Ackerman, James S., ‘On the Origins of Architectural Photography’, in This Is Not Architecture: Media Constructions (London: Routledge, 2002), pp. 26–36
Apollonio, Umbro, ‘Introduction in “Futurist Manifestos”’, in Futurist Manifestos, New ed (London: Tate, 2009)
Augé, Marc, Non-Places: An Introduction to Supermodernity, 2nd English language ed (London: Verso, 2008)
Banham, Reyner, Theory and Design in the First Machine Age (London: Architectural Press, 1960)
Banham, Reyner, and Mary Banham, A Critic Writes: Essays by Reyner Banham (Berkeley, Calif: University of California Press, 1999)
Barber, Stephen, ‘The Origins of the City Film’, in Projected Cities: [Cinema and Urban Space] (London: Reaktion, 2002), Locations, 13–60
Barbican Art Gallery, Future City: Experiment and Utopia in Architecture, ed. by Jane Alison (London: Thames & Hudson, 2006)
Bartram, Alan, Futurist Typography and the Liberated Text (London: British Library, 2005)
Baumann, Kirsten, and Rolf Sachsse, eds., Modern Greetings: Photographed Architecture on Picture Postcards 1919-1939 (Stuttgart: Arnoldsche, 2004)
Becher, Bernd, and Hilla Becher, Cooling Towers (Cambridge, Mass: MIT Press, 2005)
———, Gas Tanks (Cambridge, Mass: MIT Press, 1993)
———, Mineheads (Cambridge, MA: MIT Press, 1997)
———, Water Towers (Cambridge, Mass: MIT Press, 1988)
Becher, Bernd, Hilla Becher, and Klaus Bussmann, Industrial Façades (Cambridge, Mass: MIT Press, 1995)
Becher, Bernd, Hilla Becher, and Armin Zweite, Typologies (Cambridge, Mass: MIT, 2004)
Behne, Adolf, The Modern Functional Building (Santa Monica, CA: Getty Research Center for the History of Art and the Humanities, 1996), Texts&documents
Bellos, David, Jacques Tati: His Life and Art (London: Harvill, 1999)
Benevolo, Leonardo, and H. J. Landry, History of Modern Architecture: Vol.2: The Modern Movement (London: Routledge and K. Paul, 1971)
Benjamin, Walter, ‘A Small History of Photography’, in One-Way Street and Other Writings, New ed (London: Penguin, 1931), pp. 240–57
———, ‘The Work of Art in the Age of Its Technological Reproducibility: Second Version’, in The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (Cambridge, Mass: Belknap Press of Harvard University Press, 2008), pp. 19–55 <https://contentstore.cla.co.uk/secure/link?id=08fb1fe8-6aa3-e711-80cb-005056af4099>
Benton, Tim, The Villas of Le Corbusier and Pierre Jeanneret 1920-1930, Rev. and expanded ed (Basel: Birkhäuser, 2007)
Benton, Tim and Le Corbusier, Precisions on the Present State of Architecture and City Planning (Zurich: Park Books, 2015)
Beorkrem, Christopher, ‘Review: Three-Dimensional Scanning (Pdf)’, Journal of the Society of Architectural Historians, 2016, 122–24 <https://doi.org/DOI: 10.1525/jsah.2016.75.1.122>
Bertomen, Michele, Transmission Towers on the Long Island Expressway: A Study of the Language of Form (New York, N.Y: Princeton Architectural Press, 1991)
Biro, Matthew, ‘From Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky’, History of Photography, 36.3 (2012), 353–66 <https://doi.org/10.1080/03087298.2012.686242>
Blundell Jones, Peter, ‘The Photo-Dependent, the Photogenic and the Unphotographable: How Our Understanding of the Modern Movement Has Been Conditioned by Photography’, in Camera Constructs: Photography, Architecture and the Modern City (Farnham: Ashgate, 2012), pp. 47–60 <https://contentstore.cla.co.uk/secure/link?id=12682b00-b593-e711-80cb-005056af4099>
Bold, John, and Tanis Hinchcliffe, Discovering London’s Buildings: With Twelve Walks, 1st Frances Lincoln ed (London: Frances Lincoln, 2009)
Boone, Veronique, ‘The Promise of the Radiant City: The Visual Media Campaign for the Unité d’Habitation in Marseille’, in Le Corbusier and the Power of Photography, ed. by Nathalie Herschdorfer, Lada Umstätter, and Tim Benton (London: Thames & Hudson, 2012), pp. 112–33
Borden, Iain, ‘Imaging Architecture: The Uses of Photography in the Practice of Architectural History’, The Journal of Architecture, 12.1 (2007), 57–77 <https://doi.org/10.1080/13602360701217989>
———, ‘Playtime: Tativille and Paris’, in The Hieroglyphics of Space: Reading and Experiencing the Modern Metropolis (London: Routledge, 2002), pp. 217–33 <https://contentstore.cla.co.uk/secure/link?id=97a11cf2-b193-e711-80cb-005056af4099>
Bredehoft, Thomas A., ‘Comics Architecture, Multidimensionality, and Time: Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth’, MFS Modern Fiction Studies, 52.4 (2006), 869–90 <https://doi.org/10.1353/mfs.2007.0001>
Bruno, Giuliana, ‘Site-Seeing: The Cine City’, in Atlas of Emotion: Journeys in Art, Architecture, and Film (New York: Verso, 2002), pp. 15–53
Bryant, Julius, Designing the V&A: The Museum as a Work of Art (1857-1909) (London, UK: Lund Humphries in association with V&A Publishing, 2017)
Cardullo, Robert, and Jacques Tati, ‘The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview)’, Contemporary French and Francophone Studies, 17.3 (2013), 357–69 <https://doi.org/10.1080/17409292.2013.790632>
Carlin, John, Paul Karasik, Brian Walker, Stanley Crouch, Hammer Museum, and Museum of Contemporary Art (Los Angeles, Calif.), Masters of American Comics (Los Angeles : New Haven [Conn.]: Hammer Museum and the Museum of Contemporary Art, Los Angeles in association with Yale University Press, 2005)
Carullo, Valeria, ‘Image Makers of British Modernism: Dell & Wainwright at The Architectural Review’, The Journal of Architecture, 21.7 (2016), 1012–32 <https://doi.org/10.1080/13602365.2016.1230143>
Christenson, Mike, ‘Critical Dimensions in Architectural Photography: Contributions to Architectural Knowledge’, Amps [Architecture, Media, Politics Society], 2017, 1–17 <http://discovery.ucl.ac.uk/1542424/1/AMPS%2011.2.pdf>
Ciorra, Pippo, Florence Ostende, Kenjirō Hosaka, and Hiroyasu Fujioka, eds., The Japanese House: Architecture and Life after 1945 (Venice, Italy: Marsilio Editori, 2016)
Cohen, Jean-Louis, ‘Introduction to “Toward An Architecture”’, in Toward an Architecture, 1st Frances Lincoln ed (London: Frances Lincoln, 2008), pp. 1–78
Colomina, Beatriz, ‘Archive’, in Privacy and Publicity: Modern Architecture as Mass Media (Cambridge, Mass: MIT Press, 1996), pp. 1–15 <https://contentstore.cla.co.uk/secure/link?id=41355a79-7498-e711-80cb-005056af4099>
———, ‘City’, in Privacy and Publicity: Modern Architecture as Mass Media (Cambridge, Mass: MIT Press, 1996), pp. 47–63
———, ‘Museum’, in Privacy and Publicity: Modern Architecture as Mass Media (Cambridge, Mass: MIT Press, 1996), pp. 200–230
———, ‘Photography’, in Privacy and Publicity: Modern Architecture as Mass Media (Cambridge, Mass: MIT Press, 1996), pp. 76–139
———, ‘Publicity’, in Privacy and Publicity: Modern Architecture as Mass Media (Cambridge, Mass: MIT Press, 1994), pp. 141–99
———, ‘Window’, in Privacy and Publicity: Modern Architecture as Mass Media (Cambridge, Mass: MIT Press, 1996), pp. 283–335
Colomina, Beatriz, Craig Buckley, and Urtzi Grau, Clip, Stamp, Fold: The Radical Architecture of Little Magazines, 196X to 197X ([Barcelona, Spain]: Actar, 2010), M+M books
Colquhoun, Alan, Modern Architecture (Oxford: Oxford University Press, 2002), Oxford history of art
Conrads, Ulrich, Programmes and Manifestoes on 20th-Century Architecture (London: Lund Humphries, 1970)
Cook, Peter and Archigram (Group), Archigram, Rev. ed (New York: Princeton Architectural Press, 1999)
Darley, Gillian, and David McKie, ‘Nairn on Screen’, in Ian Nairn: Words in Place (Nottingham: Five Leaves, 2013), pp. 130–42
———, ‘Nairn on Sunday’, in Ian Nairn: Words in Place (Nottingham: Five Leaves, 2013), pp. 113–25
———, ‘Nairn’s London and Paris’, in Ian Nairn: Words in Place (Nottingham: Five Leaves, 2013), pp. 90–103
———, ‘Outrage’, in Ian Nairn: Words in Place (Nottingham: Five Leaves, 2013), pp. 17–32
David Campany, ‘Photography and Jacques Tati’s “Playtime”’, Aperture, 212, 2013, 56–59 <http://www.jstor.org/stable/24474829>
Deriu, Davide, ‘Montage and Modern Architecture: Giedion’s Implicit Manifesto’, Architectural Theory Review, 12.1 (2007), 36–59 <https://doi.org/10.1080/13264820701553096>
———, ‘Transforming Ideas into Pictures’, in Camera Constructs: Photography, Architecture and the Modern City (Farnham: Ashgate, 2012), pp. 159–78 <https://doi.org/10.4324/9781315260921>
Dimendberg, Edward, Film Noir and the Spaces of Modernity (Cambridge, Mass: Harvard University Press, 2004) <https://hdl.handle.net/2027/heb.08248>
Dittmer, Jason, ‘Narrating Urban Assemblages—Chris Ware and Building Stories’, Social & Cultural Geography, 15.5 (2014), 477–503 <https://doi.org/10.1080/14649365.2014.908235>
Eliel, Carol S., Tag Gronberg, Françoise Ducros, and Los Angeles County Museum of Art, L’Esprit Nouveau: Purism in Paris, 1918-1925 (Los Angeles, Calif: Los Angeles County Museum of Art in association with Harry N. Abrams, 2001)
Elwall, Robert, Valeria Carullo, Estorick Collection, and Italian Cultural Institute (New York, N.Y.), Framing Modernism: Architecture and Photography in Italy 1926-1965 (London: Estorick Foundation, 2009)
Émilie Oléron Evans, ‘The Voice of Art History: Nikolaus Pevsner’s Work for the BBC’, Journal of Art Historiography, 13 (2015), 1–17 <https://doaj.org/article/94f7db0a96b445aeaecdce7e6621c7b0>
Emmons, Paul, ‘Drawn to Scale: The Imaginative Inhabitation of Architectural Drawings’, in From Models to Drawings: Imagination and Representation in Architecture (Abingdon: Routledge, 2007), Critiques, 64–78 <https://contentstore.cla.co.uk/secure/link?id=5a8903ef-7698-e711-80cb-005056af4099>
Erkki Huhtamo, Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles (Cambridge Massachusetts: MIT Press, 2013)
Fenton, Joseph, Ken Kaplan, Lebbeus Woods, Mike Cadwell, Michael Silver, and Mary-Ann Ray, Pamphlet Architecture 11-20 (New York: Princeton Architectural Press, 2011), Pamphlet architecture
Fisher, Mark, ‘Visionary Television: “World on a Wire” and “Artemis 81”’, Film Quarterly, 64.2, 58–63 <https://www.proquest.com/scholarly-journals/visionary-television-world-on-wire-artemis-81/docview/822639779/se-2?accountid=14511>
Fletcher, Geoffrey S., London Souvenirs (London: Allen & Unwin, 1973)
———, The London Nobody Knows (London: Hutchinson, 1962)
Forty, Adrian, ‘Language and Drawing’, in Words and Buildings: A Vocabulary of Modern Architecture (London: Thames & Hudson, 2000), pp. 28–41
———, ‘Pevsner the Writer’, in Reassessing Nikolaus Pevsner, ed. by Peter Draper (Aldershot: Ashgate, 2004), British art and visual culture since 1750, new readings, 87–93 <https://contentstore.cla.co.uk/secure/link?id=1a4ca675-ccc7-ec11-997e-0050f2f06092>
———, Words and Buildings: A Vocabulary of Modern Architecture (London: Thames & Hudson, 2000) <https://contentstore.cla.co.uk/secure/link?id=9ce72667-7098-e711-80cb-005056af4099>
Frampton, Kenneth, ‘Finnish Pavilion / Le Pavillon Des Temps Nouveaux’, in A Genealogy of Modern Architecture: Comparative Critical Analysis of Built Form, ed. by Ashley Simone (Zurich, Switzerland: Lars Müller Publishers, 2015), pp. 197–212
———, Le Corbusier (London: Thames & Hudson, 2001), World of art
Frampton, Kenneth, ‘The Dialectics of Functionalism: Adolf Behne & Sigfried Giedion’, Design Book Review, 1997 <https://www.proquest.com/scholarly-journals/dialectics-functionalism-adolf-behne-sigfried/docview/203424264/se-2?accountid=14511>
Georgiadis, Sokratis, ‘Appendix in “Building in France, Building in Iron, Building in Ferroconcrete”’, in Building in France, Building in Iron, Building in Ferroconcrete (Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1995), Texts&documents, 207–24
———, Sigfried Giedion: An Intellectual Biography (Edinburgh: Edinburgh University Press, 1993), Architectural interfaces
Giedion, S., Space, Time and Architecture: The Growth of a New Tradition, 5th ed., rev.enl (Cambridge (Mass.): Harvard University Press, 1982)
Giedion, S. (Sigfried), 1888-1968., Mechanization Takes Command: A Contribution to Anonymous History (Sigfried Giedion Foundation, 1948) <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01139.0001.001>
Giedion, Sigfried, ‘Iron’, in Building in France, Building in Iron, Building in Ferroconcrete (Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1995), Texts&documents, 101–49 <https://contentstore.cla.co.uk/secure/link?id=d31c1fbd-7898-e711-80cb-005056af4099>
Greenaway, Peter, ‘The Belly of an Architect’ ([Amsterdam]: A-Film)
Gronberg, Tag, ‘Cars and Jars: L’Esprit Nouveau and a Geometry of the City’, in Designs on Modernity: Exhibiting the City in 1920s Paris (Manchester: Manchester University Press, 1998), pp. 114–45
Gropius, Walter, ‘Program of the Staatliche Bauhaus in Weimar’, in The Bauhaus - Weimar, Dessau, Berlin, Chicago (Cambridge [Mass.]: M.I.T. Press, 1919), pp. 31–33 <https://contentstore.cla.co.uk/secure/link?id=d2c32007-7c91-e711-80cb-005056af4099>
Gunning, Tom, ‘Pictures of Crowd Splendor: The Mitchell and Kenyon Factory Gate Films’, in The Lost World of Mitchell and Kenyon: Edwardian Britain on Film (London: BFI, 2004), pp. 49–58
Hake, Sabine, ‘Chapter 7 - Reconstructing Modern Subjectivity: On Berlin, Symphony of the Big City’, in Topographies of Class: Modern Architecture and Mass Society in Weimar Berlin (Ann Arbor: University of Michigan Press, 2008), Social history, popular culture, and politics in Germany <http://www.jstor.org/stable/10.3998/mpub.332792>
Harbusch, Gregor, ‘Work in Text and Images: Sigfried Giedion’s “Space, Time and Architecture”, 1941–1967’, The Journal of Architecture, 20.4 (2015), 596–620 <https://doi.org/10.1080/13602365.2015.1069371>
Hatherley, Owen, A Guide to the New Ruins of Great Britain (London: Verso, 2010)
Higgot, Andrew, ‘The Opposite of Architecture: Archigram and Architectural Design in the 1960s’, in Mediating Modernism: Architectural Cultures in Britain (London: Routledge, 2007), pp. 117–52
Higgott, Andrew, ‘The Mission of Modernism: James Richards and “The Architectural Review”’, in Mediating Modernism: Architectural Cultures in Britain (London: Routledge, 2007), pp. 33–56
Hilberseimer, Ludwig, Richard Anderson, and Ludwig Hilberseimer, Metropolisarchitecture and Selected Essays (New York: GSAPP Books, 2012), GSAPP sourcebooks
Hitchcock, Henry-Russell, and Vincent Scully, Modern Architecture: Romanticism and Reintegration, 1st Da Capo Press ed (New York: Da Capo Press, 1993)
von Hoff, Dagmar, ‘The Photographic Comportment of Bernd and Hilla Becher’, in Visual Culture in Twentieth-Century Germany: Text as Spectacle, ed. by Gail Finney (Bloomington, Ind: Indiana University Press, 2006)
Hoorn, Mélanie van der and ABC Architectuurcentrum Haarlem, Bricks & Balloons: Architecture in Comic-Strip Form (Rotterdam: 010 Publishers, 2012)
Hopkins, Owen, Lost Futures: The Disappearing Architecture of Post-War Britain (London: Royal Academy of Arts, 2017)
Hultzsch, Anne, ‘Architectural History from Eye-Level: Nikolaus Pevsner’s “Treasure Hunts” in “The Architectural Review”, 1942’, The Journal of Architecture, 19.3 (2014), 382–401 <https://doi.org/10.1080/13602365.2014.930755>
———, ‘Pevsner vs Colomina: Word and Image on the Page’, in Forty Ways to Think about Architecture: Architectural History and Theory Today, ed. by Iain Borden, Murray Fraser, and Barbara Penner (Hoboken: John Wiley & Sons, 2014), pp. 36–42 <https://ucl.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma9931596139904761&context=L&vid=44UCL_INST:UCL_VU2&lang=en&search_scope=UCLLibraryCatalogue&adaptor=Local%20Search%20Engine&isFrbr=true&tab=UCLLibraryCatalogue&query=any,contains,Forty%20Ways%20To%20Think%20About%20Architecture:%20Architectural%20history%20and%20theory%20today&sortby=date_d&facet=frbrgroupid,include,9013873159386562568&offset=0>
Ian Nairn, Counter-Attack against Subtopia, 1957 <http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=UCL_LMS_DS000299321&indx=1&recIds=UCL_LMS_DS000299321&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28UCL_LMS_DS%29&tb=t&mode=Basic&vid=UCL_VU1&srt=rank&tab=local&dum=true&vl(freeText0)=Counter-Attack%20Against%20Subtopia&dstmp=1500993440409>
Jacobs, Jane, The Death and Life of Great American Cities (London: Pimlico, 2000), Pimlico
Jencks, Charles, and Karl Kropf, Theories and Manifestoes of Contemporary Architecture, 2nd ed (Chichester: Wiley-Academy, 2006)
Jones, Edward, and Christopher Woodward, A Guide to the Architecture of London, Updated ed (London: Weidenfeld & Nicolson, 2009)
‘Journal of the Society of Architectural Historians’, 75.4 (2016) <http://jsah.ucpress.edu/content/75/4>
Keiller, Patrick, ‘Architectural Cinematography’, in The View from the Train: Cities and Other Landscapes (London: Verso, 2013), pp. 76–84 <https://contentstore.cla.co.uk/secure/link?id=e3b4a192-3a99-e711-80cb-005056af4099>
———, ‘London’, London: And, Robinson in Space : Two Films (London: B.F.I., 1994)
Kelly, Jessica, ‘“To Fan the Ardour of the Layman”: The Architectural Review, the MARS Group and the Cultivation of Middle Class Audiences for Modernism in Britain, 1933–1940’, Journal of Design History, 29.4 (2016), 350–65 <https://doi.org/10.1093/jdh/epw025>
Koolhaas, Rem, Delirious New York: A Retroactive Manifesto for Manhattan, New ed (New York: Monacelli Press, 1994) <http://catalogue.londonmet.ac.uk/record=b1684781~S1>
Krivý, Maroš, ‘Industrial Architecture and Negativity: The Aesthetics of Architecture in the Works of Gordon Matta-Clark, Robert Smithson and Bernd and Hilla Becher’, The Journal of Architecture, 15.6 (2010), 827–52 <https://doi.org/10.1080/13602365.2011.533549>
Labio, Catherine, ‘The Architecture of Comics’, Critical Inquiry, 41.2 (2015), 312–43 <http://www.journals.uchicago.edu/doi/abs/10.1086/679078>
Lancaster, Osbert, A Cartoon History of Architecture (London: J. Murray, 1975)
Lange, Susanne, Bernd and Hilla Becher: Life and Work (Cambridge, Mass: MIT Press, 2007)
Le Corbuiser, ‘Three Reminders to Architects’, in Towards a New Architecture (London: Architectural Press, 1970) <https://contentstore.cla.co.uk/secure/link?id=7299bb6a-f29d-e711-80cb-005056af4099>
Le Corbusier, The Radiant City: Elements of a Doctrine of Urbanism (Orion Press, 1967)
Le Corbusier and Museum of Modern Art (New York, N.Y.), Le Corbusier: An Atlas of Modern Landscapes, ed. by Emily Hall and Jean-Louis Cohen (London: Thames & Hudson, 2013)
Le Corbusier, Nederlands Architectuurinstituut, Vitra Design Museum, and Royal Institute of British Architects, Le Corbusier: The Art of Architecture, ed. by Alexander von Vegesack and Mateo Kries (Weil am Rhein: Vitra Design Museum, 2007)
Léger, Fernand, Fernand Léger: Painting in Space, ed. by Katia Baudin-Reneau (Cologne: Museum Ludwig, 2016)
Lending, Mari, ‘Traveling Portals’, in Place and Displacement: Exhibiting Architecture, ed. by Thordis Arrhenius, Mari Lending, Wallis Miller, and Jérémie Michael McGowan (Baden, Switzerland: Lars Müller Publishers, 2014), pp. 197–212
L’Esprit Nouveau (New York: Da Capo Press, 1968)
Lutz Robbers, ‘Without Pictorial Detour: Benjamin, Mies and the Architectural Image’, FOOTPRINT, 10.1 (2016), 27–50 <https://doi.org/10.7480/footprint.10.1.976>
Lynch, Kevin, The Image of the City (Cambridge, Mass: MIT Press, 1960), Publications of the Joint Center for Urban Studies
MacArthur, John, ‘The Nomenclature of Style: Brutalism, Minimalism, Art History and Visual Style in Architecture Journals’, Architectural Theory Review, 10.2 (2005), 100–108 <https://doi.org/10.1080/13264820509478544>
Macarthur, John, ‘Townscape, Anti-Scrape and Surrealism: Paul Nash and John Piper in “The Architectural Review”’, The Journal of Architecture, 14.3 (2009), 387–406 <https://doi.org/10.1080/13602360903027988>
Malpas, Jeff, and Keith Jacobs, ‘Place, Space, and Capital: The Landscapes of Patrick Keiller’, Environment and Planning D: Society and Space, 34.6 (2016), 1132–49 <https://doi.org/10.1177/0263775816654474>
Mario Carpo, ‘The Craftsman and the Curator’, Perspecta, 44 (2011), 86–200 <https://www.jstor.org/stable/41662949>
Michelson, Annette, ed., Kino-Eye: The Writings of Dziga Vertov (London: Pluto, 1984)
Moholy-Nagy, László, Hans Maria Wingler, Otto Stelzer, and Janet Seligman, Painting, Photography, Film (Cambridge, Mass: MIT Press, 1973)
Muthesius, Hermann, and Henry van de Velde, ‘Werkbund Theses and Antitheses’, in Programmes and Manifestoes on 20th-Century Architecture (London: Lund Humphries, 1914), pp. 28–31 <https://contentstore.cla.co.uk/secure/link?id=bf97b8b9-e692-e711-80cb-005056af4099>
Nairn, Ian, Modern Buildings in London (London: London Transport, 1964)
———, Outrage (London: Architectural Press, 1955)
———, Your England Revisited (London: Hutchinson, 1964)
Nairn, Ian, and Owen Hatherley, Nairn’s Towns (London: Notting Hill Editions, 2013)
O’Regan, Tom, ‘Reception and Exposure in Architecture, Film and Television’, Architectural Theory Review, 18.3 (2013), 272–78 <https://doi.org/10.1080/13264826.2014.875611>
Pamphlet Architecture 1-10 (New York: Princeton Architectural Press, 1998)
Pardo, Alona, and Elias Redstone, eds., Photography and Architecture in the Modern Age (London: Barbican Art Gallery, 2014)
Parnell, Steve, ‘AR’s and AD’s Post-War Editorial Policies: The Making of Modern Architecture in Britain’, The Journal of Architecture, 17.5 (2012), 763–75 <https://doi.org/10.1080/13602365.2012.724858>
Parnell, Steve, ‘Nairn Mania’, The Architectural Review, 235.1407, 118–19 <https://www.proquest.com/trade-journals/nairn-mania/docview/1526401685/se-2?accountid=14511>
Patrick Keiller, ‘London in the Early 1990s’, AA Files, 49, 2003, 20–24 <http://www.jstor.org/stable/29544745?seq=1#page_scan_tab_contents>
Pavel, Thomas, ‘Result: Best Completion’, in Barcelona-Pavillon: Mies van Der Rohe & Kolbe : Architektur & Plastik [Architecture and Sculpture] (Berlin: Jovis, 2006), pp. 18–33
Pevsner, Nikolaus, Pioneers of Modern Design: From William Morris to Walter Gropius, [Rev. ed.] (Harmondsworth: Penguin, 1960), Pelican books
———, ‘The Anti-Pioneers’, in Pevsner: The Complete Broadcast Talks : Architecture and Art on Radio and Television, 1945-1977, ed. by Stephen Games (Farnham, Surrey, England: Ashgate, 1966), pp. 473–84 <https://contentstore.cla.co.uk/secure/link?id=8935f723-6e98-e711-80cb-005056af4099>
Pommer, Richard, and Christian F. Otto, Weissenhof 1927 and the Modern Movement in Architecture (Chicago: University of Chicago Press, 1991)
Powers, Alan, The Twentieth Century House in Britain: From the Archives of Country Life (London: Aurum, 2004)
Rattenbury, Kester, ‘Naturally Biased: Architecture in the UK Press’, in This Is Not Architecture: Media Constructions, ed. by Kester Rattenbury (London: Routledge, 2002), pp. 136–56
‘Research Centre for Experimental Practice at the University of Westminster Archigram Archival Project’, Journal of the Society of Architectural Historians, 72.2 (2013), 271–72 <https://doi.org/10.1525/jsah.2013.72.2.271a>
Riley, Terence, Stephen Perrella, and Arthur Ross Architecture Gallery, The International Style: Exhibition 15 and the Museum of Modern Art (New York: Rizzoli International, 1992), Columbia books of architecture
Robinson, Eric and Geologists’ Association, London : Illustrated Geological Walks: Bk.1 (Edinburgh: Published to celebrate the 125th anniversary of the Geologists’ Association by Scottish Academic, 1984)
Rossi, Aldo, and Peter Eisenman, The Architecture of the City (Cambridge, Mass: MIT Press, 1982), Oppositions books
Royal Academy of Arts (Great Britain), Sensing Spaces: Architecture Re-Imagined, ed. by Kate Goodwin and Philip Ursprung (London: Royal Academy of Arts, 2014)
Rugoff, Ralph, Brian Dillon, Jane Rendell, and Hayward Gallery, Psycho Buildings: Artists Take on Architecture (London: Hayward Publishing, 2008)
Sadler, Simon, Archigram: Architecture without Architecture (Cambridge, Mass: MIT Press, 2005)
Sant’Elia, Antonio, ‘Manifesto of Futurist Architecture’, in Futurist Manifestos, New ed (London: Tate, 1914), pp. 160–72 <https://contentstore.cla.co.uk/secure/link?id=a07c26ef-70a3-e711-80cb-005056af4099>
Scheerbart, Paul, ‘Glass Architecture’, in Programmes and Manifestoes on 20th-Century Architecture (London: Lund Humphries, 1914), pp. 32–33
Simmel, Georg, ‘The Metropolis and Mental Life’, in The Blackwell City Reader, ed. by Gary Bridge and Sophie Watson, 2nd ed (Chichester: Wiley-Blackwell, 1903), pp. 11–19 <https://contentstore.cla.co.uk/secure/link?id=98434a3b-3c99-e711-80cb-005056af4099>
de Smet, Catherine, ‘'Beware the Printer!’: Photography and the Printed Page’, in Le Corbusier and the Power of Photography (London: Thames & Hudson, 2012), pp. 54–79
Smet, Catherine de, Centro per l’arte contemporanea Luigi Pecci, Museo d’arte moderna e contemporanea di Trento e Rovereto, and Musée d’art moderne et contemporain de Strasbourg, Le Corbusier, Architect of Books (Baden, Switzerland: Lars Müller, 2005)
Smith Wergeland, Even, ‘Review: Architecture in Comic-Strip Form’, Journal Of The Society Of Architectural Historians, 75.3 (2016), 381–82 <https://doi.org/10.1525/jsah.2016.75.3.381>
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Stevens, Mary Anne, Maria Tsantsanoglou, CaixaForum (Barcelona, Spain), CaixaForum (Madrid, Spain), and Royal Academy of Arts (Great Britain), Building the Revolution: Soviet Art and Architecture 1915-1935 (London: Royal Academy of Arts, 2011)
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