user input: incorporation of public evaluation into the system development process. Museums and the Web 2001. (2001).
83.
Parry, R.: Digital heritage and the rise of theory in museum computing. Museum Management and Curatorship. 20, 333–348 (2005). https://doi.org/10.1016/j.musmancur.2005.06.003.
84.
John Vergo et al.: ‘Less clicking, more watching’: results from the user-centered design of a multi-institutional web site for art and culture. Museums and the Web 2001. (2001).
85.
Webb, P.: Five become one: how five Manchester museums developed a shared web portal. Museums and the Web 2003. (2003).
86.
Allen-Greil, D., Edwards, S., Ludden, J., Johnson, E.: Social media and organizational change. Museums and the Web 2011. (2011).
87.
Cameron, F.R.: Object-orientated democracies: contradictions, challenges and opportunities. Museums and the Web 2008. (2008).
88.
Caruth, N.J., Bernstein, S.: Building an on-line community at the Brooklyn Museum: a timeline. Museums and the Web 2007. (2007).
89.
Russo, A., Watkins, J.: Digital cultural communication: audience and remediation. In: Cameron, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage : a critical discourse. MIT Press, Cambridge, Mass. (2007).
90.
Beardon, C., Worden, S.: The virtual curator: multimedia technologies and the roles of museums. In: Barrett, E. and Redmond, M. (eds.) Contextual media: multimedia and interpretation. pp. 63–86. MIT Press, Cambridge, Mass (1997).
91.
Besser, H.: The transformation of the museum and the way it’s perceived. In: Jones-Garmil, K. (ed.) The wired museum: emerging technology and changing paradigms. pp. 153–170. American Association of Museums, Washington, D.C. (1997).
92.
Bowen, J.P., Filippini-Fantoni, S.: Personalization and the web from a museum perspective. Museums and the Web 2004.
93.
Brown, S., Gerrard, D.: Squaring the triangle: the implications of broadband for access, diversity and accessibility in museum web design. Museums and the Web 2006. (2006).
94.
Brown, S., Gerrard, D., Ward, H.: Adding value to on-line collections for different audiences. Museums and the Web 2005. (2005).
95.
Burnette, A., Cherry, R., Proctor, N., Samis, P.: Getting on (not under) the mobile 2.0 bus: emerging issues in the mobile business model. Museums and the Web 2011. (2011).
96.
Cameron, F.: Digital futures I: museum collections, digital technologies, and the cultural construction of knowledge. Curator: The Museum Journal. 46, 325–340 (2003). https://doi.org/10.1111/j.2151-6952.2003.tb00098.x.
97.
Christen, K.: Ara Irititja: protecting the past, accessing the future - indigenous memories in a digital age. Museum Anthropology. 29, 56–60 (2006). https://doi.org/10.1525/mua.2006.29.1.56.
98.
Cunliffe, D., Kritou, E., Tudhope, D.: Usability evaluation for museum web sites. Museum Management and Curatorship. 19, 229–252 (2001). https://doi.org/10.1080/09647770100201903.
99.
Deshpande, S., Geber, K., Timpson, C.: Engaged dialogism in virtual space: an exploration of research strategies for virtual museums. In: Camend, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage: a critical discourse. pp. 261–279. MIT Press, Cambridge, Mass. (2007).
100.
Nicoletta Di Blas et al.: Evaluating the features of museum websites (The Bologna Report). Museums and the Web 2002. (2002).
101.
Ernst, W.: Archi(ve)textures of museology. In: Crane, S.A. (ed.) Museums and memory. pp. 17–34. Stanford University Press, Stanford, Calif (2000).
102.
Filippini Fantoni, S., Stein, R., Bowman, G.: Exploring the relationship between visitor motivation and engagement in online museum audiences. Museums and the Web 2012. (2010).
103.
Goldman, K.H., Schaller, D.: Exploring motivational factors and visitor satisfaction in on-line museum visits. Museums and the Web 2004. (2004).
104.
Haynes, J., Zambonini, D.: Why are they doing that!? How users interact with museum web sites. Museums and the Web 2007. (2007).
105.
Isaac, G.: Technology becomes the object: the use of electronic media at the National Museum of the American Indian. Journal of Material Culture. 13, 287–310 (2008). https://doi.org/10.1177/1359183508095497.
106.
López, X., Margapoti, I., Maragliano, R., Bove, G.: The presence of Web 2.0 tools on museum websites: a comparative study between England, France, Spain, Italy, and the USA. Museum Management and Curatorship. 25, 235–249 (2010). https://doi.org/10.1080/09647771003737356.
107.
Marty, P.F.: Museum websites and museum visitors: before and after the museum visit. Museum Management and Curatorship. 22, 337–360 (2007). https://doi.org/10.1080/09647770701757708.
108.
Marty, P.F.: The changing role of the museum webmaster: past, present and future. Museums and the Web 2004. (2004).
109.
McTavish, L.: Visiting the virtual museum: art and experience online. In: Marstine, J. (ed.) New museum theory and practice: an introduction. pp. 226–246. Blackwell, Oxford (2006).
110.
Nielsen, J.: Usability 101: introduction to usability. NN/g Nielsen Norman Group. (2012).
111.
Nielsen, J.: Accessibility is not enough. NN/g Nielsen Norman Group. (2005).
112.
Nielsen, J.: 10 usability heuristics for user interface design. NN/g Nielsen Norman Group. (1995).
113.
Nielsen, J.: F-shaped pattern for reading web content. NN/g Nielsen Norman Group. (2006).
114.
Ockuly, J.: Museum expansions and the ‘utility’ of web-based public information. Museums and the Web 2006. (2006).
115.
Pallas, J., Economides, A.A.: Evaluation of art museums’ web sites worldwide. Information Services & Use. 28, (2008). https://doi.org/10.3233/ISU-2008-0554.
116.
Parry, R., Arbach, N.: The localized learner: acknowledging distance and situatedness in on-line museum learning. Museums and the Web 2005. (2005).
117.
Rainbow, R., Morrison, A., Morgan, M.: Providing accessible online collections. Museums and the Web 2012. (2012).
118.
Sayre, S.: Sharing the experience: the building of a successful online/on-site exhibition. Museums and the Web 2000. (2000).
119.
Semper, R.: From on-line exhibits to on-line experiences to on-line community: thirteen years of science centers experimenting with the web. Museums and the Web 2006. (2006).
120.
Stein, R.: Blow up your digital strategy: changing the conversation about museums and technology. Museums and the Web 2012. (2012).
121.
Sumption, K.: In search of the ubiquitous museum: reflections of ten years of Museums and the Web. Museums and the Web 2006.
122.
Thomas, W.A., Carey, S.: Actual/virtual visits: what are the links? Museums and the Web 2005. (2005).
123.
Thomas, S., Mintz, A. eds: The virtual and the real: media in the museum. American Association of Museums, Washington, D.C. (1998).
124.
Wellcome Collection: High tea [interactive game], http://wellcomecollection.org/high-tea.
125.
Allen-Greil, D., Edwards, S., Ludden, J., Johnson, E.: Social media and organizational change. Museums and the Web 2011. (2011).
126.
Affleck, J., Kvan, T.: A virtual community as the context for discursive interpretation: a role in cultural heritage engagement. International Journal of Heritage Studies. 14, 268–280 (2008). https://doi.org/10.1080/13527250801953751.
127.
Alain, A., Foggett, M.: Towards community contribution: empowering community voices on-line. Museums and the Web 2007. (2007).
128.
Allen-Greil, D.: Twitter case study: National Museum of American History. In: Allen-Greil, D. (ed.) Twitter for museums: strategies and tactics for success : a collection of essays. MuseumsEtc, Edinburgh (2010).
129.
Bontempo, M.: Online museum communities: challenges and possibilities. Verlag Dr. Müller, Saarbrücken (2007).
130.
Boyle, D., Harris, M.: The challenge of co-production: how equal partnerships between professionals and the public are crucial to improving public services, http://www.nesta.org.uk/sites/default/files/the_challenge_of_co-production.pdf, (2009).
131.
Burnette, A., Cherry, R., Proctor, N., Samis, P.: Getting on (not under) the mobile 2.0 bus: emerging issues in the mobile business model. Museums and the Web 2011. (2011).
132.
Cameron, F.: The politics of heritage authorship: the case of digital heritage collections. In: Kalay, Y.E., Kvan, T., and Affleck, J. (eds.) New heritage: new media and cultural heritage. pp. 170–184. Routledge, London (2008).
133.
Caruth, N.J., Bernstein, S.: Building an on-line community at the Brooklyn Museum: a timeline. Museums and the Web 2007. (2007).
134.
Chan, S.: Tagging and searching - serendipity and museum collection databases. Museums and the Web 2007. (2007).
135.
van Vliet, H., Hekman, E.: Iknowhatthisis, (2011).
136.
Fisher, M., Twiss-Garrity, B.A.: Remixing exhibits: constructing participatory narratives with on-line tools to augment museum experiences. Museums and the Web 2007. (2007).
137.
Gates, J.: Case study: new world blogging within a traditional museum setting. Museums and the Web 2007. (2007).
138.
Geser, G., Pereira, J. eds: The future digital heritage space: an expedition report, (2004).
139.
Giaccardi, E. ed: Heritage and social media : understanding heritage in a participatory culture. Routledge, New York (2012).
140.
Giaccardi, E., Palen, L.: The social production of heritage through cross‐media interaction: making place for place‐making. International Journal of Heritage Studies. 14, 281–297 (2008). https://doi.org/10.1080/13527250801953827.
141.
Holdgaard, N.: The use of social media in the Danish museum landscape. Museums and the Web 2011. (2011).
142.
Kelly, K.: We are the web. Wired. (2005).
143.
Kidd, J.: Enacting engagement online: framing social media use for the museum. Information Technology & People. 24, 64–77 (2011). https://doi.org/10.1108/09593841111109422.
144.
Leadbeater, C.: We-think. Profile, London (2008).
145.
Lynch, B.T., Alberti, S.J.M.M.: Legacies of prejudice: racism, co-production and radical trust in the museum. Museum Management and Curatorship. 25, 13–35 (2010). https://doi.org/10.1080/09647770903529061.
146.
Lynch, B.: Whose cake is it anyway? A collaborative investigation into engagement and participation in 12 museums and galleries in the UK, http://www.phf.org.uk/wp-content/uploads/2014/10/Whose-cake-is-it-anyway.pdf, (2011).
147.
Mosquin, D.: All weblogs are not created equal: analyzing what works. Museums and the Web 2006. (2006).
148.
Allen-Greil, D. ed: Twitter for museums: strategies and tactics for success : a collection of essays. MuseumsEtc, Edinburgh (2010).
149.
Audience 2.0: how technology influences arts participation, http://arts.gov/publications/audience-20-how-technology-influences-arts-participation, (2010).
150.
Oomen, J., Aroyo, L.: Crowdsourcing in the cultural heritage domain: opportunities and challeges. In: Kjeldskov, J. and Paay, J. (eds.) Communities & Technologies 2011 Conference Proceedings 29 June - 2 July, Brisbane, Australia. ACM, New York (2011).
151.
edited by Mia Ridge: Crowdsourcing our cultural heritage. Ashgate, Farnham (2014).
152.
Russo, A., Watkins, J.: Digital cultural communication: audience and remediation. In: Cameron, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage : a critical discourse. MIT Press, Cambridge, Mass. (2007).
153.
Samis, P., Pau, S.: ‘Artcasting’ at SFMOMA: first-year lessons, future challenges for museum podcasters broad audience of use. Museums and the Web 2006. (2006).
154.
Simon, N.: The participatory museum. Museum 2.0, Santa Cruz, Calif. (2010).
155.
Smithsonian Institution: Smithsonian Institution web and new media strategy, http://smithsonian-webstrategy.wikispaces.com/Executive+Summary+and+Moving+Forward.
156.
Chan, S., Spadaccini, J.: Radical trust: the state of the museum blogosphere. Museums and the Web 2007. (2007).
157.
Spadaccini, J.: Museums 2.0: a survey of museum blogs & community-based sites, (2006).
158.
Springer, J., Kajder, S., Brazas, J.B.: Digital storytelling at the National Gallery of Art. Museums and the Web 2004. (2004).
159.
Springer, J., White, P.: Video ipods and art education. Museums and the Web 2007. (2007).
160.
Steve museum project.
161.
Szanto, A.: Time to lose control. The art newspaper. (2010).
162.
Caines, M. ed: The art of Facebook: how to make the social network work for you [webchat], http://www.theguardian.com/culture-professionals-network/2014/feb/14/art-facebook-social-network-culture?CMP=new_1194.
163.
Caines, M. ed: Tumblr tips for arts organisations and museums [webchat], http://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2014/jan/16/tumblr-tips-arts-social-media?CMP=new_1194.
164.
Caines, M. ed: Twitter tips and tricks for your arts organisation - advice from the experts [webchat], http://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2013/nov/28/twitter-tips-tricks-arts-dos-donts?CMP=new_1194.
165.
Caines, M. ed: How to use Instagram and Pinterest for your arts organisation [webchat], http://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2013/dec/11/how-to-instagram-pinterest-arts?CMP=new_1194.
166.
Valtysson, B.: Access culture: Web 2.0 and cultural participation. International Journal of Cultural Policy. 16, 200–214 (2010). https://doi.org/10.1080/10286630902902954.
167.
Dijck, J. van: The culture of connectivity: a critical history of social media. Oxford University Press, Oxford (2013).
168.
Von Appen, K., Kennedy, B., Spadaccini, J.: Community sites & emerging sociable technologies. Museums and the Web 2006. (2006).
169.
Walker Blogs, http://blogs.walkerart.org/offcenter/.
170.
Waterton, E.: The advent of digital technologies and the idea of community. Museum Management and Curatorship. 25, 5–11 (2010). https://doi.org/10.1080/09647770903529038.
171.
Wellman, B., Haythornthwaite, C.A.: The Internet in everyday life. Blackwell Pub, Malden, MA, USA (2002).
172.
White, N.: Blogs and community: launching a new paradigm for online community?, http://www.tlu.ee/~kpata/haridustehnoloogiaTLU/blogcommunitywhite.pdf, (2006).
173.
Parry, R., Sawyer, A.: Space and the machine: adaptive museums, pervasive technology and the new gallery environment. In: Macleod, S. (ed.) Reshaping museum space: architecture, design, exhibitions. pp. 39–52. Routledge, London (2005).
174.
Pujol-Tost, L.: Integrating ICT in exhibitions. Museum Management and Curatorship. 26, 63–79 (2011). https://doi.org/10.1080/09647775.2011.540127.
175.
Steven Gray et al.: Enhancing museum narratives with the QRator Project: a Tasmanian devil, a platypus and a dead man in a box | museumsandtheweb.com. Museums and the Web 2012. (2012).
176.
Caulton, T.: Hands-on exhibitions: managing interactive museums and science centres. Routledge, London (1998).
177.
Champion, E., Dave, B.: Dialing up the past. In: Cameron, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage : a critical discourse. pp. 333–347. MIT Press, Cambridge, Mass. (2007).
178.
Ciolfi, L., Bannon, L.J.: Designing interactive museum exhibits: enhancing visitor curiosity through augmented artefacts. (2002).
179.
Summative evaluation of the Churchill Museum, http://archive.iwm.org.uk/upload/pdf/Churchill_report_FINAL.doc.pdf, (2005).
180.
Summative evaluation of the Churchill Museum. Report appendices, http://archive.iwm.org.uk/upload/pdf/Appendices_FINAL.doc.pdf, (2005).
181.
Cutting, J. ed: Requirements for all [Science] museum computer exhibits.
182.
Economou, M.: The evaluation of museum multimedia applications: lessons from research. Museum Management and Curatorship. 17, 173–187 (1998). https://doi.org/10.1080/09647779800501702.
183.
Milekic, S.: Toward tangible virtualities: tangialities. In: Cameron, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage : a critical discourse. pp. 369–388. MIT Press, London (2007).
185.
Parry, R., Ortiz-Williams, M., Sawyer, A.: How shall we label our exhibit today? Applying the principles of on-line publishing to an on-site exhibition. Museums and the Web 2007. (2007).
186.
Semper, R.S.: Designing hybrid environments: integrating media into exhibition spaces. In: Mintz, A. and Thomas, S. (eds.) The virtual and the real: media in the museum. pp. 119–127. American Association of Museums, Washington, D.C. (1998).
187.
Srinivasan, R., Enote, J., Becvar, K.M., Boast, R.: Critical and reflective uses of new media technologies in tribal museums. Museum Management and Curatorship. 24, 161–181 (2009). https://doi.org/10.1080/09647770902857901.
188.
Witcomb, A.: The Materiality of virtual technologies: a new approach to thinking about the impact of multimedia in museums. In: Cameron, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage : a critical discourse. pp. 35–48. MIT Press, Cambridge, Mass. (2007).
189.
Burnette, A., Cherry, R., Proctor, N., Samis, P.: Getting on (not under) the mobile 2.0 bus: emerging issues in the mobile business model. Museums and the Web 2011. (2011).
190.
Doyle, J., Doyle, M.W.: Mixing social glue with brick and mortar: experiments using the mobile web to connect people, objects, and museums. Museums and the Web 2010. (2010).
191.
Galani, A., Maxwell, D., Mazel, A., Sharpe, K.: Situating cultural technologies outdoors: designing for mobile interpretation of rock art in rural Britain. Museums and the Web 2011. (2011).
192.
Haley Goldman, K.: Cell phones and exhibitions 2.O: moving beyond the pilot stage. Museums and the Web 2007. (2007).
193.
Arvanitis, K.: Imag(in)ing the everyday: using camera phones to access everyday meanings of archaeological monuments, (2005).
194.
Bressler, D.: Mobile phones: a new way to engage teenagers in informal science learning. Museums and the Web 2006. (2006).
195.
Tullio Salmon Cinotti et al.: Evaluating context-aware mobile applications in museums: experiences from the MUSE project. Museums and the Web 2004. (2004).
196.
Goggin, G.: Cell phone culture: mobile technology in everyday life. Routledge, London (2006).
197.
Hsi, S.: A study of user experiences mediated by nomadic web content in a museum. Journal of Computer Assisted Learning. 19, 308–319 (2003). https://doi.org/10.1046/j.0266-4909.2003.jca_023.x.
198.
Izadi, S., Fraser, M., Benford, S., Flintham, M., Greenhalgh, C., Rodden, T., Schnädelbach, H.: Citywide: supporting interactive digital experiences across physical space. Personal and Ubiquitous Computing. 6, 290–298 (2002). https://doi.org/10.1007/s007790200030.
199.
Aakhus, M.A., Katz, J.E. eds: Perpetual contact: mobile communication, private talk, public performance. Cambridge University Press, Cambridge (2002).
200.
Lane, G.: Social tapestries: public authoring and civil society.
201.
Naismith, L., Lonsdale, P., Vavoula, G., Sharples, M.: Literature review in mobile technologies and learning, (2004).
202.
Nickerson, M.: 1-800-FOR-TOUR: delivering automated audio information through patron’s cell phones. Museums and the Web 2005. (2005).
203.
Oppermann, R., Specht, M.: A nomadic information system for adaptive exhibition guidance. In: Trant, J. and Bearman, D. (eds.) Cultural heritage informatics: selected papers from ICHIM99. pp. 103–109. Archives & Museum Informatics, Pittsburgh, Pa (1999).
204.
Proctor, N.: When in roam: visitor response to phone tour pilots in the US and Europe. Museums and the Web 2007. (2007).
205.
Proctor, N., Trellis, C.: The state of the art in museum handhelds in 2003. Museums and the Web 2003. (2003).
206.
Refsland, S.T., Tuters, M., Cooley, J.: Geo-storytelling: a living archive of spatial culture. In: Cameron, F. and Kenderdine, S. (eds.) Theorizing digital cultural heritage : a critical discourse. pp. 409–416. MIT Press, Cambridge, Mass. (2007).
207.
Tallon, L., Walker, K. eds: Digital technologies and the museum experience: handheld guides and other media. AltaMira Press, Lanham (2008).
208.
Tate Modern multimedia tour.
209.
Urban tapestries / social tapestries: public authoring and civil society in the wireless city.
210.
vom Lehn, D., Heath, C.: Displacing the object: mobile technologies and interpretive resources. In: Cultural istitutions and digital technology: International Conference on Hypermedia and Interactivity in Museums, Paris, 8-12 September 2003 (2003).
211.
Wakkary, R., Evernden, D.: Museum as ecology: a case study analysis of an ambient intelligent museum guide. Museums and the Web 2005. (2005).
212.
West, N.: Urban tapestries: the spatial and social on your mobile, (2005).
213.
Wilson, G.: Multimedia tour programme at Tate Modern. Museums and the Web 2004. (2004).
214.
Allison Woodruff et al.: Evesdropping on electronic guidebooks: observing learning resources in shared listening environments. Museums and the Web 2002. (2002).
215.
MUBU social media guide, http://culturehive.co.uk/wp-content/uploads/2013/11/Social-Media-Guide-1.pdf.
