1
Aksakov ST, Duff JD. A Russian gentleman. Oxford: Oxford University Press 1982.
2
Ostrovsky AN. The storm. London: Duckworth 1899.
3
Leskov NS, Winchell M. The cathedral clergy: a chronicle. Bloomington, Ind: Slavica Publishers 2010.
4
Gogol N. The Overcoat. The collected tales of Nikolai Gogol. London: Granta 2003:394–424.
5
Gan E. The Ideal. Russian women’s shorter fiction: an anthology, 1835-1860. Oxford: Clarendon Press 1996.
6
Durova NA, Zirin MF. The cavalry maiden: journals of a Russian officer in the Napoleonic Wars. Bloomington: Indiana University Press 1988.
7
Shapir O. The Settlement. An Anthology of Russian women’s writing, 1777-1992. Oxford ; New York: Oxford University Press 1994.
8
Lermontov MI, Slater NP. A hero of our time. Oxford: Oxford University Press 2013.
9
Turgenev IS. Fathers and sons. New York: W.W. Norton 1994.
10
Dostoyevsky F, Kentish J. Netochka Nezvanova. Harmondsworth: Penguin Books 1985.
11
Tolstoy L, Foote IP, McDuff D. The Kreutzer sonata and other stories. London: Penguin 2008.
12
Andrew J. Russian writers and society in the second half of the nineteenth century. London: Macmillan 1982.
13
Andrew J. Writers and society during the rise of Russian realism. London: Macmillan 1980.
14
Bartlett RP, Lampert E. Russian thought and society 1800-1917: essays in honour of Eugene Lampert. [Keele, Staffordshire]: University of Keele 1984.
15
Brower DR. Estate, class, and community: urbanization and revolution in late Tsarist Russia. Pittsburgh, PA: Russian and East European Studies Program, University of Pittsburgh 1983.
16
Bucher G. Daily life in Imperial Russia. Westport, Conn: Greenwood Press 2008.
17
Cavender MW. Nests of the gentry: family, estate, and local loyalties in provincial Russia. Newark: University of Delaware Press 2007.
18
Confino M. Russia before the radiant future: essays in modern history, culture, and society. New York: Berghahn Books 2011.
19
Cornwell N, Christian N. Reference guide to Russian literature. London ; Chicago: Fitzroy Dearborn 1998.
20
Cornwell N. The Routledge companion to Russian literature. London: Routledge 2001.
21
Cornwell N. The society tale in Russian literature: from Odoevskii to Tolstoi. Amsterdam ; Atlanta, GA.: Rodopi 1998.
22
Cracraft JCDBR 1941-, Rowland, 1941- DB. Architectures of Russian identity : 1500 to the present. Ithaca: Cornell University Press 2003.
23
Debreczeny P, Zeldin J. Literature and national identity: nineteenth-century Russian critical essays. Lincoln: University of Nebraska Press 1970.
24
Freeborn R, Donchin G, Anning NJ. Russian literary attitudes from Pushkin to Solzhenitsyn. London: Macmillan 1976.
25
Freeborn R. The rise of the Russian novel: studies in the Russian novel from ‘Eugene Onegin’ to ‘War and peace’. London: Cambridge University Press 1973.
26
Kelly C, Shepherd D. Constructing Russian culture in the age of revolution, 1881-1940. New York: Oxford University Press 1998.
27
Hartley JM. A social history of the Russian empire 1650-1825. Longman 1999.
28
Hingley R. Russian writers and society in the nineteenth century. 2nd, revised ed edn. London: Weidenfeld and Nicolson 1977.
29
Hosking GA. Russia and the Russians: a history. 2nd ed. Cambridge, Mass: Belknap Press of Harvard University Press 2011.
30
Jones MV, Miller RF, editors. The Cambridge Companion to the Classic Russian Novel. Cambridge: Cambridge University Press 1998.
31
Lotman IM. Besedy o russkoĭ kulʹtury: byt i tradit͡sii russkogo dvori͡anstva (XVIII-nachalo XIX veka). Sankt-Peterburg: ‘Iskusstvo-SPB’ 1994.
32
Lotman IM, Ginzburg L, Uspenskiĭ BA, et al. The Semiotics of Russian cultural history: essays. Ithaca, N.Y: Cornell University Press 1985.
33
Mirsky DS, Whitfield FJ. A history of Russian literature: comprising A history of Russian literature and Contemporary Russian literature. London: Routledge & K. Paul 1949.
34
Offord D, International Council for Soviet and East European Studies, World Congress for Soviet and East European Studies. The Golden age of Russian literature and thought. Basingstoke: Macmillan 1992.
35
Ogden JA, Kalb JE. Russian novelists in the age of Tolstoy and Dostoevsky. Detroit: Gale Group 2001.
36
Pipes R. Russia under the Old Regime. 2nd ed. London: Penguin 1995.
37
Raeff M. Origins of the Russian intelligentsia: the eighteenth-century nobility. [1st ed.]. New York: Harcourt, Brace & World 1966.
38
Reeve FD. The Russian novel. London: Frederick Muller 1967.
39
Roosevelt PR, Brumfield W. Life on the Russian country estate : a social and cultural history / Priscilla Roosevelt ; with photographs by William Brumfield. New Haven: Yale University Press 1995.
40
Rydel C. Russian literature in the age of Pushkin and Gogol: prose. Detroit: Gale Research 1999.
41
Schuler C. Theatre and identity in imperial Russia. Iowa City, Iowa: University of Iowa Press 2009.
42
Shklovskiĭ V, Sher B. Theory of prose. 2nd printing with corr. Elmwood Park, IL, USA: Dalkey Archive Press 1991.
43
Shklovsky V. Art as technique. Russian formalist criticism : four essays. Lincoln, Neb: University of Nebraska Press 1965:3–24.
44
Stavrou, 1934- TGSUnionM kulʹtury. ; C on ICooperation, Stavrou TG, Soviet Union. Ministerstvo kulʹtury, et al. Art and culture in nineteenth-century Russia / edited by Theofanis G. Stavrou. Bloomington: Indiana University Press 1983.
45
Todd WM, Belknap RL, Stanford University. Literature and society in imperial Russia, 1800-1914. Stanford, Calif: Stanford University Press 1978.
46
Todd WM. Fiction and society in the age of Pushkin: ideology, institutions, and narrative. Cambridge, Mass: Harvard University Press 1986.
47
Durkin AR. Sergei Aksakov and Russian pastoral. New Brunswick, N.J: Rutgers University Press 1983.
48
Durkin AR. Pastoral in Aksakov: the transformation of poetry. Ulbandus Review: A Journal of Slavic Languages and Literatures. 1979;2:62–75.
49
Feuer KB. ‘Family Chronicle’: The Indoor Art of Sergei Aksakov. Ulbandus Review: A Journal of Slavic Languages and Literatures. 1979;2:86–102.
50
Gregg R, Aksakov S. The Decline of a Dynast: From Power to Love in Aksakov’s Family Chronicle. Russian Review. 1991;50:35–47.
51
Levitt MC. Aksakov’s Family Chronicle and the Oral Tradition. The Slavic and East European Journal. 1988;32:198–212.
52
Beasley I. The dramatic art of Ostrovsky: (Alexander Nikolayevich Ostrovsky, 1823-86). [London School of Slavonic Studies] 1928.
53
Dobrolyubov NA. A Ray of Liight in the Realm of Darkness. Selected  philosophical essays. Moscow: Foreign Languages Publishing House 1956:548–635.
54
Esam I. Folkloric Elements as Communication Devices: OStrovsky’s Plays. New Zealand Slavonic journal. 1968;67–88.
55
Henley N. Ostrovskij’s Play-Actors, Puppets, and Rebels. The Slavic and East European Journal. 1970;14:317–25.
56
van Holk AGF. On the Deep Structure of Ostrovskij’s ‘Dark Realm’. Russian Literature. ;36:301–16. doi: 10.1016/0304-3479(94)P3021-C
57
Hoover ML. Alexander Ostrovsky. Boston: Twayne Publishers 1981.
58
Lebedev IV. O narodnosti Grozy, ‘russkoi tragedii’ A. N. Ostrovskogo. Russkai͡a literatura: istoriko-literaturnyĭ zhurnal. 1981;14–31.
59
Peace RA. A. N. Ostrovsky’s ‘The Thunderstorm’: The Dramatization of Conceptual Ambivalence. The Modern Language Review. 1989;84:99–110.
60
Rahman KS. The British reception of Russian playwright Aleksandr Nikolaevich Ostrovsky (1823-1886): Russian drama on the British stage. Lewiston, N.Y.: Edwin Mellen Press 2011.
61
Rahman KS. Ostrovskii on the British Stage: 1894-1928. Toronto Slavic Quarterly. 2004;9.
62
Rahman KS. Ostrovsky through the Looking Glass: The Significance of Mirrors in the Plays of Aleksandr Nikolaevich Ostrovsky. Irish Slavonic studies: the journal of the Irish Slavists’ Association. 1997;18:111–27.
63
Drama A.N. Ostrovskogo ‘Groza’ v russkoĭ kritike. Leningrad: Izd-vo Leningradskogo universiteta 1990.
64
Zohrab I. Problems of Style in the Plays of Ostrovsky. Melbourne Slavonic studies. 1977;12:35–46.
65
Zohrab I. Re-assessing A N Ostrovsky’s ‘Groza’: From the Classical Tradition to Contemporary Critical Approaches. New Zealand Slavonic Journal. 2002;36:302–20.
66
Benjamin W. The Storyteller: Reflections on the work of Nikolai Leskov. Illuminations. London: Fontana 1973.
67
Burago A. Leskov’s ‘Cathedral folk’: a Russian apocalypse. 1976.
68
Grimstad KA. Styling Russia: multiculture in the prose of Nikolai Leskov. Bergen, Norway: Dept.of Foreign Languages, University of Bergen 2007.
69
Lantz KA. Nikolay Leskov. Boston: Twayne Publishers 1979.
70
McLean H. Nikolai Leskov: the man and his art. Cambridge, Mass: Harvard University Press 1977.
71
Sperrle IC. The organic worldview of Nikolai Leskov. Evanston, Ill: Northwestern University Press 2002.
72
Sperrie C. Narrative Structure in Nikolai Leskov’s Cathedral Folk: The Polyphonic Chronicle. The Slavic and East European Journal. 2000;44:29–47.
73
Wigzell F. The staraya skazka of Leskov’s ‘Soboryane’: Archpriests Tuberozov and Avvakum. The Slavonic and East European Review. 1985;63:321–36.
74
Faith Wigzell. Leskov’s Soboryane: A Tale of Good and Evil in the Russian Provinces. The Modern Language Review. 1988;83:901–10.
75
Aizlewood R. Geroi nashego vremeni as emblematic prose text. From Pushkin to Palisandriia: essays on the Russian novel in honour of Richard Freeborn. Basingstoke: Macmillan, in association with the School of Slavonic and East European Studies, University of London 1990:39–51.
76
Andrew J. ‘The Blind Will See’: Narrative and Gender in ‘Taman’’. Russian Literature. 1992;31:449–76. doi: 10.1016/0304-3479(92)90030-I
77
Azouqa AO. Chapter 3 Lemontov and the elimination of a Circassian Princess in Bela. The Circassians in the imperial discourse of Pushkin, Lermontov and Tolstoy. Jordan: University of Jordan 2004:91–124.
78
Bagby L. Narrative Double-Voicing in Lermontov’s A Hero of Our Time. The Slavic and East European Journal. 1978;22:265–86.
79
Bagby, 1944- L, American Association of Teachers of Slavic and East European Languages. Lermontov’s A Hero of our time : a critical companion. Evanston, Ill.: Northwestern University Press 2002.
80
Barratt A, Briggs ADP. A wicked irony: the rhetoric of Lermontov’s A hero of our time. Bristol: Bristol Classical Press 1989.
81
Cox GD. Dramatic Genre as a Tool of Characterization in Lermontov’s A Hero of Our Time. Russian Literature. 15 AD;11:163–72.
82
Eagle H. Lermontov’s "play” with romantic genre expectations in A Hero of Our Time. Russian literature triquarterly. 1974;10:299–315.
83
Ėĭkhenbaum BM. Lermontov. Letchworth, Eng: Prideaux Press 1977.
84
Faletti HE. Elements of the demonic in the character of Pechorin in Lermontov’s A Hero of Our Time. Forum for Modern Language Studies. 1978;XIV:365–77. doi: 10.1093/fmls/XIV.4.365
85
Freeborn R. A Hero of Our Time. The rise of the Russian novel: studies in the Russian novel from ‘Eugene Onegin’ to ‘War and peace’. London: Cambridge University Press 1973:38–73.
86
Gilroy M. The ironic vision in Lermontov’s A hero of our time. Birmingham: University of Birmingham 1989.
87
Gregg R. The Cooling of Pechorin: The Skull beneath the Skin. Slavic Review. 1984;43:387–98.
88
Layton S. Russian literature and empire: conquest of the Caucasus from Pushkin to Tolstoy. Cambridge: Cambridge University Press 1994.
89
Leatherbarrow WJ. Pechorin’s Demons: Representations of the Demonic in Lermontov’s ‘A Hero of Our Time’. The Modern Language Review. 2004;99:999–1013.
90
Marsh C. Lermontov and the Romantic Tradition: The Function of Landscape in ‘A Hero of Our Time’. The Slavonic and East European Review. 1988;66:35–46.
91
Reid R. Lermontov: a hero of our time. Bristol: Bristol Classical 1996.
92
Rosenshield G. Fatalism in A Hero of Our Time: Cause or Commonplace. The Supernatural in Slavic and Baltic literature: essays in honor of Victor Terras. Columbus, Ohio: Slavica Publishers 1988:83–101.
93
Scotto P. Prisoners of the Caucasus: Ideologies of Imperialism in Lermontov’s ‘Bela’. PMLA. 1992;107:246–60.
94
Todd III WM. A Hero of Our Time - The Causasus as Amphitheater. Fiction and society in the age of Pushkin: ideology, institutions, and narrative. Cambridge, Mass: Harvard University Press 1986.
95
Turner CJG. Pechorin: an essay on Lermontov’s ‘A hero of our time’. Birmingham: Department of Russian Language and Literature, University of Birmingham 1978.
96
Turner CJG. The System of Narrators in Part I of A Hero of Our Time. Canadian Slavonic Papers / Revue Canadienne des Slavistes. 1975;17:617–28.
97
van der Eng J. The Character Maksim Maksimyč. Russian Literature. ;34:21–35. doi: 10.1016/0304-3479(93)90025-N
98
Vishevsky A. Demonic games or the hidden plot of Mixail Lermontov’s Knjazna Meri. Wiener Slawistischer Almanac. 1991;27:55–72.
99
Barratt A. Plot as paradox: the case of Gogol’s ‘Shinel’’. New Zealand Slavonic Journal. 1979;1–24.
100
Chizevskii [Tschizewskij] D. The Composition of Gogol’s Overcoat. Russian literature triquarterly. 1976;14:378–401.
101
Trahan EW. The Composition of Gogol’s ‘Overcoat’. Gogol’s ‘Overcoat’: an anthology of critical essays. Ann Arbor, Mich: Ardis :37–60.
102
Maguire RA. About Gogol’s ‘Overcoat’. Gogol from the twentieth century: eleven essays. Princeton, N.J.: Princeton University Press 1974:293–322.
103
Meyer P, Rudy S. On Gogol’s ‘The Overcoat’. Dostoevsky & Gogol: texts and criticism. Ann Arbor: Ardis 1979:137–60.
104
Clyman TW. The Hidden Demons in Gogol’’s Overcoat. Russian Literature. ;7:601–10. doi: 10.1016/0304-3479(79)90014-0
105
Eichenbaum B, Paul B, Nesbitt M. The Structure of Gogol’s ‘The Overcoat’. Russian Review. 1963;22:377–99.
106
Maguire RA. How Gogol’s ‘Overcoat’ is made. Gogol from the twentieth century: eleven essays. Princeton, N.J.: Princeton University Press 1974:267–91.
107
Meyer P, Rudy S. How Gogol’s ‘Overcoat’ is made. Dostoevsky & Gogol: texts and criticism. Ann Arbor: Ardis 1979:119–36.
108
Trahan EW. How Gogol’s ‘Overcoat’ is made. Gogol’s ‘Overcoat’: an anthology of critical essays. Ann Arbor, Mich: Ardis 1982:21–36.
109
Fanger D. The creation of Nikolai Gogol. Cambridge, Mass. ; London: The Belknap Press of Harvard University Press 1979.
110
Graffy J. Gogol’s The Overcoat. London: Bristol Classical Press 2000.
111
Hammarberg G. Sartor Resartus: Gogol’s Overcoats. Russian Review. 2008;67:395–414.
112
Hippisley A. Gogol"s ‘The Overcoat’: A Further Interpretation. The Slavic and East European Journal. 1976;20:121–9.
113
Jackson RL. ‘Two views of Gogol and the critical synthesis’. Belinskij, Rozanov and Dostoevskij. An essay in literary-historical criticism. Russian literature. 1984;15:223–42.
114
McFarlin HA. ‘The Overcoat’ As a Civil Service Episode. Canadian-American Slavic Studies. 1 AD;13:7–253. doi: 10.1163/221023979X00096
115
Meyer P. False pretenders and the spiritual city: ‘A May Night’ and ‘The Overcoat’. Essays on Gogol: logos and the Russian word. Evanston, Ill: Northwestern University Press 1992:63–74.
116
Mills JO. Gogol’s ‘Overcoat’: The Pathetic Passages Reconsidered. PMLA. 1974;89:1106–11.
117
Nilsson NÅ. Gogol’s The Overcoat and the topography of Petersburg. 26 AD;21:5–18.
118
Oinas FJ. Akakij Akakievič’s Ghost and the Hero Orestes. The Slavic and East European Journal. 1976;20:27–33.
119
Peace R. Gogol and psychological realism: Shinel. Russian and Slavic literature. Cambridge, Mass: Slavica Publishers 1976:63–91.
120
Rancour-Laferriere D. Out from under Gogol’s Overcoat: a psychoanalytical study. Ann Arbor, Mich: Ardis 1982.
121
Schillinger J. Gogol’s ‘The Overcoat’ as a Travesty of Hagiography. The Slavic and East European Journal. 1972;16:36–41.
122
Setchkarev V. The Overcoat. Gogol: his life and works. London: Owen 1965:216–27.
123
Trahan EW. Gogol’s ‘Overcoat’: an anthology of critical essays. Ann Arbor, Mich: Ardis .
124
Paul M. Waszink. Mythical Traits in Gogol’s ‘The Overcoat’. The Slavic and East European Journal. 1978;22:287–300.
125
Woodward J. The threadbare fabric of Gogol’s Overcoat. Canadian Slavic studies: a quarterly journal devoted to Russia and East Europe = Revue canadienne d’études slaves. ;1:95–104.
126
Allen EC. Beyond realism: Turgenev’s poetics of secular salvation. Stanford, Calif: Stanford University Press 1992.
127
Berlin I. ‘Fathers and children’: the Romanes lecture, delivered in the Sheldonian Theatre, 12 November 1970. Oxford: Clarendon Press 1972.
128
Costlow JT. Worlds within worlds: the novels of Ivan Turgenev. Princeton, N.J. ; Oxford: Princeton University Press 1990.
129
Freeborn R. Turgenev: the novelist’s novelist : a study. [London]: Oxford University Press 1960.
130
Lowe DA. Turgenev’s Fathers and sons. Ann Arbor, Mich: Ardis 1983.
131
Seeley FF. Turgenev: a reading of his fiction. Cambridge ; New York: Cambridge University Press 1991.
132
Valentino RS. A Wolf in Arkadia: Generic Fields, Generic Counterstatement and the Resources of Pastoral in Fathers and Sons. Russian Review. 1996;55:475–93.
133
Valentino RS. Vicissitudes of genre in the Russian novel: Turgenev’s ‘Fathers and sons’, Chernyshevsky’s ‘What is to be done?’, Dostoevsky’s ‘Demons’, Gorky’s ‘Mother’. New York: Peter Lang 2001.
134
Woodward JB. ‘Aut Caesar aut nihil’: The “War of Wills” in Turgenev’s ‘Ottsy i deti’. The Slavonic and East European Review. 1986;64:161–88.
135
Woodward JB. Metaphysical conflict: a study of the major novels of Ivan Turgenev. München: Otto Sagner 1990.
136
Woodward JB. Turgenev’s Fathers and sons. London: Bristol Classical Press 1996.
137
Andrew J. Women in Russian literature, 1780-1863. Basingstoke: Macmillan 1988.
138
Barker AM, Gheith JM. A history of women’s writing in Russia. New York: Cambridge University Press 2001.
139
Barta PI. Gender and sexuality in Russian civilization. Amsterdam: Harwood Academic 2001.
140
Clyman TW, Greene D. Women writers in Russian literature. Westport, Conn ; London: Greenwood Press 1994.
141
Clyman TW, Vowles J. Russia through women’s eyes: autobiographies from Tsarist Russia. New Haven: Yale University Press 1996.
142
Edmondson LH. Gender in Russian history and culture. Basingstoke: Palgrave, in association with Centre for Russian and East European Studies, University of Birmingham 2001.
143
Engel BA. Mothers and daughters: women of the intelligentsia in nineteenth-century Russia. Evanston, Ill: Northwestern University Press 2000.
144
Engel BA. Women in Russia, 1700-2000. Cambridge: Cambridge University Press 2004.
145
Gheith JM. Finding the middle ground: Krestovskii, Tur, and the power of ambivalence in nineteenth-century Russian women’s prose. Evanston, Ill: Northwestern Univ. Press 2004.
146
Glagoleva OE. Dream and reality of Russian provincial young ladies, 1700-1850. Pittsburgh, Pa: Center for Russian and East European Studies, University of Pittsburgh 2000.
147
Grenier SS. Representing the marginal woman in nineteenth-century Russian literature: personalism, feminism, and polyphony. Westport, CT: Greenwood Press 2000.
148
Heldt B. Terrible perfection: women and Russian literature. Bloomington: Indiana University Press 1987.
149
Hoisington SS. A plot of her own: the female protagonist in Russian literature. Evanston, Ill: Northwestern University Press 1995.
150
Hoogenboom H, Theimer Nepomnyashchy C, Reyfman I. Project MUSE - Mapping the Feminine: Russian Women and Cultural Difference. Bloomington, Ind: Slavica Publishers 2008.
151
Kelly C. A history of Russian women’s writing, 1820-1992. Oxford: Clarendon Press 1994.
152
Savkina I, Hoogenboom H, Liljeström M, et al. Models of self: Russian women’s autobiographical texts. Helsinki: Aleksanteri Institute 2000.
153
Marsh R. Women and Russian culture: projections and self-perceptions. New York: Berghahn Books 1998.
154
Marsh RJ. Gender and Russian literature: new perspectives. Cambridge (Cambridgeshire) ; New York: Cambridge University Press 1996.
155
Pushkareva NL, Levin E. Women in Russian history: from the tenth to the twentieth century. Armonk, N.Y.: M.E. Sharpe 1997.
156
Rosenholm A, Aleksanteri-instituutti (Helsinki, Finland). Gendering awakening: femininity and the Russian woman question of the 1860s. Helsinki: Aleksanteri-instituutti 1999.
157
Rosslyn W, Tosi A. Women in nineteenth-century Russia: lives and culture. Cambridge, U.K.: OpenBook Publishers 2012.
158
Tomei CD. Russian women writers. New York: Garland Publishing 1999.
159
Coetzee JM. Confession and Double Thoughts: Tolstoy, Rousseau, Dostoevsky. Comparative Literature. 1985;37:193–232.
160
Jones MV. An aspect of romanticism in Dostoyevsky: ‘Netochka Nezvanova’ and Eugène Sue’s ‘Mathilde’. Renaissance and Modern Studies. ;17:38–61. doi: 10.1080/14735787309391469
161
Jones MV. Sisters and Rivals: Variations on a Theme in Dostoevskii’s Fiction. Die Wirklichkeit der Kunst und das Abenteuer der Interpretation: Festschrift für Horst-Jürgen Gerigk. Heidelberg: Universitätsverlag C. Winter 1999:159–69.
162
Knapp L. Tolstoy on Musical Mimesis: Platonic Aesthetics and Erotics in ‘The Kreutzer Sonata’. Tolstoy studies journal. 1991;4:25–42.
163
Ruddick N. The Ripper Naturalized: Gynecidal Mania in Tolstoy’s The Kreutzer Sonata and Zola’s La Bête humaine. Excavatio: international review for multidisciplinary approaches and comparative studies related to Emile Zola and his time, naturalism, naturalist writers and artists around the world. 2001;14.1-2:181–93.