Altman, Rick. Genre, the Musical: A Reader. British Film Institute readers in film studies. London: Routledge & Kegan Paul in association with the British Film Institute, 1981. Print.
Ament, Suzanne. ‘Reflecting Individual and Collective Identities: Songs of World War II’. Gender and National Identity in Twentieth-Century Russian Culture. 1st ed. DeKalb, IL: Northern Illinois University Press, 2006. 115–130. Print.
Apor, Balázs et al. The Leader Cult in Communist Dictatorships: Stalin and the Eastern Bloc. Basingstoke: Palgrave Macmillan, 2004. Print.
Bonnell, Victoria E. ‘The Leader’s Two Bodies: Iconography of the Vozhd’’. Iconography of Power: Soviet Political Posters under Lenin and Stalin. Studies on the history of society and culture. Berkeley ; London: University of California Press, 1997. 137–185. Web. <https://www.fulcrum.org/concern/monographs/qf85nb67v>.
Brandenberger, David, and A.M. Dubrovsky. ‘“The People Need a Tsar”: The Emergence of National Bolshevism as Stalinist Ideology, 1931-1941’. Europe-Asia Studies 5.50 (1998): 871–890. Print.
Brooks, J. ‘The Press and Its Message: Images of America in the 1920s and 1930s’. Russia in the Era of NEP: Explorations in Soviet Society and Culture. Indiana-Michigan series in Russian and East European studies. Bloomington: Indiana University Press, 1991. 231–252. Print.
Brooks, Jeffrey. ‘Pravda Goes to War’. Culture and Entertainment in Wartime Russia. Bloomington: Indiana University Press, 1995. 9–27. Print.
Brudny, Yitzhak M. ‘Ch. 2: The Emergence of Politics by Culture 1952-1964’. Reinventing Russia: Russian Nationalism and the Soviet State, 1953-1991. Russian Research Center studies. Cambridge, Mass: Harvard University Press, 1998. 28–56. Print.
Christie, Ian and Taylor, Richard. The Film Factory: Russian and Soviet Cinema in Documents. London: Routledge, 1994. Web. <https://doi.org/10.4324/9780203059920>.
Clark, K. ‘Petrograd: Ritual Capital of the Revolution’. Petersburg, Crucible of Cultural Revolution. Cambridge, MA ; London: Harvard University Press, 1995. 122–142. Print.
Clark, Katerina. ‘The Return of the Aesthetic’. Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941. Cambridge, Mass: Harvard University Press, 2011. 105–135. Web.
Daughtry, J. M. ‘“Sonic Samizdat”: Situating Unofficial Recording in the Post-Stalinist Soviet Union’. Poetics Today 30.1 (2009): 27–65. Web.
Dobrenko, Evgeny. ‘The Disaster of Middlebrow Taste, or, Who “Invented” Socialist Realism?’ Socialist Realism without Shores. Post-contemporary interventions. Durham [N.C.]: Duke University Press, 1997. 135–164. Web.
Eleonory Gilburd. ‘Picasso in Thaw Culture’. Cahiers du Monde russe 47.1–2 65–108. Web. <http://www.jstor.org/stable/info/20174991>.
Enzensberger, Maria. ‘“We Were Born to Turn a Fairy Tale into Reality”: Grigori Alexandrov’s The Radiant Path’. Stalinism and Soviet Cinema. Soviet cinema. London: Routledge, 1993. 97–108. Print.
Evtuhov, Catherine et al. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
---. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
---. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
---. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
---. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
---. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
---. A History of Russia: Peoples, Legends, Events, Forces. Boston: Houghton Mifflin, 2004. Print.
Feldman, Seth. ‘Peace between Man and Machine: Dziga Vertov’s “The Man with a Movie Camera”’. Documenting the Documentary: Close Readings of Documentary Film and Video. Contemporary film and television series. Detroit: Wayne State University Press, 1998. 40–54. Print.
Furst, Juliane. Stalin’s Last Generation: Soviet Post-War Youth and the Emergence of Mature Socialism. Oxford: Oxford University Press, 2010. Print.
Geldern, James. ‘Putting the Masses in Mass Culture: Bolshevik Festivals, 1918-1920’. The Journal of Popular Culture 31.4 (1998): 123–144. Web.
Gorsuch, Anne E. ‘“NEP Be Damned! Young Militants in the 1920s and the Culture of Civil War”’. Russian Review 56.4 (1997): 564–580. Print.
Hirsch, Francine. ‘’Getting to Know “The People of the USSR”: Ethnographic Exhibits as Soviet Virtual Tourism, 1923-1934’. Slavic Review 4.62 683–709. Print.
Hoffmann, David L. ‘Social and Cultural Unity under Soviet Socialism’. Stalinist Values: The Cultural Norms of Soviet Modernity, 1917-1941. Ithaca: Cornell University Press, 2003. 146–183. Print.
Johnston, Timothy. ‘Subversive Styles? Official Soviet Cultural Identity in the Late-Stalin Years 1945–1953’. Being SovietIdentity, Rumour, and Everyday Life under Stalin 1939–1953. Oxford University Press, 2011. 167–208. Web. <http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199604036.001.0001/acprof-9780199604036-chapter-5>.
Jones, Polly. Susan E. Reid, ‘Modernizing Socialist Realism in the Khrushchev Thaw: The Struggle for a "Contemporary Style” in Soviet Art’, in The Dilemmas of de-Stalinization: Negotiating Cultural and Social Change in the Khrushchev Era. BASEES/Routledge series on Russian and East European studies. Abingdon, Oxon: Routledge, 2006. Print.
Juliane Furst. ‘Friends in Private, Friends in Public’. Borders of Socialism: Private Spheres of Soviet Russia. Basingstoke: Palgrave Macmillan, 2006. 229–249. Web. <https://link.springer.com/chapter/10.1007/978-1-4039-8454-8_12>.
Kenez, Peter. ‘Introduction: The Soviet Concept of Propaganda’. The Birth of the Propaganda State: Soviet Methods of Mass Mobilization, 1917-1929. Cambridge: Cambridge University Press, 1985. 1–17. Web.
Kirshchenbaum, Lisa. ‘“‘Our City, Our Hearths, Our Families’: Local Loyalties and Private Life in Soviet World War II Propaganda”’. Slavic Review 4.59 (2000): 825–847. Web. <http://www.jstor.org/stable/pdfplus/2697421.pdf>.
Kotkin, Stephen. ‘Glasnost: A City Newspaper Rises, a Theater Declines’. Steeltown, USSR: Soviet Society in the Gorbachev Era. Berkeley: University of California Press, 1991. 39–75. Print.
Kozlov, D. A. (Denis Anatol’evich). ‘“I Have Not Read, but I Will Say”: Soviet Literary Audiences and Changing Ideas of Social Membership, 1958-66’. Kritika: Explorations in Russian and Eurasian History 7.3 (2006): 557–597. Web.
Lahusen, Thomas. ‘From Laughter “out of Sync” to Post-Synchronized Comedy: How the Stalinist Film Musical Caught up with Hollywood and Overtook It’. Socialist Cultures East and West: A Post-Cold War Reassessment. Westport, Conn: Praeger, 2002. 31–42. Print.
Lisa Kirschenbaum. ‘Heroes & Victims’. The Legacy of the Siege of Leningrad, 1941-1995: Myth, Memories, and Monuments. New York: Cambridge University Press, 2006. 186–228. Web.
Lovell, Stephen. ‘How Russia Learned to Listen: Radio and the Making of Soviet Culture’. Kritika: Explorations in Russian and Eurasian History 12.3 (2011): 591–615. Web.
Mally, Lynn. Culture of the Future: The Prolekult Movement in Revolutionary Russia. Studies on the history of society and culture. Berkeley, [Calif.] ; Oxford: University of California Press, 1990. Print.
Mally, Lynn. ‘The Revolution Loves the Theater’. Revolutionary Acts: Amateur Theater and the Soviet State, 1917-1938. Ithaca: Cornell University Press, 2000. 17–46. Print.
Martin, Terry. ‘Modernization or Neo-Traditionalism? Ascribed Nationality and Soviet Primordialism’. Russian Modernity: Politics, Knowledge, Practices. Basingstoke: Macmillan, 2000. 161–182. Print.
Nelson, Amy. ‘Of “Cast-off Barroom Garbage” and “Bold Revolutionary Songs”: The Problem of Popular Music, 1923-1926’. Music for the Revolution: Musicians and Power in Early Soviet Russia. University Park, Penna: Pennsylvania State University Press, 2004. 95–124. Web. <https://contentstore.cla.co.uk/secure/link?id=a9082f92-6775-e811-80cd-005056af4099>.
Northrop, Douglas. ‘Hujum, 1927’. Veiled Empire: Gender & Power in Stalinist Central Asia. 1st ed. Ithaca: Cornell University Press, 2004. 69–101. Print.
Parthé, Kathleen. ‘Images of Rural Transformation in Russian Village Prose’. Studies in Comparative Communism 23.2 (1990): 161–175. Web.
Platt, Kevin M. F., and David Brandenberger. ‘Terribly Romantic, Terribly Progressive, or Terribly Tragic: Rehabilitating Ivan IV under I.V. Stalin’. Russian Review 58.4 (1999): 635–654. Web.
Reid, Susan E. ‘Cold War in the Kitchen: Gender and the De-Stalinization of Consumer Taste in the Soviet Union under Khrushchev’. Slavic Review 61.2 (2002): n. pag. Web.
Roth-Ey, Kristin. ‘The New Soviet Movie Culture’. Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War. Ithaca: Cornell University Press, 2011. 71–130. Print.
Roth-Ey, Kristin . ‘Finding a Home for Television in the USSR,  - ’. Slavic Review 66.2 (2007): n. pag. Web. <http://www.jstor.org/stable/pdfplus/20060221.pdf>.
Solzhenit͡syn, Aleksandr Isaevich. ‘Matryona’s Home’. The Solzhenitsyn Reader: New and Essential Writings, 1947-2005. 1st pbk. ed. Wilmington, DE: ISI Books, 2009. 24–56. Print.
Spigel, L. ‘Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948-1955’. Camera Obscura: Feminism, Culture, and Media Studies 6.1 16 (1988): 9–46. Web.
Stites, Richard. Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. New York: Oxford University Press, 1989. Print.
Suny, Ronald Grigor. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
---. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
---. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
---. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
---. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
---. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
---. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
---. The Soviet Experiment: Russia, the USSR, and the Successor States. 2nd ed. New York: Oxford University Press, 2011. Print.
Taylor, Richard. ‘Ideology as Mass Entertainment: Boris Shumyatsky and Soviet Cinema in the 1930s’. Inside the Film Factory. Routledge, 1991. 193–216. Web. <https://www.taylorfrancis.com/books/9780203992784>.
‘The Radiant Path’. Web. <http://www.youtube.com/watch?v=6UlFRML2lGU>.
Trotsky, Leon. Literature and Revolution. London: RedWords, 1991. Web. <http://www.marxists.org/archive/trotsky/1924/lit_revo/index.htm>.
Tumarkin, Nina. ‘No One Is Forgotten, Nothing Is Forgotten’. The Living & the Dead : The Rise and Fall of the Cult of World War II in Russia - University College London. New York: Basic Books, 1994. 125–157. Web. <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05302.0001.001>.
Varga-Harris, C. ‘Homemaking and the Aesthetic and Moral Perimeters of the Soviet Home During the Khrushchev Era’. Journal of Social History 41.3 (2008): 561–589. Web.
Von Geldern, James and Stites, Richard. Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953. Bloomington: Indiana University Press, 1995. Web. <https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt16xwcdw>.
Yurchak, A. ‘Suspending the Political: Late Soviet Artistic Experiments on the Margins of the State’. Poetics Today 29.4 (2008): 713–733. Web.
Yurchak, Alexei. ‘True Colors of Communism : King Crimson, Deep Purple, Pink Floyd’. Everything Was Forever, until It Was No More: The Last Soviet Generation. Princeton, NJ: Princeton University Press, 2006. 207–237. Web. <https://www.jstor.org/stable/j.ctt3fgx18.9?refreqid=excelsior%3A9ef8e487bc20b2ed316492685362424a&seq=1#page_scan_tab_contents>.