Ackerman, James S. ‘On the Origins of Architectural Photography’. This Is Not Architecture: Media Constructions. London: Routledge, 2002. 26–36. Print.
Apollonio, Umbro. ‘Introduction in “Futurist Manifestos”’. Futurist Manifestos. New ed. London: Tate, 2009. Print.
Augé, Marc. Non-Places: An Introduction to Supermodernity. 2nd English language ed. London: Verso, 2008. Print.
Banham, Reyner. Theory and Design in the First Machine Age. London: Architectural Press, 1960. Print.
Banham, Reyner, and Mary Banham. A Critic Writes: Essays by Reyner Banham. Berkeley, Calif: University of California Press, 1999. Print.
Barber, Stephen. ‘The Origins of the City Film’. Projected Cities: [Cinema and Urban Space]. Locations. London: Reaktion, 2002. 13–60. Print.
Barbican Art Gallery. Future City: Experiment and Utopia in Architecture. Ed. Jane Alison. London: Thames & Hudson, 2006. Print.
Bartram, Alan. Futurist Typography and the Liberated Text. London: British Library, 2005. Print.
Baumann, Kirsten, and Rolf Sachsse, eds. Modern Greetings: Photographed Architecture on Picture Postcards 1919-1939. Stuttgart: Arnoldsche, 2004. Print.
Becher, Bernd, and Hilla Becher. Cooling Towers. Cambridge, Mass: MIT Press, 2005. Print.
---. Gas Tanks. Cambridge, Mass: MIT Press, 1993. Print.
---. Mineheads. Cambridge, MA: MIT Press, 1997. Print.
---. Water Towers. Cambridge, Mass: MIT Press, 1988. Print.
Becher, Bernd, Hilla Becher, and Klaus Bussmann. Industrial Façades. Cambridge, Mass: MIT Press, 1995. Print.
Becher, Bernd, Hilla Becher, and Armin Zweite. Typologies. Cambridge, Mass: MIT, 2004. Print.
Behne, Adolf. The Modern Functional Building. Texts&documents. Santa Monica, CA: Getty Research Center for the History of Art and the Humanities, 1996. Print.
Bellos, David. Jacques Tati: His Life and Art. London: Harvill, 1999. Print.
Benevolo, Leonardo, and H. J. Landry. History of Modern Architecture: Vol.2: The Modern Movement. London: Routledge and K. Paul, 1971. Print.
Benjamin, Walter. ‘A Small History of Photography’. One-Way Street and Other Writings. New ed. London: Penguin, 1931. 240–257. Print.
---. ‘The Work of Art in the Age of Its Technological Reproducibility: Second Version’. The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Cambridge, Mass: Belknap Press of Harvard University Press, 2008. 19–55. Web. <https://contentstore.cla.co.uk/secure/link?id=08fb1fe8-6aa3-e711-80cb-005056af4099>.
Benton, Tim. The Villas of Le Corbusier and Pierre Jeanneret 1920-1930. Rev. and expanded ed. Basel: Birkhäuser, 2007. Print.
Benton, Tim and Le Corbusier. Precisions on the Present State of Architecture and City Planning. Zurich: Park Books, 2015. Print.
Beorkrem, Christopher. ‘Review: Three-Dimensional Scanning (Pdf)’. Journal of the Society of Architectural Historians 2016 : 122–124. Web. <http://jsah.ucpress.edu/content/ucpjsah/75/1/122.full.pdf>.
Bertomen, Michele. Transmission Towers on the Long Island Expressway: A Study of the Language of Form. New York, N.Y: Princeton Architectural Press, 1991. Print.
Biro, Matthew. ‘From Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky’. History of Photography 36.3 (2012): 353–366. Web.
Blundell Jones, Peter. ‘The Photo-Dependent, the Photogenic and the Unphotographable: How Our Understanding of the Modern Movement Has Been Conditioned by Photography’. Camera Constructs: Photography, Architecture and the Modern City. Farnham: Ashgate, 2012. 47–60. Web. <https://contentstore.cla.co.uk/secure/link?id=12682b00-b593-e711-80cb-005056af4099>.
Bold, John, and Tanis Hinchcliffe. Discovering London’s Buildings: With Twelve Walks. 1st Frances Lincoln ed. London: Frances Lincoln, 2009. Print.
Boone, Veronique. ‘The Promise of the Radiant City: The Visual Media Campaign for the Unité d’Habitation in Marseille’. Le Corbusier and the Power of Photography. Ed. Nathalie Herschdorfer, Lada Umstätter, and Tim Benton. London: Thames & Hudson, 2012. 112–133. Print.
Borden, Iain. ‘Imaging Architecture: The Uses of Photography in the Practice of Architectural History’. The Journal of Architecture 12.1 (2007): 57–77. Web.
---. ‘Playtime: Tativille and Paris’. The Hieroglyphics of Space: Reading and Experiencing the Modern Metropolis. London: Routledge, 2002. 217–233. Web. <https://contentstore.cla.co.uk/secure/link?id=97a11cf2-b193-e711-80cb-005056af4099>.
Bredehoft, Thomas A. ‘Comics Architecture, Multidimensionality, and Time: Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth’. MFS Modern Fiction Studies 52.4 (2006): 869–890. Web.
Bruno, Giuliana. ‘Site-Seeing: The Cine City’. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002. 15–53. Print.
Bryant, Julius. Designing the V&A: The Museum as a Work of Art (1857-1909). London, UK: Lund Humphries in association with V&A Publishing, 2017. Print.
Cardullo, Robert, and Jacques Tati. ‘The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview)’. Contemporary French and Francophone Studies 17.3 (2013): 357–369. Web.
Carlin, John et al. Masters of American Comics. Los Angeles : New Haven [Conn.]: Hammer Museum and the Museum of Contemporary Art, Los Angeles in association with Yale University Press, 2005. Print.
Carullo, Valeria. ‘Image Makers of British Modernism: Dell & Wainwright at The Architectural Review’. The Journal of Architecture 21.7 (2016): 1012–1032. Web.
Christenson, Mike. ‘Critical Dimensions in Architectural Photography: Contributions to Architectural Knowledge’. Amps [Architecture, media, politics society] 2017 : 1–17. Web. <http://discovery.ucl.ac.uk/1542424/1/AMPS%2011.2.pdf>.
Ciorra, Pippo et al., eds. The Japanese House: Architecture and Life after 1945. Venice, Italy: Marsilio Editori, 2016. Print.
Cohen, Jean-Louis. ‘Introduction to “Toward An Architecture”’. Toward an Architecture. 1st Frances Lincoln ed. London: Frances Lincoln, 2008. 1–78. Print.
Colomina, Beatriz. ‘Archive’. Privacy and Publicity: Modern Architecture as Mass Media. Cambridge, Mass: MIT Press, 1996. 1–15. Web. <https://contentstore.cla.co.uk/secure/link?id=41355a79-7498-e711-80cb-005056af4099>.
---. ‘City’. Privacy and Publicity: Modern Architecture as Mass Media. Cambridge, Mass: MIT Press, 1996. 47–63. Print.
---. ‘Museum’. Privacy and Publicity: Modern Architecture as Mass Media. Cambridge, Mass: MIT Press, 1996. 200–230. Print.
---. ‘Photography’. Privacy and Publicity: Modern Architecture as Mass Media. Cambridge, Mass: MIT Press, 1996. 76–139. Print.
---. ‘Publicity’. Privacy and Publicity: Modern Architecture as Mass Media. Cambridge, Mass: MIT Press, 1994. 141–199. Print.
---. ‘Window’. Privacy and Publicity: Modern Architecture as Mass Media. Cambridge, Mass: MIT Press, 1996. 283–335. Print.
Colomina, Beatriz, Craig Buckley, and Urtzi Grau. Clip, Stamp, Fold: The Radical Architecture of Little Magazines, 196X to 197X. M+M books. [Barcelona, Spain]: Actar, 2010. Print.
Colquhoun, Alan. Modern Architecture. Oxford history of art. Oxford: Oxford University Press, 2002. Print.
Conrads, Ulrich. Programmes and Manifestoes on 20th-Century Architecture. London: Lund Humphries, 1970. Print.
Cook, Peter and Archigram (Group). Archigram. Rev. ed. New York: Princeton Architectural Press, 1999. Print.
Darley, Gillian, and David McKie. ‘Nairn on Screen’. Ian Nairn: Words in Place. Nottingham: Five Leaves, 2013. 130–142. Print.
---. ‘Nairn on Sunday’. Ian Nairn: Words in Place. Nottingham: Five Leaves, 2013. 113–125. Print.
---. ‘Nairn’s London and Paris’. Ian Nairn: Words in Place. Nottingham: Five Leaves, 2013. 90–103. Print.
---. ‘Outrage’. Ian Nairn: Words in Place. Nottingham: Five Leaves, 2013. 17–32. Print.
David Campany. ‘Photography and Jacques Tati’s “Playtime”’. Aperture 212 (2013): 56–59. Web. <http://www.jstor.org/stable/24474829>.
de Smet, Catherine. ‘'Beware the Printer!’: Photography and the Printed Page’. Le Corbusier and the Power of Photography. London: Thames & Hudson, 2012. 54–79. Print.
Deriu, Davide. ‘Montage and Modern Architecture: Giedion’s Implicit Manifesto’. Architectural Theory Review 12.1 (2007): 36–59. Web.
---. ‘Transforming Ideas into Pictures’. Camera Constructs: Photography, Architecture and the Modern City. Farnham: Ashgate, 2012. 159–178. Web. <https://doi.org/10.4324/9781315260921>.
Dimendberg, Edward. Film Noir and the Spaces of Modernity. Cambridge, Mass: Harvard University Press, 2004. Web. <https://hdl.handle.net/2027/heb.08248>.
Dittmer, Jason. ‘Narrating Urban Assemblages—Chris Ware and Building Stories’. Social & Cultural Geography 15.5 (2014): 477–503. Web.
Eliel, Carol S. et al. L’Esprit Nouveau: Purism in Paris, 1918-1925. Los Angeles, Calif: Los Angeles County Museum of Art in association with Harry N. Abrams, 2001. Print.
Elwall, Robert et al. Framing Modernism: Architecture and Photography in Italy 1926-1965. London: Estorick Foundation, 2009. Print.
Émilie Oléron Evans. ‘The Voice of Art History: Nikolaus Pevsner’s Work for the BBC’. Journal of Art Historiography 13 (2015): 1–17. Web. <https://doaj.org/article/94f7db0a96b445aeaecdce7e6621c7b0>.
Emmons, Paul. ‘Drawn to Scale: The Imaginative Inhabitation of Architectural Drawings’. From Models to Drawings: Imagination and Representation in Architecture. Critiques. Abingdon: Routledge, 2007. 64–78. Web. <https://contentstore.cla.co.uk/secure/link?id=5a8903ef-7698-e711-80cb-005056af4099>.
Erkki Huhtamo. Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge Massachusetts: MIT Press, 2013. Print.
Fenton, Joseph et al. Pamphlet Architecture 11-20. Pamphlet architecture. New York: Princeton Architectural Press, 2011. Print.
Fisher, Mark. ‘Visionary Television: “World on a Wire” and “Artemis 81”’. Film Quarterly 64.2 58–63. Web. <https://www.proquest.com/scholarly-journals/visionary-television-world-on-wire-artemis-81/docview/822639779/se-2?accountid=14511>.
Fletcher, Geoffrey S. London Souvenirs. London: Allen & Unwin, 1973. Print.
---. The London Nobody Knows. London: Hutchinson, 1962. Print.
Forty, Adrian. ‘Language and Drawing’. Words and Buildings: A Vocabulary of Modern Architecture. London: Thames & Hudson, 2000. 28–41. Print.
---. ‘Pevsner the Writer’. Reassessing Nikolaus Pevsner. Ed. Peter Draper. British art and visual culture since 1750, new readings. Aldershot: Ashgate, 2004. 87–93. Web. <https://contentstore.cla.co.uk/secure/link?id=1a4ca675-ccc7-ec11-997e-0050f2f06092>.
---. Words and Buildings: A Vocabulary of Modern Architecture. London: Thames & Hudson, 2000. Web. <https://contentstore.cla.co.uk/secure/link?id=9ce72667-7098-e711-80cb-005056af4099>.
Frampton, Kenneth. ‘Finnish Pavilion / Le Pavillon Des Temps Nouveaux’. A Genealogy of Modern Architecture: Comparative Critical Analysis of Built Form. Ed. Ashley Simone. Zurich, Switzerland: Lars Müller Publishers, 2015. 197–212. Print.
---. Le Corbusier. World of art. London: Thames & Hudson, 2001. Print.
Frampton, Kenneth. ‘The Dialectics of Functionalism: Adolf Behne & Sigfried Giedion’. Design Book Review (1997): n. pag. Web. <https://www.proquest.com/scholarly-journals/dialectics-functionalism-adolf-behne-sigfried/docview/203424264/se-2?accountid=14511>.
Georgiadis, Sokratis. ‘Appendix in “Building in France, Building in Iron, Building in Ferroconcrete”’. Building in France, Building in Iron, Building in Ferroconcrete. Texts&documents. Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1995. 207–224. Print.
---. Sigfried Giedion: An Intellectual Biography. Architectural interfaces. Edinburgh: Edinburgh University Press, 1993. Print.
Giedion, S. Space, Time and Architecture: The Growth of a New Tradition. 5th ed., rev.enl. Cambridge (Mass.): Harvard University Press, 1982. Print.
Giedion, S. (Sigfried), 1888-1968. Mechanization Takes Command: A Contribution to Anonymous History. Sigfried Giedion Foundation, 1948. Web. <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01139.0001.001>.
Giedion, Sigfried. ‘Iron’. Building in France, Building in Iron, Building in Ferroconcrete. Texts&documents. Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1995. 101–149. Web. <https://contentstore.cla.co.uk/secure/link?id=d31c1fbd-7898-e711-80cb-005056af4099>.
Greenaway, Peter. ‘The Belly of an Architect’. : n. pag. Print.
Gronberg, Tag. ‘Cars and Jars: L’Esprit Nouveau and a Geometry of the City’. Designs on Modernity: Exhibiting the City in 1920s Paris. Manchester: Manchester University Press, 1998. 114–145. Print.
Gropius, Walter. ‘Program of the Staatliche Bauhaus in Weimar’. The Bauhaus - Weimar, Dessau, Berlin, Chicago. Cambridge [Mass.]: M.I.T. Press, 1919. 31–33. Web. <https://contentstore.cla.co.uk/secure/link?id=d2c32007-7c91-e711-80cb-005056af4099>.
Gunning, Tom. ‘Pictures of Crowd Splendor: The Mitchell and Kenyon Factory Gate Films’. The Lost World of Mitchell and Kenyon: Edwardian Britain on Film. London: BFI, 2004. 49–58. Print.
Hake, Sabine. ‘Chapter 7 - Reconstructing Modern Subjectivity: On Berlin, Symphony of the Big City’. Topographies of Class: Modern Architecture and Mass Society in Weimar Berlin. Social history, popular culture, and politics in Germany. Ann Arbor: University of Michigan Press, 2008. Web. <http://www.jstor.org/stable/10.3998/mpub.332792>.
Harbusch, Gregor. ‘Work in Text and Images: Sigfried Giedion’s “Space, Time and Architecture”, 1941–1967’. The Journal of Architecture 20.4 (2015): 596–620. Web.
Hatherley, Owen. A Guide to the New Ruins of Great Britain. London: Verso, 2010. Print.
Higgot, Andrew. ‘The Opposite of Architecture: Archigram and Architectural Design in the 1960s’. Mediating Modernism: Architectural Cultures in Britain. London: Routledge, 2007. 117–152. Print.
Higgott, Andrew. ‘The Mission of Modernism: James Richards and “The Architectural Review”’. Mediating Modernism: Architectural Cultures in Britain. London: Routledge, 2007. 33–56. Print.
Hilberseimer, Ludwig, Richard Anderson, and Ludwig Hilberseimer. Metropolisarchitecture and Selected Essays. GSAPP sourcebooks. New York: GSAPP Books, 2012. Print.
Hitchcock, Henry-Russell, and Vincent Scully. Modern Architecture: Romanticism and Reintegration. 1st Da Capo Press ed. New York: Da Capo Press, 1993. Print.
Hoorn, Mélanie van der and ABC Architectuurcentrum Haarlem. Bricks & Balloons: Architecture in Comic-Strip Form. Rotterdam: 010 Publishers, 2012. Print.
Hopkins, Owen. Lost Futures: The Disappearing Architecture of Post-War Britain. London: Royal Academy of Arts, 2017. Print.
Hultzsch, Anne. ‘Architectural History from Eye-Level: Nikolaus Pevsner’s “Treasure Hunts” in “The Architectural Review”, 1942’. The Journal of Architecture 19.3 (2014): 382–401. Web.
---. ‘Pevsner vs Colomina: Word and Image on the Page’. Forty Ways to Think about Architecture: Architectural History and Theory Today. Ed. Iain Borden, Murray Fraser, and Barbara Penner. Hoboken: John Wiley & Sons, 2014. 36–42. Web. <https://ucl.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma9931596139904761&amp;context=L&amp;vid=44UCL_INST:UCL_VU2&amp;lang=en&amp;search_scope=UCLLibraryCatalogue&amp;adaptor=Local%20Search%20Engine&amp;isFrbr=true&amp;tab=UCLLibraryCatalogue&amp;query=any,contains,Forty%20Ways%20To%20Think%20About%20Architecture:%20Architectural%20history%20and%20theory%20today&amp;sortby=date_d&amp;facet=frbrgroupid,include,9013873159386562568&amp;offset=0>.
Ian Nairn. Counter-Attack against Subtopia. N.p., 1957. Web. <http://ucl-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=detailsTab&amp;ct=display&amp;fn=search&amp;doc=UCL_LMS_DS000299321&amp;indx=1&amp;recIds=UCL_LMS_DS000299321&amp;recIdxs=0&amp;elementId=0&amp;renderMode=poppedOut&amp;displayMode=full&amp;frbrVersion=&amp;frbg=&amp;&amp;dscnt=0&amp;scp.scps=scope%3A%28UCL_LMS_DS%29&amp;tb=t&amp;mode=Basic&amp;vid=UCL_VU1&amp;srt=rank&amp;tab=local&amp;dum=true&amp;vl(freeText0)=Counter-Attack%20Against%20Subtopia&amp;dstmp=1500993440409>.
Jacobs, Jane. The Death and Life of Great American Cities. Pimlico. London: Pimlico, 2000. Print.
Jencks, Charles, and Karl Kropf. Theories and Manifestoes of Contemporary Architecture. 2nd ed. Chichester: Wiley-Academy, 2006. Print.
Jones, Edward, and Christopher Woodward. A Guide to the Architecture of London. Updated ed. London: Weidenfeld & Nicolson, 2009. Print.
‘Journal of the Society of Architectural Historians’. 75.4 (2016): n. pag. Web. <http://jsah.ucpress.edu/content/75/4>.
Keiller, Patrick. ‘Architectural Cinematography’. The View from the Train: Cities and Other Landscapes. London: Verso, 2013. 76–84. Web. <https://contentstore.cla.co.uk/secure/link?id=e3b4a192-3a99-e711-80cb-005056af4099>.
---. ‘London’. London: and, Robinson in space : two films 1994 : n. pag. Print.
Kelly, Jessica. ‘“To Fan the Ardour of the Layman”: The Architectural Review, the MARS Group and the Cultivation of Middle Class Audiences for Modernism in Britain, 1933–1940’. Journal of Design History 29.4 (2016): 350–365. Web.
Koolhaas, Rem. Delirious New York: A Retroactive Manifesto for Manhattan. New ed. New York: Monacelli Press, 1994. Web. <http://catalogue.londonmet.ac.uk/record=b1684781~S1>.
Krivý, Maroš. ‘Industrial Architecture and Negativity: The Aesthetics of Architecture in the Works of Gordon Matta-Clark, Robert Smithson and Bernd and Hilla Becher’. The Journal of Architecture 15.6 (2010): 827–852. Web.
Labio, Catherine. ‘The Architecture of Comics’. Critical Inquiry 41.2 (2015): 312–343. Web. <http://www.journals.uchicago.edu/doi/abs/10.1086/679078>.
Lancaster, Osbert. A Cartoon History of Architecture. London: J. Murray, 1975. Print.
Lange, Susanne. Bernd and Hilla Becher: Life and Work. Cambridge, Mass: MIT Press, 2007. Print.
Le Corbuiser. ‘Three Reminders to Architects’. Towards a New Architecture. London: Architectural Press, 1970. Web. <https://contentstore.cla.co.uk/secure/link?id=7299bb6a-f29d-e711-80cb-005056af4099>.
Le Corbusier et al. Le Corbusier: The Art of Architecture. Ed. Alexander von Vegesack and Mateo Kries. Weil am Rhein: Vitra Design Museum, 2007. Print.
---. The Radiant City: Elements of a Doctrine of Urbanism. Orion Press, 1967. Print.
Le Corbusier and Museum of Modern Art (New York, N.Y.). Le Corbusier: An Atlas of Modern Landscapes. Ed. Emily Hall and Jean-Louis Cohen. London: Thames & Hudson, 2013. Print.
Léger, Fernand. Fernand Léger: Painting in Space. Ed. Katia Baudin-Reneau. Cologne: Museum Ludwig, 2016. Print.
Lending, Mari. ‘Traveling Portals’. Place and Displacement: Exhibiting Architecture. Ed. Thordis Arrhenius et al. Baden, Switzerland: Lars Müller Publishers, 2014. 197–212. Print.
L’Esprit Nouveau. New York: Da Capo Press, 1968. Print.
Lutz Robbers. ‘Without Pictorial Detour: Benjamin, Mies and the Architectural Image’. FOOTPRINT 10.1 (2016): 27–50. Web.
Lynch, Kevin. The Image of the City. Publications of the Joint Center for Urban Studies. Cambridge, Mass: MIT Press, 1960. Print.
MacArthur, John. ‘The Nomenclature of Style: Brutalism, Minimalism, Art History and Visual Style in Architecture Journals’. Architectural Theory Review 10.2 (2005): 100–108. Web.
Macarthur, John. ‘Townscape, Anti-Scrape and Surrealism: Paul Nash and John Piper in “The Architectural Review”’. The Journal of Architecture 14.3 (2009): 387–406. Web.
Malpas, Jeff, and Keith Jacobs. ‘Place, Space, and Capital: The Landscapes of Patrick Keiller’. Environment and Planning D: Society and Space 34.6 (2016): 1132–1149. Web.
Mario Carpo. ‘The Craftsman and the Curator’. Perspecta 44 (2011): 86–200. Web. <https://www.jstor.org/stable/41662949>.
Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. London: Pluto, 1984. Print.
Moholy-Nagy, László et al. Painting, Photography, Film. Cambridge, Mass: MIT Press, 1973. Print.
Muthesius, Hermann, and Henry van de Velde. ‘Werkbund Theses and Antitheses’. Programmes and Manifestoes on 20th-Century Architecture. London: Lund Humphries, 1914. 28–31. Web. <https://contentstore.cla.co.uk/secure/link?id=bf97b8b9-e692-e711-80cb-005056af4099>.
Nairn, Ian. Modern Buildings in London. London: London Transport, 1964. Print.
---. Outrage. London: Architectural Press, 1955. Print.
---. Your England Revisited. London: Hutchinson, 1964. Print.
Nairn, Ian, and Owen Hatherley. Nairn’s Towns. London: Notting Hill Editions, 2013. Print.
O’Regan, Tom. ‘Reception and Exposure in Architecture, Film and Television’. Architectural Theory Review 18.3 (2013): 272–278. Web.
Pamphlet Architecture 1-10. New York: Princeton Architectural Press, 1998. Print.
Pardo, Alona, and Elias Redstone, eds. Photography and Architecture in the Modern Age. London: Barbican Art Gallery, 2014. Print.
Parnell, Steve. ‘AR’s and AD’s Post-War Editorial Policies: The Making of Modern Architecture in Britain’. The Journal of Architecture 17.5 (2012): 763–775. Web.
Parnell, Steve. ‘Nairn Mania’. The Architectural Review 235.1407 118–119. Web. <https://www.proquest.com/trade-journals/nairn-mania/docview/1526401685/se-2?accountid=14511>.
Patrick Keiller. ‘London in the Early 1990s’. AA Files 49 (2003): 20–24. Web. <http://www.jstor.org/stable/29544745?seq=1#page_scan_tab_contents>.
Pavel, Thomas. ‘Result: Best Completion’. Barcelona-Pavillon: Mies van Der Rohe & Kolbe : Architektur & Plastik [Architecture and Sculpture]. Berlin: Jovis, 2006. 18–33. Print.
Pevsner, Nikolaus. Pioneers of Modern Design: From William Morris to Walter Gropius. [Rev. ed.]. Pelican books. Harmondsworth: Penguin, 1960. Print.
---. ‘The Anti-Pioneers’. Pevsner: The Complete Broadcast Talks : Architecture and Art on Radio and Television, 1945-1977. Ed. Stephen Games. Farnham, Surrey, England: Ashgate, 1966. 473–484. Web. <https://contentstore.cla.co.uk/secure/link?id=8935f723-6e98-e711-80cb-005056af4099>.
Pommer, Richard, and Christian F. Otto. Weissenhof 1927 and the Modern Movement in Architecture. Chicago: University of Chicago Press, 1991. Print.
Powers, Alan. The Twentieth Century House in Britain: From the Archives of Country Life. London: Aurum, 2004. Print.
Rattenbury, Kester. ‘Naturally Biased: Architecture in the UK Press’. This Is Not Architecture: Media Constructions. Ed. Kester Rattenbury. London: Routledge, 2002. 136–156. Print.
‘Research Centre for Experimental Practice at the University of Westminster Archigram Archival Project’. Journal of the Society of Architectural Historians 72.2 (2013): 271–272. Web.
Riley, Terence, Stephen Perrella, and Arthur Ross Architecture Gallery. The International Style: Exhibition 15 and the Museum of Modern Art. Columbia books of architecture. New York: Rizzoli International, 1992. Print.
Robinson, Eric and Geologists’ Association. London : Illustrated Geological Walks: Bk.1. Edinburgh: Published to celebrate the 125th anniversary of the Geologists’ Association by Scottish Academic, 1984. Print.
Rossi, Aldo, and Peter Eisenman. The Architecture of the City. Oppositions books. Cambridge, Mass: MIT Press, 1982. Print.
Royal Academy of Arts (Great Britain). Sensing Spaces: Architecture Re-Imagined. Ed. Kate Goodwin and Philip Ursprung. London: Royal Academy of Arts, 2014. Print.
Rugoff, Ralph et al. Psycho Buildings: Artists Take on Architecture. London: Hayward Publishing, 2008. Print.
Sadler, Simon. Archigram: Architecture without Architecture. Cambridge, Mass: MIT Press, 2005. Print.
Sant’Elia, Antonio. ‘Manifesto of Futurist Architecture’. Futurist Manifestos. New ed. London: Tate, 1914. 160–172. Web. <https://contentstore.cla.co.uk/secure/link?id=a07c26ef-70a3-e711-80cb-005056af4099>.
Scheerbart, Paul. ‘Glass Architecture’. Programmes and Manifestoes on 20th-Century Architecture. London: Lund Humphries, 1914. 32–33. Print.
Simmel, Georg. ‘The Metropolis and Mental Life’. The Blackwell City Reader. Ed. Gary Bridge and Sophie Watson. 2nd ed. Chichester: Wiley-Blackwell, 1903. 11–19. Web. <https://contentstore.cla.co.uk/secure/link?id=98434a3b-3c99-e711-80cb-005056af4099>.
Smet, Catherine de et al. Le Corbusier, Architect of Books. Baden, Switzerland: Lars Müller, 2005. Print.
Smith Wergeland, Even. ‘Review: Architecture in Comic-Strip Form’. Journal Of The Society Of Architectural Historians 75.3 (2016): 381–382. Web.
Stead, Naomi, and Morgan Richards. ‘Valuing Architecture: Taste, Aesthetics and the Cultural Mediation of Architecture through Television’. Critical Studies in Television: The International Journal of Television Studies 9.3 (2014): 100–112. Web.
Stevens, Mary Anne et al. Building the Revolution: Soviet Art and Architecture 1915-1935. London: Royal Academy of Arts, 2011. Print.
Summerson, John. The Classical Language of Architecture. [Revised and enlarged ed.]. World of art library. London: Thames and Hudson, 1980. Print.
Szczepaniak, Angela. ‘Brick by Brick: Chris Ware’s Architecture of the Page’. The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form. Ed. Joyce Goggin and Dan Hassler-Forest. Jefferson, N.C.: McFarland & Co, 2010. Web. <http://UCL.eblib.com/patron/FullRecord.aspx?p=584455>.
Tafuri, Manfredo, Robert Erich Wolf, and Francesco Dal Co. Modern Architecture. History of world architecture. London: Academy Editions, 1980. Print.
Tati, Jacques et al. ‘Playtime’. 2004 : n. pag. Print.
Taut, Bruno. The City Crown. Ed. Matthew Mindrup and Ulrike Altenmüller-Lewis. Ashgate studies in architecture series. Farnham, Surrey: Ashgate, 2015. Print.
‘The City of Tomorrow and Its Planning’. Essential Le Corbusier: L’esprit Nouveau Articles. Oxford: Architectural Press, 1998. Print.
‘The Permanent Collection of 1925: Oslo Modernism in Paper and Models’. Architectural Histories 2.1 (2014): n. pag. Web.
Thévenet, Jean-Marc. Archi & BD : La Ville Dessinée. Blou: Monografik éditions, 2010. Web. <http://copac.jisc.ac.uk/search?author=Francis Rambert&date=2010&rn=2>.
Tim Benton. ‘Dreams of Machines: Futurism and l’Esprit Nouveau’. Journal of Design History 3.1 (1990): 19–34. Web. <http://www.jstor.org/stable/1315719>.
Tisdall, Caroline, and Angelo Bozzolla. Futurism. [The world of art library]. London: Thames and Hudson, 1977. Print.
Tony Garnier. Une Cité Industrielle : Études Pour La Construction Des Villes / Tony Garnier ; [Introduction by Kriti Siderakis / Translation by Marguerite E.McGoldrick]. Princeton University Press, 1989. Print.
Topolcanská, Maria. ‘Identity Game: Czech and Slovak Architecture Magazines as Travelogues’. Architectural Design 76.3 (2006): 26–33. Web.
Tournikiotis, Panayotis. The Historiography of Modern Architecture. Cambridge, Mass: MIT Press, 1999. Print.
Udovicki-Selb, Danilo. ‘Le Corbusier and the Paris Exhibition of 1937: The Temps Nouveaux Pavilion’. Journal of the Society of Architectural Historians 56.1 (1997): 42–63. Web.
Venturi, Robert. ‘Complexity and Contradiction in Architecture: Selections from a Forthcoming Book’. Perspecta 9 (1965): n. pag. Web.
Venturi, Robert, Denise Scott Brown, and Steven Izenour. Learning from Las Vegas: The Forgotten Symbolism of Architectural Form. [Rev. ed.]. Cambridge, Mass: MIT Press, 1977. Print.
Vertov, Dziga, Alloy Orchestra, and In the Nursery. ‘Man with a Movie Camera’. : n. pag. Print.
Vidler, Anthony. Histories of the Immediate Present: Inventing Architectural Modernism. Writing architecture series. Cambridge, Mass: MIT Press, 2008. Web. <https://doi.org/10.7551/mitpress/7699.001.0001>.
---. ‘Photourbanism: Planning the City From Above and From Below’. The Scenes of the Street and Other Essays. New York: Monacelli, 2011. 317–328. Print.
---. ‘The Explosion of Space: Architecture and the Filmic Imaginary’. Warped Space: Art, Architecture, and Anxiety in Modern Culture. Cambridge, Mass: MIT Press, 2000. 99–110. Print.
Virilio, Paul. Bunker Archeology. New York: Princeton Architectural Press, 1994. Print.
von Hoff, Dagmar. ‘The Photographic Comportment of Bernd and Hilla Becher’. Visual Culture in Twentieth-Century Germany: Text as Spectacle. Ed. Gail Finney. Bloomington, Ind: Indiana University Press, 2006. Print.
Ware, Chris. Building Stories. 2nd ed. London: Jonathan Cape, 2012. Print.
---. Jimmy Corrigan, or, the Smartest Kid on Earth. London: Jonathan Cape, 2001. Print.
Webber, Andrew, and Emma Wilson, eds. Cities in Transition: The Moving Image and the Modern Metropolis. London: Wallflower Press, 2008. Print.
Wilson, Robin. ‘Chapter 2 - Editorial Projects and Figural Projections: Paul Nash’s Utopic Contribution to “The Architectural Review”’. Image, Text, Architecture: The Utopics of the Architectural Media. Farnham, Surrey, England: Ashgate, 2015. Web. <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=2110625>.
Wright, Patrick. A Journey through Ruins: The Last Days of London. [New ed.]. Oxford: Oxford University Press, 2009. Print.
Yusaf, Shundana. ‘The Order of Things: The Place of Architecture in the Space of Radio’. Broadcasting Buildings: Architecture on the Wireless, 1927-1945. Cambridge, Massachusetts: The MIT Press, 2014. 83–117. Web. <https://contentstore.cla.co.uk/secure/link?id=3226b271-ef9d-e711-80cb-005056af4099>.
Zimmerman, Claire. Photographic Architecture in the Twentieth Century. Minneapolis: University of Minnesota Press, 2014. Web. <http://www.jstor.org/stable/10.5749/j.ctt7zw6cq>.