Altman, Rick. 1981. Genre, the Musical: A Reader. Vol. British Film Institute readers in film studies. London: Routledge & Kegan Paul in association with the British Film Institute.
Ament, Suzanne. 2006. ‘Reflecting Individual and Collective Identities: Songs of World War II’. In Gender and National Identity in Twentieth-Century Russian Culture, 1st ed, 115–30. DeKalb, IL: Northern Illinois University Press.
Apor, Balázs, E. A. Rees, J. C. Behrends, and P. Jones. 2004. The Leader Cult in Communist Dictatorships: Stalin and the Eastern Bloc. Basingstoke: Palgrave Macmillan.
Bonnell, Victoria E. 1997. ‘The Leader’s Two Bodies: Iconography of the Vozhd’’. In Iconography of Power: Soviet Political Posters under Lenin and Stalin, Studies on the history of society and culture:137–85. Berkeley ; London: University of California Press. https://www.fulcrum.org/concern/monographs/qf85nb67v.
Brandenberger, David, and A.M. Dubrovsky. 1998. ‘“The People Need a Tsar”: The Emergence of National Bolshevism as Stalinist Ideology, 1931-1941’. Europe-Asia Studies 5 (50): 871–90.
Brooks, J. 1991. ‘The Press and Its Message: Images of America in the 1920s and 1930s’. In Russia in the Era of NEP: Explorations in Soviet Society and Culture, Indiana-Michigan series in Russian and East European studies:231–52. Bloomington: Indiana University Press.
Brooks, Jeffrey. 1995. ‘Pravda Goes to War’. In Culture and Entertainment in Wartime Russia, 9–27. Bloomington: Indiana University Press.
Brudny, Yitzhak M. 1998. ‘Ch. 2: The Emergence of Politics by Culture 1952-1964’. In Reinventing Russia: Russian Nationalism and the Soviet State, 1953-1991, Russian Research Center studies:28–56. Cambridge, Mass: Harvard University Press.
Christie, Ian and Taylor, Richard. 1994. The Film Factory: Russian and Soviet Cinema in Documents. London: Routledge. https://doi.org/10.4324/9780203059920.
Clark, K. 1995. ‘Petrograd: Ritual Capital of the Revolution’. In Petersburg, Crucible of Cultural Revolution, 122–42. Cambridge, MA ; London: Harvard University Press.
Clark, Katerina. 2011. ‘The Return of the Aesthetic’. In Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941, 105–35. Cambridge, Mass: Harvard University Press. https://doi.org/10.4159/harvard.9780674062894.
Daughtry, J. M. 2009. ‘“Sonic Samizdat”: Situating Unofficial Recording in the Post-Stalinist Soviet Union’. Poetics Today 30 (1): 27–65. https://doi.org/10.1215/03335372-2008-002.
Dobrenko, Evgeny. 1997. ‘The Disaster of Middlebrow Taste, or, Who “Invented” Socialist Realism?’ In Socialist Realism without Shores, Post-contemporary interventions:135–64. Durham [N.C.]: Duke University Press. https://doi.org/10.1215/9780822398097-008.
Eleonory Gilburd. n.d. ‘Picasso in Thaw Culture’. Cahiers Du Monde Russe 47 (1–2): 65–108. http://www.jstor.org/stable/info/20174991.
Enzensberger, Maria. 1993. ‘“We Were Born to Turn a Fairy Tale into Reality”: Grigori Alexandrov’s The Radiant Path’. In Stalinism and Soviet Cinema, Soviet cinema:97–108. London: Routledge.
Evtuhov, Catherine, Goldfrank, David M., Hughes, Lindsey, and Stites, Richard. 2004a. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin.
———. 2004b. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin.
———. 2004c. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin.
———. 2004d. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin.
———. 2004e. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin.
———. 2004f. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin.
———. 2004g. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin.
Feldman, Seth. 1998. ‘Peace between Man and Machine: Dziga Vertov’s “The Man with a Movie Camera”’. In Documenting the Documentary: Close Readings of Documentary Film and Video, Contemporary film and television series:40–54. Detroit: Wayne State University Press.
Furst, Juliane. 2010. Stalin’s Last Generation: Soviet Post-War Youth and the Emergence of Mature Socialism. Oxford: Oxford University Press.
Geldern, James. 1998. ‘Putting the Masses in Mass Culture: Bolshevik Festivals, 1918-1920’. The Journal of Popular Culture 31 (4): 123–44. https://doi.org/10.1111/j.0022-3840.1998.3104_123.x.
Gorsuch, Anne E. 1997. ‘“NEP Be Damned! Young Militants in the 1920s and the Culture of Civil War”’. Russian Review 56 (4): 564–80.
Hirsch, Francine. n.d. ‘’Getting to Know “The People of the USSR”: Ethnographic Exhibits as Soviet Virtual Tourism, 1923-1934’. Slavic Review 4 (62): 683–709.
Hoffmann, David L. 2003. ‘Social and Cultural Unity under Soviet Socialism’. In Stalinist Values: The Cultural Norms of Soviet Modernity, 1917-1941, 146–83. Ithaca: Cornell University Press.
Johnston, Timothy. 2011. ‘Subversive Styles? Official Soviet Cultural Identity in the Late-Stalin Years 1945–1953’. In Being SovietIdentity, Rumour, and Everyday Life under Stalin 1939–1953, 167–208. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199604036.003.0005.
Jones, Polly. 2006. Susan E. Reid, ‘Modernizing Socialist Realism in the Khrushchev Thaw: The Struggle for a "Contemporary Style” in Soviet Art’, in The Dilemmas of de-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era. Vol. BASEES/Routledge series on Russian and East European studies. Abingdon, Oxon: Routledge.
Juliane Furst. 2006a. ‘Friends in Private, Friends in Public’. In Borders of Socialism: Private Spheres of Soviet Russia, 229–49. Basingstoke: Palgrave Macmillan. https://link.springer.com/chapter/10.1007/978-1-4039-8454-8_12.
Kenez, Peter. 1985. ‘Introduction: The Soviet Concept of Propaganda’. In The Birth of the Propaganda State: Soviet Methods of Mass Mobilization, 1917-1929, 1–17. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511572623.002.
Kirshchenbaum, Lisa. 2000. ‘“‘Our City, Our Hearths, Our Families’: Local Loyalties and Private Life in Soviet World War II Propaganda”’. Slavic Review 4 (59): 825–47. http://www.jstor.org/stable/pdfplus/2697421.pdf.
Kotkin, Stephen. 1991. ‘Glasnost: A City Newspaper Rises, a Theater Declines’. In Steeltown, USSR: Soviet Society in the Gorbachev Era, 39–75. Berkeley: University of California Press.
Kozlov, D. A. (Denis Anatol’evich). 2006. ‘“I Have Not Read, but I Will Say”: Soviet Literary Audiences and Changing Ideas of Social Membership, 1958-66’. Kritika: Explorations in Russian and Eurasian History 7 (3): 557–97. https://doi.org/10.1353/kri.2006.0039.
Lahusen, Thomas. 2002. ‘From Laughter “out of Sync” to Post-Synchronized Comedy: How the Stalinist Film Musical Caught up with Hollywood and Overtook It’. In Socialist Cultures East and West: A Post-Cold War Reassessment, 31–42. Westport, Conn: Praeger.
Lisa Kirschenbaum. 2006b. ‘Heroes & Victims’. In The Legacy of the Siege of Leningrad, 1941-1995: Myth, Memories, and Monuments, 186–228. New York: Cambridge University Press. https://doi.org/10.1017/CBO9780511511882.009.
Lovell, Stephen. 2011. ‘How Russia Learned to Listen: Radio and the Making of Soviet Culture’. Kritika: Explorations in Russian and Eurasian History 12 (3): 591–615. https://doi.org/10.1353/kri.2011.0040.
Mally, Lynn. 1990. Culture of the Future: The Prolekult Movement in Revolutionary Russia. Vol. Studies on the history of society and culture. Berkeley, [Calif.] ; Oxford: University of California Press.
Mally, Lynn. 2000. ‘The Revolution Loves the Theater’. In Revolutionary Acts: Amateur Theater and the Soviet State, 1917-1938, 17–46. Ithaca: Cornell University Press.
Martin, Terry. 2000. ‘Modernization or Neo-Traditionalism? Ascribed Nationality and Soviet Primordialism’. In Russian Modernity: Politics, Knowledge, Practices, 161–82. Basingstoke: Macmillan.
Nelson, Amy. 2004. ‘Of “Cast-off Barroom Garbage” and “Bold Revolutionary Songs”: The Problem of Popular Music, 1923-1926’. In Music for the Revolution: Musicians and Power in Early Soviet Russia, 95–124. University Park, Penna: Pennsylvania State University Press. https://contentstore.cla.co.uk/secure/link?id=a9082f92-6775-e811-80cd-005056af4099.
Northrop, Douglas. 2004. ‘Hujum, 1927’. In Veiled Empire: Gender & Power in Stalinist Central Asia, 1st ed, 69–101. Ithaca: Cornell University Press.
Parthé, Kathleen. 1990. ‘Images of Rural Transformation in Russian Village Prose’. Studies in Comparative Communism 23 (2): 161–75. https://doi.org/10.1016/0039-3592(90)90037-M.
Platt, Kevin M. F., and David Brandenberger. 1999. ‘Terribly Romantic, Terribly Progressive, or Terribly Tragic: Rehabilitating Ivan IV under I.V. Stalin’. Russian Review 58 (4): 635–54. https://doi.org/10.1111/0036-0341.00098.
Reid, Susan E. 2002. ‘Cold War in the Kitchen: Gender and the De-Stalinization of Consumer Taste in the Soviet Union under Khrushchev’. Slavic Review 61 (2). https://doi.org/10.2307/2697116.
Roth-Ey, Kristin. 2011. ‘The New Soviet Movie Culture’. In Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War, 71–130. Ithaca: Cornell University Press.
Roth-Ey, Kristin . 2007. ‘Finding a Home for Television in the USSR,  - ’. Slavic Review 66 (2). http://www.jstor.org/stable/pdfplus/20060221.pdf.
Solzhenit͡syn, Aleksandr Isaevich. 2009. ‘Matryona’s Home’. In The Solzhenitsyn Reader: New and Essential Writings, 1947-2005, 1st pbk. ed, 24–56. Wilmington, DE: ISI Books.
Spigel, L. 1988. ‘Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948-1955’. Camera Obscura: Feminism, Culture, and Media Studies 6 (1 16): 9–46. https://doi.org/10.1215/02705346-6-1_16-9.
Stites, Richard. 1989. Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. New York: Oxford University Press.
Suny, Ronald Grigor. 2011a. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
———. 2011b. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
———. 2011c. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
———. 2011d. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
———. 2011e. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
———. 2011f. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
———. 2011g. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
———. 2011h. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press.
Taylor, Richard. 1991. ‘Ideology as Mass Entertainment: Boris Shumyatsky and Soviet Cinema in the 1930s’. In Inside the Film Factory, 193–216. Routledge. https://doi.org/10.4324/9780203992784.
‘The Radiant Path’. n.d. http://www.youtube.com/watch?v=6UlFRML2lGU.
Trotsky, Leon. 1991. Literature and Revolution. London: RedWords. http://www.marxists.org/archive/trotsky/1924/lit_revo/index.htm.
Tumarkin, Nina. 1994. ‘No One Is Forgotten, Nothing Is Forgotten’. In The Living & the Dead : The Rise and Fall of the Cult of World War II in Russia - University College London, 125–57. New York: Basic Books. https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05302.0001.001.
Varga-Harris, C. 2008. ‘Homemaking and the Aesthetic and Moral Perimeters of the Soviet Home During the Khrushchev Era’. Journal of Social History 41 (3): 561–89. https://doi.org/10.1353/jsh.2008.0051.
Von Geldern, James and Stites, Richard. 1995. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953. Bloomington: Indiana University Press. https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt16xwcdw.
Yurchak, A. 2008. ‘Suspending the Political: Late Soviet Artistic Experiments on the Margins of the State’. Poetics Today 29 (4): 713–33. https://doi.org/10.1215/03335372-082.
Yurchak, Alexei. 2006. ‘True Colors of Communism : King Crimson, Deep Purple, Pink Floyd’. In Everything Was Forever, until It Was No More: The Last Soviet Generation, 207–37. Princeton, NJ: Princeton University Press. https://www.jstor.org/stable/j.ctt3fgx18.9?refreqid=excelsior%3A9ef8e487bc20b2ed316492685362424a&seq=1#page_scan_tab_contents.