Bibliography for SEHI0023: Media, Culture, and Society in the Soviet Union from Stalin to 1991: Dr. Kristin Roth-Ey/ DRAFT BETA

Altman, Rick (1981) Genre, the musical: a reader. London: Routledge & Kegan Paul in association with the British Film Institute.

Ament, S. (2006) ‘Reflecting individual and collective identities: songs of World War II’, in Gender and national identity in twentieth-century Russian culture. 1st ed. DeKalb, IL: Northern Illinois University Press, pp. 115–130.

Apor, B. et al. (2004) The leader cult in communist dictatorships: Stalin and the Eastern Bloc. Basingstoke: Palgrave Macmillan.

Bonnell, V.E. (1997) ‘The leader’s two bodies: iconography of the Vozhd’’, in Iconography of power: Soviet political posters under Lenin and Stalin. Berkeley ; London: University of California Press, pp. 137–185. Available at: https://www.fulcrum.org/concern/monographs/qf85nb67v.

Brandenberger, D. and Dubrovsky, A.M. (1998) ‘“The people need a Tsar”: the Emergence of National Bolshevism as Stalinist Ideology, 1931-1941’, Europe-Asia Studies, 5(50), pp. 871–890.

Brooks, J. (1991) ‘The press and its message: images of America in the 1920s and 1930s’, in Russia in the era of NEP: explorations in Soviet society and culture. Bloomington: Indiana University Press, pp. 231–252.

Brooks, J. (1995) ‘Pravda goes to war’, in Culture and entertainment in wartime Russia. Bloomington: Indiana University Press, pp. 9–27.

Brudny, Yitzhak M. (1998) ‘Ch. 2: The emergence of politics by culture 1952-1964’, in Reinventing Russia: Russian nationalism and the Soviet state, 1953-1991. Cambridge, Mass: Harvard University Press, pp. 28–56.

Christie, Ian and Taylor, Richard (1994) The film factory: Russian and Soviet cinema in documents. London: Routledge. Available at: https://doi.org/10.4324/9780203059920.

Clark, K. (1995) ‘Petrograd: Ritual Capital of the Revolution’, in Petersburg, crucible of cultural revolution. Cambridge, MA ; London: Harvard University Press, pp. 122–142.

Clark, K. (2011) ‘The return of the aesthetic’, in Moscow, the fourth Rome: Stalinism, cosmopolitanism, and the evolution of Soviet culture, 1931-1941. Cambridge, Mass: Harvard University Press, pp. 105–135. Available at: https://doi.org/10.4159/harvard.9780674062894.

Daughtry, J.M. (2009) ‘“Sonic Samizdat”: Situating Unofficial Recording in the Post-Stalinist Soviet Union’, Poetics Today, 30(1), pp. 27–65. Available at: https://doi.org/10.1215/03335372-2008-002.

Dobrenko, E. (1997) ‘The disaster of middlebrow taste, or, who “invented” socialist realism?’, in Socialist realism without shores. Durham [N.C.]: Duke University Press, pp. 135–164. Available at: https://doi.org/10.1215/9780822398097-008.

Eleonory Gilburd (no date) ‘Picasso in thaw culture’, Cahiers du Monde russe, 47(1–2), pp. 65–108. Available at: http://www.jstor.org/stable/info/20174991.

Enzensberger, Maria (1993) ‘“We were born to turn a fairy tale into reality”: Grigori Alexandrov’s The Radiant Path’, in Stalinism and Soviet cinema. London: Routledge, pp. 97–108.

Evtuhov, Catherine et al. (2004a) A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin.

Evtuhov, Catherine et al. (2004b) A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin.

Evtuhov, Catherine et al. (2004c) A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin.

Evtuhov, Catherine et al. (2004d) A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin.

Evtuhov, Catherine et al. (2004e) A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin.

Evtuhov, Catherine et al. (2004f) A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin.

Evtuhov, Catherine et al. (2004g) A history of Russia: peoples, legends, events, forces. Boston: Houghton Mifflin.

Feldman, S. (1998) ‘Peace between man and machine: Dziga Vertov’s “The man with a movie camera”’, in Documenting the documentary: close readings of documentary film and video. Detroit: Wayne State University Press, pp. 40–54.

Furst, Juliane (2010) Stalin’s last generation: Soviet post-war youth and the emergence of mature socialism. Oxford: Oxford University Press.

Geldern, J. (1998) ‘Putting the Masses in Mass Culture: Bolshevik Festivals, 1918-1920’, The Journal of Popular Culture, 31(4), pp. 123–144. Available at: https://doi.org/10.1111/j.0022-3840.1998.3104_123.x.

Gorsuch, A.E. (1997) ‘“NEP be Damned! Young Militants in the 1920s and the Culture of Civil War”’, Russian Review, 56(4), pp. 564–580.

Hirsch, F. (no date) ‘’Getting to Know “The People of the USSR”: Ethnographic Exhibits as Soviet Virtual Tourism, 1923-1934’, Slavic Review, 4(62), pp. 683–709.

Hoffmann, D.L. (2003) ‘Social and cultural unity under Soviet socialism’, in Stalinist values: the cultural norms of Soviet modernity, 1917-1941. Ithaca: Cornell University Press, pp. 146–183.

Johnston, T. (2011) ‘Subversive Styles? Official Soviet Cultural Identity in the late-Stalin years 1945–1953’, in Being SovietIdentity, Rumour, and Everyday Life under Stalin 1939–1953. Oxford University Press, pp. 167–208. Available at: https://doi.org/10.1093/acprof:oso/9780199604036.003.0005.

Jones, Polly (2006) Susan E. Reid, ‘Modernizing Socialist Realism in the Khrushchev Thaw: The Struggle for a "Contemporary Style” in Soviet Art’, in The dilemmas of de-Stalinization: negotiating cultural and social change in the Khrushchev era. Abingdon, Oxon: Routledge.

Juliane Furst (2006) ‘Friends in private, friends in public’, in Borders of socialism: private spheres of Soviet Russia. Basingstoke: Palgrave Macmillan, pp. 229–249. Available at: https://link.springer.com/chapter/10.1007/978-1-4039-8454-8_12.

Kenez, P. (1985) ‘Introduction: the Soviet concept of propaganda’, in The birth of the propaganda state: Soviet methods of mass mobilization, 1917-1929. Cambridge: Cambridge University Press, pp. 1–17. Available at: https://doi.org/10.1017/CBO9780511572623.002.

Kirshchenbaum, L. (2000) ‘“‘Our City, Our Hearths, Our Families’: Local Loyalties and Private Life in Soviet World War II Propaganda”’, Slavic Review, 4(59), pp. 825–847. Available at: http://www.jstor.org/stable/pdfplus/2697421.pdf.

Kotkin, Stephen (1991) ‘Glasnost: a city newspaper rises, a theater declines’, in Steeltown, USSR: Soviet society in the Gorbachev era. Berkeley: University of California Press, pp. 39–75.

Kozlov, D.A. (Denis A. (2006) ‘“I Have Not Read, but I Will Say”: Soviet Literary Audiences and Changing Ideas of Social Membership, 1958-66’, Kritika: Explorations in Russian and Eurasian History, 7(3), pp. 557–597. Available at: https://doi.org/10.1353/kri.2006.0039.

Lahusen, T. (2002) ‘From laughter “out of sync” to post-synchronized comedy: how the Stalinist film musical caught up with Hollywood and overtook it’, in Socialist cultures East and West: a post-Cold War reassessment. Westport, Conn: Praeger, pp. 31–42.

Lisa Kirschenbaum (2006) ‘Heroes & victims’, in The legacy of the Siege of Leningrad, 1941-1995: myth, memories, and monuments. New York: Cambridge University Press, pp. 186–228. Available at: https://doi.org/10.1017/CBO9780511511882.009.

Lovell, S. (2011) ‘How Russia Learned to Listen: Radio and the Making of Soviet Culture’, Kritika: Explorations in Russian and Eurasian History, 12(3), pp. 591–615. Available at: https://doi.org/10.1353/kri.2011.0040.

Mally, L. (2000) ‘The revolution loves the theater’, in Revolutionary acts: amateur theater and the Soviet state, 1917-1938. Ithaca: Cornell University Press, pp. 17–46.

Mally, Lynn (1990) Culture of the future: the Prolekult movement in revolutionary Russia. Berkeley, [Calif.] ; Oxford: University of California Press.

Martin, Terry (2000) ‘Modernization or neo-traditionalism? Ascribed nationality and soviet primordialism’, in Russian modernity: politics, knowledge, practices. Basingstoke: Macmillan, pp. 161–182.

Nelson, A. (2004) ‘Of “cast-off barroom garbage” and “bold revolutionary songs”: the problem of popular music, 1923-1926’, in Music for the revolution: musicians and power in early Soviet Russia. University Park, Penna: Pennsylvania State University Press, pp. 95–124. Available at: https://contentstore.cla.co.uk/secure/link?id=a9082f92-6775-e811-80cd-005056af4099.

Northrop, D. (2004) ‘Hujum, 1927’, in Veiled empire: gender & power in Stalinist Central Asia. 1st ed. Ithaca: Cornell University Press, pp. 69–101.

Parthé, K. (1990) ‘Images of rural transformation in Russian village prose’, Studies in Comparative Communism, 23(2), pp. 161–175. Available at: https://doi.org/10.1016/0039-3592(90)90037-M.

Platt, K.M.F. and Brandenberger, D. (1999) ‘Terribly Romantic, Terribly Progressive, or Terribly Tragic: Rehabilitating Ivan IV under I.V. Stalin’, Russian Review, 58(4), pp. 635–654. Available at: https://doi.org/10.1111/0036-0341.00098.

Reid, S.E. (2002) ‘Cold War in the Kitchen: Gender and the De-Stalinization of Consumer Taste in the Soviet Union under Khrushchev’, Slavic Review, 61(2). Available at: https://doi.org/10.2307/2697116.

Roth-Ey, K. (2007) ‘Finding a home for television in the USSR,  - ’, Slavic Review, 66(2). Available at: http://www.jstor.org/stable/pdfplus/20060221.pdf.

Roth-Ey, Kristin (2011) ‘The new soviet movie culture’, in Moscow prime time: how the Soviet Union built the media empire that lost the cultural Cold War. Ithaca: Cornell University Press, pp. 71–130.

Solzhenit͡syn, Aleksandr Isaevich (2009) ‘Matryona’s home’, in The Solzhenitsyn reader: new and essential writings, 1947-2005. 1st pbk. ed. Wilmington, DE: ISI Books, pp. 24–56.

Spigel, L. (1988) ‘Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948-1955’, Camera Obscura: Feminism, Culture, and Media Studies, 6(1 16), pp. 9–46. Available at: https://doi.org/10.1215/02705346-6-1_16-9.

Stites, Richard (1989) Revolutionary dreams: utopian vision and experimental life in the Russian Revolution. New York: Oxford University Press.

Suny, Ronald Grigor (2011a) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Suny, Ronald Grigor (2011b) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Suny, Ronald Grigor (2011c) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Suny, Ronald Grigor (2011d) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Suny, Ronald Grigor (2011e) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Suny, Ronald Grigor (2011f) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Suny, Ronald Grigor (2011g) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Suny, Ronald Grigor (2011h) The Soviet experiment: Russia, the USSR, and the successor states. 2nd ed. New York: Oxford University Press.

Taylor, R. (1991) ‘Ideology as Mass Entertainment: Boris Shumyatsky and Soviet Cinema in the 1930s’, in Inside the Film Factory. Routledge, pp. 193–216. Available at: https://doi.org/10.4324/9780203992784.

‘The radiant path’ (no date). Available at: http://www.youtube.com/watch?v=6UlFRML2lGU.

Trotsky, Leon (1991) Literature and revolution. London: RedWords. Available at: http://www.marxists.org/archive/trotsky/1924/lit_revo/index.htm.

Tumarkin, N. (1994) ‘No one is forgotten, nothing is forgotten’, in The living & the dead : the rise and fall of the cult of World War II in Russia - University College London. New York: Basic Books, pp. 125–157. Available at: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05302.0001.001.

Varga-Harris, C. (2008) ‘Homemaking and the Aesthetic and Moral Perimeters of the Soviet Home During the Khrushchev Era’, Journal of Social History, 41(3), pp. 561–589. Available at: https://doi.org/10.1353/jsh.2008.0051.

Von Geldern, James and Stites, Richard (1995) Mass culture in Soviet Russia: tales, poems, songs, movies, plays, and folklore, 1917-1953. Bloomington: Indiana University Press. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt16xwcdw.

Yurchak, A. (2006) ‘True Colors of Communism : King Crimson, Deep Purple, Pink Floyd’, in Everything was forever, until it was no more: the last Soviet generation. Princeton, NJ: Princeton University Press, pp. 207–237. Available at: https://www.jstor.org/stable/j.ctt3fgx18.9?refreqid=excelsior%3A9ef8e487bc20b2ed316492685362424a&seq=1#page_scan_tab_contents.

Yurchak, A. (2008) ‘Suspending the Political: Late Soviet Artistic Experiments on the Margins of the State’, Poetics Today, 29(4), pp. 713–733. Available at: https://doi.org/10.1215/03335372-082.