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Louis Marin, Mette Hjort. (1995). The Medusa Head as Historical Painting. In To destroy painting (pp. 136–164). University of Chicago Press.
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Paul Dyck, Ryan Rempel & Stuart Williams. (2012). Digitizing Collection, Composition, and Product: Tracking the Work of Little Gidding. In B. Nelson & M. M. Terras (Eds.), Digitizing medieval and early modern material culture: Vol. volume 3 (pp. 229–256). Iter in collaboration with ACMRS.
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Svetlana, Alpers. (1983b). ‘Ut Pictura, ita visio’: Kepler’s model of the Eye and the Nature of Picturing in the North. In The art of describing: Dutch art in the seventeenth century (pp. 26–71). University of Chicago Press.
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Valerie Traub. (2009). The Nature of Norms in Early Modern England: Anatomy, Cartography, ‘King Lear’. South Central Review, 26(1), 42–81. http://www.jstor.org/stable/40211291?seq=1#page_scan_tab_contents
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Wilson, B. (2005). From Myth to Metropole: Sixteenth-Century Maps of Venice. In The world in Venice: print, the city and early modern identity: Vol. Studies in book and print culture (pp. 23–69). University of Toronto Press. https://contentstore.cla.co.uk/secure/link?id=6bc1f26f-0079-e711-80cb-005056af4099