Bibliography for HART3226: Architecture and the Modern City

[1]
B. Colomina, ‘Archive’, in Privacy and publicity: modern architecture as mass media, Cambridge, Mass: MIT Press, 1996, pp. 1–15 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=41355a79-7498-e711-80cb-005056af4099

[2]
A. Forty, Words and buildings: a vocabulary of modern architecture. London: Thames & Hudson, 2000 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=9ce72667-7098-e711-80cb-005056af4099

[3]
A. Hultzsch, ‘Pevsner vs Colomina: Word and Image on the Page’, in Forty ways to think about architecture: architectural history and theory today, I. Borden, M. Fraser, and B. Penner, Eds. Hoboken: John Wiley & Sons, 2014, pp. 36–42 [Online]. Available: https://ucl.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma9931596139904761&context=L&vid=44UCL_INST:UCL_VU2&lang=en&search_scope=UCLLibraryCatalogue&adaptor=Local%20Search%20Engine&isFrbr=true&tab=UCLLibraryCatalogue&query=any,contains,Forty%20Ways%20To%20Think%20About%20Architecture:%20Architectural%20history%20and%20theory%20today&sortby=date_d&facet=frbrgroupid,include,9013873159386562568&offset=0

[4]
W. Gropius, ‘Program of the Staatliche Bauhaus in Weimar’, in The Bauhaus - Weimar, Dessau, Berlin, Chicago, Cambridge [Mass.]: M.I.T. Press, 1919, pp. 31–33 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=d2c32007-7c91-e711-80cb-005056af4099

[5]
H. Muthesius and H. van de Velde, ‘Werkbund Theses and Antitheses’, in Programmes and manifestoes on 20th-century architecture, London: Lund Humphries, 1914, pp. 28–31 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=bf97b8b9-e692-e711-80cb-005056af4099

[6]
A. Sant’Elia, ‘Manifesto of Futurist Architecture’, in Futurist manifestos, New ed., London: Tate, 1914, pp. 160–172 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=a07c26ef-70a3-e711-80cb-005056af4099

[7]
P. Scheerbart, ‘Glass Architecture’, in Programmes and manifestoes on 20th-century architecture, London: Lund Humphries, 1914, pp. 32–33.

[8]
U. Apollonio, ‘Introduction in “Futurist Manifestos”’, in Futurist manifestos, New ed., London: Tate, 2009.

[9]
A. Bartram, Futurist typography and the liberated text. London: British Library, 2005.

[10]
Tim Benton, ‘Dreams of Machines: Futurism and l’Esprit Nouveau’, Journal of Design History, vol. 3, no. 1, pp. 19–34, 1990 [Online]. Available: http://www.jstor.org/stable/1315719

[11]
A. Colquhoun, Modern architecture, vol. Oxford history of art. Oxford: Oxford University Press, 2002.

[12]
U. Conrads, Programmes and manifestoes on 20th-century architecture. London: Lund Humphries, 1970.

[13]
Tony Garnier, Une cité industrielle : études pour la construction des villes / Tony Garnier ; [introduction by Kriti Siderakis / translation by Marguerite E.McGoldrick]. Princeton University Press, 1989.

[14]
L. Hilberseimer, R. Anderson, and L. Hilberseimer, Metropolisarchitecture and selected essays, vol. GSAPP sourcebooks. New York: GSAPP Books, 2012.

[15]
B. Taut, The city crown, vol. Ashgate studies in architecture series. Farnham, Surrey: Ashgate, 2015.

[16]
C. Tisdall and A. Bozzolla, Futurism, vol. [The world of art library]. London: Thames and Hudson, 1977.

[17]
Le Corbuiser, ‘Three Reminders to Architects’, in Towards a new architecture, London: Architectural Press, 1970 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=7299bb6a-f29d-e711-80cb-005056af4099

[18]
B. Colomina, ‘Publicity’, in Privacy and publicity: modern architecture as mass media, Cambridge, Mass: MIT Press, 1994, pp. 141–199.

[19]
A. Behne, The modern functional building, vol. Texts&documents. Santa Monica, CA: Getty Research Center for the History of Art and the Humanities, 1996.

[20]
T. Benton, The villas of Le Corbusier and Pierre Jeanneret 1920-1930, Rev. and Expanded ed. Basel: Birkhäuser, 2007.

[21]
J.-L. Cohen, ‘Introduction to “Toward An Architecture”’, in Toward an architecture, 1st Frances Lincoln ed., London: Frances Lincoln, 2008, pp. 1–78.

[22]
C. S. Eliel, T. Gronberg, F. Ducros, and Los Angeles County Museum of Art, L’Esprit nouveau: Purism in Paris, 1918-1925. Los Angeles, Calif: Los Angeles County Museum of Art in association with Harry N. Abrams, 2001.

[23]
K. Frampton, Le Corbusier, vol. World of art. London: Thames & Hudson, 2001.

[24]
‘The City of Tomorrow and its Planning’, in Essential Le Corbusier: L’esprit nouveau articles, Oxford: Architectural Press, 1998.

[25]
Le Corbusier, The radiant city: elements of a doctrine of urbanism. Orion Press, 1967.

[26]
T. Benton and Le Corbusier, Precisions on the present state of architecture and city planning. Zurich: Park Books, 2015.

[27]
L’Esprit nouveau. New York: Da Capo Press, 1968.

[28]
C. de Smet, Centro per l’arte contemporanea Luigi Pecci, Museo d’arte moderna e contemporanea di Trento e Rovereto, and Musée d’art moderne et contemporain de Strasbourg, Le Corbusier, architect of books. Baden, Switzerland: Lars Müller, 2005.

[29]
S. Giedion, ‘Iron’, in Building in France, building in iron, building in ferroconcrete, vol. Texts&documents, Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1995, pp. 101–149 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=d31c1fbd-7898-e711-80cb-005056af4099

[30]
D. Deriu, ‘Montage and modern architecture: Giedion’s implicit manifesto’, Architectural Theory Review, vol. 12, no. 1, pp. 36–59, Aug. 2007, doi: 10.1080/13264820701553096.

[31]
Frampton, Kenneth, ‘The dialectics of functionalism: Adolf Behne & Sigfried Giedion’, Design Book Review, 1997 [Online]. Available: https://www.proquest.com/scholarly-journals/dialectics-functionalism-adolf-behne-sigfried/docview/203424264/se-2?accountid=14511

[32]
S. Georgiadis, Sigfried Giedion: an intellectual biography, vol. Architectural interfaces. Edinburgh: Edinburgh University Press, 1993.

[33]
S. Georgiadis, ‘Appendix in “Building in France, Building in Iron, Building in Ferroconcrete”’, in Building in France, building in iron, building in ferroconcrete, vol. Texts&documents, Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1995, pp. 207–224.

[34]
G. Harbusch, ‘Work in text and images: Sigfried Giedion’s “Space, Time and Architecture”, 1941–1967’, The Journal of Architecture, vol. 20, no. 4, pp. 596–620, Jul. 2015, doi: 10.1080/13602365.2015.1069371.

[35]
Lutz Robbers, ‘Without Pictorial Detour: Benjamin, Mies and the Architectural Image’, FOOTPRINT, vol. 10, no. 1, pp. 27–50, 2016, doi: 10.7480/footprint.10.1.976.

[36]
P. Tournikiotis, The historiography of modern architecture. Cambridge, Mass: MIT Press, 1999.

[37]
A. Vidler, Histories of the immediate present: inventing architectural modernism, vol. Writing architecture series. Cambridge, Mass: MIT Press, 2008 [Online]. Available: https://doi.org/10.7551/mitpress/7699.001.0001

[38]
H.-R. Hitchcock and V. Scully, Modern architecture: romanticism and reintegration, 1st Da Capo Press ed. New York: Da Capo Press, 1993.

[39]
N. Pevsner, Pioneers of modern design: from William Morris to Walter Gropius, [Rev. ed.]., vol. Pelican books. Harmondsworth: Penguin, 1960.

[40]
S. Giedion, Space, time and architecture: the growth of a new tradition, 5th ed., rev.Enl. Cambridge (Mass.): Harvard University Press, 1982.

[41]
Giedion, S. (Sigfried), 1888-1968., Mechanization takes command: a contribution to anonymous history. Sigfried Giedion Foundation, 1948 [Online]. Available: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01139.0001.001

[42]
L. Benevolo and H. J. Landry, History of modern architecture: Vol.2: The modern movement. London: Routledge and K. Paul, 1971.

[43]
R. Banham, Theory and design in the first machine age. London: Architectural Press, 1960.

[44]
M. Tafuri, R. E. Wolf, and F. Dal Co, Modern architecture, vol. History of world architecture. London: Academy Editions, 1980.

[45]
P. Emmons, ‘Drawn to Scale: The Imaginative Inhabitation of Architectural Drawings’, in From models to drawings: imagination and representation in architecture, vol. Critiques, Abingdon: Routledge, 2007, pp. 64–78 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=5a8903ef-7698-e711-80cb-005056af4099

[46]
A. Forty, ‘Language and Drawing’, in Words and buildings: a vocabulary of modern architecture, London: Thames & Hudson, 2000, pp. 28–41.

[47]
Barbican Art Gallery, Future city: experiment and utopia in architecture. London: Thames & Hudson, 2006.

[48]
F. Léger, Fernand Léger: painting in space. Cologne: Museum Ludwig, 2016.

[49]
J. Bryant, Designing the V&A: the museum as a work of art (1857-1909). London, UK: Lund Humphries in association with V&A Publishing, 2017.

[50]
B. Colomina, ‘Museum’, in Privacy and publicity: modern architecture as mass media, Cambridge, Mass: MIT Press, 1996, pp. 200–230.

[51]
D. Deriu, ‘Transforming Ideas into Pictures’, in Camera constructs: photography, architecture and the modern city, Farnham: Ashgate, 2012, pp. 159–178 [Online]. Available: https://doi.org/10.4324/9781315260921

[52]
Le Corbusier and Museum of Modern Art (New York, N.Y.), Le Corbusier: an atlas of modern landscapes. London: Thames & Hudson, 2013.

[53]
O. Hopkins, Lost futures: the disappearing architecture of post-war Britain. London: Royal Academy of Arts, 2017.

[54]
‘The Permanent Collection of 1925: Oslo Modernism in Paper and Models’, Architectural Histories, vol. 2, no. 1, Mar. 2014, doi: 10.5334/ah.be.

[55]
T. Riley, S. Perrella, and Arthur Ross Architecture Gallery, The international style: exhibition 15 and the Museum of Modern Art, vol. Columbia books of architecture. New York: Rizzoli International, 1992.

[56]
M. A. Stevens, M. Tsantsanoglou, CaixaForum (Barcelona, Spain), CaixaForum (Madrid, Spain), and Royal Academy of Arts (Great Britain), Building the revolution: Soviet art and architecture 1915-1935. London: Royal Academy of Arts, 2011.

[57]
Le Corbusier, Nederlands Architectuurinstituut, Vitra Design Museum, and Royal Institute of British Architects, Le Corbusier: the art of architecture. Weil am Rhein: Vitra Design Museum, 2007.

[58]
P. Greenaway, ‘The belly of an architect’. A-Film, [Amsterdam].

[59]
D. Udovicki-Selb, ‘Le Corbusier and the Paris Exhibition of 1937: The Temps Nouveaux Pavilion’, Journal of the Society of Architectural Historians, vol. 56, no. 1, pp. 42–63, Mar. 1997, doi: 10.2307/991215.

[60]
T. Pavel, ‘Result: Best Completion’, in Barcelona-Pavillon: Mies van der Rohe & Kolbe : Architektur & Plastik [Architecture and Sculpture], Berlin: Jovis, 2006, pp. 18–33.

[61]
P. Ciorra, F. Ostende, K. Hosaka, and H. Fujioka, Eds., The Japanese house: architecture and life after 1945. Venice, Italy: Marsilio Editori, 2016.

[62]
K. Frampton, ‘Finnish Pavilion / Le Pavillon des temps nouveaux’, in A genealogy of modern architecture: comparative critical analysis of built form, A. Simone, Ed. Zurich, Switzerland: Lars Müller Publishers, 2015, pp. 197–212.

[63]
Royal Academy of Arts (Great Britain), Sensing spaces: architecture re-imagined. London: Royal Academy of Arts, 2014.

[64]
T. Gronberg, ‘Cars and Jars: L’Esprit Nouveau and a Geometry of the City’, in Designs on modernity: exhibiting the city in 1920s Paris, Manchester: Manchester University Press, 1998, pp. 114–145.

[65]
M. Lending, ‘Traveling Portals’, in Place and displacement: exhibiting architecture, T. Arrhenius, M. Lending, W. Miller, and J. M. McGowan, Eds. Baden, Switzerland: Lars Müller Publishers, 2014, pp. 197–212.

[66]
R. Pommer and C. F. Otto, Weissenhof 1927 and the modern movement in architecture. Chicago: University of Chicago Press, 1991.

[67]
R. Rugoff, B. Dillon, J. Rendell, and Hayward Gallery, Psycho buildings: artists take on architecture. London: Hayward Publishing, 2008.

[68]
A. Hultzsch, ‘Architectural history from eye-level: Nikolaus Pevsner’s “Treasure Hunts” in “The Architectural Review”, 1942’, The Journal of Architecture, vol. 19, no. 3, pp. 382–401, May 2014, doi: 10.1080/13602365.2014.930755.

[69]
A. Higgott, ‘The Mission of Modernism: James Richards and “The Architectural Review”’, in Mediating modernism: architectural cultures in Britain, London: Routledge, 2007, pp. 33–56.

[70]
J. Macarthur, ‘Townscape, anti-scrape and surrealism: Paul Nash and John Piper in “The Architectural Review”’, The Journal of Architecture, vol. 14, no. 3, pp. 387–406, Jun. 2009, doi: 10.1080/13602360903027988.

[71]
R. Wilson, ‘Chapter 2 - editorial projects and figural projections: Paul Nash’s utopic contribution to “The Architectural Review”’, in Image, text, architecture: the utopics of the architectural media, Farnham, Surrey, England: Ashgate, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=2110625

[72]
J. Kelly, ‘“To Fan the Ardour of the Layman”: The Architectural Review, the MARS Group and the Cultivation of Middle Class Audiences for Modernism in Britain, 1933–1940’, Journal of Design History, vol. 29, no. 4, pp. 350–365, Nov. 2016, doi: 10.1093/jdh/epw025.

[73]
W. Benjamin, ‘A Small History of Photography’, in One-way street and other writings, New ed., London: Penguin, 1931, pp. 240–257.

[74]
P. Blundell Jones, ‘The Photo-dependent, the Photogenic and the Unphotographable: How Our Understanding of the Modern Movement has been Conditioned by Photography’, in Camera constructs: photography, architecture and the modern city, Farnham: Ashgate, 2012, pp. 47–60 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=12682b00-b593-e711-80cb-005056af4099

[75]
J. S. Ackerman, ‘On the Origins of Architectural Photography’, in This is not architecture: media constructions, London: Routledge, 2002, pp. 26–36.

[76]
K. Baumann and R. Sachsse, Eds., Modern greetings: photographed architecture on picture postcards 1919-1939. Stuttgart: Arnoldsche, 2004.

[77]
V. Boone, ‘The Promise of the Radiant City: The Visual Media Campaign for the Unité d’Habitation in Marseille’, in Le Corbusier and the power of photography, N. Herschdorfer, L. Umstätter, and T. Benton, Eds. London: Thames & Hudson, 2012, pp. 112–133.

[78]
I. Borden, ‘Imaging architecture: the uses of photography in the practice of architectural history’, The Journal of Architecture, vol. 12, no. 1, pp. 57–77, Feb. 2007, doi: 10.1080/13602360701217989.

[79]
M. Christenson, ‘Critical Dimensions in Architectural Photography: Contributions to Architectural Knowledge’, Amps [Architecture, media, politics society], vol. 11, no. 2. pp. 1–17, 2017 [Online]. Available: http://discovery.ucl.ac.uk/1542424/1/AMPS%2011.2.pdf

[80]
B. Colomina, ‘Photography’, in Privacy and publicity: modern architecture as mass media, Cambridge, Mass: MIT Press, 1996, pp. 76–139.

[81]
B. Colomina, ‘City’, in Privacy and publicity: modern architecture as mass media, Cambridge, Mass: MIT Press, 1996, pp. 47–63.

[82]
R. Elwall, V. Carullo, Estorick Collection, and Italian Cultural Institute (New York, N.Y.), Framing modernism: architecture and photography in Italy 1926-1965. London: Estorick Foundation, 2009.

[83]
L. Moholy-Nagy, H. M. Wingler, O. Stelzer, and J. Seligman, Painting, photography, film. Cambridge, Mass: MIT Press, 1973.

[84]
A. Pardo and E. Redstone, Eds., Photography and architecture in the modern age. London: Barbican Art Gallery, 2014.

[85]
C. de Smet, ‘'Beware the Printer!’: Photography and the Printed Page’, in Le Corbusier and the power of photography, London: Thames & Hudson, 2012, pp. 54–79.

[86]
A. Vidler, ‘Photourbanism: Planning the City From Above and From Below’, in The scenes of the street and other essays, New York: Monacelli, 2011, pp. 317–328.

[87]
C. Zimmerman, Photographic architecture in the twentieth century. Minneapolis: University of Minnesota Press, 2014 [Online]. Available: http://www.jstor.org/stable/10.5749/j.ctt7zw6cq

[88]
V. Carullo, ‘Image makers of British modernism: Dell & Wainwright at The Architectural Review’, The Journal of Architecture, vol. 21, no. 7, pp. 1012–1032, Oct. 2016, doi: 10.1080/13602365.2016.1230143.

[89]
A. Forty, ‘Pevsner the Writer’, in Reassessing Nikolaus Pevsner, vol. British art and visual culture since 1750, new readings, P. Draper, Ed. Aldershot: Ashgate, 2004, pp. 87–93 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=1a4ca675-ccc7-ec11-997e-0050f2f06092

[90]
G. Darley and D. McKie, ‘Nairn’s London and Paris’, in Ian Nairn: words in place, Nottingham: Five Leaves, 2013, pp. 90–103.

[91]
I. Nairn, Modern buildings in London. London: London Transport, 1964.

[92]
I. Nairn and O. Hatherley, Nairn’s towns. London: Notting Hill Editions, 2013.

[93]
Parnell, Steve, ‘Nairn mania’, The Architectural Review, vol. 235, no. 1407, pp. 118–119 [Online]. Available: https://www.proquest.com/trade-journals/nairn-mania/docview/1526401685/se-2?accountid=14511

[94]
J. Bold and T. Hinchcliffe, Discovering London’s buildings: with twelve walks, 1st Frances Lincoln ed. London: Frances Lincoln, 2009.

[95]
E. Jones and C. Woodward, A guide to the architecture of London, Updated ed. London: Weidenfeld & Nicolson, 2009.

[96]
E. Robinson and Geologists’ Association, London : illustrated geological walks: Bk.1. Edinburgh: Published to celebrate the 125th anniversary of the Geologists’ Association by Scottish Academic, 1984.

[97]
N. Pevsner, ‘The Anti-Pioneers’, in Pevsner: the complete broadcast talks : architecture and art on radio and television, 1945-1977, S. Games, Ed. Farnham, Surrey, England: Ashgate, 1966, pp. 473–484 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=8935f723-6e98-e711-80cb-005056af4099

[98]
S. Yusaf, ‘The Order of Things: The Place of Architecture in the Space of Radio’, in Broadcasting buildings: architecture on the wireless, 1927-1945, Cambridge, Massachusetts: The MIT Press, 2014, pp. 83–117 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=3226b271-ef9d-e711-80cb-005056af4099

[99]
Émilie Oléron Evans, ‘The voice of art history: Nikolaus Pevsner’s work for the BBC’, Journal of Art Historiography, vol. 13, pp. 1–17, 2015 [Online]. Available: https://doaj.org/article/94f7db0a96b445aeaecdce7e6621c7b0

[100]
J. Summerson, The classical language of architecture, [Revised and Enlarged ed.]., vol. World of art library. London: Thames and Hudson, 1980.

[101]
M. Bertomen, Transmission towers on the Long Island Expressway: a study of the language of form. New York, N.Y: Princeton Architectural Press, 1991.

[102]
D. Vertov, Alloy Orchestra, and In the Nursery, ‘Man with a movie camera’. British Film Institute, [London].

[103]
W. Benjamin, ‘The work of art in the age of its technological reproducibility: second version’, in The work of art in the age of its technological reproducibility, and other writings on media, Cambridge, Mass: Belknap Press of Harvard University Press, 2008, pp. 19–55 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=08fb1fe8-6aa3-e711-80cb-005056af4099

[104]
G. Simmel, ‘The Metropolis and Mental Life’, in The Blackwell city reader, 2nd ed., G. Bridge and S. Watson, Eds. Chichester: Wiley-Blackwell, 1903, pp. 11–19 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=98434a3b-3c99-e711-80cb-005056af4099

[105]
S. Barber, ‘The Origins of the City Film’, in Projected cities: [cinema and urban space], vol. Locations, London: Reaktion, 2002, pp. 13–60.

[106]
G. Bruno, ‘Site-Seeing: The Cine City’, in Atlas of emotion: journeys in art, architecture, and film, New York: Verso, 2002, pp. 15–53.

[107]
S. Hake, ‘Chapter 7 - Reconstructing Modern Subjectivity: On Berlin, Symphony of the Big City’, in Topographies of class: modern architecture and mass society in Weimar Berlin, vol. Social history, popular culture, and politics in Germany, Ann Arbor: University of Michigan Press, 2008 [Online]. Available: http://www.jstor.org/stable/10.3998/mpub.332792

[108]
Erkki Huhtamo, Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge Massachusetts: MIT Press, 2013.

[109]
T. Gunning, ‘Pictures of Crowd Splendor: The Mitchell and Kenyon Factory Gate Films’, in The lost world of Mitchell and Kenyon: Edwardian Britain on film, London: BFI, 2004, pp. 49–58.

[110]
A. Michelson, Ed., Kino-eye: the writings of Dziga Vertov. London: Pluto, 1984.

[111]
A. Vidler, ‘The Explosion of Space: Architecture and the Filmic Imaginary’, in Warped space: art, architecture, and anxiety in modern culture, Cambridge, Mass: MIT Press, 2000, pp. 99–110.

[112]
J. Tati et al., ‘Playtime’. BFI Video, [London], 2004.

[113]
I. Borden, ‘Playtime: Tativille and Paris’, in The hieroglyphics of space: reading and experiencing the modern metropolis, London: Routledge, 2002, pp. 217–233 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=97a11cf2-b193-e711-80cb-005056af4099

[114]
B. Colomina, ‘Window’, in Privacy and publicity: modern architecture as mass media, Cambridge, Mass: MIT Press, 1996, pp. 283–335.

[115]
M. Augé, Non-places: An Introduction to Supermodernity, 2nd English language ed. London: Verso, 2008.

[116]
D. Bellos, Jacques Tati: his life and art. London: Harvill, 1999.

[117]
David Campany, ‘Photography and Jacques Tati’s “Playtime”’, Aperture, no. 212, pp. 56–59, 2013 [Online]. Available: http://www.jstor.org/stable/24474829

[118]
R. Cardullo and J. Tati, ‘The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview)’, Contemporary French and Francophone Studies, vol. 17, no. 3, pp. 357–369, Jun. 2013, doi: 10.1080/17409292.2013.790632.

[119]
E. Dimendberg, Film noir and the spaces of modernity. Cambridge, Mass: Harvard University Press, 2004 [Online]. Available: https://hdl.handle.net/2027/heb.08248

[120]
A. Webber and E. Wilson, Eds., Cities in transition: the moving image and the modern metropolis. London: Wallflower Press, 2008.

[121]
I. Nairn, Outrage. London: Architectural Press, 1955.

[122]
G. Darley and D. McKie, ‘Outrage’, in Ian Nairn: words in place, Nottingham: Five Leaves, 2013, pp. 17–32.

[123]
O. Hatherley, A guide to the new ruins of Great Britain. London: Verso, 2010.

[124]
J. Jacobs, The death and life of great American cities, vol. Pimlico. London: Pimlico, 2000.

[125]
J. MacArthur, ‘The Nomenclature of Style: Brutalism, Minimalism, Art History and Visual Style in Architecture Journals’, Architectural Theory Review, vol. 10, no. 2, pp. 100–108, Nov. 2005, doi: 10.1080/13264820509478544.

[126]
Ian Nairn, Counter-attack against Subtopia. 1957 [Online]. Available: http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=UCL_LMS_DS000299321&indx=1&recIds=UCL_LMS_DS000299321&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL_LMS_DS%29&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=Counter-Attack%20Against%20Subtopia&dstmp=1500993440409

[127]
I. Nairn, Your England Revisited. London: Hutchinson, 1964.

[128]
S. Parnell, ‘AR’s and AD’s post-war editorial policies: the making of modern architecture in Britain’, The Journal of Architecture, vol. 17, no. 5, pp. 763–775, Oct. 2012, doi: 10.1080/13602365.2012.724858.

[129]
M. Topolcanská, ‘Identity game: Czech and Slovak architecture magazines as travelogues’, Architectural Design, vol. 76, no. 3, pp. 26–33, May 2006, doi: 10.1002/ad.262.

[130]
R. Venturi, ‘Complexity and Contradiction in Architecture: Selections from a Forthcoming Book’, Perspecta, vol. 9, 1965, doi: 10.2307/1566911.

[131]
B. Colomina, C. Buckley, and U. Grau, Clip, stamp, fold: the radical architecture of little magazines, 196X to 197X, vol. M+M books. [Barcelona, Spain]: Actar, 2010.

[132]
P. Cook and Archigram (Group), Archigram, Rev. ed. New York: Princeton Architectural Press, 1999.

[133]
A. Higgot, ‘The Opposite of Architecture: Archigram and Architectural Design in the 1960s’, in Mediating modernism: architectural cultures in Britain, London: Routledge, 2007, pp. 117–152.

[134]
Pamphlet architecture 1-10. New York: Princeton Architectural Press, 1998.

[135]
J. Fenton, K. Kaplan, L. Woods, M. Cadwell, M. Silver, and M.-A. Ray, Pamphlet architecture 11-20, vol. Pamphlet architecture. New York: Princeton Architectural Press, 2011.

[136]
C. Jencks and K. Kropf, Theories and manifestoes of contemporary architecture, 2nd ed. Chichester: Wiley-Academy, 2006.

[137]
R. Koolhaas, Delirious New York: a retroactive manifesto for Manhattan, New ed. New York: Monacelli Press, 1994 [Online]. Available: http://catalogue.londonmet.ac.uk/record=b1684781~S1

[138]
K. Lynch, The image of the city, vol. Publications of the Joint Center for Urban Studies. Cambridge, Mass: MIT Press, 1960.

[139]
A. Rossi and P. Eisenman, The architecture of the city, vol. Oppositions books. Cambridge, Mass: MIT Press, 1982.

[140]
S. Sadler, Archigram: architecture without architecture. Cambridge, Mass: MIT Press, 2005.

[141]
R. Venturi, D. Scott Brown, and S. Izenour, Learning from Las Vegas: the forgotten symbolism of architectural form, [Rev. ed.]. Cambridge, Mass: MIT Press, 1977.

[142]
‘Journal of the Society of Architectural Historians’, vol. 75, no. 4, 2016 [Online]. Available: http://jsah.ucpress.edu/content/75/4

[143]
M. Krivý, ‘Industrial architecture and negativity: the aesthetics of architecture in the works of Gordon Matta-Clark, Robert Smithson and Bernd and Hilla Becher’, The Journal of Architecture, vol. 15, no. 6, pp. 827–852, Dec. 2010, doi: 10.1080/13602365.2011.533549.

[144]
B. Becher and H. Becher, Cooling towers. Cambridge, Mass: MIT Press, 2005.

[145]
B. Becher and H. Becher, Gas tanks. Cambridge, Mass: MIT Press, 1993.

[146]
B. Becher, H. Becher, and K. Bussmann, Industrial façades. Cambridge, Mass: MIT Press, 1995.

[147]
B. Becher and H. Becher, Mineheads. Cambridge, MA: MIT Press, 1997.

[148]
B. Becher, H. Becher, and A. Zweite, Typologies. Cambridge, Mass: MIT, 2004.

[149]
B. Becher and H. Becher, Water towers. Cambridge, Mass: MIT Press, 1988.

[150]
M. Biro, ‘From Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky’, History of Photography, vol. 36, no. 3, pp. 353–366, Aug. 2012, doi: 10.1080/03087298.2012.686242.

[151]
D. von Hoff, ‘The photographic comportment of Bernd and Hilla Becher’, in Visual culture in twentieth-century Germany: text as spectacle, G. Finney, Ed. Bloomington, Ind: Indiana University Press, 2006.

[152]
S. Lange, Bernd and Hilla Becher: life and work. Cambridge, Mass: MIT Press, 2007.

[153]
P. Virilio, Bunker archeology. New York: Princeton Architectural Press, 1994.

[154]
G. Darley and D. McKie, ‘Nairn on Screen’, in Ian Nairn: words in place, Nottingham: Five Leaves, 2013, pp. 130–142.

[155]
Fisher, Mark, ‘Visionary Television: “World on a Wire” and “Artemis 81”’, Film Quarterly, vol. 64, no. 2, pp. 58–63 [Online]. Available: https://www.proquest.com/scholarly-journals/visionary-television-world-on-wire-artemis-81/docview/822639779/se-2?accountid=14511

[156]
T. O’Regan, ‘Reception and Exposure in Architecture, Film and Television’, Architectural Theory Review, vol. 18, no. 3, pp. 272–278, Dec. 2013, doi: 10.1080/13264826.2014.875611.

[157]
N. Stead and M. Richards, ‘Valuing Architecture: Taste, Aesthetics and the Cultural Mediation of Architecture through Television’, Critical Studies in Television: The International Journal of Television Studies, vol. 9, no. 3, pp. 100–112, Nov. 2014, doi: 10.7227/CST.9.3.10.

[158]
P. Keiller, ‘London’, London: and, Robinson in space : two films. B.F.I., London, 1994.

[159]
Patrick Keiller, ‘London in the Early 1990s’, AA Files, no. 49, pp. 20–24, 2003 [Online]. Available: http://www.jstor.org/stable/29544745?seq=1#page_scan_tab_contents

[160]
P. Keiller, ‘Architectural Cinematography’, in The view from the train: cities and other landscapes, London: Verso, 2013, pp. 76–84 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=e3b4a192-3a99-e711-80cb-005056af4099

[161]
G. S. Fletcher, The London nobody knows. London: Hutchinson, 1962.

[162]
J. Malpas and K. Jacobs, ‘Place, space, and capital: The landscapes of Patrick Keiller’, Environment and Planning D: Society and Space, vol. 34, no. 6, pp. 1132–1149, Dec. 2016, doi: 10.1177/0263775816654474.

[163]
P. Wright, A journey through ruins: the last days of London, [New ed.]. Oxford: Oxford University Press, 2009.

[164]
R. Banham and M. Banham, A critic writes: essays by Reyner Banham. Berkeley, Calif: University of California Press, 1999.

[165]
G. Darley and D. McKie, ‘Nairn on Sunday’, in Ian Nairn: words in place, Nottingham: Five Leaves, 2013, pp. 113–125.

[166]
G. S. Fletcher, London souvenirs. London: Allen & Unwin, 1973.

[167]
A. Powers, The twentieth century house in Britain: from the archives of Country Life. London: Aurum, 2004.

[168]
K. Rattenbury, ‘Naturally Biased: Architecture in the UK Press’, in This is not architecture: media constructions, K. Rattenbury, Ed. London: Routledge, 2002, pp. 136–156.

[169]
C. Labio, ‘The Architecture of Comics’, Critical Inquiry, vol. 41, no. 2, pp. 312–343, 2015 [Online]. Available: http://www.journals.uchicago.edu/doi/abs/10.1086/679078

[170]
T. A. Bredehoft, ‘Comics Architecture, Multidimensionality, and Time: Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth’, MFS Modern Fiction Studies, vol. 52, no. 4, pp. 869–890, 2006, doi: 10.1353/mfs.2007.0001.

[171]
J. Carlin, P. Karasik, B. Walker, S. Crouch, Hammer Museum, and Museum of Contemporary Art (Los Angeles, Calif.), Masters of American comics. Los Angeles : New Haven [Conn.]: Hammer Museum and the Museum of Contemporary Art, Los Angeles in association with Yale University Press, 2005.

[172]
J. Dittmer, ‘Narrating urban assemblages—Chris Ware and Building Stories’, Social & Cultural Geography, vol. 15, no. 5, pp. 477–503, Jul. 2014, doi: 10.1080/14649365.2014.908235.

[173]
M. van der Hoorn and ABC Architectuurcentrum Haarlem, Bricks & balloons: architecture in comic-strip form. Rotterdam: 010 Publishers, 2012.

[174]
O. Lancaster, A cartoon history of architecture. London: J. Murray, 1975.

[175]
E. Smith Wergeland, ‘Review: Architecture in Comic-Strip Form’, Journal Of The Society Of Architectural Historians, vol. 75, no. 3, pp. 381–382, 2016, doi: 10.1525/jsah.2016.75.3.381.

[176]
A. Szczepaniak, ‘Brick by Brick: Chris Ware’s Architecture of the Page’, in The rise and reason of comics and graphic literature: critical essays on the form, J. Goggin and D. Hassler-Forest, Eds. Jefferson, N.C.: McFarland & Co, 2010 [Online]. Available: http://UCL.eblib.com/patron/FullRecord.aspx?p=584455

[177]
Thévenet, Jean-Marc, Archi & BD : la ville dessinée. Blou: Monografik éditions, 2010 [Online]. Available: http://copac.jisc.ac.uk/search?author=Francis Rambert&date=2010&rn=2

[178]
C. Ware, Building stories, 2nd ed. London: Jonathan Cape, 2012.

[179]
C. Ware, Jimmy Corrigan, or, the smartest kid on earth. London: Jonathan Cape, 2001.

[180]
C. Beorkrem, ‘Review: Three-Dimensional Scanning (pdf)’, Journal of the Society of Architectural Historians, vol. 75, no. 1. pp. 122–124, 2016 [Online]. Available: http://jsah.ucpress.edu/content/ucpjsah/75/1/122.full.pdf

[181]
Mario Carpo, ‘The Craftsman and the Curator’, Perspecta, vol. 44, pp. 86–200, 2011 [Online]. Available: https://www.jstor.org/stable/41662949

[182]
‘Research Centre for Experimental Practice at the University of Westminster Archigram Archival Project’, Journal of the Society of Architectural Historians, vol. 72, no. 2, pp. 271–272, Jun. 2013, doi: 10.1525/jsah.2013.72.2.271a.

Bibliography for HART3226: Architecture and the Modern City BETA